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174 Sentences With "ladles"

How to use ladles in a sentence? Find typical usage patterns (collocations)/phrases/context for "ladles" and check conjugation/comparative form for "ladles". Mastering all the usages of "ladles" from sentence examples published by news publications.

Over this, he ladles a few blots of tomato pulp.
I look at ladles on Amazon but can't make up my mind.
Moore ladles sauce onto stacks of yellow, purple, and plain white noodles.
Peloton's next act ladles on extra extravagance at an even higher price.
Add four ladles of broth to the rice, then add chopped zucchini. 5.
They used communal ladles and tongs, and shared salt and pepper shakers on tables.
Perforated ladles are a recurring favorite, and the bowl cut is making a comeback.
Roel extinguishes the flames, and after a few minutes ladles the still-warm brew into glasses.
Olga, laughing, ladles spoons of sugar into the pan, making the flames jump to the rafters.
About 25 people lined up in the kitchen, loading paper bowls with heaping ladles of Juanita's.
That includes her Keurig coffee maker, a small blender and a carafe holding spatulas and ladles.
The restaurant's sauces are particularly flavorful, thankfully, because the kitchen ladles them out with a heavy hand.
He's in the large camp kitchen, light flashing over stainless steel, a ceiling rack of sleeping ladles.
And the new kitchen utensil brand Origin makes robust ladles and spatulas with drilled-out steel handles ($79 each).
At a gas station, people could be seen opening up a tank from underground and using ladles to extract fuel.
She ladles some of the tomato liquid into her shakshuka pan, and nestles her clams so they're just about fully submerged.
Edwards heaps mushrooms onto a slice of bread, ladles cheese sauce on top, and throws on a dash of scallion greens.
In this podcast, the food writers Julia Moskin and Kim Severson and Times Insider's Gray Ladles chat about food for fall.
The results, over the past few years, have been bracing — icy vodka shots of opera instead of ladles of cream sauce.
Sara holds the cleaned-out intestines while her grandmother ladles the blood—mixed with salt and rye flour—into the casings.
It makes 400 wheels of Camembert every day following the traditional recipe using raw milk and ladles it into molds by hand.
To cook and wash dishes, Ms. Sanchez ladles bottled water into pots and pans from heavy blue jugs kept in the kitchen.
Others carefully blew the glass into orbs that they then rolled with wet wooden ladles, further coaxing the masses into rounded shapes.
Stick a curtain rod in-between two cabinets and use S-hooks to hold ladles, slotted spoons and even tea towels with ease.
To serve, Lin fills a wide bowl with a few ladles of curry and tops it with a sliced piece of shrimp toast.
Whyalla steelmaker Arrium Ltd said it had a blast furnace and four ladles full of molten steel and desperately needed to restore power.
" As 7-Eleven clarifies, "That includes cookie jars, ladles, punchbowls and other containers that are thirsting to be filled with their favorite Slurpee flavor….
While plating this masterpiece, he carefully ladles the korma into the bottom of the bowl, then arranges juicy slices of duck in the center.
When the smoke has risen and the flavor has steeped, he ladles the green liquid into a bowl made from a dried jungle gourd.
She describes the oxygen bar and the tent where you could have your aura photographed, plus tiny vegan doughnuts and ladles of bone broth.
At a gas station Monday, a CNN crew saw people opening up a tank from under the ground and using ladles to scoop up fuel.
They use wooden ladles that have been soaked in water for days prior, and the ladle throws up sparks the moment it touches the liquid metal.
Then he ladles in a bit of the strained crab broth as well, letting it come up to a simmer and reduce for a few minutes.
What they do according to O*NET: Build or repair equipment such as furnaces, kilns, cupolas, boilers, converters, ladles, soaking pits, and ovens, using refractory materials.
Opened in 238, this beautifully styled kitchenware specialist is filled with copper ladles, walnut cutting boards, stoneware bowls, French cheese knives and cast-iron crepe pans.
Mr. Kim ladles this broth over thin squiggles of chewy noodles, a hunk of stewed brisket and thin red sheets of raw Wagyu striated with white fat.
As each new film ladles on even more references to other branches of its story, it's easy to feel more and more like you're in on the joke.
When the mills were still operating, iron ore was melted and poured into great big ladles, at which point the less desirable slag would form at the bottom.
When the mills were still operating, iron ore was melted and poured into great big ladles, at which point the less desirable slag would form at the bottom.
Neatly organized like an encyclopedia, the tome dedicates entries to 362 different ritual implements, such as ornate garments, musical instruments, chariots, ladles, and wine goblets shaped like birds.
Seth MacFarlane and Steve Levitan, the creators of Family Guy and Modern Family, respectively, have had enough of the steaming bullshit Fox News ladles out on a daily basis.
But the series — at best, a thick slice of ham onto which Kevin Spacey ladles villainous oratory like red-eye gravy — has never really stood up to deep reading.
Shigeno fills this compact, 90-minute documentary with lavish, languorous shots of food: frames of pulverized mackerel and sludgy mud puddles of dashi broth that Tomita ladles carefully into bowls.
As he was launching himself toward the cash register, he couldn't have imagined what would happen next: the kitchen staff ran out of the back of the restaurant, ladles blazing.
She gets it nice and hot and throws some butter in to coat, then ladles a generous amount of batter to make a socca pancake the size of the pan.
We visited Le 5 Frères, a family-run farm in the village of Bermonville that makes Camembert following the traditional recipe using raw milk and ladles it into molds by hand.
In the house on Bainbridge Island where Ms. Gooden lives with her husband, Bill LeMire, Ms. Gooden has Hisaye's iron kettle, bamboo ladles and lacquered natsume (wooden canisters) for tea ceremony.
There was a time when Thiam would have served the stew over a bed of rice, but now, of course, he ladles it over fonio, heaps and heaps of warm fonio.
A few from the long list: hundreds of gorgeous ollas or large round pots, clay ladles, bowls, animal effigy pots and other vessels covered with black geometric designs over a white slip.
At Italy's Effecorta locations (which means ''short chain'': a jibe at big supermarkets), shoppers use disposable plastic gloves to grab fistfuls of spaghetti from glass-domed containers, or scoop smaller shapes with ladles.
Front Burner Reproductions of elegant 19th-century punchware — silver ladles, a roomy stoneware bowl and stemmed glasses — from the drinks expert David Wondrich's personal collection are available in plenty of time for holiday entertaining.
They are almost all men, Hindu and Muslim farmers who come down from the northern state of Uttar Pradesh, inured to wielding 26-pound ladles and balancing 80-pound pots over open wood fires.
Once his pasta is perfectly al dente, he ladles the pasta and a significant amount of the cooking water into the tomato pan, cooking until it is reduced and the sauce begins to look silky.
Not something I'm against by any means, but something Mr. Mayer, whose previous features are "A Home at the End of the World" and "Flicka," ladles onto "The Seagull" like gravy from a school-cafeteria tub.
