Pictures by all four soon entered the permanent collection, as would work by the Pennsylvania landscapist Joseph Pickett and the Polish-born New Yorker Morris Hirshfield.
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Born in Latvia, Ms. Celmins, now 21991, has lived in the United States since 223, having arrived here as a refugee after World War II. And in a tradition going back to the 2179th century, she's a landscapist of a peculiarly American kind, one for whom no visual detail is too small, no thought too big.
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Andrew Hunt (1791–1861) was a British landscapist and teacher of drawing.
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Portrait of Buttura by Paul Delaroche, 1863. Eugène-Ferdinand Buttura (1812-1852) was a French historical landscapist.
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Werner self-portrait 1956 Fritz Eberhard Werner (8 August 1924 – 23 September 2002) was a German artist and landscapist.
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Midnight The Boatyard Jean-Charles Cazin (25 May 1840 - 17 March 1901) was a French landscapist, museum curator and ceramicist.
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Alfred William Hunt (15 November 1830 - 3 May 1896), was a British painter. He was son of the landscapist Andrew Hunt.
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His son Cosmo became an architect and engineer and died in Astrakhan. The landscapist Frederik de Moucheron was also a descendant.
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Alpine Climbers by Elijah Walton Elijah Walton (November 1832 – 25 August 1880) was a British landscapist, and best known for his landscapes of mountains in the Alps.
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His eldest son, Patrick Nasmyth, studied under his father, then went to London and attracted attention as a landscapist. Another son, James Nasmyth, invented the steam hammer.
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After his return from Europe in the fall of 1826, Fisher's mature career began. He opened a studio on Washington Street in Boston where he is said to have been the first landscapist to hang out a professional sign in Boston. His friend, the landscapist Thomas Doughty had his studio a few blocks away. In 1827, he was elected into the National Academy of Design as an Honorary Academician.
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Cecil Gordon Lawson (3 December 1849 - 10 June 1882 London)Adrian Bury, 'Cecil Lawson, Landscape Painter', Connoisseur, December 1944, vol.114, no.494, p.120. was a British landscapist and illustrator.
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Ernst Hodel Junior 1881-1955 Gemälde ohne Titel, ca. 1915 Ernst Hodel junior (July 29, 1881 - October 5, 1955) was a Swiss painter and son of the landscapist Ernst Hodel senior.
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John Inigo Richards (1731– 18 December 1810) was a British landscapist who became one of the founding members of the Royal Academy in 1768, and was secretary to the Academy from 1788 until his death.
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Edmund George WarrenScott Wilcox, Christopher Newall. Victorian landscape watercolours, p42 (Hudson Hills Press, 1992). (1834–1909) was a British landscapist who worked in both watercolours and oils. Warren lived first in London, then later in Chudleigh Devon, South-West England.
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He is well known as the supreme landscapist, a composer and master of colours. He was immensely influenced by miniature painting. He visited the United States, England, France and Belgium in 1947-48. It was during the visit that he studied and imbibed modern art.
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The Master Landscapist is a 1990 Donald Duck story by Don Rosa, first published in Sweden in Kalle Anka & C:o #1990-46. It is the first story Don Rosa did for Egmont. The first American publication was in Donald Duck Adventures (series II) #22, in March 1992.
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Albert Godwing (ca. 1900) Apocalypse, 1903 Albert Goodwin (1845–1932) was a British landscapist specialising in watercolours. His work shows the influences of Turner and the Pre-Raphaelite Brotherhood. __NOTOC__ Goodwin was born in Maidstone in Kent, the son of a builder and one of 9 children.
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Through his mother, he was distantly related to Frederic Church, the Hudson River landscapist, and his maternal grandfather was Robert Doughty Weeks, the first President of the New York Stock Exchange. He was a graduate of Williston Seminary in Easthampton, Massachusetts, Yale University in 1876, and Columbia Law School in 1878.
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Polska Akademia Nauk, print. Zakład Narodowy im. Ossolińskich, Wroclaw-Warsaw-Cracow-Danzig, 1975, p. 154. in Cracow with painter of architecture Maksymilian Cercha and landscapist Leon Dembowski.Ulrich Thieme, Felix Becker; H. Vollmer, B. C. Kreplin, H. Wolf, O. Kellner (ed.) „Allgemeines Lexikon der Bildenden Künstler, von der Antike bis zur gegenwart“, ed.
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In Rome, Manglard reportedly studied with Bernardino Fergioni before quickly rising to fame as a landscape painter. Before 1722 he was already relatively known in Rome. Manglard was trained by a Dutch Golden Age landscapist, who had himself traveled to Italy. There, his style was influenced by the local Roman-Bolognese school.
