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"lensman" Definitions
  1. a professional photographer or cameraman

144 Sentences With "lensman"

How to use lensman in a sentence? Find typical usage patterns (collocations)/phrases/context for "lensman" and check conjugation/comparative form for "lensman". Mastering all the usages of "lensman" from sentence examples published by news publications.

He wrote the preface for the book, saying how he likes working with [this] mature lensman.
Hubert Rogers, "Grey Lensman" (Astounding Science Fiction, October 1939) and "The Roads Must Roll" (Astounding Science Fiction, June 1940).
Overall, this looks like a solid entry in the Star Trek series, helmed by a worthy lensman in Justin Lin.
Whether it's the work of a celeb portrait photographer or a landscape lensman, you'll want to double-tap every shot.
His greatest achievement was a portrait of Kimball Kinnison, the protagonist of E.E. Smith's "Grey Lensman," the second installment in a series about a corps of galactic law enforcement officers.
Chauffeur Cristovoa Proenca, 44, was charged with criminal mischief for allegedly getting handsy with a lensman trying to photograph  Georgina Chapman  and her two children on West 11th Street in the West Village, the sources said.
Slimane is starting off his all-in career as a lensman by debuting a series of portfolios he photographed for V. Titled "New York Diary" and released in three installments, he follows different artists and creators based in the Big Apple and captures them in a series of B&W portraits.
The campaign was shot in Lee Valley Regional Park in the U.K.It's certainly been a busy few months for Hadid, who just achieved the singular supermodel milestone that is being photographed by Mario Testino: She was shot by the illustrious lensman for the the August cover of Vogue China, alongside rapper and music producer G-Dragon.
Lensman is based on the Lensman series of novels by E. E. Smith.
On July 14, 1965, barely a month before his death, Smith gave written permission to William B. Ellern to continue the Lensman series, which led to the publishing of "Moon Prospector" in 1965 and New Lensman in 1976. Smith's long-time friend, Dave Kyle, wrote three authorized added novels in the Lensman series that provided background about the major nonhuman Lensmen: Dragon Lensman, Lensman from Rigel, and Z-Lensman.
Gray Lensman is a science fiction novel by American writer E. E. Smith. It was first published in book form in 1951 by Fantasy Press in an edition of 5,096 copies. The novel was originally serialized in the magazine Astounding in 1939. Gray Lensman is the fourth (originally the second) book in the Lensman series and the second to focus on the adventures of Lensman Kimball Kinnison.
Later writers would add characters that directly referenced the Lensman series, such as the extraterrestrial Green Lanterns Arisia and Eddore. In Robert Heinlein's The Number of the Beast the protagonists encounter a Lensman. The novel's alternate version, The Pursuit of the Pankera, has an extended version of the Lensman sequence.
Lensman: Secret of The Lens (SF 新世紀 レンズマン SF Shinseiki Lensman?) is a 1984 Japanese animated film based on the Lensman novels. The movie is a loose adaptation of the series. It was dubbed by Harmony Gold USA in 1988. This was re-dubbed by Streamline Pictures in 1990 with some of the same voice actors.
With Martin Greenberg, Kyle founded Gnome Press in 1948. He wrote two pictorial histories of science fiction (A Pictorial History of Science Fiction and The Illustrated Book of Science Fiction Ideas and Dreams) and three licensed novels set in the Lensman universe (The Dragon Lensman, Lensman from Rigel and Z-Lensman). He appeared with Paul Levinson, Greg Bear and many others on the History Channel's 2002 documentary, Fantastic Voyage: Evolution of Science Fiction. He died at the age of 97 on September 18, 2016.
Published with the title Masters of the Vortex in 1968) Originally, the series consisted of the four novels Galactic Patrol, Gray Lensman, Second Stage Lensmen, and Children of the Lens, published between 1937 and 1948 in the magazine Astounding Stories. In 1948, at the suggestion of Lloyd Arthur Eshbach (publisher of the original editions of the Lensman books as part of the Fantasy Press imprint), Smith rewrote his 1934 story Triplanetary to fit in with the Lensman series. First Lensman was written in 1950 to act as a link between Triplanetary and Galactic Patrol and finally, in the years up to 1954, Smith revised the rest of the series to remove inconsistencies between the original Lensman chronology and Triplanetary.
Triplanetary was first serialized in the magazine Amazing Stories in 1934. Following the success of his Lensman series, Smith expanded and reworked the novel into the first of two Lensman prequels. Triplanetary was published in book form in 1948 by Fantasy Press in an edition of 4,941 copies. The second prequel was a new original novel, First Lensman, published in 1950 by Fantasy Press.
Combat involves both physical weapons and telepathic attacks. It clearly owes a lot to E. E. Smith's Lensman series. Unlike the six Lensman books, the four stories are only loosely connected. Each features a completely different set of enemies.
The movie received a mixed reception. The GURPS supplement for Lensman references the film.
The hero of the book is Neal "Storm" Cloud. Although the story happens in the “Lensman” universe he is not a Lensman. Instead he is a nuclear engineer with an amazingly mathematical mind. He is a high level genius and a lightning calculator.
The series has been adapted into the board wargames Lensman and Triplanetary. The first of these was designed by Philip N. Pritchard. GURPS Lensman: Starkly Astounding Space-Opera Adventure for the GURPS roleplaying system was produced in 1993 by Steve Jackson Games.
Although portions of Triplanetary were written earlier, they were not originally part of the Lensman story and were only later revised to connect them to the rest of the series. First Lensman was written later to bridge the events in Triplanetary to those in Galactic Patrol.
After that he continued to produce science-fiction short stories, including "Moon Prospector" (Analog Science Fiction and Fact, 1966), "New Lensman" (serialized in 14 parts in Perry Rhodan #61-74, 1975) and "Triplanetary Agent" (serialized in 6 parts in Perry Rhodan #100-105, 1978). There is a fourth unpublished story. In 1976 New Lensman was published, which contained "Moon Prospector" along with the "New Lensman" serial from Perry Rhodan. "Triplanetary Agent" has yet to be reprinted in book form.
The stories originally appeared in the magazines Comet and Astonishing Stories. In 1968, Pyramid Books issued a paperback edition under the title Masters of the Vortex, promoting it as "the final adventure in the famous Lensman series."Masters of the Vortex, Pyramid Books, 1968, front cover copy While the stories are set in the same universe as the Lensman novels, they are only tangentially related. They reference events that happen in the Lensman series, but only “off stage”.
Sean Barrett (born 1959) is a writer, nucleonicist,GURPS Lensman, p. 4. former member of the Wikipedia Arbitration Committee, and the grandson of Linton Lomas Barrett. He is the author of GURPS Lensman: Starkly Astounding Space- Opera Adventure, a book of role-playing instructions carefully based upon the Lensman series by E.E. Smith, and authorized by Dr. Smith's literary executor, Verna Smith Trestrail. He was a nucleonicist on the USS Ohio (SSBN-726), and senior health physicist on the Three Mile Island Unit Two Recovery Team.
Smith was widely read by scientists and engineers from the 1930s into the 1970s. Literary precursors of ideas which arguably entered the military-scientific complex include SDI (Triplanetary), stealth (Gray Lensman), the OODA loop, C3-based warfare, and the AWACS (Gray Lensman). An inarguable influence was described in a June 11, 1947, letterLetter from John W. Campbell to E. E. Smith, pages 1–2, Dated June 11, 1947. to Smith from John W. Campbell (the editor of Astounding, where much of the Lensman series was originally published).
First Lensman picks up more or less where Triplanetary left off. The story follows the doings of the "First Lensman" Virgil Samms. The Arisians know that he is incorruptible, a paragon of bravery and virtue, so they have chosen him to be the first entity to wear the "Lens of Civilization". Samms has a dream.
It adds an additional short novel (originally published with the Triplanetary name) which is transitional to the novel First Lensman. It details some of the interactions and natures of two distinct breeding lines, one bearing some variant of the name "Kinnison", and another distinguished by possessing "red- bronze-auburn hair and gold-flecked, tawny eyes". The two lines do not commingle until the Arisian breeding plan brings them together. The second book, First Lensman, concerns the early formation of the Galactic Patrol and the first Lens, given to First Lensman Virgil Samms of "Tellus" (Earth).
