Meester rolls her eyes and leans back in her chair.
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Johnson puts his buttocks against the wall and leans back.
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He leans back in his chair and looks at his staffers.
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I like the fact that the car leans back under acceleration.
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He leans back against the couch and listens to his daughters' voices.
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He lifts his hands, starts rubbing his fingers together, and leans back.
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Behind her a man leans back on a bed or couch, looking unconcerned.
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After she hands over the glasses, she leans back and closes her eyes.
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Then she leans back into the material a bit, as if resting against it.
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Piano-heavy production on tracks like "Tomorrow" leans back languidly into lounge-lite soul.
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She leans back on the cushions and gives in to the weight of her lids.
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Jon Mikkel kneels down next to his snowmobile and leans back on his right arm.
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In the shot, Nick is seen holding a cigar as Chopra leans back against his chest.
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"Right now the fighting has stopped," she says and leans back to take in the sun.
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So Logan leans back on the real source of his power: his network, and his reputation.
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Karl Heimer leans back in the church office chair that's become the center of a makeshift barbershop.
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As they wait for the train, she leans back into him, and he puts his arms around her.
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He leans back and opens a drawer in the file cabinet behind his desk, and removes a folder.
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You know the move: The good guy leans back, winds up one arm, and lands a righteous haymaker.
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In another photo shot from below her feet, Jenner leans back even further to fully bask in the sun.
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The Chelsea sits upright like a sofa, leans back for lounging, and folds out completely flat as a bed.
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Quentin leans back, taking in the entire view of Los Angeles through his office picture window, and, quietly, thinks.
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In the next snap, the expectant reality star leans back in her chair, putting her baby belly on full display.
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He drops a fistful of bills and a golf ball in Gran's lap, then leans back and commences to snore.
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Another shows a male model, nude and muscular, seated and looking upward as he leans back on his hands, legs spread.
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In the original, when he leans back, he is the valiant knight, going into battle and desperate for the strongest potions.
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She leans back into a tortured yoga bend, then vaults towards the crowd spitting fake blood all over their jean-jackets.
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Seated, he sometimes leans back from an engagement, as if the extra room allowed him more time to reach a judgment.
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A young man with shoulder-length dark hair leans back in a chair, his T-shirt pulled up to his chin.
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For instance, if you propose something and your counterpart leans back, you know to proceed with caution, or modify your offer.
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Then Boehner leans back in his chair and said, blank, Jordan, blank, Chaffetz, they&aposre both -- well, you can read the rest.
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After a finger-pointing snarl, she leans back, and suddenly her face, perfectly still, glows as if she were made of wax.
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Instead, we're greeted by district ranger Jason Brey, who, upon mention of the treasure, leans back in his chair and rolls his eyes.
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The judge leans back in his leather chair, no longer taking notes, no longer watching Yoli, no longer primed with his next question.
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The retired wide receiver looks toned and tan as he leans back on some cushions and holds a mug in the steamy shot.
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Ball PlayerThe giver sits on the couch and leans back for support, and the receiver sits on top with their back to their partner.
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He leans back on his bar stool, like a graduate student satisfied with his explanation, and it isn't clear to what extent he's joking.
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Instead, Simone pulls out a cigarette from her bag and slowly leans back into her chair, taking a drag and looking right back at Jake.
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David Hughes leans back in his office in a standard-issue professorship chair as Penn State students in a plaza behind him shuffle toward classes.
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The original track leans back from the sweaty energy of his usual club-friendly repertoire in favor of sadder, slower sounds that showcase his songwriting skills.
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It's a classic Thomas—a beautiful afro-wearing woman leans back on a couch, one leg planted on the floor, the other lifted in the air.
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"I can totally see myself sitting here at my desk, guiding three operations in three different locations," says Mr Chalikonda, as he leans back in his chair.
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Check it out ... her friend's recording when SZA squats down, apparently thinking she's still got a wall behind her and leans back too far into the abyss.
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In a China Global Television Network video from 2003, taikonaut Yang Liwei leans back in his orbital capsule, the overstuffed stripes of his spacesuit legs filling the frame.
