28 Sentences With "lack of tension" | Random Sentence Generator

The problem is the clear lack of tension in every encounter.

If the lack of tension bugs me, I'll ponder what choices I would have made differently.

The thing to watch for in canine body language when gauging happiness is a lack of tension.

Many within Fox chalked up the lack of tension to the sheer size of the company, which included the studios and cable networks.

Francis, 81, has made congenial visits to see Benedict, 91, creating white-robed photo opportunities that give the impression of a total lack of tension.

There's also a lack of tension in the premise, because of course they're going to try to go to Mars again with Tom back in command.

Georgia Scalliet at least provides a sense of Mark Antony's inner conflict after the death of his protector, but Nâzim Boudjenah, as Brutus, is undone by the lack of tension.

Each story is crammed into its two or three-hour running time, with the scenes and characters whizzing along at Hogwarts Express-speed towards a conclusion that usually suffers from a lack of tension in the build up.

Gould, author of the insightful Beatles history "Can't Buy Me Love," runs up against the same limitations all these efforts have faced: The singer did only a couple of interviews, and there's a fundamental lack of tension in the life of a person who virtually no one will say a bad word about.

Whilst this might seem to be making the chord more complicated, it also helps to explain the relative lack of tension and 'major' sound of the chord.

Tyner criticized the film's unnecessarily dragged out scenes, lack of tension, and dubbed dialogue, which he called "sleepy, flat, lifeless, and howlingly inept all around, never even making an attempt to match any frantically flapping lips".

Writing for SBS Movies, Don Groves panned the film, noting "deficiencies in the screenplay" such as the "insipid, sullen protagonist plus a meandering, listless narrative and a disappointing lack of tension or engagement with the characters." The film nevertheless won the Best Director award at the 2010 Dushanbe Film Festival.

The New Yorker. 152. The Monthly Film Bulletin praised the "intelligent and literate" script and "deeply felt performances from the whole cast," but felt "a distinct slackening of interest" after the intermission, as once Malama dies "there is little left except for Jerusha to join her. The real drama is over, and a colorful local wedding hardly compensates for the lack of tension." The film holds a score of 67% on Rotten Tomatoes based on 9 reviews.

Galley Smith commented that "What Happened to Goodbye has some simple plot elements yet still manages to be surprisingly complex". Publishers Weekly also points out that Dessen does not use "complicated dialect", which can distract the reader from the main plot. Karen Elliot of Library School Journal also criticized the "slight lack of tension... which keeps it from being truly compelling". Publisher Weekly commented that it has an "emotional punch to a long narrative that doesn't otherwise have much of an arc".

Eleonore's relation to Joseph was not in lack of tension, and she did disagree with his church politics, and criticized him on his restlessness. The salon of the five princesses lost their influence as state advisers upon Joseph's death in 1790. During the Second Congress of Rastatt (1797–1799), she opposed the pro-French policy of chancellor Johann Amadeus von Thugut. She was also adverse to State Chancellor Klemens von Metternich, and she is pointed out to be behind his deposition as Dresden ambassador.

He praised the characters of Ian, Barbara, and the mysterious Doctor, but noted that he was far from the character he would become and Susan was "something of a cipher" with the hope she would develop later. In a 2006 review, DVD Talk's John Sinnott called the first episode "excellent", but felt the "story goes down hill a bit" with the introduction of the prehistoric time period. He cited the slower pace, the discussions in "Tarzan-speak", and the lack of tension or high stakes.

With a complete lack of tension in the championship race, the tournament had more than its share of political tension. In Final B, the Tunisian team refused to play Israel, so the score was computed according to Elo ratings, and awarded as a 3–1 win for the Israeli team. Due to their apartheid policies, both South Africa and Rhodesia were expelled from FIDE with three rounds to go. The South African team withdrew from the tournament, and their Final C results were deleted from the overall standings.

This movement is known as the dynamic deflection. Given the lack of tension in the system, individual installations, or “runs”, of cable are limited to 2,000 ft (600 metres) with an anchor assembly at each end. Due to the low tension of the system, the cables tend to lie on the ground in the event that an impact damages multiple posts. As such, there is no residual safety value within the undamaged remainder of the 2,000 ft (600 metres) installation and that entire section of barrier will remain nonfunctional until repaired.

Criticizing the repetitiveness of the scenes and lack of tension, Peter Travers of Rolling Stone called the film "even more witless and stupefyingly dull than the original." He gave it one star. Ryan Porter gave it one-and-a-half stars in The Star, saying that like the original, it takes a solid premise and fails to develop it in an interesting or exciting way. He said the film's one positive is the unintentional humor which results from the stupidity of several scenes and the earnestness with which the actors approach them.

With the story structure working backwards and forwards at the same time, the lack of tension is no surprise, nor does Miller help herself by flitting through a variety of moods, from period satire, whimsical imagining and character comedy to more sinewy drama. On a scene-by-scene basis, though, it's classily effective, mainly because of Wright Penn's skill in nailing the precise tenor of every moment. She's a great actress, and a subtle one, too. Anyone who can wrestle scenes away from a lovably grouchy Alan Arkin must be on top of their game.