The Lensman returns to the First Galaxy with the space-faring planet and its grateful residents. Kinnison decides that since the Patrol is not yet strong enough to attack the Second Galaxy militarily, he will follow leads to the upper levels of Boskone through the traffic in the illegal drug thionite. The novel then follows Kinnison as he tries to infiltrate the Boskonian drug network. Along the way, Kinnison learns something else new: as a Second Stage Lensman he no longer needs his Lens to do Lensman things such as read minds or communicate telepathically, although he works better while wearing it.
Lensman was first published in 1969, and was designed by Philip N. Pritchard. The second edition was released later that year by Spartan International.
Originally published in six parts, September 1937 – February 1938, in Astounding Stories) #Gray Lensman (1951. Originally published in four parts, October 1939 – January 1940, Astounding Science Fiction) #Second Stage Lensmen (1953. Originally published in four parts, November 1941 – February 1942, Astounding Science Fiction) #Children of the Lens (1954. Originally published in four parts, November 1947 – February 1948, Astounding Science Fiction) Lensman side stories :The Vortex Blaster (1960.
Prime Base is the tremendous military base that first grew from "The Hill", a man-made, flat-topped, steel sheathed mountain that was the main base of first, the Triplanetary Service, and then of the new Galactic Patrol on Tellus. During the time of the First Lensman when it was still "The Hill", it was attacked by pirates working for Boskone, but thanks to the efforts of its fleet and its own very strong defenses, it survived without coming to any harm. Later in First Lensman Prime Base was moved to New York Space Port. If it remained there is not revealed in First Lensman or in the later books.
Filipino veteran sportswriter Quinito Henson added that a Chinese photographer had to be restrained from scuffling with a Filipino lensman for shielding Abueva from crowd abuse.
If he hadn't lost an arm in battle, Gary would have been a Lensman himself. Having always dreamt of becoming a Lensman, Gary sacrifices his own life to secure Kim's escape from the pursuing Boskone fleet. Kim escapes the Boskone with his horned and bearded near-human friend Van Buskirk. Through the movie's events, Kim also meets Clarissa MacDougall, a nurse and technician working with the Galactic Patrol.
Second Stage Lensmen is a science fiction novel by author Edward E. Smith. It was first published in book form in 1953 by Fantasy Press in an edition of 4,934 copies. The novel was originally serialized in the magazine Astounding beginning in 1941. Second Stage Lensmen is the fifth volume in the Lensman series, and the last to feature Kimball Kinnison as the most powerful Lensman in the service of the Galactic Patrol.
After the original four novels of the Lensman series were published, Smith expanded and reworked Triplanetary into the first of two prequels for the series. The expanded Triplanetary was published in book form in 1948 by Fantasy Press. The second prequel, First Lensman, was a new original novel published in 1950 by Fantasy Press. The novel covers several episodes in an eons-long human breeding project by the super-intelligences of the Arisians.
The Galactic Patrol was an intergalactic organization in the Lensman science fiction series written by E. E. Smith. It was also the title of the third book in the series.
For the story, Hiroyasu's team was inspired by science fiction movies, with the popular sci-fi films at the time being Star Wars and the anime adaptations of Lensman. The team saw Lensman together and it influenced the game's story. Its plasma laser also left a big impression on them and was why Gradius featured a Laser weapon. The Moai were included because they wanted to add a mysterious element to the game like Xevious and its Nazca Lines.
Smith completely revised an early non-related novel, Triplanetary, into the introductory novel of the series. He then wrote an entirely new novel, First Lensman, to tie the first novel in with the four adventures of Kimball Kinneson which had originally made up the rest of the series. The six Lensman books were among the best selling of all the Fantasy Press titles. Robert Weinberg "Specialty Science Fiction Publishers"ïn Hall W. Hall, ed, Science Fiction Collections: Fantasy, Supernatural and Weird Tales, Haworth Press, 1978, p.
David G. Potter (April 3, 1947 - June 13, 2001) was a computer technician at California State University, Sacramento who was widely known for acerbic, scathingly humorous and knowledgeable postings to Usenet science fiction newsgroups. He assumed the name of Gharlane of Eddore, a character from the Lensman series, as a Usenet pseudonym for Usenet postings and carefully guarded his true identity for many years before his death. He is best known for authoring the Lensman FAQ and voluminous Usenet postings. He died on June 13, 2001 following a heart attack.
Beldringe's main building, constructed by Lauge Becvk's father circa 1561 In 1571–73 and again in 1577–87, Beck was lensman of Roskildegård, In 1591–1605, he was lensman of Ringsted Abbey9. Je inherited Førslev and Beldringe after his parents. He also acquired considerable holdings on the island of Lolland from the Crown and Maribo Abbey in exchange for other land and was in 1593 able to establish the manor of Havrelykke. In 1596, he also acquired the no longer existing manor of Holme-Olstrup in the Parish of Olstrup.
First Lensman is a science fiction novel and space opera by American author E. E. Smith. It was first published in 1950 by Fantasy Press in an edition of 5,995 copies. Although it is the second novel in the Lensman series, it was the sixth written. The novel chronicles the founding of the Galactic Patrol by Virgil Samms, the first sentient being in our cosmos to wear the "Lens", a unique badge of authority which is actually a form of "pseudo-life" that grants telepathic powers to the defenders of Civilization.
Old Earth was founded in 1993, with the publication of a short story collection, Rude Astronauts, by Allen Steele. Its greatest commercial success came with the re-printing of the Lensman series, by E. E. Smith, starting in 1997.
The Lensman series is a series of science fiction novels by American author Edward Elmer "Doc" Smith. It was a runner-up for the 1966 Hugo award for Best All-Time Series (the winner was the Foundation series by Isaac Asimov).
The game was produced for the Konami Bubble System arcade hardware, which gave the team more hardware capacity and memory to experiment with. Hiroyasu wanted the game to have a visually distinct world with unique enemies and locations, something relatively uncommon for shooters at the time. Inspiration for mechanics and the story were derived from films such as Star Wars: A New Hope and Lensman, with the Laser weapon being directly taken from those in Lensman. The idea for the power meter mechanic stemmed from the team's desire to give players the freedom to select whichever weapons they pleased.
After Kinnison's ship leaves, Lyrane comes under attack by two Boskonian ships and the matriarchs, who are helpless against thought screened pirates with advanced weapons, have to call Kinnison and the Patrol to come back and help them. On the way back to Tellus (Earth) with the zwilnik, Kinnison decides that, in some way, Lyrane is connected with Boskone. He knows that no male, except a Lensman, could survive a minute in that man-hating culture, and even a Lensman would have to spend all his time protecting himself. Only a female could be effective, but there were no female Lensmen.
Kinnison makes the decision, after consulting Mentor, that the best person for the job is Clarissa MacDougall. She flatly refuses to have any contact with Mentor, so it's up to Kinnison to give her the mental training needed to make her a Lensman. Mentor sees to it that her Lens is delivered, and as Civilization's first female Lensman, she goes to Lyrane to try to find its link, if any, to Boskone. After sending Clarissa to Lyrane, Kinnison and Nadreck set about following a lead to the main Boskonian threat by tracing an enemy communications line leading into the second galaxy.
Galactic Patrol introduces Kimball Kinnison, who will be the hero of the next three books - Gray Lensman, Second Stage Lensmen and (to a lesser extent) Children of the Lens. Kinnison and Clarissa MacDougall are the penultimates of the human breeding program the Arisians set up many eons earlier. The book deals with the earliest stages of Kinnison's career, starting with his graduation as a Lensman from the Patrol's academy. Organized pirates, known as Boskonians, have gained a great advantage with a new type of space drive, making their ships far faster than anything the Patrol can build.
After his death, Gerdrup passed to his sisters, Eline and Anne Hundermark. Anne Hundermark married Frands Kaas. Ellen Hundermark married John Cunningham, a Scotsman who had served as captain of HDMS Trost on an expedition to Greenland and was lensman of Vardøhus in Norway.
Triplanetary is a prologue to the Lensman series. It consists of two parts. The first explains the series background, which consists of a conflict between the evil Eddorians and the benevolent Arisians. This conflict is carried out throughout the history of an oblivious humankind on Earth.