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Alfred asks what the charge is, and the clerk looks up, leans back, widens her eyes and switches the code from accommodating to aggravated in exactly one second.
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At six feet tall and a listed 235 pounds, he cuts a stumpy, corn-fed figure, and he leans back at the plate as if imagining himself in a recliner.
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Abbi waves her hands around while talking, elongates her vowels, and makes up slang; she contorts her fingers and throws up a westside gang sign as she leans back and poses.
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When he leans back in his chair, flicks his hair to one side, and doesn't shift his eyes from the camera, I expect him to drop into Dennis Hopper's monologue from True Romance.
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He circles the staircase aimlessly, squats down to look at it from a different angle, walks over to a table and takes a sip of something, then leans back to admire his work.
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But as Khin Swe Oo leans back in the bamboo chair in front of her house, just a stone's throw from the shrine, a pagoda covered in gold leaf, she closes her eyes.
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Ortega's attacks tend to go in one of two ways: he jabs and leans back into his non-shoulder-roll position, or he jabs and follows with an overhand, which takes him off balance.
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Now she leans back into my hand like the cat she has become, almost purring, after the horror of the shower and the indignity of being dressed and put into her wheelchair for the day.
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It spies on civilians and foreigners alike, conducting operations domestically and internationally, amassing information on diplomats, businessmen and even the members of the C.P.C. Describing Ma, Guo leans back in his chair and mimes smoking a cigarette.
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"Garth would be really happy with those chairs where you push the button and it leans back and there's a cup holder," Yearwood says, but he didn't fight her for a piece like that in their own house.
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Each photograph is mounted and framed on a panel that leans back against another, forming what looks like a peaked roof, and they sit on a finely carpentered wooden table that is about the size of kindergarten furniture.
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As Mr. Nadler leans back his chair, an intense debate unfolds around him even after he overruled Republicans' objection to a prominent defense lawyer questioning Mr. Lewandowski, and then quickly dispatched with their attempts to shut down the hearing.
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Sit for a moment in the Little League stands nearby, and a woman flipping through a coupon book as she leans back in a lawn chair will tell you how immigrants should stop speaking Spanish and sucking benefits from the system.
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He leans back in his chair, pulls out a scrap book, and starts to peruse the pages, flipping through photos and souvenirs from his life—a life that's taken a turn for the better after breaking ties with the Smith clan.
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When I meet Rae in her Inglewood, CA office, we sit down to chat and she leans back in her chair, one leg up on her desk, the other flung casually to the opposite side, taking up space — like a boss.
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The perfect details were all there: The guy leans back in his chair with a smug smirk, seated beneath a framed Tom Brady jersey, and — amazingly, considering the scene was shot weeks earlier — in his hands, he holds a lacrosse stick.
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LONDON — The model in the Gucci ad is young and waiflike, her frail body draped in a geometric-pattern dress as she leans back in front of a wall painted with a tree branch that appears to mimic the angle of her silhouette.
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It's a long, long while before Luca's mother removes the clamp of her hand from the back of his neck, before she leans back far enough for him to notice that the angle of light falling through the bathroom window has changed.
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He's spent the day, a blistering eastern Oregon late July Saturday, salvaging timber from a swath of land recently scorched by a wildfire, and his white T-shirt is streaked with dirt and ash as he leans back against his stripped-down, rusted-out Jeep.
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In one photo, taken by her friend Larsa Pippen, Kardashian casually leans back on a flight of wooden stairs, and in another she reclines on a large cushion as her pal Isabela Rangel Grutman snaps a photo of her from above — and in both photos she looks absolutely flawless.
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The doom computer tells Sam and Lauren to kiss, and Sam sort of leans to do it, but Lauren says that, just to be up front, we're not going to be kissing right now, and he sort of leans back and chuckles like, yeah, kissing, mad that, what a mad idea.