His Bull stool blended a skillet, ladles and bicycle forks into a vaguely neoclassical seat, while his S-Chair balanced a cobra-shaped metal frame, wrapped with rubber inner tubes, atop a Volkswagen Golf steering wheel.
He ladles out dark, milk, and white chocolate from the three fountains on display at the shop's entrance, then spends several minutes painstakingly arranging the squiggles into a design with a toothpick before handing it over.
The work — comprised of five large jars on a shelf, each filled with different levels of murky water, with rusted ladles and cups hanging below them — brings together elements of both Greek mythology and African American history.
All hand carved from different types of wood and mounted on a narrow horizontal board, they include long-handled mixing spoons, two-sided ladles and a spoon so tiny its scoop is barely a quarter inch across.
From the retro green alarm clock to the weird mini ladles to the odd magnetized flatware to a bright blue spatula to scrape out jars, it was a delight to shop there, something no algorithm will ever replace.
The Spam hits the pan with a sizzle, while Tryka ladles a pork stock that has been simmering overnight into a bowl, then macaroni tubes, wontons, and carefully arranged slithers of different vegetables—carrots, radish, courgette, Chinese greens.
THAR YAR SU, Myanmar (Thomson Reuters Foundation) - Opening the lid of her rice cooker, a luxury bought when power finally came to their village in central Myanmar three years ago, Tin Aye scooped out two fat ladles for breakfast.
As they approached the fields, the players were met by a crowd of about 0003 young men, some singing African folk songs, others wearing counterfeit Manchester United and Real Madrid jerseys or banging metal dinner trays with soup ladles.
Unlike the once grand Gagripsh sanitarium just down the road, now abandoned and daubed with graffiti, the colonnaded property where Ms. Gaivoronskaya ladles out cabbage soup for tourists from Russia is enjoying something of a renaissance, albeit a decidedly backward one.
According to the old lady who ladles out portions to a young woman and a mysterious visitor sitting at her table in Dresden in 1989, it's a Polish delicacy, and here's how you eat it: Prick your fingertips with a needle.
"Go where the people are," he said, and according to him, that morning the people would be at an unassuming, unnamed cart at the intersection of Avenida C. Niños Heroes and Calle 4ta, which ladles vats of steaming hot birria, a beef stew from Mexico's Jalisco province.
It wakes you in the morning, tells you things on the way to work, comes to hand when you have 214 minutes to spare or need to clear your head, sits with you during your solo lunch, ladles out the soothing stuff you've kept for the ride home.
Inspired by a true story, the movie ladles up lots of pulpy bits and buckets of blood to tell a depressing, depressingly familiar story about what happens when young men with apparent means and a whole lot of free time get together to build their own precariously hermetic world.
Gene's Chinese Flatbread Cafe: Flatbread Cafe might sound like an odd name for a Chinese restaurant, but when you try the pork flatbread sandwich, or go through the process of breaking up pieces of bread in your bowl, onto which they pour heaping ladles of spicy lamb or pork intestines, it makes more sense.
Composed of metal clamps, rods, large wooden ladles, drums, bricks, soil collected from different African countries, and stickers of different African flowers pasted on the surrounding walls, Bopape's work is inspired by the lyrics of the song "Azania" — "From Cape to Cairo, Morocco to Madagaskar … Azania, our voice/land/being, we will get it via bazookas" — that was often sung during the South African struggle against apartheid.
The Zen Buddhist cooking tradition has yielded countless dishes that are both aesthetically ornate and elegantly simple: tofus in all colors of the rainbow, flavored with yuzu, black sesame, kelp, and everything in between; New Year's Day bowls of o-zōni, a hearty soup with ladles full of fish cakes; grilled mochi, konnyaku, and vegetables; and, of course, gently mounded white rice alongside pickles made from shiso, eggplant, daikon, and burdock.
Thus, many of these ladles feature such pinches on both sides. In modern times ladles are usually made of the same stainless steel alloys as other kitchen utensils; however, they can be made of aluminium, silver, plastics, melamine resin, wood, bamboo or other materials. Ladles are made in a variety of sizes depending upon use; for example, the smaller sizes of less than in length are used for sauces or condiments, while extra large sizes of more than in length are used for soup or punch. In ancient times ladles were often made from plants such as calabash (bottle gourd) or even sea-shells.
Allegheny Ludlum Steel Corp., 1941 A gear driven ladle In metallurgy, a ladle is a vessel used to transport and pour out molten metals. Ladles are often used in foundries and range in size from small hand carried vessels that resemble a kitchen ladle and hold to large steelmill ladles that hold up to . Many non-ferrous foundries also use ceramic crucibles for transporting and pouring molten metal and will also refer to these as ladles.
The remaining objects in the Mildenhall assemblage are all small eating utensils; five round-bowled ladles or spoons, and eight long-handled spoons of the common late-Roman cochlear type. The round 'ladles' have zoomorphic handles cast in the form of dolphins. There is a comparable piece in the Traprain treasure,Curle 1923, pp.70-71 and there are two sets each of ten ladles of this type, though not with zoomorphic handles, in the Hoxne hoard.
Washington: Smithsonian Institution, 1992. p 54. Other ceramic artifacts consist of ladles/spoons, beads, worked potsherds, and human effigy figurines.
Ceramics are in monochrome Berber-style only, a limited tradition depicting bold forms and decorations. Wood crafts are generally made of cedar, including the riad doors and palace ceilings. Orange wood is used for making ladles known as harira (lentil soup ladles). Thuya craft products are made of caramel coloured thuya, a conifer indigenous to Morocco.
The book sold over one million copies."Vegetarian cookbook author Anna Thomas ladles out ‘Love Soup’". Los Angeles Times. Retrieved January 24, 2020.
Catherine Johns, The Hoxne Late Roman Treasure, London 2010, catalogue numbers 42 - 61 Only four handles survive from the Mildenhall ladles, and one of those is broken and incomplete. Because handles and bowls were soldered together in antiquity and had separated during burial, it is not certain which handle belongs to which bowl. In theory, if each component bowl and each handle were from a different utensil, there could have been as many as 9 ladles originally. In practice, it seems more likely that the handles and bowls present all belong together, and the group has therefore been reconstructed as five ladles, combining the existing handles and bowls.
Evidence of shell working was found at Chanhudaro and bangles and ladles were made at this site.McIntosh, Jane.(2008) The Ancient Indus Valley, New Perspectives. ABC- CLIO.
The child was delighted to see something of her own writing in print. She was educated at Seneca Collegiate Institute, Ovid, New York, and Young Ladles' Institute, Auburn, New York.
As a result, Iroquois leased the railroad to a new entity, the Chicago Short Line. In 2003 Chicago Short Line became the South Chicago and Indiana Harbor railroad. One of SCIH's main sources of revenue from the South Chicago operation was the intra-plant movement of pig iron, loaded slag ladles (to and from the cinder dump), and empty ladles to and from the ladle preparation building. The SCIH also handled substantial tonnages of slag, used by some Midwestern railroads for track ballast.