Lensman was one of five finalists when the 1966 World Science Fiction Convention judged Isaac Asimov's Foundation the Best All-Time Series. The Science Fiction and Fantasy Hall of Fame inducted Smith in 2004. This was the official website of the hall of fame to 2004.
Vortex Blasters (also known as Masters of the Vortex) is set in the same universe as the Lensman novels. It is an extension to the main storyline which takes place between Galactic Patrol and Children of the Lens, and introduces a different type of psionics from that used by the Lensmen. Spacehounds of IPC is not a part of the series, despite occasional erroneous statements to the contrary. (It is listed as a novel in the series in some paperback editions of the 1970s.) Robert A. Heinlein reported that Smith had planned a seventh Lensman novel, set after the events described in Children of the Lens, which was unpublishable at that time (the early 1960s).
Soon after its release, the film was bought by Japan Airlines, who showed it during their flights between Japan and the U.S. Streamline also licensed and dubbed other popular anime series and movies such as Fist of the North Star, Wicked City, Lensman, Vampire Hunter D and The Professional: Golgo 13.
Galactic Patrol is a science fiction novel by American author E. E. Smith. The novel was originally serialized in the magazine Astounding in 1937. The stories in this volume were the first parts written of the original Lensman saga. It was later published in book form in 1950 by Fantasy Press.
The series was published in magazines before being collected and reworked into the better-known series of books. The complete series in internal sequence with original publication dates is as follows. #Triplanetary (1948. Originally published in four parts, January–April 1934, in Amazing Stories) #First Lensman (1950, Fantasy Press) #Galactic Patrol (1950.
Smith's daughter, Verna, lists the following authors as visitors to the Smith household in her youth: Lloyd Arthur Eshbach, Heinlein, Dave Kyle, Bob Tucker, Williamson, Pohl, Merritt, and the Galactic Roamers. Smith cites Bigelow's Theoretical Chemistry–Fundamentals as a justification for the possibility of the inertialess drive. Also, an extended reference is made to Rudyard Kipling's "Ballad of Boh Da Thone" in Gray Lensman (chapter 22, "Regeneration", in a conversation between Kinnison and MacDougall). Again in Gray Lensman, Smith quotes from Merritt’s Dwellers in the Mirage, even name-checking the author: Sam Moskowitz's biographical essay on Smith in Seekers of Tomorrow states that he regularly read Argosy magazine, and everything by H. G. Wells, Jules Verne, H. Rider Haggard, Edgar Allan Poe, and Edgar Rice Burroughs.
Children of the Lens is a science fiction novel by American author E. E. Smith. It was first published in book form in 1954 by Fantasy Press in an edition of 4,874 copies. It is the last book in Smith's Lensman series. The novel was originally serialized in the magazine Astounding beginning in 1947.
Edward Elmer Smith (May 2, 1890 – August 31, 1965), publishing as E. E. Smith, Ph.D. and later as E. E. "Doc" Smith, was an American food engineer (specializing in doughnut and pastry mixes) and science-fiction author, best known for the Lensman and Skylark series. He is sometimes called the father of space opera.
The original outline for the Lensman series had been accepted by F. Orlin Tremaine,Moskowitz p. 19 and Smith angered Campbell by showing loyalty to Tremaine at his new magazine, Comet, when he sold him "The Vortex Blaster" in 1941.Moskowitz p. 21 Campbell's announcement of Children of the Lens, in 1947, was less than enthusiastic.
In H.P. Lovecraft's horror short story The Thing on the Doorstep, the ill-fated Edward Derby found himself lost in the town of Chesuncook, "close to the wildest, deepest, and least explored forest belt in Maine." Chesuncook Lake features in First Lensman by EE "Doc" Smith as a clandestine handover point for a shipment of illegal drugs.
The action in Gray Lensman picks up immediately where Galactic Patrol left off, in the middle of the battle to destroy Helmuth's Main Base and, it is hoped, fully end the threat of Boskone. After the base falls, Kinnison finds some clues that lead him to think that Helmuth was perhaps not the head of Boskone after all. The clues lead Kinnison to mount an expedition aboard the newly constructed super-dreadnought Dauntless, into the Second Galaxy where he thinks the true head of Boskone might reside. The Dauntless locates a planet under attack and comes to its aid, destroying the Boskonian forces and discovering that the entire planet is capable of going "free" (that is, inertialess, the method used in the Lensman books to achieve interstellar and intergalactic space travel).
William B. Ellern (born November 30, 1933) is an American science fiction author. Ellern has worked as an engineer, including for JPL, Raytheon, Boeing, Hughes Aircraft and Northrop Corporation. He was born in Portland, Oregon to May Eileen Ellern and William C. Ellern. In July 1965 he asked for, and received, permission from E. E. Smith to extend the Lensman series of novels.
The story is about a farm boy named Kimball “Kim” Kinnison. From a dying Lensman of the Galactic Patrol, Kinnison receives a particular Lens. It contains information that would enable the Galactic Patrol to face a weapon created by the Boskone Empire. A non-human species, the Arisians, created the Lenses in order to stand up to the evil Eddorians.
The Tribune was a charter member of the Associated Press upon its founding in 1900. Among Dargie's hires, at the turn of the century, was Jack Gunin, a one-eyed lensman, the first full-time photojournalist in the Western United States. Shortly after the 1906 San Francisco Earthquake, the Tribune printed a Sunday edition, making it a full seven-day newspaper.
Ashley (2000), pp. 54–55. In the same year Gernsback printed E.E. Smith's first novel, in Amazing, titled The Skylark of Space. It was enormously successful, and on the strength of Smith's Skylark series of novels, and his later Lensman series, Smith became "one of the greatest names, if not the greatest of all" to science fiction readers of the 1930s.
In Gray Lensman, Port Admiral Haynes noted that, were it not for the galactic war, a financial crisis might have risen over the Patrol possessing so much in the way of legal tender. (For comparison, in 1940, the year after Gray Lensman was originally published, the U. S. Gross Domestic Product was $97 billion, so the "ten thousand million credit" figure was perceived by readers as equivalent to 10% of GDP; in 2008 terms that would be almost $1.5 trillion.) Also, the Patrol was well equipped for its second role as military force. In Galactic Patrol it fielded a Grand Fleet of over fifty thousand capital ships, including large numbers of "maulers", or super-heavy battleships. That fleet grew by leaps and bounds through the later novels, numbering well into the millions by Second Stage Lensmen and Children of the Lens.
Eddore from the planet Tront was a gaseous creature, vaguely amoeboid in appearance. He died during Crisis on Infinite Earths. Eddore, along with Arisia, were created by writer Mike W. Barr in his Tales of the Green Lantern Corps miniseries as a tip of the hat to E.E. Smith's Lensman series. Arisia and Eddore are the planets of the series' super-intelligent benevolent and evil races, respectively.
Ben Dunn sometimes filled in for Rice on the art. In the late 1980s Antarctic and Eternity Comics published manga-inspired works like Ben Dunn's Ninja High School (debuting in 1987) and Jason Waltrip's Metal Bikini (debuting in 1990), as well as adaptations of animes like Captain Harlock, Robotech and Lensman. As early as 1993, Japan-owned Viz Media issued a line of American manga.
Groff Conklin called Future History "the greatest of all histories of tomorrow". It was nominated for the Hugo Award for Best All-Time Series in 1966, along with the Barsoom series by Edgar Rice Burroughs, the Lensman series by E. E. Smith, the Foundation series by Isaac Asimov, and The Lord of the Rings series by J. R. R. Tolkien, but lost to Asimov's Foundation series.
Star Smashers of the Galaxy Rangers is a 1973 comic science fiction novel by American writer Harry Harrison. It is a parody of the space opera genre and in particular, the Lensman and Skylark series of E. E. "Doc" Smith. The main characters are homages to Tom Swift Jr. and his buddy, Bud Barclay. It also includes a homage to Larry Niven's Ringworld (1970).