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With all 10 fingers he clutches the first hold and leans back to extend his arms, twists his torso to bring his right hip against the wall, plants the ball of his left foot on a pedal on the floor behind him, and cranes his neck to stare at his target: a circular button nearly 50 feet overhead.
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He leans back, smiles with enjoyment, and smokes a forbidden cigar.
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It is somewhat distinctive for having a single long dorsal fin which leans back.
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She then raises up and swings her arms over Brown, who leans back to avoid Hilson's movements in slowed-down "bullet time" action.
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Lynn smiles and leans back to the couch, only to find out that Mary is sitting beside her. We later learn in "Bad Seed" that she succeeded in taking Lynn's eyesight but the police dismiss it as "hysterical blindness".
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She raises a thyrsos in her right hand to strike him with. To his left is another maenaed who grabs his left arm with both hands and leans back to pull him back. Below Pentheus is a spear. Behind him are three other females.
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Searching the raven, he finds the face from the third killing, and in the third killing painting, finds an image of the studio they'd searched. The killer shoots Stan, just before Carl appears and guns down the killer. Stan, struggling for breath, leans back, and dies.
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The tilting seat leans back and forth on a self-lubricated pivot point. As a safety feature, the StretchTrainer has two polyester wrists straps attached to the handlebars so that when used properly, if the user loses grip, they will not fall back out of the seat and onto the floor.
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In this work the virile Perseus stands beside the body of Andromeda in a carefully studied 'contrapposto'. Andromeda seems not to have suffered very much. Her body leans back like a bacchante by Rubens in an almost ecstatic posture. While the group lacks drama it breathes a certain pagan joy.
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The film by Marquis Bradshaw, a Minot, North Dakota attorney and filmmaker, explored the issue of racial identity among African Americans through the lens of skateboarding. Allen is recognized for his unique variation on the Ollie North. Allen is known for his unique style where he often leans back on his rear leg.
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The Western Asian Arab region comprises the Arabian Peninsula, most of the Levant (excluding Cyprus and Israel), most of Mesopotamia (excluding parts of Turkey and Iran) and the Persian Gulf region. The peninsula is roughly a tilted rectangle that leans back against the slope of northeast Africa, the long axis pointing toward Turkey and Europe.
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The angel Gabriel is on the right. He has just alighted on the ground, his robe still billowing from his flight, and he kneels as if in reverence or supplication. Mary stands on the left facing Gabriel, but she leans back slightly as if in surprise or alarm. The Antwerp painting is a more original composition.
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In the background, two others are bathing. The one standing in the water in the foreground appears to be about to splash one of the women seated on the shore with water. That woman leans back to avoid the expected splash of water. The figures have a sculptural quality, while the landscape behind them shimmers with impressionistic light.
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Panic is being interrogated by Stander, who is outlining his extensive criminal history. On the last page, he leans back and notes, "I see you've been working for us." In another flashback, Panic is trailing an obviously rich woman on the street, eyeing her handbag. But before he has a chance, another man grabs it from her.
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VI, No. 11, p. 42. April 1920. This episode was an account of protagonist Leopold Bloom fantasizing about a young girl named Gerty MacDowell who leans back to expose herself to Bloom. The scene culminates in Bloom's orgasm, which legal historian Edward de Grazia, in Girls Lean Back Everywhere, argues would have likely escaped the average reader's notice due to Joyce's metaphorical language.
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A girl calls at the youth's house and they later try having sex, but the young man is unaroused, and visibly disappointed, leans back in his bed. The girl later leaves. At the end, the youth passes out, and dreams of tiny robot creatures, rendered in stop motion, emerging from his ear. He awakes from the dream and vomits into his toilet.
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He is held at the waist by an angel descending from a multi-coloured cloud. The angel supports Christ as he leans back, crying out in agony. Both the angel and cloud are composed by a dominant impasted white, and lined with brilliant varieties of red, blue, yellow and green pigments. Three vaguely described, almost ghostly, disciples kneel in the dark trees to either side.