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Richard Wilson (1714–1782) is arguably the first major British landscapist. Although more notable for his Italian scenes, he painted several Welsh scenes on visits from London. By the late 18th century, the popularity of landscape art grew and clients were found in the larger Welsh towns, allowing more Welsh artists to stay in their homeland.
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Graff himself died of typhoid fever in the evening of 22 June 1813, at around 8pm in Dresden. He was 76 years old. He left his two surviving children, Caroline Susanne (she married the painter Karl Ludwig Kaaz, a pupil of Graff) and Carl Anton (he became a landscapist), a fortune of 40,000 Thaler. Graff was buried in Dresden.
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Evening on the Tillingbourne (1889) by Lewis Pinhorn Wood, painted near the Woods' family home in Shere Lewis Pinhorn Wood (1848–1918) was a British landscapist and watercolourist, best known for his rural scenes of Sussex and Surrey. In the tradition of the Victorian era, his work depicted idyllic scenes of rural life across the home counties.
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Griepenkerl was born to one of Oldenburg's leading families. As a young man, he heeded the advice of his fellow countryman, the landscapist Ernst Willers,Kunstmaxx.de » Ernst Willers (1803-1880): Isarlandschaft bei Thalkirchen at kunstmaxx.de and went to Vienna in late 1855 in order to enroll at the private art school for monumental paintings founded four years earlier by Carl Rahl.
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Freda Pemberton Smith (April 7, 1902 – February 8, 1991), a member of the Canadian Society of Painters in Water Colour, was a Canadian landscapist and portraitist. Her work has been shown in exhibitions from British Columbia to Newfoundland, and is found in private, public and corporate collections at home and abroad. Her biography appears in Colin S. MacDonald's A Dictionary of Canadian Artists.
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Agemian was a representative of the school of academic realism and a skillful master of composition. He has painted national themes reflecting the ancient as well as the contemporary history of the Armenian people, frequently inspired by the distinct decorative-allegorical paintings of the Italian Renaissance. Agemian was also a portraitist and a landscapist. He has painted murals with spiritual as well as secular themes.
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In April, 1825, Fisher sailed for a tour of the great art centers of Europe. He was the first important American landscapist to make such a tour. He visited England, France, Italy and Switzerland, countries considered important for any artist's professional stature and artistic maturation. In London he visited private collections and was inspired by the composition and subject matter of landscapes by Claude Lorrain.
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For many years Fischl worked and resided in New York City, with his studio located in Tribeca.Bob Colacello (January 2000), Studios by the Sea Vanity Fair. In 2000 he moved to Sag Harbor, Long Island, New York with his wife, landscapist April Gornik, where they share a home and matching studios.Celia McGee (May 15, 2013), A World and an Artist Transformed The New York Times.
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However, it aptly captures the capabilities of the Hungarian master in painting. Munkácsy, together with his friend, the landscapist László Paál, moved to Paris, where he lived until the end of his life. He continued to paint genre pictures like Making Lint (1871) and Woman Gathering Brushwood (1873). The zenith of his career was between 1873 and 1875, when he painted Midnight Ramblers, Farewell, Churning Woman, and Pawnshop.
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Orson Byron Lowell (1871–1956) was an American artist and illustrator of covers and interiors for magazines. Born in Wyoming, Iowa, Lowell was the son of landscapist Milton H. Lowell. He was 11 years old when his family moved in 1882 to Chicago. Lowell attended public school in Chicago until 1887, when he began taking classes at the Art Institute of Chicago, where he studied with J.H. Vanderpoel and Oliver Dennett Grover.
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During his time in England, Marco Ricci also painted several landscapes, capriccios, and the wry painting Opera Rehearsal for Charles Howard, 3rd Earl of Carlisle. His production as a landscapist can be divided into four categories: alpine views or pastorals, violent country storms, ruins, and scenes of villages or courtyards. While the medium of many of his works was oil on canvas, about half of his output, smaller in dimension, was tempera applied to goatskin.
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He was born in Brussels and was possibly the grandson of the landscape painter Lukas Achtschelling. He was registered in the Brussels Guild of Saint Luke on 26 October 1639 as a pupil of a Pieter van der Borcht. The 17th century Flemish biographer Cornelis de Bie mentioned that Lucas Achtschellinck also studied with the Brussels landscapist Lodewijk de Vadder but this is not confirmed by Guild records. However, stylistically the two artists are quite close.
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Frans Post – Fort Frederick Hendrik, 1640. Hessel Gerritsz – Map of Pernambuco, 1631. The Ricardo Brennand Institute houses one of the most comprehensive collections of historical and iconographic documentation related to the 17th century period of Dutch occupation of Brazilian Northeast. Outstanding among these objects is the world's largest ensemble of paintings by Frans Post, the first landscapist of the New World. The Institute holds 15 of Post's paintings, which is equivalent to 10% of the artist's known output.