The Patrol had a great deal of political influence in Civilization. In First Lensman, First Lensman Virgil Samms' first Galactic Council was made up entirely of Lensmen, and there was no evidence that the situation had changed in later novels. The Patrol's influence was also present in many other levels of society, to the point where "G-P hours" or "G-P days" were generally considered the standard unit of time, and that they had what amounted to a censorship veto over many prominent news-reporting organizations. Patrol bases dotted the galaxy, ranging from low-grade spaceports to the massive headquarters bases of Prime Base on Earth (or Tellus, as it is called in the novels) and Ultra Prime on Klovia, in the second galaxy, and its possession of the inertialess (or "free") drive made it possible for its forces to deploy anywhere in known space rapidly.
Aarflot is known for his work in community education and for introducing improvements in agriculture. As a young man, he was taught by the parish priest Hans Strøm in Volda. He became a peripatetic teacher in 1778 and then a lensman in Volda in 1798. In 1800 he moved to the Ekset farm, where he set up a print shop in 1808 and issued the weekly newspaper Norsk Landboeblad.
The Eddorians must be destroyed immediately. Mentor sends out a call to every living Lensman and using the combined mental energy of all the Lensmen in two galaxies, the entire Arisian race, and the Children of the Lens they prepare to launch a mental bolt against the Eddorians. The children have learned to form a five- fold super-mind called "The Unit". This was what the long Arisian breeding program was trying to achieve.
The Unit is so advanced that even the Arisians don't know what it is capable of doing. The mental bolt, with the massed power of every Lensman, every Arisian, and the Children of the Lens behind it, and guided by the Unit strikes, and penetrates, Eddore's defenses. With the failure of those defenses, the ancient enemies of Civilization are defeated and cease to exist. The long struggle against the Eddorians is finally over.
Through their Lenses, Lensman minds are merged with the cosmic consciousness of Arisia. Opposing the Patrol is Lord Helmuth, a Boskone leader and drug lord, who would stop at nothing to get his hands on the Lens. The Boskone blow up the agricultural planet Mqueie where Kim lives with his father, Gary (“Ken” in the Harmony Gold dub). Now a humble farmer, Gary is one of the founders of the Galactic Patrol.
Kinnison infiltrates the Tyrant of Thrale's personal guards. Since advancement within Boskonia is based on deceit and assassination, and as a second stage Lensman is much better at anything needing intelligence than the average Boskonian, he soon rises to a position just under the Tyrant. Soon he finds a way to assassinate the Tyrant and take his place. only to find the real power is in the hands of Fossten, the Prime Minister.
Altarpiece, Sankt Nicolai Kirke, Køge Lorentz Jørgensen (before 1644 - after 1681) was a Danish woodcarver. He was possibly trained by Hans Gudewerdt in Eckernförde. The two may well have worked together in 1643 on the altar screen for the north chapel in Halsted Priory Church on Lolland. His career then became intricately related to that of Christoffer Knudsen Urne (1594–1663) who was appointed lensman (vassal) at Tranekær on Langeland in 1642.
He has also composed, arranged, and performed music for several films and OVAs, including SF Shinseiki Lensman, Lily C.A.T., and the Japan/West Germany 1984 film Windy Story. In the 1990s, he played in The Voice Project and on projects with Masako Kawamura. He has produced projects for Anri, Mikio Sakai, Yoriko Ganeko, Masako Kawamura, The Voice Project, Kyosuke Himuro, MOON CHILD, Furukawa Ten-sei, Sojiro, harpist Mai Takematsu, Minako Honda and the Yoshida Brothers.
Both the 1984 long-running theatrical animation and the animated TV Series were adapted into manga. The movie's adaptation was created by Moribi Murano and divided into three volumes. The TV Series adaptation by Mitsuru Miura was serialized in Weekly Shonen Magazine and then reprinted in three tankoubon pocket volumes.SF New Century Lensman review by Dave Merrill at the "Let's anime" website No English translation of these two manga has been published so far.
In 1986, he founded Dickinson Associates, an industrial design consultancy based in Cambridge. That year he produced the industrial design for an early laptop computer, the Cambridge Z88. In 1987 he was commissioned by Alan Sugar to create the industrial design concept for Amstrad's first portable computer. In 1989, Dickinson, Christopher Curry (Acorn Computers), and Keith Dunning re- thought the MacArthur field microscope and Dickinson designed the Lensman microscope, a portable field microscope.
Although sequences of genre fiction are sometimes not considered to be romans-fleuves, novel sequences are particularly common in science fiction and epic fantasy genres. The introduction of the preconstructed novel sequence is often attributed to E. E. Doc Smith, with his Lensman books. Such sequences, from contemporary authors, tend to be more clearly defined than earlier examples. Authors are now more likely to announce an overall series title, or write in round numbers such as 12 volumes.
The club runs an annual science fiction convention, Boskone. In the words of the convention organizers, "Boskone is a regional Science Fiction convention focusing on literature, art, music, and gaming (with just a dash of whimsy)". It is held over a weekend every February, in the city of Boston, Massachusetts. The name is a reference to the classic Lensman series by E. E. Smith, in which "Boskone" is a council of villains, and also a name for their civilization.
The History of Civilization is a boxed set of science fiction novels by author Edward E. Smith, Ph.D.. It contains the six novels of Smith's Lensman series. The set was published in 1961 by Fantasy Press in an edition of 75 copies. Each volume was printed from the original Fantasy Press plates, but with a new title page giving the name of the set. They were bound in red half-leather, numbered and signed by Smith.
Groff Conklin gave the novel's first edition a scathing review in Galaxy, describing it as a "primitive artifact" which "simply gives [me] alternate waves of incredulous laughter and dull, acid boredom.""Galaxy's 5 Star Shelf," Galaxy Science Fiction, March 1952, p.84. P. Schuyler Miller reviewed the novel favorably, saying "Whatever [Smith's] yarns have, Gray Lensman has more of, in greater abundance and variety, than any of the rest.""The Reference Library", Astounding Science Fiction, June 1952, pp.
During the war, the human's minor involvement is seen in a war between the Hexans and Vorkulians on the surface of Jupiter. The Vorkulians are a species completely unlike either hexans or humans. From the description of them, they could be the model for Worsel, the Velantian in the Lensman series. The story ends with the rebuilt Arcturus arriving on Mars only four hundred forty-six days, fifteen hours, eleven minutes, thirty-eight and seven-tenths seconds late.
The Last Legionary series is a series of five books written by Canadian author Douglas Hill. The books are Young Legionary, Galactic Warlord, Deathwing Over Veynaa, Day of the Starwind and Planet of the Warlord. The series has been described as a simplified version of E. E. Smith's Lensman series. The books tell of the adventures of Keill Randor, the last survivor of his planet's population, who are annihilated at the beginning of the book Galactic Warlord.
While in the hospital recovering, Kinnison is assigned the pretty, but tough, nurse Clarissa MacDougall. He behaves badly and is rude and condescending to her, blindly lashing out because he blames himself for his abject failure with the Wheelmen. Kinnison, once recovered, goes to Arisia to learn how better to use his Lens. Kinnison is the first Lensman to be accepted for further training by the Arisians, and leaves weeks later many times stronger and with numerous additional capabilities.
In the mid 1970s he left the USSR ad took up residence in the United States.'Renowned Soviet Lensman Begins New Life' Las Vegas Sun Wednesday, April 14, 1976, page 33 His photographs are still being distributed through Sovfoto agency. His photograph (credited only to 'Sovfoto') of a father and son doing calisthenics indoors in their underwear was sourced by Wayne MillerHurm, Gerd, 1958-, (editor.) & Reitz, Anke, (editor.) & Zamir, Shamoon, (editor.) (2018). The family of man revisited : photography in a global age.
The obvious name for a con in Boston would, of course, be "Boscon"; the similarity was noticed and embraced. Continuing the trend, when a new Boston- area convention was formed, the organizers of that event named it "Arisia", the name of the civilization for which the protagonists work in the Lensman series. Boskone I was held in 1941 under the auspices of The Stranger Club, an earlier Boston-based SF club. Four more were held annually, ending with Boskone V in 1945.
They are each assisted, more or less covertly, by one of the children but seem unable to get a grip on the problems. One at a time, each of the children realizes that they need additional training, and travel to Arisia to obtain it. They are then able to help their Lensman complete their missions. All of the lensmen are led to essentially the same conclusion: the hitherto unknown planet of Ploor is the location of the race controlling the remnants of Boskone.