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Now on her knees, she leans back with rigid thighs and torso in a movement known as a "hinge". This resolves into a series of splits, a wide embrace of the air and return to a standing position. Another set of joyous sideways kick-jumps follows. At the sound of a sustained flute note and the musical hint of a solemn hymn, she straightens her body.
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The wrestler forces the opponent to the ground and opens up the opponent's legs, stepping in with both legs. The wrestler then wraps their legs around the head of the opponent and crosses the opponent's legs, applying pressure on them with their hands. The wrestler next turns 180 degrees and leans back. This hold applies pressure on the opponent's temples and calves, and compresses the spine.
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The Swipe is one of the most recognizable power moves in b-boying. The b-boy or b-girl leans back, whips his or her arms to one side to touch the ground, and his or her legs follow closely behind, twisting 360 degrees to land on the ground once again. An example many might remember is the swipe performed by the character Samir in the movie Office Space.
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After reading rumors of his infidelity through newspapers, his wife Belinda travels to Zaire to confront him about this. Ali says he is unsure as to whether he really loves Veronica or not, and just wants to focus on his upcoming title shot. For a good portion of the fight against Foreman, Ali leans back against the ropes, allowing Foreman to tire himself out. Then he knocks out the tired Foreman, regaining the Heavyweight Championship.
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Shovel racer after losing control The shovel racer typically races on a basic snow shovel. The rider sits in the shovel facing the handle and leans back with his feet pointed forwards. In some cases, shovel racers have extensively modified shovels to the point that they bear little resemblance to normal shovels. These shovels have been banned from competition due to safety concerns after a high-profile accident on a modified shovel.
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The Onewheel is ridden by mounting the board with rear foot first and then placing the front foot on the pad pressing both sensors on the left and right side of front footpad. When the rider comes to level, the motor will engage and begin self-balancing. The Onewheel will accelerate forward when the rider leans forward and decelerate when the rider leans back. Turning is accomplished similarly to a skateboard or snowboard.
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The original Uno is controlled in forward motion by the rider shifting weight over the centre of gravity. When the rider shifts forward, the vehicle speeds up to regain balance, when the rider leans back, the vehicle slows. Steering is controlled by side-to-side motion of the rider. The vehicle senses this shift and raises one of the two wheels to allow the vehicle to tilt in the desired turn direction.
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Turning her head as if to scan the horizon, she breaks into a broad smile. Frontier marked the first time Graham smiled as part of the choreography, shedding the emotionless expression worn in her previous dances. The soloist slowly leans back to recline across the fence as if to claim it and the surrounding territory as her own. As the music transitions into a march, she disengages from the fence with an expansive circular motion.
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Carden-Coyne, p.156. The art historian Reginald Wilenski likens the memorial to the work of Frank Brangwyn, who focused on depicting the physical labour of soldiers and workers during the war.Glaves- Smith, p.78. The memorial shows the three upright bronze figures stood at ease, rather than to attention; the driver even leans back against the parapet, his cape hanging over his outstretched arms, suggesting an attitude of exhaustion or contemplation.
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Lamar lies inside a water-filled bathtub as a robe wearing Eufaula Roop stands above him and baptizes (and almost drowns) him. Suddenly she takes her robe off, sits down on him and rapes him, all the while preaching to her listeners about his salvation. Lamar heads off home, punches the truck driver and has sex with Lavonia. After Eufaula Roop leans back on her chair and moans, the teenager Rhett climbs from under her desk and she takes him to the bathtub.
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It consists of two sticks or bars between which the warps are stretched. One bar is attached to a fixed object and the other to the weaver, usually by means of a strap around the back. The weaver leans back and uses her body weight to tension the loom. On traditional looms, the two main sheds are operated by means of a shed roll over which one set of warps pass, and continuous string heddles which encase each of the warps in the other set.
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Here L is the sundial's geographical latitude; s_o is the orientation switch integer; t is the time in hours before or after noon; and R and D are the angles of reclination and declination, respectively. Note that R is measured with reference to the vertical. It is positive when the dial leans back towards the horizon behind the dial and negative when the dial leans forward to the horizon on the Sun's side. Declination angle D is defined as positive when moving east of true south.