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Moreover, Church reserved the right to re- sell the painting should he receive an offer of at least $20,000. (American landscapist Albert Bierstadt surpassed both prices when he sold The Rocky Mountains, Lander's Peak for $25,000 in 1865.) Blodgett held the painting until his death in 1875.Howat, 89 It was acquired by Margaret Worcester Dows, widow of grain merchant David Dows, and bequeathed to the Metropolitan Museum of Art upon her death in February 1909.
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See other references for the fire in Amersfoort. Hercules was born in Haarlem, as the son of a Mennonite cloth merchant, originally from Flanders, who moved to Amsterdam in 1596. There Hercules was apprenticed to the leading Flemish landscapist of the day Gillis van Coninxloo, but his apprenticeship was presumably cut short by Coninxloo's death in 1606. Seghers and his father bought a number of his works at the auction of the studio contents, as Pieter Lastman did.
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Adeline Maria Elisabeth Hayden Coffin (née de Leuw; 20 June 1862 – 31 March 1939) was a German-born British actress. Hayden Coffin was born in Gräfrath (Gut Grünewald, nowadays part of Solingen), North Rhine-Westphalia, Germany, daughter of Friedrich-August de Leuw (landscapist) and Mary Francis Charrington, granddaughter of famous German oculist Friedrich-Hermann de Leuw. She first married the composer Alberto Randegger, from whom she was divorced in 1892, then the actor Hayden Coffin. She died in Kensington, London at age 76.
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Since its doors opened to the public in 1951, the Birmingham Museum of Art has collected and exhibited the art of Alabama. Among the earliest works to enter the collection were paintings by significant Alabama artists including the miniaturist Hannah Elliott and the landscapist Carrie Hill. Throughout its history, the Museum has continued its commitment to the arts of Alabama. In 1995, it organized Made in Alabama, a groundbreaking survey of artistic production in the state during the 19th century.
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Zhukovsky was born in Yendrikhovtsy (Jędrzychowice), Grodno Province. He was a student of Isaac Levitan and a graduate of the Moscow School of Painting. Zhukovsky became a celebrated landscapist working in a unique style which projected impressionistic methods and skills as well as his interpretation of the tradition of the Russian realist school. He established his own art studio in Moscow where he mentored students, including later to become a celebrated avantgardist Liubov Popova and a young Vladimir Mayakovsky who was then working as a poster artist.
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The seller of wigs in Santo Domingo, oil on copper, 36 x 46 cm, Museo de Menorca. In summer 1787, Pasqual Calbó settled down in America, where he became a landscapist. At the beginning, after drawing some fortifications and the city, he was detained and taken as a spy, the reason why he was taken before the governor, who ordered his immediate arrest. He was released two days later, thanks to the mediation of the captain of the ship by which he got the America.
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Adrien Manglard (; 12 March 1695 – 31 July 1760) was a French painter, draughtsman, and engraver. He was a skilled marine painter, whose compositional skills allowed to rapidly advance his career, selling paintings to prestigious clients such as the Rospigliosi family, Victor Amadeus II, King of Sardinia, and Philip, the Duke of Parma. The latter alone commissioned more than 140 works from Manglard. The son of a modest painter, Manglard was trained in Lyon by his godson Adriaen van der Cabel, a Dutch Golden Age landscapist.
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His surviving correspondence shows that he was a strong advocate for the arts in Norwich, and was among the first to write about the Norwich School of painters as an identifiable entity. He possessed excellent skills in perspective. Andrew Moore described him as "a competent draughtsman and landscapist", and the art historian Josephine Walpole described his The Octagon, Ely Cathedral , 1857 as an "almost incredible achievement". Some of his paintings now show signs of being badly affected by cracking, as do many of his generation of the artists of the Norwich School.
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Christian Gottlieb Welté (3 December 1745/49 - 17 December 1792)20 famous Baltic Germans in the Põltsamaa history (in Estonian) was an etcher and landscape painter from Mainz, Germany. Le roi David His works, accomplished mostly in small format, represent rococo and transition to early classicism. In Estonia, he painted figural staffages on large Põltsamaa landscapes and depicted Estonian peasants in the 1780s; in Mainz and Frankfurt-am-Main he was known mostly as an etcher and a landscapist. Welté was a typical artist of the Enlightenment – pensive, developing and nonconformist.
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Born in Philadelphia, Thomas Doughty was the first American artist to work exclusively as a landscapist and was successful both for his skill and the fact that Americans were turning their interest to landscape. He was known for his quiet, often atmospheric landscapes of the rivers and mountains of Pennsylvania, New York, New England, and especially the Hudson River Valley. Oxford Reference, Hudson River School He taught himself how to paint while apprenticing for a leather manufacturer. In 1827 he was elected into the National Academy of Design as an Honorary Academician.