Lakai's first release was a quick tour video through Australia and New Zealand, featuring original riders, Brandon Biebel, Rick Howard, Jeff Lenoce, Anthony Pappalardo, Scott Johnston, and Rob Welsh. Also along for the ride was lensman, Ty Evans, team manager at the time, Kelly Bird, art director, Andy Mueller, and photographer, Mike O' Meally. Missing on the trip was Mike Carroll and Cairo Foster. Stars of the video include up and comers, Brandon Biebel and Anthony Pappalardo, showcasing personality and skill.
In 2008, Ron Howard's Imagine Entertainment and Universal Pictures began negotiations with the author's estate for rights to film the Lensman series. The negotiations were for an 18-month renewable option. At the WonderCon convention in San Francisco in February 2008, J. Michael Straczynski, the creator of Babylon 5, confirmed that Howard had acquired the rights and also hinted that he was involved in the project. On 17 June 2008, Straczynski wrote that he had begun work on the project.
With Smith's knowledge, the parody "Backstage Lensman" was written by Randall Garrett in 1949. Garrett also referred to the Lenses in his Lord Darcy stories, in which similar lenses are the badges of the King's Messengers, invented by the wizard "Sir Edward Elmer". Harry Harrison wrote the humorous and comprehensive parody Star Smashers of the Galaxy Rangers in 1973. In the DC Comics universe, the Green Lantern Corps bears many parallels to the Lensmen, though the original editor (Julius Schwartz) denied any connection.
Kinnison successfully returns to Earth in a captured pirate ship and is promoted to the exalted rank of Unattached Lensman. Unattached Lensmen (commonly called "Gray Lensmen" because their uniform is made of plain gray leather) are endowed with virtually unlimited power and authority. He immediately sets out to infiltrate what he believes to be an important pirate base. Unfortunately, Kinnison is in over his head and the telepathically capable "Wheelmen" who man the base discover and almost kill him before he can escape.
He is now a Second Stage Lensman. For practice, Kinnison tries out these capabilities by infiltrating a Patrol base and trying to control the mind of a base member from a distance. After he reveals himself to the base commander, he is asked to judge a murder case that the local authorities have been unable to solve. He then reads the minds of the two accused men, finds which one is guilty, and using his mental powers, executes the culprit.
However, the Cheyenne Mountain Complex, initiated in 1961, postdates the publication of the Lensman novels, and is location in a different region of the USA. A passage in Triplanetary says The Hill is in "the heart of the Rockies", just "over the western ranges of the Bitter Roots" With the discovery of Lundmark's Nebula (the "second Galaxy"), the Galactic Patrol built Ultra Prime base on Klovia - a far stronger version of Prime Base, though it never replaced Prime Base in terms of overall importance.
Eshbach believed in illustrated books and all of his publications featured interior illustrations. At first, most of the art was done by A.J. Donnell, one of the founders of the company, but after a few years, Eshbach began using popular science fiction magazine artists as well....Eshbach was an intelligent businessman and knew how to produce a book that would sell. His choices for publication were well thought out. In a brilliant stroke, he contracted for the entire Lensman series by E. E. Smith.
He published a science fiction paper game (Lensman) in his teens that was well received. With the advent of personal computers, Mark started developing computer games evenings while working at NASA. After moving to Denver Colorado, he decided that Martin Marietta was not a company he wanted to work for, so he left Aerospace in 1987 to work full-time on computer games. Mark has authored or was involved with many games, including Starbase 13, Empire, Star Fleet I, Star Fleet II, D.R.A.G.O.N. FORCE, and Star Legions.
In 1990–91 the Lensman microscope won the BBC design awards, The Prince Of Wales Award For Industrial Innovation And Production, and the Archimedes award for Engineering Excellence. Dickinson met Apple founder Steve Jobs numerous times as they shared ideas for the MacBook in 1994. He produced the industrial design concepts and models of the first "Broad Band phone" for AT&T.; Dickinson Associates created the industrial design, mechanical design, and production engineering design for the first GSM mobile phone "reference phone" design, for Rockwell.
Syfy began airing Japanese anime films and original video animations in the early 1990s. It was the first to show the Streamline Pictures English dubs of the films Robot Carnival, Lensman and Akira, as well as airing Central Park Media's Dominion: Tank Police, Gall Force, and Project A-ko. After a break in airings, anime programming returned on June 11, 2007, with a weekly two-hour programming block called "Ani-Monday". Intended to directly compete with Adult Swim's Adult Swim Action branding, the block featured English dubs of various anime series licensed by Manga Entertainment.
In The Mystery of Element 117 (1949) by Milton Smith, a window is opened into a new "hyperplane of hyperspace" containing those who have already died on Earth. In Arthur C. Clarke's Technical Error (1950), a man is laterally reversed by a brief accidental encounter with "hyperspace". Hyperspace travel became widespread in science fiction, because of the perceived limitations of FTL travel in ordinary space. In E.E. Smith's Gray Lensman (1939), a "5th order drive" allows travel to anywhere in the universe while hyperspace weapons are used to attack spaceships.
Triplanetary was designed by Marc W. Miller and John Harshman, loosely based on novels and short stories from the Golden Age of Science Fiction, particularly the Future History works of Robert Heinlein. Triplanetary was originally conceived as the first part of a proposed series of games that was to be named "The Stars! The Stars!" As Miller related, a late-night session of Lensman with Harshman using blank hex- grid battle board combat "inspired the design for Triplanetary, with its image of our solar system and use of vector movement".
In the Lensman novels, the Galactic Patrol was a combination military force and interstellar law-enforcement agency, charged with the defense and preservation of Civilization. The Lensmen were the elite of the Galactic Patrol, and Lensmen tended to hold the majority of the senior- executive positions in the Patrol, although non-Lensmen personnel were essential to the organization's success, and garnered almost as much respect as their Lens-bearing superiors. The organization had large numbers of non- humans serving in all roles, although many of the leadership positions seem to be occupied by humanity.
Fantasy Press was an American publishing house specialising in fantasy and science fiction titles. Established in 1946 by Lloyd Arthur Eshbach in Reading, Pennsylvania, it was most notable for publishing the works of authors such as Robert A. Heinlein and E. E. Smith. One of its more notable offerings was the Lensman series. Among its books was Of Worlds Beyond: The Science of Science Fiction Writing (1947), which was the first book about modern SF and contained essays by John W. Campbell, Jr., Robert A. Heinlein, A. E. van Vogt and others.
The show's first season aired on July 1, 2004 with the finale on September 23, 2004. It had 6,000 entries received and 16 finalists were taken to the coast of Goa. The season was hosted by designers Hemant Trivedi and Aparna Chandra, with make-up artist Ambika Pillai, choreographers Tanya and Aparna Behl, fitness guru Mickey Mehta and lensman Sameer Parekh as judges. The show's prizes for this season include walking for designer Suneet Verma at Rome Fashion Week and a contract with Elite Model Management in India.
Sam Moskowitz gives the degree date 1919,Moskowitz, p. 13. perhaps reflecting different dates for thesis submission, thesis defense, and degree certification.) The serial novel Skylark Three began as Amazing Stories cover story (August 1930) Spacehounds of IPC was also serialized in Amazing Stories. Triplanetary was the last of Smith's 1930s novels to be serialized in Amazing Stories; his Lensman novels were published in Astounding Stories. Smith's novelette "Lord Tedric", the cover story in the March 1954 issue of Universe Science Fiction, was novelized by Gordon Eklund nearly 25 years later.
Al Trestrail (p. 20) and Pohl (p. 14) also mention church attendance (Pohl in a fictional context), which none of the other sources seem to.) In 1963, he was presented the inaugural First Fandom Hall of Fame award at the 21st World Science Fiction Convention in Washington, D.C. Some of his biography is captured in an essay by Robert A. Heinlein, which was reprinted in the collection Expanded Universe in 1980. A more detailed, although allegedlyGharlane of Eddore, Lensman FAQ, under "References." error-ridden biography is in Sam Moskowitz's Seekers of Tomorrow.