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The water flowing past the hydrofoil wings generates lift, which can be controlled by the rider to move the board up and down or side to side above the surface of the water. The rider must be centered over the post of the hydrofoil; small body movements will cause great reactions with the hydrofoil. In order to "float" upward the rider leans back while maintaining balance to avoid pitching forward unexpectedly. To go back down the rider leans forward or pushes down with the feet.
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Collection of skiffing blades The skiff is designed for optimum performance and so the technique applied is important. The two fundamental reference points in the stroke are the catch where the blade is placed in the water, and the 'finish' where the blade is removed from the water. The skiffer leans forward, and bends the legs slightly. After placing the blade vertically in the water at the catch, he or she applies pressure to stretcher, levering the blade in the water on the thole and leans back.
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In Mongolian epics, horses save their riders in battle and even fight alongside of them. When Jangar is struck with a poisoned arrow, Aranjagaan realizes what has happened and carefully carries Jangar to safety. To keep his swaying master from toppling off, the horse skillfully leans back and forth, even going so far as to crouching down his forelegs or hindlegs when ascending and descending hills to keep his back level. When they arrive at a house, he lays down to let his rider gently fall off.
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Close-up view of the statue The design features a long stone wall with a one-third larger than life-sized statue of a sitting Mason, his legs crossed, and a circular pool with a fountain. Mason leans back on his left hand to ponder something from Cicero's 44 BC treatise De Officiis, which he holds closed on his right index finger. Two other volumes, John Locke's 1706 posthumously published On Understanding and Jean-Jacques Rousseau's Du Contract Social (1762), sit on the bench to Mason's left. Mason's walking stick leans on his hat which sits on the bench to his right.
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The bareback rider does not use a saddle or rein, but uses a rigging that consists of a leather and rawhide composite piece often compared to a suitcase handle attached to a surcingle and placed just behind the horse's withers. The rider leans back and spurs with an up and down motion from the horse's point of shoulder toward the rigging handle, spurring at each jump in rhythm with the motion of the horse. Bareback bronc riding began to develop as a professional rodeo sporting event around 1900. The riding equipment used during that era varied.
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The standing image depicts an unusual mudra The standing image is the focus of much discussion among historians and archaeologists, since there is a general belief that it is not a statue of the Buddha. The image is tall, and stands on a low pedestal shaped like a lotus. It leans back in a relaxed manner, its arms folded across its chest. The statue's face carries a sorrowful expression and the reclining image—which depicts the Buddha's parinirvana—lies next to it, which has led some to believe that it is the monk Ānanda, who is lamenting the Buddha's demise at his deathbed.
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The Major, alongside the two humbled brothers, with Kyle holding up the unsteady Quentin, enters into a room where their aristocratically-mannered father, Park (John Carradine), wearing a dandified jacket atop a shirt with ruffled sleeves, is sitting on a throne-like chair at a heavily ornate table, building a house of cards, next to a mid-game chessboard. Slowly interrupting his task, he leans back and comments, "That's a most interesting tableau". The Major says, "I'm sorry I had to push your boys around out there, mister, but they were gettin' rambunctious". "My boys are simple enough without somebody hitting them on the head", replies Park.
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He pulls a number of levers with different labels on them, such as "Coffee", "Eggs" and "Toast". He also leans back and has a shower wash his hair automatically, after which it is dried by a hair dryer and combed. The man then presses a button which activates a remote- controlled car (or "robot", as it is referred to in the video). As it collects his breakfast, he lies on his side and begins watching TV, but can't find anything on that is worth watching, so he pulls another lever which is labelled "Video"; this results in a robotic arm pushing a video labelled "X-Press 2" into the VCR.
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Lipa then takes a sip from a jug of water and leans back in a chair, before she begins to sing and dance, with choreography inspired by Flashdance (1983). She gets up and twirls around her desk, while the lamps in the loft flicker as she heads for the refrigerator. As Lipa dances, she kicks her legs up on a couch, eventually turning on the electricity with her dance moves, and drawing people in with her flickering lights and energy, beginning with two men. Ronson and Diplo are seen getting on an elevator and pushing the button, before the elevator shakes, and they get stuck.