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Victorian landscapist Lewis Pinhorn Wood, who lived in Shere village in the 1870s and 1880s, made this sketch of the Silent Pool in 1888, included in his portfolio Sketches from Nature 1869-1908. The pool has been a popular site for visitors since Victorian times. It has a car park, directly on the A25, and a footpath leading to a viewing platform and a walkway which encircles the pool. It can also be reached by walkers on the North Downs Way via a direct path descending the slope.
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In the same year he lived at landscapist Willem Maris's place at Loosduinen and was accepted as a member of Pulchri Studio, an important artist's society in The Hague. Later, he distanced himself from the Hague School and today he is generally regarded as an Amsterdam Impressionist. During 1880–1881 he worked at the famous Panorama Mesdag together with Hendrik Mesdag, S. Mesdag-van Houten, Theophile de Bock and Barend Blommers. In 1882 he met and worked together with Vincent van Gogh, with whom he often went sketching in the poorer areas of The Hague.
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Flemish: :Denis Calvaert – worked mostly in Italy, in a largely Italian style, as did :Paul and Matthijs Bril, mostly painting landscapes :Marten de Vos, founder of the Guild of Romanists :Otto van Veen (1556–1629), painter and draughtsman active in Antwerp and Brussels Elsewhere: :Hans Rottenhammer (1564–1625) landscapist from Munich, spent several years in Italy :Wendel Dietterlin (c. 1550–1599), German painter, best known for his book on architectural decoration :Jacques Bellange (c. 1575–1616), court painter of Lorraine, whose work only survives in etching. :Bartholomeus Strobel (1591–c.
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Ulrich, who was a successful painter of landscapes and animals, influenced him further in his choice of themes during his artistic career. In 1845 he went to Munich where he worked with a group of artists called "the Schweizer", led by the Swiss landscapist Johann Gottfried Steffan. In 1845 horse trials were begun at the stud farm of the King of Württemberg, near Stuttgart, and Koller was hired to produce pictures of horses and dogs there. In 1846–47, he studied figure drawing under Karl Ferdinand Sohn at the Fine Arts Academy of Düsseldorf.
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Such experiences with plein air painting inspired him to devote himself to landscapes. He fined-tuned his abilities by learning from landscape artist Arthur F. Mitchell and "returned home ... a confirmed landscapist in the tonalist tradition of the French Barbizon School." George Q. Cannon offered the art missionaries the opportunity to stay longer than the originally agreed-upon duration of a year to continue at the Académie; Hafen, however, decided to stick to the plan and come home. Hafen reached Utah on August 17, 1891, before the rest of his comrades.
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The sight of the whales at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studios of whale painter Bernardino Fergioni and marine landscapist Adrien Manglard. Manglard and Fergioni initiated Vernet into seascape painting. In 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee, where we find the styles and subjects of Vernet's paintings. The Shipwreck (1772), National Gallery of Art, Washington D.C. Slowly Vernet attracted notice in the artistic milieu of Rome.
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Women Painters of the World on Project Gutenberg The couple had six children, of which four survived. The couple first lived in Stuttgart, and then moved to Kiel where their youngest daughter Katharina was born (she later married Ernst, Prince of Saxe-Meiningen, and had six children). In 1872 they moved to Freiburg where they met the landscapist Emil Lugo, who made 50 plates for their book on the surroundings of Freiburg and the Black Forest. When the Jensens moved to Munich Lugo accompanied them, and when they spent summers in Fraueninsel, he accompanied them as well.
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Myles Birket Foster (1825–1899) painted Kew Bridge from Strand on the Green. Landscapist Lewis Pinhorn Wood (1848–1918), who lived in Chiswick between 1897 and 1908, painted Arrival of a Steamer at the Old Kew Bridge, portraying passengers embarking from the river transport service at Kew Pier in front of the second bridge. Chiswick Local Studies Library has a painting Kew Bridge and Strand-on-the-Green attributed to Smyth Watson and also Strand- on-the-Green and Kew Bridge by an unknown artist. Hounslow Local Studies Library has Kew Bridge by James Isaiah Lewis, painted in about 1900.
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The recipient of endless awards and decorations, he counted among his clients King Friedrich- Wilhelm IV of Prussia, Tsar Alexander II, and King Willem II of the Netherlands. His brothers were both successful artists, the first as a painter of marine subjects and river scenes, the second as a landscapist. In 1817 he enrolled at the Drawing Academy of Middelburg, where he studied under Abraham Krayestein. On moving to Amsterdam in 1822, he studied for four years at the Koninklijke Academie van Beeldende Kunsten, and by 1824, at 19 years of age, he voiced his ambition to become a painter of landscapes.