In the 12th century, Gerdrup belonged to the now extinct Hvide family, but nothing is known about the ownership of the estate in the 13th and 14th centuries. In 1417, Jep Jensen (Godov) and his wife Elnæ Pallesdatter ceded it to Anders Jacobsen Lunge, who was one of the largest landowners of his time. After Anders Jacobsen Lunge's death in 1429, the ownership of Gerdrup is once again unclear. In 1475, Gerdtrup was the subject of a legal dispute between Jørgen Rud, lensman of Saltø, and Jensen Sosadel Dyre.
Children of the Lens is the sixth and final book in the Lensman series. The story takes place twenty years after the close of Second Stage Lensmen, and focuses on the five children of Kimball and Clarissa Kinnison: a boy and two pairs of fraternal twin girls. As Kimball and Clarissa are both Lensmen, their offspring are dubbed the "Children of the Lens". They are also the ultimate product of a two-billion-year-long Arisian breeding program that has molded them into "third-level" minds with such potential power that not even the Arisians themselves fully understand their capabilities.
In 1966, the Foundation trilogy beat several other science fiction and fantasy series to receive a special Hugo Award for "Best All-Time Series". The runners-up for the award were Barsoom series by Edgar Rice Burroughs, Future History series by Robert A. Heinlein, Lensman series by Edward E. Smith and The Lord of the Rings by J. R. R. Tolkien. The Foundation series is still the only series so honored. Asimov himself wrote that he assumed the one-time award had been created to honor The Lord of the Rings, and he was amazed when his work won.
He illustrated the cover of Jean Shepherd, Ian Ballantine, and Theodore Sturgeon's literary hoax, I, Libertine (Ballantine Books, 1956). That same year he drew cartoon illustrations for Bernard Shir-Cliff's The Wild Reader. Freas also painted insignia and posters for Skylab I; pinup girls on bombers while in the United States Army Air Forces; comic book covers; the covers of the GURPS worldbooks Lensman and Planet Krishna; and more than 500 saints' portraits for the Franciscans executed simultaneously with his portraits of Alfred E. Neuman for Mad. He was very active in gaming and medical illustration.
Sir Thomas More's Utopia is one of the earliest examples of a cohesive fictional world with its own rules and functional concepts, but it comprises only one small island. Later fictional universes, like Robert E. Howard's Conan the Cimmerian stories or Lev Grossman's Fillory, are global in scope and some, like Star Wars, Honorverse, BattleTech, or the Lensman series, are galactic or even intergalactic. A fictional universe may even concern itself with more than one interconnected universe through fictional devices such as dreams, "time travel" or "parallel worlds". Such a series of interconnected universes is often called a multiverse.
Second Stage Lensmen also features the first female Lensman, Clarissa MacDougall. The story mainly focuses upon the exploits of the "Second Stage" Lensmen: those who have gone through the advanced Arisian training Kinnison underwent in Galactic Patrol. These four superior Lensmen, Kinnison, Worsel, Tregonsee, and Nadreck, are armed with mental powers allowing them to control the minds of others and see, hear, and feel without using their physical senses (the "sense of perception"). This elite cadre allows Civilization to tip the balance against Boskone as Second Stage Lensmen abilities are ideally suited to spying and information gathering.
Pelton is of average height but strongly built, looking not so much overweight as solid. Most humans in this period of time on Earth are in excellent health, with autodocs to maintain their bodies and boosterspice to prevent aging; Pelton presumably uses both. Pelton and Shaeffer's personalities tend to complement each other, and they quickly made friends when Shaeffer first encountered him aboard the Lensman, bound for Earth from Jinx after Shaeffer's fateful trip to the core of the Milky Way galaxy. Pelton can be cordial and pleasant but also very direct and blunt when it suits him.
Malmö Castle in Scania, were Frederick spent much of his later youth. It was only at the age of 20 in 1554 that Frederik was allowed to hold his own court at Malmö Castle in Scania, but under the supervision of the middle-aged lensman ('Fief-man') Ejler Hardenberg, who was appointed the prince's court master. At the same time, political training began, which was put in the hands of the two driven noblemen Eiler Rønnow and Erik Rosenkrantz.Grinder-Hansen, Poul, section 4-page 5 The years in Scania, must have felt like a liberation for Frederick.
Galactic-scale stories usually call for interstellar travel in human lifetimes, which is not supported by existing science, so this technology is more speculative. Among the earliest introductions to this concept include E.E. "Doc" Smith's element X-powered spaceship in the Skylark and Lensman series (1920s). The so-called X solution unlocked the atomic power of copper, which is then used to power an advanced propulsion system. In these narratives, the ships are "inertia-less"; this Inertialess drive makes travel effortless at huge multiples of the speed of light up to infinity speed, the stage at which mythological angels appear in electromagnetic reality.
It merges the traditional tale of a scientist inventing a space-drive with planetary romance in the style of Edgar Rice Burroughs. Smith's later Lensman series and the works of Edmond Hamilton, John W. Campbell, and Jack Williamson in the 1930s and 1940s were popular with readers and much imitated by other writers. By the early 1940s, the repetitiousness and extravagance of some of these stories led to objections from some fans and the return of the term in its original and pejorative sense. Eventually, though, a fondness for the best examples of the genre led to a re-evaluation of the term and a resurrection of the subgenre's traditions.
Spacewar! running on the Computer History Museum's PDP-1 By 1961, MIT had acquired the DEC PDP-1 minicomputer, the successor to the TX-0, which also used a vector display system. The system's comparatively small size and processing speed meant that, like with the TX-0, the university allowed its undergraduate students and employees to write programs for the computer which were not directly academically related whenever it was not in use. In 1961–62, Harvard and MIT employees Martin Graetz, Steve Russell, and Wayne Wiitanen created the game Spacewar! on the PDP-1, inspired by science fiction books such as the Lensman series.
Madhouse's early theatrical work included assistance on the Barefoot Gen films, and Lensman, an anime movie based on the space opera series by pulp science fiction author E.E. "Doc" Smith. In the late 1980s and early 1990s, director Yoshiaki Kawajiri produced a string of action films including Wicked City, Demon City Shinjuku, and Ninja Scroll. In the late 1990s, the studio aimed at a younger female audience with Morio Asaka's two Cardcaptor Sakura films, based on the popular television series. In the early 2000s, an ambitious collaboration with Tezuka Productions resulted in Metropolis, directed by Rintaro and adapted from the manga by Osamu Tezuka.
Smith himself appears as a character in the 2006 novel The Chinatown Death Cloud Peril by Paul Malmont. The novel describes friendship and rivalry among pulp writers of the 1930s. He also appears as "Lensman Ted Smith" in the 1980 novel The Number of the Beast and as "Commander Ted Smith" in the 1985 novel The Cat Who Walks Through Walls, both by Robert A. Heinlein. It is also suggested that he was one of the inspirations for Heinlein's character Lazarus Long. Christopher Nuttall incorporates a fictional quote from “Edward E. Smith, Professor of Sociology” in his military science fiction book, “No Worse Enemy”.
This is a clear reference to the name of, and events in, Oliver Wendell Holmes' poem, "The Wonderful One-Hoss Shay". In two stories, Darcy encounters a magical reference to E. E. "Doc" Smith's Lensman series: King's Messengers, couriers who identify themselves with a be- gemmed badge that glows red for its owner, and only its owner. The spell on the badge is said to be invented by magician Sir Edward Elmer in the Thirties, and to have remained secret ever since. "E.E." was short for Edward Elmer, and the badges are a reference to a device which preceded the Lens which gave the Lensmen their name.
Mia's final moral stance is broadly Kantian (Kant is the only philosopher she mentions by name) in that it demands respect for the personhood of others and forbids treating others as mere means. Mia's moral maturity comes with her recognition that “the universe is filled with people, and there is not a single solitary spear carrier among them.” Many classic science fiction novels end with the destruction of an entire planet and its inhabitants. Typically, as in the Skylark and Lensman novels of E. E. “Doc” Smith, such destruction is presented as a starkly necessary defense against alien beings who are incorrigibly dangerous or evil.