Ceramics and felt and porcelain dolls are made in Huatecalco. Acampilpa is known for its pottery and for leather goods in the El Mirador colony. In Palo Prieto families make baskets, ladles, and birdcages.
The Banquet kitchen was about half a block long. It was quite a sight to see the waiters lined up in the kitchen prepared to serve a banquet, serving spoons or soup ladles in hand.
Also excavated was the bridge leading into the Outer bailey and the surrounding rampart. Finds from river-bed included another longboat, an archery bow, identified as being made from English yew, wicker fish-traps, ladles, spoons, buckets and vats.
A much larger follow-on contract was awarded in March, 1941 for ladles, skimmers, turners and spoons. With war imminent, Vollrath gradually converted to war production in late 1941, increasing the government supplies until August 1, 1942. At that time, Vollrath was working 100% on defense work, which continued throughout the war. By September 1943, Vollrath's price list of porcelain enamelware permitted for civilian use was strictly limited to a few dozen necessary items such as coffee pots, boilers, and percolators, vegetable insets, bain maries, double boilers, dish pans, ladles, pails, hotel pans, sauce pans, and stock pots for kitchen use.
Scrap steel loaded by overhead cranes using electromagnetic grabs fed the Siemens Martin Open hearth furnaces via charging machines tipping “coffin”-like loading containers directly into the furnaces. The furnaces were heated by water gas and producer gas made on site fed to the furnaces by gas mains. The molten metal had alloys added, then sampled and after satisfactory laboratory checks of the metal composition the furnaces were tapped out into preheated bottom pouring ladles holding some 20 tons. The ladles were manoeuvred by overhead crane into the casting bays over several ceramic runner systems each feeding six preheated one-ton ingot moulds.
For cooked rice, the weight of the tael is approximated using special tael-sized ladles. Other items sold in taels include the shengjian mantou and the xiaolongbao, both small buns commonly found in Shanghai. In these cases, one tael is traditionally four and eight buns respectively.
The ladles had an iron cup for the shot with one or three handles. Round shot less than weight size could be carried by one man with a single-handle ladle, while larger shot needed a three-handle ladle, carried between two men like a stretcher.
It is used for timber, resin, fodder, medicine, and dye. The wood is dirty white and soft. Being durable under water, it is used for well-curbs and water scoops. Spoons and ladles made of this tree are used in various Hindu rituals to pour ghee into the fire.
The buildings were located more closely together and reflected deepening religious celebration. Towers were built near kivas and likely used for look- outs. Pottery became more versatile, not just for cooking, but now included pitchers, ladles, bowls, jars and dishware for food and drink. White pottery with black designs emerged, the pigments coming from plants.
Due to the rather risky nature of the sport the participants wear heavy protective gear, usually similar to ice hockey equipment. To further reduce friction and the risk of injuries, the athletes wear ladles under their feet. To improve performance, the undersides of the woks are often heated with a blowlamp before the race.
These cases all contain pottery found in the palace's pantries. Case 13 displays jars from storeroom 32, case 14 contains drinking cups, scoops and bowls from pantry 60, and case 15 has similar items from pantry 18. The items in these cases include cooking pots, stemmed kylikes, scoops and ladles, probably used for cooking, drinking and feasting.
Field of occupational toxicology is the study of the adverse effects of agents that may be encountered by.workers during the course of their employment.Occupational Toxicology, 2nd EDITION, Edited by Chris Winder and Neill Stacey Battery recycling workers are at risk for lead exposure. This worker ladles molten lead into billets in a lead-acid battery recovery facility.
During the years of the Great Depression and under the guidance of President J.C. Vollrath, the company continued its entrepreneurial practices. By the late 1930s, Vollrath had begun replacing some enamelware with stainless steel. Vollrath's field sales force numbered nineteen in 1938. The first military contract related to World War II was with the navy for spoons and ladles announced in August, 1940.
During first “five-year plans” the railway station and mechanical factory underwent reconstruction. The factory started to produce foundry ladles, iron and slag carriages, gates for blast furnaces. In the 1970s there were new multistorey microdistricts built, such as “Cheriomushki” (in the north-east of the city), “30th anniversary of the Victory” and "Eastern"; in the 1980s – the "Festival" microdistrict.
Bronze poured from a crucible into a mold, using the lost-wax casting process In a foundry, molten metal is poured into molds. Pouring can be accomplished with gravity, or it may be assisted with a vacuum or pressurized gas. Many modern foundries use robots or automatic pouring machines to pour molten metal. Traditionally, molds were poured by hand using ladles.
The plant's beans were used as a food source, and wood for carving ladles, by the indigenous Quechan, Mojave, and Pima people.University of Michigan – Dearborn: Native American Ethnobotany . accessed 4.1.2013 The Pima and Tohono Oʼodham both ate the beans when soft and immature and cooked whole; they also ground the ripe seeds into flour to eat as atole or gruel.
The shells were cut, rolled, polished and drilled before being strung together and woven into belts. These were used for personal, social and ceremonial purposes and also, at a later date, for currency. The Winnebago Tribe from Wisconsin had numerous uses for freshwater mussels including using them as spoons, cups, ladles and utensils. They notched them to provide knives, graters and saws.
Nanuet ran a Lumber business. The mountain people in Ladentown made baskets, beer barrel hoops, bowls, chairs, ladles and spoons they made from the wood and reeds found in the mountain to sell or take to New York City to be sold. Mills, both saw and grist, were among the first industries of the county. As early as 1792, tanneries were in existence.
Pueblo buildings were built with stone, windows facing south, and in U, E and L shapes. The buildings were placed more closely together and reflected deepening religious celebration. Towers were built near kivas and likely used for look-outs. Pottery became more versatile, not just for cooking, but now included pitchers, ladles, bowls, jars and dishware for food and drink.
Due to the microscopic pores caused by the casting process, cast aluminium has a lower thermal conductivity than sheet aluminium. It is also more expensive. Accordingly, cast aluminium cookware has become less common. It is used, for example, to make Dutch ovens lightweight and bundt pans heavy duty, and used in ladles and handles and woks to keep the sides at a lower temperature than the center.
Janus-faced heads on a staff are reported to be carried by certain masked performers. The two faces looking in opposite directions symbolize the supernatural ability of the gle to see in all directions. Like feast ladles, these heads are considered powerful spiritual objects that act as receptacles for du. Some are created as portraits of deceased family members that embody that person's spirit.
Special tools were required to handle heated shot. An iron fork was used to remove heated shot from the furnace, then the shot was placed on a stand and cleaned by rubbing off loose surface scale with a rasp. A pair of tongs with circular jaws were used to handle the shot at the furnace. To carry the shot to the cannons, hot shot ladles were used.
Alice Bell of VideoGamer.com wrote, "Vampyr serves delicious ladles of angst and drama with a hearty slice of excellent, morally grey choice system that will genuinely surprise you, all wrapped up in a wonderfully gloomy London". Conversely, Mersereau scolded the overall narrative for its "threadbare" contribution. He called the combat "a low-grade Witcher knockoff", complaining about its lack of precision and "sloppy" mechanics.