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G.T. Bresnahan, W.W. Tuttle, F.X. Cretzmeyer, Track and Field Athletics, C.V. Mosby, St Louis, 1956, pp. 282–86. In the modified scissors, the upper body leans back after takeoff, leading to a layout on the back above the bar. This gives a very efficient clearance, but it made for an uncomfortable landing in the early days, when the jumper typically fell into a sandpit. The first successful exponent of the modified scissors was Clinton Larson of Brigham University, in Provo, Utah, who was US champion in 1917. Larson is credited with an exhibition jump of 6 ft 8 inches (2.03m), which exceeded the world record of the time, held by western roller Edward Beeson.
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The exact procedures and techniques of the intravitreal injection varies among different guidelines, and may depend on the practices of the person performing the injection. Below is an example of the steps for the injection: The patient usually leans back on the chair (in supine position), in which the headrest is stable and the patient is comfortable. Sterile drape is sometimes used to cover the face of the patient and only show the eye for the injection. The specialist first applies anesthetics to the eye and eyelid to numb the area, so that the patient will not feel the pain during the procedure. The type of anesthetic used depends on the practitioner practices and the patient’s history.
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He is seen in a hunching position resting his head in the lap of his daughter to the left, while the daughter to the right leans back on him for support. As he is laying down it is uncertain whether Lot is sleeping, frightened by the terror going on in Sodom, or simply drunk. His facial expression is not completely visible to the viewer, however, his eyes are closed and his brows are furrowed citing some form of discomfort that he is having, whether it is a result of his intoxication or his reaction to the sounds of Sodom. His right arm languidly falls over the leg of his daughter that he is laying on and is devoid of tension.
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The episode features a scene in which Del, leaning against a bar flap in a local bistro, moves away from it to point some women out to Trigger, and then leans back again, unaware that, in that short space of time, the bartender had just lifted it up. He falls straight down, and Trigger does a double-take when he looks around and finds that Del has "disappeared". On 21 December 2006, this scene was nominated in the UKTV Gold Top 40 Greatest Only Fools Moments, and subsequently voted the most popular scene of the entire programme. It was also named 7th Greatest Television Moment of all time in a 1999 Channel 4 poll, beating the likes of John F. Kennedy's assassination, the Queen's coronation and Winston Churchill's funeral.
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In print interviews and news articles about her work she is occasionally referred to as Mrs. Haskins. and accepted an invitation to teach a sculpture course in 1963-64 at the American University in Cairo, Egypt. She had never taught before and had to organize what she had come to believe about her art in order to pass it on. "Ideas grow and change in this process," she wrote. Judson paid homage to Ragdale in Apple Tree Children (1967) by using a real tree from the orchard as the major element. Two cast bronze children are in the tree: a 10-year-old girl leans back against a branch, trying to concentrate on reading a book while a 6-year-old boy climbs higher on another branch, doing his best to disturb her concentration, perhaps recalling the summer of 1932 when Alice and Clay Jr. were those ages and may have climbed that very tree.
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His devotion to Japanese cultural preservation is also reflected in his numerous books and essays. A friend of Yasujirō Ozu, Sugawara appeared in seven of the director's last eight films, making him a ubiquitous presence in many of the most popular and accessible works of “one of the most influential and famous filmmakers in the history of Japanese cinema.” Beginning in Early Spring and excluding only The End of Summer, the brief roles enhance the movies’ historical resonance and cultural realism, featuring in-jokes such as social commentary by Sugawara or references to traits for which he was known, such as his business acumen or imposing personality. For example, in Good Morning, the Ozu film in which a viewer is most likely to infer that Sugawara is playing himself, he is asked at a bar to comment on journalist Sōichi Ōya's 1957 warning that television was part of a mass media campaign to turn Japan into “a nation of 100 million idiots.” Sugawara leans back and says, “Yes.
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