If you look at her lips, there's lack of symmetry.
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The No. 2 Court, with its enchanting lack of symmetry, is already gone.
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It is left-aligned, which further reinforces the lack of symmetry in the logo.
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"The face may also show a lack of symmetry [when someone is lying]," Wood told INSIDER.
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There's an obvious "lack of symmetry" of opportunity for girls in emojis and "clear messages about the things girls should and should not be doing," said Walker.
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There are a few strange details — the lack of symmetry of the vents bugs me — but Mazda has mostly stuck with its standard interior design motif that more than lives up to the $23,23 as-tested price.
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Lack of symmetry in arm movement are another major difference between the two classes, with CP3 competitors having less symmetry.
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CP2 and CP3 are unable to do this. Head movement and trunk function differentiate this class from CP4. Lack of symmetry in arm movement are another major difference between the two classes, with CP3 competitors having less symmetry.
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The circularity is deceptively low, due to the fjords that give Greenland a very jagged coastline (see the coastline paradox). A low value of circularity does not necessarily indicate a lack of symmetry, and shape factors are not limited to microscopic objects.
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Lack of symmetry in arm movement are another major difference between the two classes, with CP3 competitors having less symmetry. On a daily basis, CP4 sportspeople in this class are likely to use a wheelchair. Some may be ambulant with the use of assistive devices.
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Head movement and trunk function differentiate this class from CP3. Lack of symmetry in arm movement are another major difference between the two classes, with CP3 competitors having less symmetry. While they may be able to walk with assistance, F34 competitors throw from a fixed seated position.
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This symmetry is also typical of the Georgian Period. Something less typical, however, is the lack of symmetry in the chimneys. One notices that they are equally spaced on either side of the building, yet they are drastically different sizes. The house has a stone foundation and entrances on all sides.
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Dutch Warmbloods are sound and long-lived due to the stringent requirements placed on stallions and elite mares. While mild navicular changes, sesamoids, pastern arthritis and bone spavin may be permitted on radiographs, osteochondrosis in the hock or stifle is not allowed. Horses are disqualified from breeding for congenital eye defects, over- or underbite, or a lack of symmetry in stifles, hocks, hooves, or movement.
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On a daily basis, CP4 sportspeople in this class are likely to use a wheelchair. Some may be ambulant with the use of assistive devices. They have minimal control problems in upper limbs and torso, and good upper body strength. Head movement and trunk function differentiate this class from CP3. Lack of symmetry in arm movement are another major difference between the two classes, with CP3 competitors having less symmetry.
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Pocket watches were the predecessor of modern wristwatches. Pocket watches, being in the pocket, were usually in a vertical orientation. Gravity causes some loss of accuracy as it magnifies over time any lack of symmetry in the weight of the balance. The tourbillon was invented to minimize this: the balance and spring is put in a cage which rotates (typically but not necessarily, once a minute), smoothing gravitational distortions.
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Illustration 3: The Prince's Palace in 1890 shows clearly a blend of classical facades and medieval fortifications. Due to the modern development of Monte Carlo and growth of flora this uncluttered view of the palace is obscured today. The palace is a blend of architectural styles; its ancient origins are indicated by a lack of symmetry. Thus to evaluate the architecture, wings and blocks have to be observed separately.
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But the Tilangani tomb is built of different materials, grey granite and red sandstone, white marble and plaster instead of the enamelled tiles of the tomb in Samarra. It also suffers from design defects such as very low central and subsidiary domes, very low verandah arches and a lack of symmetry. These defects were gradually removed and this tomb became an inspiration for the later Sayyid and Lodi tombs.Sharma, Y.D. 2001.
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But the lack of symmetry means that the infinite quantities must be cut off, and the bad coordinates make it nearly impossible to cut off the theory without spoiling the symmetry. This makes it difficult to extract the physical predictions, which require a careful limiting procedure. The problem of lost symmetry also appears in classical mechanics, where the Hamiltonian formulation also superficially singles out time. The Lagrangian formulation makes the relativistic invariance apparent.