The Chinese spoon or Chinese soup spoon is a type of spoon with a short, thick handle extending directly from a deep, flat bowl. It is a regular utensil in Chinese cuisine used for liquids, especially soups, or loose solid food. Most are made from ceramics. Although normally used as an eating utensil, larger versions of the Chinese spoon are also used as serving spoons or ladles.
Oxford Prison & Castle museum. The crank machine was a penal labour device used in England in the 19th century. It consisted of a hand-turned crank which forced four large cups or ladles through sand inside a drum, doing nothing useful. The prisoner would typically be forced to do 6,000–14,400 revolutions over the period of six hours per day (1.5–3.6 seconds per revolution).
The shape of the blade, whether curved or straight, is a function of the carving purpose of the user: straight for whittling wood, making splints for baskets and incising, curved for hollowing out bowls and masks and ladles, as well as myriad other usages. The 1971 documentary César et son canot d'écorce (César's Bark Canoe) illustrates the use of a crooked knife in the construction of a birch-bark canoe.
There was a noted improvement in quality, as with the ability to cast using larger molds. The pilot plant was limited to about 50 "heats" (ladles of molten steel), from the original OP shop. Over the course of operation, the pilot plant cast a little over 300,000 tons of steel. The five year run of the plant produced the opportunity to help develop both the equipment and casting techniques.
Four single-strand curved mold casting machines cast around 3000 tons per day. Only two casting machines would normally cast at one time, and many people questioned the need for four units. McLouth felt that the third caster was there for coordination reasons, while the fourth was a reserve for maintenance shutdowns. Ladles were moved by overhead bridge cranes to the casting machines, which could handle two at a time.
It featured essays on Japanese art and art history by critics such as Burty, de Goncourt, and Louis Gonse, drawn from Bing's wide circle of acquaintances in the art world. The articles examined a wide variety of Japanese arts: its architecture, painting, woodblock printing, pottery, and even poetry and theatre. Bing also drew attention to the high aesthetic quality of everyday objects such as combs, tea ladles, and fabrics.
The horseshoe shaped counter wraps around the freestanding metal steamer. One waitress continually stirs the beef as it cooks in full sight of the patrons. Another waitress cuts the buns and adds the condiments, and another ladles the loose meat onto the buns and wraps them in their signature wax paper. This show is an integral part of the dining experience for the canteen's new and seasoned customers.
There is singing and dancing before the head priest or nyubh comes with his attendants to perform the main ritual. Guests are welcomed with rice paste powder, and opo or millet seed beer which is scooped in dried gourd ladles. The song and dance are performed in a group. Usually men and women hold hands in a circular form and sing and dance these lines Nyokum bo tapa debe.
In the spring 2009 Kari Kallonen and his wife Tiina Kallonen sold the majority of the company to a Finnish investment company, Intera Partners, after which the company began to grow rapidly through acquisitions. In 2010, it acquired the Swedish kitchenware maker Sveico, which doubled the company's turnover. Sveico made metallic and plastic kitchen utensils like ladles and whisks. Kari Kallonen's successor as CEO was Alexander Rosenlew, who had led Colgate-Palmolive in Finland.
In several of the Terminator films, it was back-lit with colored gels and films to reproduce the heated glow of iron in the large pouring ladles used to transport the metal from the smelting ovens to the various molds and forms. Methyl cellulose was also a stand-in for the lava flows in Los Angeles in Volcano and on the volcanic surface of Mustafar, in Star Wars: Episode III – Revenge of the Sith.
Fulvio has appeared on NBC’s Today Show. She is best known for her role as TV presenter on three RTÉ series: Lords and Ladles (2017-present), Catherine's Family Kitchen (2011), Catherine's Roman Holiday (2010) and Catherine's Italian Kitchen (2009). Fulvio launched her first cookbook, "Catherine's Italian Kitchen", published by Gill & MacMillan in 2010. She also won a Gourmand World Cookbook Award and was nominated for the Bord Gais Irish Book Awards 2010.
For a fuller understanding of the architecture and life style during this period, pueblo buildings in the Mesa Verde region were built with stone, windows facing south, and in U, E and L shapes. The buildings were located more closely together and reflected deepening religious celebration. Towers were built near kivas and likely used for look-outs. Pottery became more versatile, including pitchers, ladles, bowls, jars and tableware for food and drink.
The slag layer is periodically allowed to flow through a hole in the wall of the furnace above the height of the matte layer. The matte is removed by draining it through a hole into ladles for it to be carried by crane to the converters. This draining process is known as tapping the furnace. The matte taphole is normally a hole through a water-cooled copper block that prevents erosion of the refractory bricks lining the furnace.
This was then allowed to cool. As the lead solidified it is removed using large perforated iron ladles and moved to the next pot in one direction, and the remaining metal which was now richer in silver was then transferred to the next pot in the opposite direction. The process was repeated from one pot to the next, the lead accumulating in the pot at one end and metal enriched in silver in the pot at the other.Rowe, 1983.
In Tlalpujahua silver is worked, along with brass and iron. The most famous modern metalwork of the state is the hammered copper of Santa Clara del Cobre, founded in 1530 as a smelter for the nuns of the order of Saint Claire. The foundry is gone but the work in the metal continues, with the making of copper tubs, vats, ladles, trays, sinks, basins, kegs, vases, pots, plates, jars, jewelry and more. Nearly all the copper used is from recycled materials.
Before sailing away, the British sent a boat ashore at Boston Light and left a time charge which blew up the lighthouse. The top of the old lighthouse was used to supply ladles for American cannon. Morning Off Boston Light by Clement Drew, 1879 In 1783 the Massachusetts Legislature supplied £1,450 to erect a new lighthouse on the site of the old. This new lighthouse, which still stands, was high with walls thick at the base, tapering to at the top.
He used coconut shells in the manufacture of ladles, and initially discarded the flesh of the nut. Kitchen experimentation produced a method for preserving the flesh by desiccation, with the result that dried shredded coconut also became a product of the factory. The Maltbys moved their business to Shelton in 1880. The plant was then taken over by David Stevens, who produced a popular series of Christmas cards that inaugurated their manufacture in Northford as one of its major industries.
The Parkgate company became part of the resulting Iron and Steel Corporation of Great Britain. After the 1951 General Elections the 1951–57 Conservative Government privatised most of the corporation, and in 1956 Parkgate was sold to Tube Investments. Major development work was planned for a site at Aldwarke, to begin production in the 1960s. This included Kaldo process basic oxygen steelmaking plant which was fed from the blast furnaces at Parkgate, ladles being moved by rail between the sites.
It is mostly practiced in parts of Cameroon, where boys and men may think that girls whose breasts have begun to grow are ready for sex. Evidence suggests that it has spread to the Cameroonian diaspora, for example to Britain, where the law defines it as child abuse. The most widely used implement for breast ironing is a wooden pestle normally used for pounding tubers. Other tools used include leaves, bananas, coconut shells, grinding stones, ladles, spatulas, and hammers heated over coals.