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He was best known as a landscapist, painting scenes of London and Surrey, particularly the area around his home in Holmwood near Dorking, but also undertook picturesque painting tours to Cornwall, North Wales and the Lake District. However, he appears never to have been able to devote his life entirely to painting, earning a living as a decorative painter in country houses, and, from 1926, working full time as a theatrical and scene painter in London's West End. A major exhibition of his work was held in 1987 by J Collins & Son of Bideford, with catalogue notes provided in association with one of Matsuyama’s sons.
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Gaines Ruger Donoho was born on December 21, 1857, in Church Hill, Mississippi.Phyllis Braff, Resurrecting an Obscure Landscapist, The New York Times, January 14, 1996Memorial Exhibition: Paintings by the late Ruger Donoho, The MacBeth Gallery He grew up on his father Robert's plantation in Church Hill, Mississippi, until the elder Donoho was killed during the American Civil War. One of his mother's relatives, General Thomas H. Ruger (1833–1907), had them moved to New England with the rest of her family. He was trained as a painter at the Art Students League of New York in New York City and spent eight years in Paris.
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It includes an important group of eight Brazilian landscapes by Dutch artist Frans Post, the first landscapist of the New World. The collection also includes paintings by Joos van Cleve, Hans von Kulmbach, Jan Dirksz Both, Michiel Jansz. van Mierevelt, Jan Brueghel the Elder, Abraham Brueghel, David Teniers the Younger, Daniel Seghers, Gerard ter Borch, David Beck, Jan Steen. Other European artists presented in the collection include Juan Pantoja de la Cruz, Bernardo Germán de Llórente and Federico de Madrazo (Spanish), Francisco de Holanda, Silva Porto, António Pedro, Columbano Bordalo Pinheiro and José Malhoa (Portuguese), Emile Claus (Belgian), Árpád Szenes (Hungarian) and Carlos Schwabe (Swiss).
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The allegorical "Soul of Mexico" paintings celebrated the spirit and the festivals of the Mexican people among whom he had lived so many times. Richard Kozlow has had exhibitions in every region of the US and several foreign countries. Although the beautiful Kozlow landscapes have always been much in demand by collectors, many of his most powerful works are black tempera depictions of bloody bullfights, holocaust victims, and his enigmatic mid-90s "Masks" series. Kozlow's work had always fallen into a middle and almost unique area: far too modern to describe him as a classic landscapist, yet too representational to put his paintings into a museum's modern wing.
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Next the commission opened the final stage to nationally known architects including: Bliss & Faville (San Francisco), Bertram Grosvenor Goodhue (New York), H. Van Buren Magonigle (New York), McKim, Mead, and White (New York), John Russell Pope (New York), Tracy & Swartwout (New York), and Paul Cret and Zantzinger, Borie and Medary (Philadelphia). Workers lay track for the Capitol Railroad around the second state capitol, March 1922. Kimball wrote an innovative competition program that did not dictate plan, style, or material for the capitol. The program did state, however, the commission's desire that the architect collaborate with "sculptor, painter, and landscapist" to create a unified design.
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Theodore Penleigh Boyd (15 August 1890 – 27 November 1923) was an Australian artist. Penleigh Boyd was a member of the Boyd artistic dynasty: his parents Arthur Merric Boyd (1862–1940) and Emma Minnie Boyd (née à Beckett) were well- known artists of the day, and his brothers included the ceramicist Merric Boyd (1888–1959) and the novelist Martin Boyd (1893–1972). His son Robin Boyd (1919–1971) became a famous and influential architect, educator and social commentator, and his nephews Arthur Boyd, Guy Boyd and David Boyd became prominent artists. Penleigh Boyd is best known as a landscapist with an accomplished handling of evanescent effects of light.
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The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. Others attribute his 'truthful representation' of nature to the criterion for figure and landscape painting set by the Düsseldorf Academy. In 1866 his Valley of the Mitta Mitta was presented to the National Gallery of Victoria in Melbourne; in 1870 the trustees purchased his Mount Kosciusko. In 2006, the City of Greater Geelong purchased his 1856 painting View of Geelong for A$3.8M.
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Wikisource:Somerville, Andrew (DNB00) In 1830 he was elected as a member of the Scottish Academy. Having acquired some means by portrait-painting, he spent three years in Italy. On his return in 1838 he settled in London, where he exhibited his Camaldolese monk showing Relics, Cimabue and Giotto Dutch Family and Columbus and his Child at the Convent of Santa María de la Rábida. Simson was most talented as a landscapist; his Solway Moss Sunset, exhibited in the Royal Scottish Academy of 1831 and now in the National Gallery in Edinburgh, ranks as one of the finest examples of the early Scottish school of landscape.