Critical reception for Lucky Bastard has been mixed and the film currently holds a rating of 55% on Rotten Tomatoes (based on 22 reviews) and 36 on Metacritic (based on 9 reviews). Common elements of praise centered around the film's actors and Fangoria stated that the performances by Rue and Paulson "are a large part of what makes the main section of LUCKY BASTARD work". Criticism for the film stemmed from what reviewers saw as a lack of tension, and JoBlo.com noted that the film was largely watchable but that much of it was due to the movie's acting.

Hinson considered sequels to be generally lazy and reliant on the success of the previous film, but felt that GhostbustersII looked better and was confident enough to experiment with the source material. He was criticized what he saw as a lack of tension and plot development. Vincent Canby said the film was funnier and not as "oppressively extravagant" as Ghostbusters; he believed the plot lacked depth but that the overall tone of the film was "remarkably cheerful". Some reviewers found the film to be poorly paced, leaving scenes feeling overlong, and that its best moments felt both few and infrequent.

Publishers Weekly criticized that there was a "lack of tension in the plot", although it was "resolved halfway through". Booklist stated that Out of My Mind is "a book that defies age categorization, an easy enough read for upper-elementary students yet also a story that will enlighten and resonate with teens and adults". The Bulletin said the novel "[Will make] students think twice about their classmates, acquaintances, and siblings with special needs". The Columbus Dispatch (Ohio) and Pittsburgh Post-Gazette (Pennsylvania) stated "Draper challenges those who read her story to become activists for those who are different".

The head of the Buddha was made by fusing two shells to each other and the face is elongated and soft. The robes of the Buddha are highly detailed and the simulation of folded cloth rippling down from the shoulder to the lap is done with high skill. The hands of the Buddha are in a position, the right index finger covered by the left hand, which often is used to symbolize the Buddha of Enlightenment. The figure is estimated to be from the 9th century due to stylistic evidence, including the overly wide lap and the lack of tension in the depiction of the robes and face of the Buddha.

She seems to eagerly point off into the distance, engaging her sister to look at the destruction that is occurring in Sodom out of sight of the viewer; however, while her body is filled with dynamic motion, her hand lazily points giving a faint reminder of the way Adam's finger is outstretched in the Creation of Adam by Michelangelo (Fig. 3). Not only is there lack of tension in her finger, but the daughter has a seemingly apathetic response on her face. She looks neither shocked nor sad but as if she is just saying "hey look" to her sister. This could possibly be attributed to the fact that in the biblical story, Lot and his daughters believed they were going to be the sole survivors of the destruction.

Frank Scheck of The Hollywood Reporter wrote that "while it earns points for its thoughtful, non- exploitative approach to its subject, [it] is neither brainy enough to attract sci-fi aficionados nor fast-paced enough to please horror fans". Film Journal International wrote, "This melancholy take on the Frankenstein story should play well with horror buffs who prefer character conflict to rampaging creatures and gore, but its low-key virtues make break-out appeal unlikely." Michael Rechtshaffen of the Los Angeles Times called it "a technically impressive but talky sci-fi drama that never quite comes to life". Joe Friar of the Victoria Advocate wrote, "The lack of tension proves to be the movie's weakness and at times it feels like the little brother to the excellent 2004 film Primer".

The film was heavily promoted by ITV before its first broadcast at 9:00pm on 9 September 2002, but attracted a relatively small audience for a peak time programme. Overnight figures suggested 6 million viewers had tuned in to watch A Is for Acid, a figure beaten by an episode of Waking the Dead which appeared in the same time slot on BBC One. A review in the Manchester Evening News the day after the film was shown was generally favourable: "Clunes might seem an unlikely choice for this sinister and demanding role...but he acquitted tremendously in his portrayal of the beaming, oily trickster with a murderous heart...Clunes made the killer plausible, disarming and businesslike as he went about murdering for profit." However, the reviewer was critical of the film's lack of tension and its failure to analyse Haigh's psyche.

Studies on Hec1 (highly expressed in cancer cells 1), the human homolog of Ndc80p, show that it is important for correct chromosome congression and mitotic progression, and that it interacts with components of the cohesin and condensin complexes. Different laboratories have shown that the Ndc80 complex is essential for stabilization of the kinetochore- microtubule anchoring, required to support the centromeric tension implicated in the establishment of the correct chromosome congression in high eukaryotes. Cells with impaired function of Ndc80 (using RNAi, gene knockout, or antibody microinjection) have abnormally long spindles, lack of tension between sister kinetochores, chromosomes unable to congregate at the metaphase plate and few or any associated kMTs. There is a variety of strong support for the ability of the Ndc80 complex to directly associate with microtubules and form the core conserved component of the kinetochore-microtubule interface.