The horns were shaped into cups, spoons, and ladles, while the tail made a good whip, a fly-swatter, or a decoration for the tipi. Men made tools, scrapers, and needles from the bones, as well as a kind of pipe, and fashioned toys for their children. As warriors, however, men concentrated on making bows and arrows, lances, and shields. The thick neck skin of an old bull was ideal for war shields that deflected arrows as well as bullets.
In this case, the slag is termed synthetic. A good example is steelmaking slag: quicklime and magnesite are introduced for refractory protection, neutralising the alumina and silica separated from the metal, and assist in the removal of sulfur and phosphorus from the steel. Slag run-off from one of the open hearth furnaces of a steel mill, Republic Steel, Youngstown, Ohio, November 1941. Slag is drawn off the furnace just before the molten steel is poured into ladles for ingotting.
Sheet steel stamped ware was added to the product line in 1892, which increased the range of items considerably. A catalog from that era shows the addition of coffee boilers, dippers, ladles, cake and pie pans, bowls and cups. Already manufacturing enameled cast iron sinks, stove reservoirs, refrigerator tanks, and water cooler tanks, Vollrath added bathtubs to the product line in 1895, although they weren't included in a catalog. At the World's Columbian Exposition in Chicago in 1893, Vollrath garnered the Grand Prize for enameled iron ware.
Her work with the restaurant has led to other cultural and gastronomic activities, for example using the restaurant to host charity events. In 1996, El Bajío hosted an exhibition dedicated to the traditional implements used in Mexican cooking, which was inspired by painting of wooden ladles done by Emilio Sánchez for the restaurant called “Cucharadas de color” (Large colored spoons). In 1997 another exhibition was dedicated to metates (Mesoamerican grinding stones) and petates (palm frond mats). This event was inaugurated with tamales from various regions of Mexico.
In the fitting shops were lathes, screwing, drilling and punching machines, nut and bolt machines, and a complete spike-making machine, where spikes for the Railway Construction Department had been made the previous three years. The foundry department had two large travelling cranes, a large and small cupola and an air furnace. There was also a large Siemens melting furnace, for dealing with scrap, scrap and pig iron. It was complete with a steam travelling crane capable of lifting cast iron moulds and large wrought iron ladles.
Case 10 contains large stemmed beakers, kylikes, kraters and ladles from pantry 20 of the Palace of Nestor. Case 19 also contains pottery and drinking vessels from pantry 20, as well as some pottery from room 38, including stripes for sealing jars. One krater is mattpainted with wavy decoration, similar to a krater from the excavations at Vlachopoulo that is displayed in the museum of Pylos. There is also a stone oil lamp of Minoan origin made of white marble and decorated with spiral patterns.
Funayūrei are ghosts believed to use hishaku (ladles) to fill boats with water and make them sink. They are said to be the remnants of people who have died in shipwrecks and are attempting to cause humans to join them. According to legends, there are various methods that can be used to protect from the harm they inflict, such as throwing onigiri into the sea or preparing a hishaku with its bottom missing. They're also called mōjabune (亡者船), bōko, or ayakashi depending on the region.
They also invented new tools such as curved saws and twisted drills unknown to other civilisations at the time. Lothal was one of the most important centres of production for shell-working, owing to the abundance of chank shell of high quality found in the Gulf of Kutch and near the Kathiawar coast. Gamesmen, beads, unguent vessels, chank shells, ladles and inlays were made for export and local consumption. Components of stringed musical instruments like the plectrum and the bridge were made of shell.
Students and > civil servants in high-collared tunics, and schoolchildren carrying pots and > pans, ladles and spoons, quietly took up their stations. The total force, > according to Radio Peking, numbered 3,000,000. Some sparrows found refuge in the extraterritorial premises of various diplomatic missions in China. The personnel of the Polish embassy in Beijing denied the Chinese request of entering the premises of the embassy to scare away the sparrows who were hiding there and as a result the embassy was surrounded by people with drums.
A set of ornamented bronze ladles were also unearthed, all of approximately 20 cm long. One was decorated with depictions of flying birds and geometric patterns, while another showed a picture of a man playing music. The circular motifs in the artefacts excavated at Viet Khe were not restricted to the bronze specimens, with a piece of leather also being ornamented in this way. The coffins also held sooden hafts for use in speartips, impressions of matting on soul and items of lacquer, cloth and basketry.
When the required steel had been formed, it was poured into ladles and then transferred into moulds while the lighter slag was left behind. The conversion process, called the "blow", was completed in approximately 20 minutes. During this period the progress of the oxidation of the impurities was judged by the appearance of the flame issuing from the mouth of the converter. The modern use of photoelectric methods of recording the characteristics of the flame greatly aided the blower in controlling final product quality.
It is believed that the building served religious ceremonies – perhaps as a resting place for the dead, until the flesh had decayed and the bones could be moved into surrounding graves. The original wooden building burnt to the ground at some point, and parts of the roof sheeting of birch-bark with turf cover collapsed inwards with the burnt wall planking. 26 richly decorated offering vessels and pottery ladles representing the golden age of pottery in Danish prehistory were found inside the collapsed building. The ceramics can be seen on display at the Moesgaard Museum.
1450) in the Postpalatial period and perhaps as late as LM IIIB/C (c. 1200), although it is likely that many of the vessels from these later periods were heirlooms from earlier periods. The earliest were probably made exclusively from precious metals, but from the Protopalatial period (MM IB – MM IIA) they were also produced in arsenical bronze and, subsequently, tin bronze. The archaeological record suggests that mostly cup-type forms were created in precious metals, but the corpus of bronze vessels was diverse, including cauldrons, pans, hydrias, bowls, pitchers, basins, cups, ladles and lamps.
Slag-ladles (1943) (Art.IWM ART LD 1773) Graham Sutherland was born in Streatham in London, the son of a lawyer who later became a civil servant in the Land Registry Office and the Board of Education. Graham Sutherland attended Homefield Preparatory School in Sutton and was then educated at Epsom College, Surrey until 1919. Upon leaving school, after some preliminary coaching in art, Sutherland began an engineering apprenticeship at the Midland Railway locomotive works in Derby as several members of the extended Sutherland family had previously worked there.
Native Americans worked these burls into domestic objects like bowls and ladles with tools such as stone blades, hot coals, and beaver teeth. Native Americans traded these wooden items with European colonists, who later learned to harvest burl and carve them into treen in the style of their home countries. Burl treen is considered an indigenous North American craft, and examples are found in museums and private collections of Americana. The snarled and interlaced grain of a burl makes the resulting objects stronger and less likely to split.
Local specialties include gordita de horno, a sweet case baked on an oak leaf, and gorditas de arriero, a savory dish filled with refried beans flavored with chile de arbol. Other popular dishes include pipian rojo, tamales with meat and nopal, tortitas de guachal (made with nopales and eggs), and chuales, a kind of baked tamale with beans and piloncillo and birria. Handcrafts include wooden masks, most often used for a traditional dance called Los Morenos in honor of the Holy Cross. Another craft is ceramics, which include pots, plates, storage jars and ladles.