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Barend Cornelis Koekkoek was born on 11 October 1803, in Middelburg, Zeeland. He was the first and eldest son of Johannes Hermanus Koekkoekborn in the Province of Zeeland, to Dutch parentsand Anna van Koolwijk. Aside from Koekkoek, whose father was a Dutch renowned marine painter, from whom he received his earliest tuition, Johannes and Anna's sons were Hermanus (the elder), Johannes (junior) and Marinus. Barend grew up in an artistic environment and came to be known during his lifetime as the “Prince of Landscape Painting” and was an applauded landscapist of his time and regarded as the founding father of Dutch romantic landscape painting.
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The early works of Margaret Preston sometimes expressed motifs from traditional indigenous art; her later works show a deeper influence, "in the use of colours, in the interplay of figuration and abstraction in the formal structure". In contrast, Hans Heysen, though he admired fellow landscapist Albert Namatjira and collected his paintings, was not influenced by his indigenous counterpart. The contemporary indigenous art movement has influenced some non-indigenous Australian artists through collaborative projects. Indigenous artists Gordon Bennett and Michael Nelson Jagamarra have engaged in both collaborative artworks and exhibitions with gallerist Michael Eather, and painter Imants Tillers, the Australian-born son of Latvian refugees.
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Claude Lorrain (; born Claude Gellée , called le Lorrain in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work.
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The Welsh painter Richard Wilson (1714–1782) is arguably the first major British landscapist, but rather more notable for Italian scenes than Welsh ones, although he did paint several on visits from London. Thomas Jones (1742–1803) It remained difficult for artists relying on the Welsh market to support themselves until well into the 20th century. An Act of Parliament in 1854 provided for the establishment of a number of art schools throughout the United Kingdom, and the Cardiff School of Art opened in 1865. Graduates still very often had to leave Wales to work, but Betws-y-Coed became a popular centre for artists, and its artists' colony helped form the Royal Cambrian Academy of Art in 1881.
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Vasily Sadovnikov also learned his craft in Voronikhin's studios, where he came in contact with the painters Maxim Vorobiev and Alexey Venetsianov, who not only helped the gifted youth professionally but also took an active part in his liberation. Sadovnikov mainly painted "views" (vedute), but these views are always inhabited with vivid scenes, which characterize the artist not only as a landscapist but also as a genre master. His views of St. Petersburg and its suburbs from 1830 to 1850 and interiors of its palaces, commissioned by the royal court and other high patrons, are best known. Sadovnikov's Panorama of Nevsky Prospect (1830–1850), which was 16 meters long, was later etched and widely published.
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The treatise was more a reference manual for his own use than a means of perpetuating his ideas for the future. Although he attempted to paint in oils, he is known for his watercolours. The Times, announcing an exhibition of Thirtle and other lesser known members of the Norwich School in July 1886, described him as "a good portrait painter and a charming landscapist in watercolour, his drawings being full of observation and treated with a freedom, breadth and delicacy that are really remarkable". His earlier landscapes, from 1808 to 1813, were painted mainly with a restricted range of buffs, blues and grey-browns, as exemplified by Interior of Binham Abbey (1808), now in the Ashmolean Museum, Oxford.
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A Wooded Landscape, Getty Center, 1667. Hobbema was born and died in Amsterdam. The son of a carpenter named Lubbert Meyndertsz, he adopted his grandmother´s surname Hobbema quite early on, although it is not known why. He spent a period in an orphanage from 1653, but by about two years later he had left, and soon became the only documented pupil of the leading Amsterdam landscapist, Jacob van Ruisdael, whose influence was to dominate his work. Jan van Kessel may also have been a pupil of Ruisdael; he was close to Hobbema, who was godfather to his child in 1675.Loughman; Slive, 205-296 Hobbema's signed pictures come from 1658 to 1689.
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Crevasses on the Glacier du Geant, Mont Blanc Massif, John Mitchell Fine Paintings, London His father was a captain in the French Engineers and Loppé's childhood was spent in many different towns in south-eastern France. At the age of twenty-one, Loppé climbed a small mountain in the Languedoc and found a group of painters sketching on the summit. He had found his calling and subsequently went off to Geneva where he met the reputed leading Swiss landscapist, Alexandre Calame (1810 -1864)Mitchell, William J, Gabriel Loppé Peintre-Alpiniste (2018), John Mitchell Fine Paintings, . Loppé took up mountaineering in Grindelwald in the 1850s and made friends easily with the many English climbers in France and Switzerland.
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Eglinton Castle, 1830s Fleming was born in about 1792 and apprenticed to a house painter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there. As a landscapist, Fleming specialised in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed.