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While CP2, CP3 and CP6 have similar issues with Athetoid or Ataxic, CP6 competitors have "flight" while they are ambulant in that it is possible for both feet to not be touching the ground while walking. CP2 and CP3 are unable to do this. Head movement and trunk function differentiate this class from CP4. Lack of symmetry in arm movement are another major difference between the two classes, with CP3 competitors having less symmetry.
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As a form of inspiration, architecture also began to lose its value because avant-garde artists were drawing their ideas from paintings and graphics. Jan Tschichold, the creator of one of many definitions and the most known theoretician of avant-garde typography stated that its basic rules should be lack of symmetry, contrast and total freedom of creation. Contrary to other genres of art, avant-garde creators were also its theoreticians and researchers.
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The lack of symmetry via inversion centers can allow for areas of the crystal to interact differently with incoming light. The wavelength, frequency and intensity of light is subject to change as the electromagnetic radiation interacts with different energy states throughout the structure. Potassium titanyl phosphate, KTiOPO4 (KTP) crystalizes in the noncentrosymmetric, orthorhombic Pna21 space group, and is a useful non-linear crystal. KTP is used for frequency-doubling neodymium- doped lasers, utilizing a nonlinear optical property known as second-harmonic generation.
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The lack of symmetry between both tables is underlined by the fact that the current LDT can be automatically switched on certain events, notably if TSS-based multitasking is used, while this is not possible for the GDT. The LDT also cannot store certain privileged types of memory segments (e.g. TSSes). Finally, the LDT is actually defined by a descriptor inside the GDT, while the GDT is directly defined by a linear address. Creating shared memory through the GDT has some drawbacks.
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The center moved over the Pamlico Sound and the Cape Hatteras National Seashore and exited into the Atlantic. Although the storm contained minimal deep convection, satellite imagery indicated that Arthur had a well-defined low-level center. The tropical storm weakened to a tropical depression about northeast of Cape Hatteras, and accelerated towards the northeast when westerly steering currents increased. Deep convection increased once again on June 21, although the lack of symmetry indicated that the remnants of Arthur were losing tropical characteristics.
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Archeological findings by Jean-Sylvain Caillou & Dominic Hofbauer have established that the lack of symmetry of some facades derives from an original design, abandoned shortly after the construction began, and which ground plan was organised around the central staircase following a central gyratory symmetry.Château de Chambord programme archéologique chambord-archeo.com, accessed 18 February 2019 Such a rotative design has no equivalent in architecture at this period of history, and appears reminiscent of Leonardo Da Vinci's works on hydraulic turbines, or the helicopter.
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The small, three-bay manor house is an unusual example of eighteenth-century architecture, distinguished by its lack of symmetry. Its square footprint is divided into four unequal- sized rooms on the main floor, and five fireplaces on three floors feed a central T-shaped chimney. While the interior was renovated in the early nineteenth century, many original features still exist. These include the triple-run walnut staircase, pine floors, chair rails, and doors, which feature both HL and foliated H hinges.
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In the early 1720s, Leoni received one of his most important challenges: to transform a great Elizabethan house, Lyme Hall, into a Palladian palace.Joekes. p156. This he did so sympathetically that internally, large areas of the house remained completely unaltered, and the wood carvings by Grinling Gibbons were left intact. In the central courtyard Leoni achieved the Palladian style by hiding the irregularities and lack of symmetry of the earlier house in a series of arcades around the courtyard. The transformation at Lyme was a success.
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Probability mass function for the Complementary Wallenius' Noncentral Hypergeometric Distribution for different values of the odds ratio ω. m1 = 80, m2 = 60, n = 40, ω = 0.05 ... 10 The balls that are not taken in the urn experiment have a distribution that is different from Wallenius' noncentral hypergeometric distribution, due to a lack of symmetry. The distribution of the balls not taken can be called the complementary Wallenius' noncentral hypergeometric distribution. Probabilities in the complementary distribution are calculated from Wallenius' distribution by replacing n with N-n, xi with mi \- xi, and ωi with 1/ωi.
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Lack of symmetry in arm movement are another major difference between the two classes, with CP3 competitors having less symmetry. CP3 swimmers tend to have a passive normalized drag in the range of 0.9 to 1.1. This puts them into the passive drag band of PDB3, and PDB5. Because the disability of swimmers in this class involves in a loss of function in specific parts of their body, they are more prone to injury than their able-bodied counterparts as a result of overcompensation in other parts of their body.