After leaving his job as a high-school mathematics teacher in 1977, he became a full-time writer and translator."Sci-Fi Author/Anime Staffer Takumi Shibano Passes Away," AnimeNewsNetwork, January 17, 2010, accessed January 31, 2010. Under the pen-name , a play on "cosmic ray," he translated as many as sixty science fiction novels from English into Japanese, including E. E. Smith's Lensman series and Larry Niven's Known Space series. Also as Rei Kozumi, he wrote three children's books, Superhuman ‘Plus X’ (1969), Operation Moonjet (1969), and Revolt in North Pole City (1977), and was also principal author of The World of Popular Literature (1978).
Space Opera is a science-fiction role-playing game created by Edward E. Simbalist, A. Mark Ratner, and Phil McGregor in 1980 for Fantasy Games Unlimited. While the system is applicable to the whole genre of science fiction, Space Opera had a default setting intended to be used as generic science fiction role-playing game rules, the focus being on creating space opera themed adventures. Space Opera resolved to give gamers a system and universe which they could mold into any popular science fiction milieu, such as Star Wars, E.E. "Doc" Smith's Lensman, Larry Niven's Known Space, Frank Herbert's "Dune", Battlestar Galactica, or Galactica 1980. Space Opera also resolved to be a "complete" system.
Laning was involved in the development of the U.S. naval Combat Information Center (CIC) during World War II. The idea was taken "specifically, consciously, and directly" from the spaceship Directrix in the Lensman novels of E. E. Smith, Ph.D.,Unpublished letter from John W. Campbell to E. E. Smith, pages 1–2, Dated 11 June 1947 in the collection of Verna Smith Trestrail and influenced by the works of his friend, collaborator, and Naval Academy classmate, fellow Missourian Robert Heinlein,Robert A. Heinlein by William H. Patterson, Jr., volume 1, chapter 24.Wysocki Jr., Edward M, “A Flight of Speculation”, The Heinlein Journal 1998, Retrieved July 2011 but for bureaucratic reasons the source of the idea was not disclosed.
The story of the children is intertwined with the story of the five Second Stage Lensmen: Kimball, Worsel, Nadreck, Tregonsee, and Clarissa (who becomes a Second Stage Lensman). Spurred into action by a series of seeming untraceable terrorist attacks, and other unexplainable events in both the First and Second Galaxy, Kimball asks the other Second Stage Lensmen to help him trace down the source of the troubles. Each of these Lensmen rushes to his aid and each pursues the task from a different angle. The Second Stage Lensmen address the problem in their usual style: Kimball is energetic and direct, Nadreck is cautious and thorough, Clarissa gets sent to Lyrane II again, and so on.
While Galaxy reviewer Groff Conklin faulted the novel for its "style varying from the irritating to the infantile" and "its characters [not] much more than cardboard cutouts," he acknowledged that the Lensman series, "a sort of overblown fairy tales for modern juveniles," was "a pretty solid achievement." Anthony Boucher, saying that he found Smith's works unreadable, nevertheless noted that "I know a number of rational people who insist that they represent the acme of hypergalactic adventure.""Recommended Reading," F&SF;, January 1955, p.96. P. Schuyler Miller noted that even though "by this time superlatives have exhausted superlatives in the intergalactic slugging match between Good and Evil," Smith managed to remain convincing to his readers.
Both kinetic energy and directed energy weapons are often portrayed, along with various military space vessels. The Lensman series by E. E. Smith is an early example, which also inspired the term space opera due to the grandiose scales of the stories. The Ender's Game series by Orson Scott Card is a notable example in that it makes a conjecture as to what sort of tactics and training would be required for war in outer space. Other science fiction authors have also delved into the tactics of space combat, such as David Weber in his Honorverse series as well as Larry Niven and Jerry Pournelle in their Mote in God's Eye series.
Additionally, he has written a script for Tom Hanks' Playtone Productions and Universal Pictures called They Marched into Sunlight based upon the Pulitzer nominated novel of the same name and an outline by Paul Greengrass, for Greengrass to direct, should it get a greenlight. In June 2008, Daily Variety named Straczynski one of the top Ten Screenwriters to Watch. They announced Straczynski was writing Lensman for Ron Howard (to whom he had sold a screenplay entitled The Flickering Light), that he was selling another spec, Proving Ground, to Tom Cruise and United Artists. In October 2008, it was announced that Straczynski was engaged to pen a remake of the science fiction classic Forbidden Planet.
This point was also discussed extensively by John Campbell in his letter to Smith.Letter from John W. Campbell to E. E. Smith, page 2-3, Dated June 11, 1947. Also in the later Lensman novels, and particular after the "Battle of Klovia" broke the Boskonian's power base at the end of Second Stage Lensmen, the Boskonian forces and particularly Kandron of Onlo reverted to terroristic tactics to attempt to demoralize Civilization, thus providing an early literary glimpse into this modern problem of both law enforcement and military response. The use of "Vee-two" gas by the pirates attacking the Hyperion in Triplanetary (in both magazine and book appearances) also suggests anticipation of the terrorist uses of poison gases.
Nicoll proposed the Nicoll-Dyson Laser concept where the satellites of a Dyson swarm act as a phased array laser emitter capable of delivering their energy to a planet- sized target at a range of millions of light years. E. E. Smith first used the general idea of concentrating the sun's energy in a weapon in the Lensman series when the Galactic Patrol developed the sunbeam (in Second Stage Lensmen); however, his concept did not extend to the details of the Nicoll- Dyson Laser. The 2012 novel The Rapture of the Nerds by Cory Doctorow and Charles Stross uses the Nicoll-Dyson Laser concept by name as the means by which the Galactic Federation threatens to destroy the Earth.
Schottelkotte, Jim. (1984). Time was when a baseball lensman was right in the thick of the action. Sports Illustrated, 61, 10. boxing, Produce Row, steamboats, early aviation, a Negro baptism, horse racing, the unemployed, the military, war workers, union strikes, the state legislature, the Symphony, schools, scouts, colleges, the Art Museum, musicians, the police court, the public library, the city hospital, the morgue, the Zoo, and the prison. Art Witman’s photograph of a white American audience laughing at what is clearly a very funny show was one of curator Edward Steichen’s favourite images and the first one he selected for the world-touring Museum of Modern Art exhibition The Family of Man that was seen by 9 million visitors.
Di Fate won the Hugo Award for Best Professional Artist at the 1979 World Science Fiction Convention (for 1978 work) and was nominated ten times from 1972 to 1985. For his lifetime contributions he won the Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) from the New England Science Fiction Association in 1987 and the Chesley Award from the fantasy and science fiction artists in 1998. He also won the Frank R. Paul Award for Outstanding Achievement in Science Fiction Illustration (1978) and the Lensman Award for lifetime contribution in 1990 and he was a Guest of Honor at the 1992 Worldcon. He won the Rondo at the 2003 Rondo Hatton Classic Horror Awards for his work on the Monster-Mania Convention Program Cover.
Macek went on to co-found (with Jerry Beck) Streamline Pictures in 1988. Joining him were writers who had worked with him on Robotech, most notably, Steve Kramer, Tom Wyner, Gregory Snegoff, and Ardwight Chamberlain, each of whom are also experienced voice actors. Streamline Pictures was one of the first American companies to successfully deal in the regular production of imported Japanese animation. Among the titles released by Streamline are Lensman, Robot Carnival, Doomed Megalopolis, Twilight of the Cockroaches, Crying Freeman, Wicked City, the Fist of the North Star film, Akira, Lupin III: Mystery of Mamo as well as the original English dub versions of Hayao Miyazaki's Lupin III: Castle of Cagliostro, Laputa: Castle in the Sky, My Neighbor Totoro, and Kiki's Delivery Service.
Glove-scientist-weapons-concept The idea of powered armor has appeared in a wide variety of fiction, beginning with E. E. Smith's Lensman series in 1937. One of the most famous early versions was Robert A. Heinlein's 1959 novel Starship Troopers, which can be seen as spawning the entire subgenre concept of military "powered armor", which would be further developed in Joe Haldeman's The Forever War. The Marvel character Iron Man is another noteworthy example. Other examples include the power armor used by the Space Marines and other characters from Games Workshop's Warhammer 40k franchise, and the power armor used by the Brotherhood of Steel in the Fallout franchise, and the MJOLNIR Armor worn by protagonist Master Chief in the Halo series of video games.