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In the summer of 1870 the young artist Ilya Repin, then 25 and early in what would become a renowned career, came to the Volga to gather inspiration for paintings of the lives of the river boatmen and burlaks. This sojourn resulted in his painting of the iconic Barge Haulers on the Volga and other work. With Repin came twenty-year-old landscapist Fyodor Vasilyev, Repin's academy classmate Yevgeny Makarov, and Repin's younger brother Basil. "Battle-Axe's Yard", 1870 sketch by Repin The petite bourgeoisie woman Anna Akhmatova Buyanova (nicknamed "Battle-Axe") operated a coaching inn at a house on Posad Street (latter Cooperative 117) in Stavropol- on-Volga (the name of Tolyatti at that time).
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Ludovico Caracciolo (1761 in Rome – 1842) was an Italian landscapist and engraver. He became a protege of Elizabeth Foster, the second wife of William Cavendish, 5th Duke of Devonshire, who moved to Rome after she was widowed in 1811.PDF of Cryan, Mary Jane, Disegni "pellegrini": i paesaggi della Tuscia di Ludovico Caracciolo He published a full set of print reproductions after Claude Lorrain's Liber Veritatis in Rome in 1815.Kitson, Michael (1969), The Art of Claude Lorrain (exhibition catalogue), 1969, Arts Council of Great Britain, 54 His specialism was architectural drawings and panoramas of Rome, including an 1824 oil on canvas that is now in the collection of the Victoria and Albert Museum – he also adapted that work as a six-print aquatint in 1831.
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Manuel Bennett is an American artist born in Philadelphia, Pennsylvania, on October 13, 1921. He moved to Mexico City, Mexico, in 1951 under the Montgomery GI Bill to study at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" under the muralists Diego Rivera and David Alfaro Siqueiros, the landscapist Dr. Atl and the sculptor Francisco Zúñiga. Following in the tradition of his contemporaries in Mexico, the Taller de Gráfica Popular, Bennett produced mostly lithographic prints, though he also produced sculpture, which can be found in the collection of the Yeshiva University Museum. Early in his career, Bennett played a major role in publication of the Codex Bodley Mixtec manuscripts, providing all of the color separation and capture necessary to reproduce the ancient piece.
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Harvey has employed landscape and mapping motifs in works ranging from New York Beautification Project to multifaceted installations to public mosaics. Observations Concerning the Picturesque (2009, SMAK) and Rooms of Sublime Wallpaper (I & II, 2008) examined privileged notions of the picturesque landscape; the former included a pastiche guidebook supposedly written by artist/landscapist William Gilpin, an invented archive of his works, and related signs and tours in an actual park. Arcade/Arcadia (2011–7) was commissioned for the opening of Turner Contemporary in Margate; it also reflected on the sublime, as well as ephemerality and loss, juxtaposing the seaside town's one-time idyllic status as a resort and haven for J. M. W. Turner and its contemporary socioeconomic decline.Herbert, Martin. "Revealed," Frieze, June 2011.
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Januszczak does not consider Ruisdael the greatest landscape artist of all time, but is especially impressed by his works as a teenager: "a prodigy whom we should rank at number 8 or 9 on the Mozart scale". Slive states Ruisdael is acknowledged "by general consent, as the pre-eminent landscapist of the Golden Age of Dutch art". Ruisdael is now seen as the leading artist of the "classical" phase in Dutch landscape art, which built upon the realism of the previous "tonal" phase. The tonal phase suggested atmosphere through the use of tonality, while the classical phase strived for a more grandiose effect, with paintings built up through a series of vigorous contrasts of solid form against the sky, and of light against shade, with a tree, animal, or windmill often singled out.
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Manglard studied under Adriaen van der Cabel in Lyon. Van der Cabel was a Dutch Golden Age landscapist and a pupil of Jan van Goyen who, like Manglard, traveled to Rome in his youth, where he sojourned from 1656 to 1674, his Dutch style coming under the influence of the Romano-Bolognese landscape painting. As a student of van der Cabel, Manglard was influenced by the Dutch Golden age landscape painting, as well as the Italianized Dutch painting style typical of the seventeenth century. Manglard later moved from Lyon to Marseille, or Avignon, where he studied under the Carthusian painter Joseph Gabriel Imbert (1666–1749), a relatively unknown master of whom today but a few biographical anecdotes and two paintings (a copy of Guido Reni's Annunciazione and a large landscape painting depicting the Flight into Egypt) survive.
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Road in the Woods, circa 1840s, Metropolitan Museum of Art Troyon was a favorite with Camille Roqueplan, an artist of distinction eight years his senior, and he became one of his pupils after receiving certain tuition from a painter, now quite unknown, named Alfred Riocreux. Roqueplan introduced Troyon to Rousseau, Jules Dupré, and the other Barbizon painters, and in his pictures between 1840 and 1847 he seemed to endeavour to follow in their footsteps. But as a landscapist Troyon would never have been recognized as a thorough master, although his work of the period is marked with much sincerity and met with a certain success. It may be pointed out, however, that in one or two pure landscapes of the end of his life he achieved qualities of the highest artistic kind; but this was after lengthy experience as a cattle painter, by which his talents had become thoroughly developed.