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Although the burial chamber was not opened, a total of 11 trenches were excavated in its sides from 1985 to 2002. Per the 2001 and 2002 survey, the mound was established to be a three-tiered keyhole-shaped mound; however, with the front line is oblique to the main axis. This lack of symmetry was due to the contour of a natural hill, which was incorporated into the tumulus. The first and second ties were formed by cutting and contouring the natural hill, and the uppermost level was added as an embankment.
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Because the transistor's internal structure is usually optimized for forward-mode operation, interchanging the collector and the emitter makes the values of α and β in reverse operation much smaller than those in forward operation; often the α of the reverse mode is lower than 0.5. The lack of symmetry is primarily due to the doping ratios of the emitter and the collector. The emitter is heavily doped, while the collector is lightly doped, allowing a large reverse bias voltage to be applied before the collector–base junction breaks down. The collector–base junction is reverse biased in normal operation.
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Coleby Grade I listed Anglican parish church is dedicated to All Saints. The original church was built by the Anglo-Saxons, extended by the Normans and had a new spire built on top of the Saxon tower in the Middle Ages. There is a lack of symmetry to the chancel, the arches on the north and south walls do not match and half of an arch has been stopped off. The pews inside the church are not original, they come from a former church at Hackthorn, a village about to the north, as do two of the windows in the north aisle.
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Various features of the head suggest that it was unfinished, such as a lack of symmetry below the mouth and an area of rough stone above the base. Rock was not removed from around the earspools as on other heads, and does not narrow towards the base. Large parts of the monument seem to be roughed out without finished detail. The right hand earspool also appears incomplete; the forward portion is marked with a sculpted line while the rear portion has been sculpted in relief, probably indicating that the right cheek and eye area were also unfinished.
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In the early days of porcelain making in Japan, the Kyoto, Seto, and Nagoya areas used only the handwheel; elsewhere, in the Kutani area and in Arita, the kick wheel was employed. The Japanese-style kick wheel or ke-rokuro was probably invented in China during the early Ming dynasty. Its design is similar in many respects to that of the handwheel, or it may have a wooden tip set in the top, and an iron pipe, like later wheels. The kick wheel is always turned in a counterclockwise direction, and the inevitable motion of the potter's body as he kicks the wheel while throwing gives many Japanese pots that casual lack of symmetry which appeals to contemporary Western taste.
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The period brought the vocabulary of classical architecture to smaller and more modest buildings than had been the case before, replacing English vernacular architecture (or becoming the new vernacular style) for almost all new middle-class homes and public buildings by the end of the period. Georgian architecture is characterized by its proportion and balance; simple mathematical ratios were used to determine the height of a window in relation to its width or the shape of a room as a double cube. Regularity, as with ashlar (uniformly cut) stonework, was strongly approved, imbuing symmetry and adherence to classical rules: the lack of symmetry, where Georgian additions were added to earlier structures remaining visible, was deeply felt as a flaw, at least before John Nash began to introduce it in a variety of styles.Musson, 33–34, 52–53 Regularity of housefronts along a street was a desirable feature of Georgian town planning.
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To the left of the gatehouse, the flanking south-west wing is of a different style. This classically designed wing has been attributed to Inigo Jones, but without supporting evidence; as with a similar attribution at Brympton d'Evercy, also in Somerset, it seems to be based solely on the alternating segmental and pointed pediments over the groundfloor windows, and ignoring the irregularities in their spacings and placings, which Jones is unlikely to have countenanced.Christopher Hussey, "Brympton D'Evercy, Somerset", in Country Life LXI (1927) pp 718ff, 7762ff, 775ff To give the long facade with its two wings of contrasting architectural styles a uniting, common feature, the third story of oval windows of the left-hand wings, which was then topped with a Jacobean balustrade was repeated above the Gothic right-hand wing; however, inexplicably the attempt at classical unity was broken by the use castellations instead of a balustrade on the right-hand side. Overall, its length, contrasting styles, high gatehouse and lack of symmetry give the facade a collegiate rather than domestic appearance.
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