Navajo cooking was similar to that of other Native tribes in the region in that it made use of hornos, or clay ovens, in which food was cooked by starting a wood fire inside. The fire was left to burn itself out, the ashes were either removed or pushed to the back of the horno, and the food to be cooked replaced them. Other utensils used widely by the Navajo prior to European contact included tongs, stirring sticks, kettles, and ladles. One of the Navajo's biggest cultural staples is fry bread, largely due to its history.
The archaeological record suggests that mostly cup-type forms were created in precious metals, but the corpus of bronze vessels was diverse, including cauldrons, pans, hydrias, bowls, pitchers, basins, cups, ladles and lamps. The Minoan metal vessel tradition influenced that of the Mycenaean culture on mainland Greece, and they are often regarded as the same tradition. Many precious metal vessels found on mainland Greece exhibit Minoan characteristics, and it is thought that these were either imported from Crete or made on the mainland by Minoan metalsmiths working for Mycenaean patrons or by Mycenaean smiths who had trained under Minoan masters.
94 "Such a fireplace and such equipment afforded the medieval cook in some respects more control over what was happening to his food ... Depending on the size and weight of the meat, the cook chose a heavy or light spit of various lengths." There were also cranes with adjustable hooks so that pots and cauldrons could easily be swung away from the fire to keep them from burning or boiling over. Utensils were often held directly over the fire or placed into embers on tripods. To assist the cook there were also assorted knives, stirring spoons, ladles and graters.
Ladentown was named after Michel Leyden who was a nail cutter in the Ramapo works who sometimes spelt his name as Laden. He opened a trading store here which became one of the first industries in the county. The mountain people brought baskets, beer barrel hoops, bowls, chairs, ladles and spoons they made from the wood and reeds found in the mountain to Laden's store to sell or take to New York City to be sold. In 1836, Mr. Leyden sold his store to John J. Secor, but he still took his woodenware to New York City to sell.
When the removal of the matte or slag is complete, the hole is normally plugged with clay, which is removed when the furnace is ready to be tapped again. Reverberatory furnaces were often used to treat molten converter slag to recover contained copper. This would be poured into the furnaces from ladles carried by cranes. However, the converter slag is high in magnetiteG E Casley, J Middlin and D White, "Recent developments in reverberatory furnace and converter practice at the Mount Isa Mines copper smelter," in: Extractive Metallurgy of Copper, Volume 1, (The Metallurgical Society: Warrendale, Pennsylvania, 1976), 117–138.
The Calendar is of great value to researchers delving into the history of the Parsons family, the English settlement of the Irish midlands in the 17th century, the Williamite wars, early Irish nationalism, the Royal Navy in the eighteenth century, nineteenth-century science and astronomy, and the fate of the Irish landed gentry in the early twentieth century. Lord Rosse appeared in Great British Railway Journeys and in an episode of Lords & Ladles that focused on Birr Castle. His wife, Alison Parsons, Countess of Rosse, and his children Lady Alicia Clements and Michael Parsons, also appeared in this programme.
A few examples of pottery were discovered, showing evidence of having been used as cooking bowls or pots. Associated with them were household utensils— spoons made from bivalves, ladles made from the greater halves of hollowed-out well-grown conch shells; and cups, bowls, trays and mortars of wood. Trays were comparatively shallow, oval in outline and varying in length; the ends were narrowed and truncated to form handles, the upper faces of which were usually decorated with neatly cut-in disc-like or semilunar figures or depressions. Atlatls and arrows were found, but no bows.
Regionally traded products of importance were drums, ladles, stools, storage boxes for grain, and snuffboxes of horn. Iron and cloth were very important in regional networks, but the cloth industry in particular was ailing in 1857 because of severe competition from India, and over the next sixty years almost disappeared. Ironwork came from localized settlements whose products were then traded over wide areas: bows, arrows, spears, the payment of fines, and the extremely valuable hoes for bridewealth were all produced with considerable ritual by the smiths; and depending on the place that was blamed, for the heavy deforestation to obtain charcoal.
This could be a mixing of the funayūrei legends which suggests these yōkai appear during storms at sea. With very few first person sightings which are recorded or passed on, umibōzu tends to have characteristics with other yōkai. Similar to the funayūrei, umibōzu either breaks the ship with its arms or it demands a barrel from the sailors which it consequently uses to drown the sailors by scooping up water and dumping it into the ships deck. Funayūrei use ladles to drown sailors in some Japanese legends while some accounts of umibōzu claim it appears with a ladle for the same purpose.
Ptomaine Tommy "had two ladles, a large and a small" with which to serve his chili, whether smothered on top of the burger or in a bowl; originally the ordering lingo used by his patrons was "hamburger size" vs. "steak size", but later simplified to "size" and "oversize". The use of the shorthand term "size" for burger-size portion of chili (in a bowl or on a burger) then gained currency throughout Los Angeles. Ptomaine Tommy was forced to close his restaurant August 10, 1958 and sell his property to satisfy creditors, Alternate Link via ProQuest.
From the ladle, the hot metal is transferred via a refractory shroud (pipe) to a holding bath called a tundish. The tundish allows a reservoir of metal to feed the casting machine while ladles are switched, thus acting as a buffer of hot metal, as well as smoothing out flow, regulating metal feed to the molds and cleaning the metal (see below). Metal is drained from the tundish through another shroud into the top of an open-base copper mold. The depth of the mold can range from , depending on the casting speed and section size.
In metal casting, a tundish is a broad, open container with one or more holes in the bottom. It is used to feed molten metal into an ingot mould so as to avoid splashing and give a smoother flow. The tundish allows a reservoir of metal to feed the casting machine while ladles are switched, thus acting as a buffer of hot metal, as well as smoothing out flow, regulating metal feed to the moulds and cleaning the metal. Metallic remains left inside a tundish are known as tundish skulls and need to be removed, typically by mechanical means (scraping, cutting).
Lailey's workshop, on Bucklebury Common, had the form of a Grubenhaus (a sunken-floored building of early mediaeval type), though it dated from the nineteenth century. He did not install an electricity supply, though one was available. Lailey made a variety of items (including wooden ladles) but concentrated mainly on bowls, produced in a variety of sizes. For this, elm logs were seasoned for at least two years, sawn with a crosscut saw, and then trimmed using a side axe; the blanks were then roughly turned, stored for a further short period and finished on the lathe, applying a polish of beeswax and turmeric root.
Greek ladle, c. 4th century BC, from the Walters Art Museum A ladle is a type of spoon used for soup, stew, or other foods. Although designs vary, a typical ladle has a long handle terminating in a deep bowl, frequently with the bowl oriented at an angle to the handle to facilitate lifting liquid out of a pot or other vessel and conveying it to a bowl. Some ladles involve a point on the side of the basin to allow for finer stream when pouring the liquid; however, this can create difficulty for left handed users, as it is easier to pour towards oneself.