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Lisieux (1817) Portrait of Ann Constable (1813), mother of John Constable View of St. Mary's church at Taunton (1796) Henry Edridge (1768 in Paddington - 23 April 1821 in London) was the son of a tradesman and apprenticed at the age of fifteen to William Pether, a mezzotinter and landscapist, and became proficient as a painter of miniatures, portraits and landscapes. His first portraits were on ivory, and he subsequently turned to paper with black lead and India ink to which he added very ornate backgrounds, but he later produced a large number of elaborately finished pictures in water colours with light backgrounds. These were followed by others in which he combined the depth and richness of oil paintings with the freedom of water colour drawings. His subjects included Lord Nelson, the explorer Mungo Park, the Methodist missionary Thomas Coke, the Prime Minister William Pitt and John Wesley at the age of 88.
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Snowdon from Llyn Nantlle, Richard Wilson, c. 1766 The best of the few Welsh artists of the 16th to 18th centuries tended to move elsewhere to work, but in the 18th century the dominance of landscape art in English art brought them motives to stay at home, and brought an influx of artists from outside to paint Welsh scenery, which was "discovered" by artists rather earlier than later landscape hotspots like the English Lake District and the Scottish Highlands. The Welsh painter Richard Wilson (1714–1782) is arguably the first major British landscapist, but rather more notable for Italian scenes than Welsh ones, although he did paint several on visits from London. Wilson's pupil Thomas Jones (1742–1803), has a rather higher status today than in his own time, but mainly for his city scenes painted in Italy, though his The Bard (1774, Cardiff) is a classic work showing the emerging combination of the Celtic Revival and Romanticism.
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Lockwood de Forest was born in New York City in 1850 to a prominent family that had made its money in South American and Caribbean shipping. He grew up in Greenwich Village and on Long Island at the family summer estate. Encouraged by his parents, Henry Grant de Forest and Julia Mary Weeks, Lockwood and his three siblings developed lifelong interests in the arts; the eldest son, Robert Weeks (1848–1931), served for seventeen years as the president of The Metropolitan Museum of Art in New York; their sister, Julia Brasher (1853–1910), wrote a book on the history of art; and their youngest brother, Henry Wheeler (1855–1938), was an avid art collector and amateur landscape architect. He was matriculated at Columbia College with the class of 1872, but did not graduate according to official records. During a visit to Rome in 1868, nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905).
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River, harbour and coastal scenes, typically with only small boats, were popular with Corot and the Barbizon school, especially Charles-François Daubigny; many of the most famous works of the most important Russian landscapist, Isaac Levitan, featured tranquil lakes and also the huge rivers of Russia, which he and many artists treated as a source of national pride. Gustave Courbet painted a number of scenes of beaches with cliffs and views looking out to sea of waves breaking on a beach, usually with no human figures or craft. During the 1860s Édouard Manet painted a number of paintings depicting important and newsworthy events including his 1864 'marine' painting of the Battle of the Kearsarge and the Alabama, memorializing a sea battle that took place in 1864 during the Civil War in the United States.Philadelphia Museum of Art Retrieved April 8, 2010 Ivan Aivazovsky, The Ninth Wave, 1850 The ship portrait genre was taken to America by a number of emigrants, most English like James E. Buttersworth (1817–1894) and Robert Salmon.
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The clove was popular with artists and walkers, fleeing the squalor and hubbub of the downstate cities. In particular, artists of the Hudson River School painted the Clove: examples include Asher Brown Durand's 1849 painting Kindred Spirits, depicting fellow artist Thomas Cole, Jennie Augusta Brownscombe, one of the founders of the Arts Student's League had a studio there with Hart and poet William Cullen Bryant, and Sanford Gifford's 1862 work Kaaterskill Clove in the Catskills. Twentieth Century artists such as landscapist Thomas Locker (1937-2012) described the Clove as a vacation spot he returned to many times since his childhood, and many of his paintings depict the Clove and life in it according to a video he filmed for his agent, Richard Michelson of R.Michelson Gallery in Northampton, MA. Numerous mountain houses and hotels were constructed, including the Laurel House, the Catskill Mountain House, the Haines Falls House and others, and trails and walkways were constructed to the many overlooks and waterfalls in the clove. Most notable was the construction of the Rip Van Winkle Trail, now Route 23A, which wound its way up the clove from Palenville to the hamlet of Haines Falls.
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