Something's missing, but the flaw doesn't leap out at you.
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Different themes leap out at you, which were not as prominent in the reviews written three years ago.
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They leap out at you from large, thick pages that have the smell and texture of construction paper.
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In Prince Harry and Markle's case, Tripp says there are a few key aspects that leap out at her.
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It's one of those things that doesn't leap out at you, but you'll notice it if you're looking for it.
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Once, in the yard, she crouched down, schnockered, waiting to leap out at Paul, Sr. And, leaping out, found him pantsless.
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Beings leap out at you unexpectedly, you're hit in the face with slime, creatures scream at you, you lose your way in the dark.
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The colors of the fruits and vegetables in Robert Kushner's scrolling mural above the bar still leap out at you after all these years.
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You want notes you can scan, task lists you can check off, and insights that leap out at anyone who reads the notes later.
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"To flip through the pages and have a name leap out at me like that, you know, my childhood priest," said Brett Sullivan Santry, 44.
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Sometimes he would fall to his belly and slither under a vent or a crack, then leap out at me with hands outstretched to strangle me.
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"You know how many reviews praised your sense of humor?" she asked as she cocked her head to look down each row of servers, as if expecting something to leap out at her.
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Decades later, after the fall of the emperor, while retrieving banknotes she had hidden in the pages of a child's book, she looks down at the letters and suddenly words leap out at her.
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But he will be most remembered for starring alongside Peter Sellers in the Pink Panther films in which Cato would leap out at unexpected moments to attack his boss to test his readiness, leading to furious, comedy fight scenes.
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But reading these two entries, TWOTIMRESOLE as one, making a U-turn when we get to the end of 1-Across, we have TWO-TIME LOSER What makes this construction amazing is that RESOLE is a fine entry in its own right, so its use in completing the phrase doesn't leap out at the solver.
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Some will be disappointed at the lack of pop tracks that leap out at you on first listen as on Days Are Gone (though Haim show us that they've still got the stuff to write a rager on "Little of Your Love," if you were in any sort of doubt), but Something To Tell You is a more cohesive, slow burn of a record than their first, and will benefit from repeated listens to its whole, rather than to its singles.
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According to Gers, "sometimes a title will just leap out at you as the obvious choice, but it didn't this time for some reason", so the band decided on A Matter of Life and Death, which, according to McBrain, was amongst "two or three ideas which we were kicking around". Neither Gers or McBrain can remember who came up with the title, which they state was thought up by either Harris, Rod Smallwood (the band's manager) or "Drew" (an engineer at Sarm West Studios). The album cover was created by Tim Bradstreet, an American artist, best known for his work on the Hellblazer and Punisher comics. A lifelong Iron Maiden fan, who drew much influence from Derek Riggs' artwork for them, Bradstreet described the opportunity as "one of my wildest dreams".
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