While in her teens, she wrote a number of novelettes that were published in New York City and Philadelphia. Later, she wrote considerably for juvenile publications, and she was also an acknowledged authority regarding domestic topics. Her articles appeared in the Housewife, Housekeeper, Housekeeper's Weekly, Christian at Work, Demorest's Monthly Magazine, Arthur's Lady's Home Magazine, The Youth's Companion, the Congregationalist, the Portland Transcript, Ladles' World, Good Cheer, The Philadelphia Press, the Chicago Ledger, the Golden Rule, the Household, Good Housekeeping and St. Nicholas For five years, she served as fashion editor of the "Household." She used various pseudonyms, but was best known to editors and the public by her maiden name.
The arsenal was chosen to be built at the edge of the village of Gibbonsville, directly opposite Troy, New York. It was chosen to be built there due to its key location on the Hudson River, only from Lake Champlain, from New York City, and a short distance via the Mohawk River to Lake Ontario. During the early stages of the War of 1812, attacks could be expected from many key ports and other locations. At the time, the Colonel of Ordnance was Decius Wadsworth; he originally designated the arsenal to produce fixed ammunition and small articles of equipment including gun carriages, drag ropes, ladles, wormers, sponges, and shot.
The patterns depicted include natural forms such as bears, ravens, eagles, orcas, and humans; legendary creatures such as thunderbirds and sisiutls; and abstract forms made up of the characteristic Northwest Coast shapes. Totem poles are the most well-known artifacts produced using this style. Northwest Coast artists are also notable for producing characteristic "bent-corner" or "bentwood" boxes, masks, and canoes. Northwest Coast designs were also used to decorate traditional First Nations household items such as spoons, ladles, baskets, hats, and paddles; since European contact, the Northwest Coast art style has increasingly been used in gallery-oriented forms such as paintings, prints and sculptures.
In Kerala, the coconut tree is called as "Kalpa Vriksham" which essentially means all parts of a Coconut tree is useful some way or other. Cocus nucifera dominate the landscape in many parts, rising up to a height of 25m, and bearing over 50 fruits on average in a year. The trees have many uses; their leaves are used to make sheds, baskets, and doormats, the husk for making coir, the shell for making ladles and spoons, and fruits used for making hair oil or for eating. Coconut is a staple ingredient in many Kerala dishes and coconut oil is widely consumed and used to make drinks such as coconut toddy and dishes such as appam.
During the later stage of the first half of the 2nd millennium BC, the first appearance of bronze tools took place despite these tools still being rare. By about 1000 BC, bronze replaced stone for about 40 percent of edged tools and weapons, rising to about 60 percent. Here, there were not only bronze weapons, axes, and personal ornaments, but also sickles and other agriculture tools. Toward the closure of the Bronze Age, bronze accounts for more than 90 percent of tools and weapons, and there are exceptionally extravagant graves – the burial places of powerful chieftains – containing some hundreds of ritual and personal bronze artifacts such as musical instruments, bucket-shaped ladles, and ornament daggers.
The small size of the coins, which were dubbed "fish scales", was disliked as they were easily lost. The mint used them to redeem some of the Spanish silver, but the bulk of those foreign coins remained in circulation. A shopper paying for a small purchase with a gold dollar might receive fifteen or so three-cent pieces and the remainder in badly worn fips and other small silver coins. One Philadelphia newspaper reported, derisively, that merchants were reduced to giving ladles full of three-cent pieces in change for a five- dollar banknote. Silver coins continued to flow out of the U.S. in 1852, and the three-cent silver saw its highest mintage, 18,663,500, all from Philadelphia.
Zun pan (尊盘) vessel Along with the Late Shang dynasty tomb of Fu Hao, the tomb represents one of the largest sets of ritual bronze vessels to be properly recorded at the site. Most of the large number of ritual bronzes extant are individual pieces, or pairs, with no archaeological context recorded, but it is becoming clear that most pieces would have originally come from large groups deposited in an elite tomb.Rawson, 44-50 The tomb had a total of 88 vessels and implements such as ladles and shovels, with many matching sets of a particular type of vessel. The decoration of the vessels is highly elaborate, with many protruding elements.
A variety of SiAlON phosphor powders under UV light SiAlON ceramics have found extensive use in non-ferrous molten metal handling, particularly aluminium and its alloys, including metal feed tubes for aluminum die casting, burner and immersion heater tubes, injector and degassing for nonferrous metals, thermocouple protection tubes, crucibles and ladles. In metal forming, SiAlON is used as a cutting tool for machining chill cast iron and as brazing and welding fixtures and pins, particularly for resistance welding. Other applications include in the chemical and process industries and the oil and gas industries, due to sialons excellent chemical stability and corrosion resistance and wear resistance properties. Some rare-earth activated SiAlONs are photoluminescent and can serve as phosphors.
Scanga's newest series of works, the "Potato Famine" sculptures, are logical extensions of his earlier efforts. He begins with the familiars of saints and tools, but here they are supporting armatures not focal points. If his earlier offerings of herbs, peppers, and the like were presented in blown glass peasant ware or hung as dried provisions domesticating an exhibition space, these potato supplications are affixed directly to the accompanying icons—not unlike the devotions pinned directly to the images of saints and Madonnas as they are paraded before the faithful in street processions. Other spuds rest in huge ladles and bowls just as they are—a simple, raw food—uncooked but potentially nourishing.
The Early American Classroom The Early American Room is one of two display rooms not used as a functional classroom, although it is opened for guided tours. The room was commissioned by longtime University Pittsburgh trustee George Hubbard Clapp, a descendant nine generations removed from Roger Clapp, an English captain who sailed into the New England port of Hull on May 30, 1630. The kitchen-living room of the early colonists was chosen to portray the sturdy simplicity of life in America during the 1650s. The room's focus is a nine-foot fireplace constructed from 200-year-old handmade bricks with "fixings" of a log hook, heavy iron kettles, a spider, gridiron, longhandled waffle iron, bread shovel, skewers, ladles, and forks.
British Museum collection database, "hammer", , accessed 21 July 2010 The hoard was concentrated in a single location, within the completely decayed remains of a wooden chest. The objects had been grouped within the chest; for example, pieces such as ladles and bowls were stacked inside one another, and other items were grouped in a way consistent with being held within an inner box. Some items had been disturbed by burrowing animals and ploughing, but the overall amount of disturbance was low. It was possible to determine the original layout of the artefacts within the container, and the existence of the container itself, due to Lawes' prompt notification of the find, which allowed it to be excavated in situ by professional archaeologists.
It was around this time that she began to be known as Madame Ada Baker, the earliest reference in the press to this new title being in The Sunday Times during August 1908. Baker arranged music for and led the St Cecilia Ladies' Choir in Pymble, where she raised £1000 for the local branch of the British Red Cross Society during World War I. The Sydney Morning Herald said of the choir that "Madame Ada Baker's Pymble Cecilia Ladles' Choir can fairly claim to be the original 'All-Girl' Patriotic Entertainers." The choir performed a variety of concerts, including the play The Princess of Poppyland, by C. King Proctor, and the cantata The Hours, by Shapcott Wensley. Over the years, Baker was a prolific fundraiser.