Many of the most enduring science fiction tropes were established in Golden Age literature. Space opera came to prominence with the works of E. E. "Doc" Smith; Isaac Asimov established the canonical Three Laws of Robotics beginning with the 1941 short story "Runaround"; the same period saw the writing of genre classics such as the Asimov's Foundation and Smith's Lensman series. Another frequent characteristic of Golden Age science fiction is the celebration of scientific achievement and the sense of wonder; Asimov's short story "Nightfall" exemplifies this, as in a single night a planet's civilization is overwhelmed by the revelation of the vastness of the universe. Robert A. Heinlein's 1950s novels, such as The Puppet Masters, Double Star, and Starship Troopers, express the libertarian ideology that runs through much of Golden Age science fiction.
The September 1941 issue included Asimov's short story "Nightfall", one of the most lauded science fiction stories ever written, and in November, Second Stage Lensmen, a novel in Smith's Lensman series, began serialization. The following year saw the beginning of Asimov's "Foundation" stories, with "Foundation" appearing in May and "Bridle and Saddle" in June. Van Vogt's "Recruiting Station", in the March issue, was the first story in his "Weapon Shop" series, described by John Clute as the most compelling of all van Vogt's work. Many of the stories from the Golden Age have demonstrated enduring popularity, but in the words of Peter Nicholls and Mike Ashley, "the soaring ideas of Golden Age science fiction were all too often clad in an impoverished pulp vocabulary aimed at the lowest common denominator of a mass market".
Whitelines is also credited with kick-starting the photographic career of Nick Hamilton, who worked as a staffer at Permanent Publishing alongside skate lensman Wig Worland before leaving Whitelines to become photo editor at Transworld Snowboarding. Over the years Whitelines has developed from its early fanzine style to a respected snowboard journal, and regularly features the work of some of the best international snowboard photographers, including Jeff Curtes, Blotto, Andy Wright and Scott Serfas. Regular columnists have included pro snowboarders Devun Walsh and David Benedek. In 2005, Benedek chose a cover-mounted DVD on Whitelines as the means to distribute his acclaimed film, ‘91 Words for Snow’, in the UK. Whitelines has helped spawn the careers of many of Britain’s professional snowboarders, such as Danny Wheeler, Tyler Chorlton, Jenny Jones, Dan Wakeham, Scott McMorris, Dom Harington, Ben Kilner and Jamie Nicholls.
The rank of port admiral appears in several futuristic military organisations in science fiction. In the Lensman novels, the rank of port admiral appeared as the most senior naval officer of the Galactic Patrol, with de facto supreme command over its forces. Three specific port admirals were mentioned by name: Roderick K. Kinnison, the first port admiral and ancestor of series protagonist Kimball Kinnison; Port Admiral Haynes, who commanded the patrol during Kimball Kinnison's early career and was a mentor and father figure to him; and Raoul Laforge, an academy classmate and friend of Kinnison's who had replaced the retired Haynes by the time of the last novel. In the Starfire universe, a fleet admiral (five-star admiral) holds the position of port admiral, presiding over The Yard, the Terran Federation's largest and most important naval base and shipyard.
As a young professional, he also contributed to other publications, including the Baltimore Afro-American, Associated Press, the Pittsburgh Courier. In January of 1960, during Williams senior year at Claflin he was visiting relatives in New York City, he had read that John F. Kennedy would be at a downtown hotel at a press conference and decided to go down to the hotel in hopes of capturing some images. He had forgot his press pass, and the hotel security was about to kick him out of the room right as Kennedy was about to come up to the podium, Kennedy told them not to kick him out, and ended up giving Williams his personal address. For the next year, while campaigning all over the United States, Williams became a close acquaintance to Kennedy and one of his favorite lensman.
The story picks up immediately where Gray Lensman left off as Kimball and Clarissa are heading off to get ready for their impending marriage. Mentor of Arisia stops them by commanding Kim to "think" before he acts, and Kim, of course, immediately realizes that the Boskonian organization was probably not destroyed when Jarnevon was cracked between two other planets and still poses a grave threat to Civilization. The wedding is put on hold as Kinnison and the other Lensmen set about coming up with a defense for the expected attack upon Earth. Since one of the themes of the series is that as soon as one side develops a particular weapon, the other soon figures out how to duplicate it; the Lensmen assume that Earth will be subjected to an attack using either a negasphere (negative energy that consumes anything it touches) or two high velocity planets, used like a nutcracker.
Other examples include the Brazilian comic "Audaz, the demolisher", by Álvaro "Aruom" Moura and Manoel Messias (1939), Kimball Kinnison's battle suit in E. E. "Doc" Smith's Lensman novel Galactic Patrol (1950), the French animated film The King and the Mockingbird (first released 1952), and Robert Heinlein's waldo in his 1942 short story, "Waldo" and the Mobile Infantry battle suits in Robert Heinlein's Starship Troopers (1958). A transforming mech can transform between a standard vehicle (such as a fighter plane or transport truck) and a fighting mecha robot. This concept of transforming mecha was pioneered by Japanese mecha designer Shōji Kawamori in the early 1980s, when he created the Diaclone toy line in 1980 and then the Macross anime franchise in 1982. In North America, the Macross franchise was adapted into the Robotech franchise in 1985, and then the Diaclone toy line was adapted into the Transformers franchise in 1986.
The Ming costume was created by Leslie Perri, originally for Donald A. Wollheim. However, he considered it too undignified but brought it with him to the convention and Kyle wore it instead. In second place was Robert A. W. Lowndes wearing a Bar Senestro costume (from the novel The Blind Spot by Austin Hall and Homer Eon Flint). Other costumed attendees included guest of honor E. E. "Doc" Smith as Northwest Smith (from C. L. Moore's series of short stories), Smith's daughter Honey as Clarissa MacDougal (from Smith's own Lensman series), George Tullis as Johnny Black (from L. Sprague de Camp's series of short stories), Cyril M. Kornbluth as The Invisible Man (from H. G. Wells' novella of the same name, wrapped in bandages as in the 1933 film version), three versions of Buck Rogers (Jack Speer, plus convention organizers Erle Korshak and Mark Reinsberg), and both Forrest J Ackerman and Myrtle R. Douglas wearing the "futuristicostumes" they had previously worn to the first Worldcon.
Having worked on a number of television science fiction shows which had regularly gone over budget, Straczynski concluded that a lack of long-term planning was to blame, and set about looking at ways in which a series could be done responsibly. Taking note of the lessons of mainstream television, which brought stories to a centralized location such as a hospital, police station, or law office, he decided that instead of "[going] in search of new worlds, building them anew each week", a fixed space station setting would keep costs at a reasonable level. A fan of sagas such as the Foundation series, Childhood's End, The Lord of the Rings, Dune and the Lensman series, Straczynski wondered why no one had done a television series with the same epic sweep, and concurrently with the first idea started developing the concept for a vastly ambitious epic covering massive battles and other universe-changing events. Realizing that both the fixed-locale series and the epic could be done in a single series, he began to sketch the initial outline of what would become Babylon 5.
In his 1947 essay "The Epic of Space", Smith listed (by last name only) authors he enjoyed reading: John W. Campbell, L. Sprague de Camp, Robert A. Heinlein, Murray Leinster, H. P. Lovecraft, and A. Merritt (specifically The Ship of Ishtar, The Moon Pool, The Snake Mother, and Dwellers in the Mirage, as well as the character John Kenton), C. L. Moore (specifically "Jirel of Joiry"), Roman Frederick Starzl, John Taine, A. E. van Vogt, Stanley G. Weinbaum (specifically "Tweerl""The Epic of Space" p. 80. The conventional spelling is "Tweel", though the most accurate spelling is "Trrrweerrlll." ("A Martian Odyssey", The Best of Stanley G. Weinbaum p. 5.)), and Jack Williamson. In a passage on his preparation for writing the Lensman novels, he notes that Clinton Constantinescu's "War of the Universe" was not a masterpiece,Both Constantinescu's name and title are misspelled in the essay: Canstantinescu's "War of the Universes", p. 84.Clinton Constantinescu (1912–1999), later Clinton Constant, was a Romanian Canadian chemical engineer and a member of the American Astronomical Society and several other scientific associations .

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