The individual blades were frequently called ladles. Scoop wheels have been used in land drainage in Northern Germany, in the Netherlands, and in the UK, and occasionally elsewhere in the world. They began to be replaced in the mid 19th century by centrifugal pumps. The East and West Fens to the north of Boston, Lincolnshire were drained by such pumps in 1867, but although they were smaller and more economical to install, a Mr. Lunn was still arguing that scoop wheels were a better solution if the initial cost did not rule them out, they were employed in situations where the water did not need to be raised by more than , and where the water levels of the input and output did not vary much.
Developed by James Hartledsay in 1848. The glass is taken from the furnace in large iron ladles, which are carried upon slings running on overhead rails; from the ladle the glass is thrown upon the cast-iron bed of a rolling-table; and is rolled into sheet by an iron roller, the process being similar to that employed in making plate-glass, but on a smaller scale. The sheet thus rolled is roughly trimmed while hot and soft, so as to remove those portions of glass which have been spoiled by immediate contact with the ladle, and the sheet, still soft, is pushed into the open mouth of an annealing tunnel or temperature-controlled oven called a lehr, down which it is carried by a system of rollers.
To "ride such a person skimmington" involved exposing them or their effigy to ridicule on a cart, or on the back of a horse or donkey. Some accounts describe the participants as carrying ladles and spoons with which to beat each other, at least in the case of skimmingtons prompted by marital discord. The noisy parade passed through the neighbourhood, and served as a punishment to the offender and a warning to others to abide by community norms; Roberts suggests that the homes of other potential victims were visited in a pointed manner during a skimmington. According to one citation, a skimmington was broken up by the police in a village in Dorset as late as 1917; and incidents have been reported from the 1930s, the 1950s and perhaps even the 1970s.
The forge was used from 1700 onwards to produce edged agricultural tools such as spades, shovels, forks, rakes, hoes, and cultivator blades; it also catered to local industries with special shovels (known as skippets) for the nearby salt workings at Droitwich, and pouring ladles for the Stourbridge glass industry and the Black Country metal refineries. The main wheel driving the forge machinery in the present building has a diameter of 17 feet and is 5 feet 3 inches wide. It is mounted on an 18 foot cast iron axle which carries two of the original flywheels that once operated trip hammers. There is now a spur wheel which meshes with a smaller one and in turn powers a flat belt that drives various hammers, presses and other machines.
Silver-gilt cignus spoon decorated with a mythical marine creature The hoard contains about 100 silver and silver-gilt items; the number is imprecise because there are unmatched broken parts. They include a statuette of a leaping tigress, made as a handle for an object such as a jug or lamp; four pepper-pots (piperatoria); a beaker; a vase or juglet (a small jug); four bowls; a small dish; and 98 silver spoons and ladles. The beaker and juglet are decorated with similar leaf and stem patterns, and the juglet has three gilded bands. In contrast, the small bowls and dish are plain, and it is presumed that the owners of the Hoard had many more such items, probably including the large decorated dishes found in other hoards.
Prisoners had to work six or more hours a day, climbing the equivalent of 5,000 to 14,000 vertical feet. While the purpose was mainly punitive, the mills could have been used to grind grain, pump water, or operate a ventilation system. Shot drill involved stooping without bending the knees, lifting a heavy cannonball slowly to chest height, taking three steps to the right, replacing it on the ground, stepping back three paces, and repeating, moving cannonballs from one pile to another. The crank machine was a device which turned a crank by hand which in turn forced four large cups or ladles through sand inside a drum, doing nothing useful. Male prisoners had to turn the handle 6,000–14,400 times over the period of six hours a day (1.5–3.6 seconds per turn), as registered on a dial.
The most modest modern mizuya may comprise little more than a hot-plate or electric kettle and several buckets of fresh water, and might be located in a screened-off outdoor area with a grass floor. A fully equipped modern indoor mizuya may rival the best- equipped kitchen, with several sinks with hot and cold running water, an elaborate system of storage areas, cupboards, shelves and worktops, a refrigerator, stove, and microwave oven. In practice, however, most fall somewhere in between. A typical indoor mizuya has in it a recess three or four feet wide and two feet deep, possibly with a tatami mat in front of it, equipped with a traditional sink (a long metal tub sunk into the floor and covered with a bamboo grate), several wooden shelves for storing tea supplies, and a board with pegs for hanging ladles and towels.
These installations all date from the 20th century. They are supported by outer frames made of metal, were supplied with pre-heated blast air from external Cowper stoves, were typically part of large industrial compounds where, at one point, multiple blast furnaces were typically standing and operating side by side for efficiency reasons, raw materials were delivered by external elevating mechanisms, and the entire site was accessible by freight trains which delivered the raw materials and carried off the freshly smelted pig iron in ladles. In many cases, the preserved sites have been deliberately stripped down to minimize maintenance costs; namely, some blast furnaces and related installations have been demolished. The goal was to only retain one or two blast furnaces including the relevant related installations (such as Cowper stoves, cast house, winch house etc.), which are considered sufficient to explain the blast furnace process and all related functions to visitors.
The Tjele fragment was discovered amidst a tenth century collection of smith's tools in 1850, but its significance was not understood until 1984. Originally discovered by a farmer planting saplings by Tjele Manor, between Viborg and Randers, it was sent by the manor's owner to the National Museum of Denmark, where it remains today. In 1858 the collection of tools—two anvils, five hammers, three pairs of tongs, a pair of plate shears, two files, a chisel, two drawplates, two foundry ladles, a whetstone, a set of balance scales with ten weights, five sickles, a key, three iron nails, an axe, two jingles, a spearhead, bronze wires, fragments of bronze and iron, and the remains of a casket—was published, but the helmet fragment passed over as a saddle mounting. After leading "an unnoticed existence" for some 130 years despite being on display, the fragment was finally recognized as the remainder of a helmet by Elisabeth Munksgaard, the assistant keeper at the museum's Department of the Prehistory of Denmark.
A hint of his collection skills is given in a printed catalog of the Alexander Wilson Drake Collection, which was sold at public auction in 1913. The collection included “…Antique samplers and needlework, fragments of old printed chintz, bandboxes, wallpaper, glass bottles, pottery, china, pewter, engraved pledge glasses, antique silver cups and ladles, an extraordinary collection of old finger rings, silver, enameled and pearl snuff boxes, patch boxes and vinaigrettes, old paintings and prints.”The Famous Collections Formed by Mr. A. W. Drake (Part 1), to be Sold at Unrestricted Public Sale Under the Management of the American Art Association, Madison Square South, New York, March 5th, 1913. US Geological Survey Library, Kunz Collection Twelfth Night revel of the Century Association, in the guise of an itinerant Italian fortune-teller Dr. George Frederick Kunz wrote: “The extensive and remarkable collection of the late Alexander Wilson Drake, which was disposed of by the American Art Galleries of New York, March 10th to 17th, 1913, comprised a fine collection of finger rings, illustrating a large variety of forms and periods.

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