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11 Sentences With "lack of ornament"

How to use lack of ornament in a sentence? Find typical usage patterns (collocations)/phrases/context for "lack of ornament" and check conjugation/comparative form for "lack of ornament". Mastering all the usages of "lack of ornament" from sentence examples published by news publications.

Rather than a "freedom from" approach to surface decoration, it suggests that a lack of ornament might inspire the observer to contemplate what secrets might be found in its interior.
Nakashima's houses may resemble the suburban vernacular of midcentury America in their horizontality, utilitarian forms and lack of ornament — at first glance, their inherent simplicity almost makes them seem prefabricated — but from within, they're of a piece with his furniture: constructed by hand, made to change through contact with the people who use them and designed to endure the long, slow process of aging and, eventually, dying.
The building was designed by Samuel Hannaford & Sons and is characterized by the lack of ornament typical of "Depression Modern". The shelter building was built by Cincinnati contractor Holt & Reichard, Inc.
It was rehabilitated in 2004. The First Security Bank Building has been compared with the United Nations Building, the Lever House, and the PSFS Building because of its glass curtain and cubic shapes, asymmetrical composition, and lack of ornament.
Line 2's architecture bears resemblance to older lines, with its characteristic simplicity and lack of ornament. However, the stations enjoy noticeably better lighting and do incorporate some more modern architectural principles, a symbol of its construction in the 1990s.
The height of the shell attains 15 mm, its diameter 19 mm. The smooth, polished shell has a turbinate shape. The four whorls contain a few obscure spiral markings which do not interrupt the surface. This lack of ornament is remarkable.
Accessed January 29, 2019. These influences are reflected in the structure's exposed building materials, simple geometry, and lack of ornament, as well as its horizontal lines, straight-forward schematics, floor- to-ceiling glazed walls, and placement on an undulating natural lot. Himmelfarb modified Wright's L-shape footprint design for the Jacobs House, adding a studio wing set at an oblique angle to the rest of the home to create a Y-shape. The property's rolling terrain requires the one-story building to cantilever over the hillside on two ends, supported by stone piers and steel beams.
Local newspaper articles at the time of its dedication described the Federal Building in Ketchikan, Alaska as "inside and out, the structure is plain and practical." The six-story, L-shaped building was constructed of cast-in-place reinforced concrete on a structural foundation of driven steel piles with concrete caps. Designed by the Cleveland architectural firm of Garfield, Stanley-Brown, Harris and Robinson; the plain, box-like exterior, flat roofs, and lack of ornament identify the Federal Building as International Style architecture. and Pioneered by European architects shortly after World War I, the International Style rejected the ornate designs of previous eras, turning instead to a streamlined, modern approach for buildings.
Unlike the earlier expositions, whose buildings were in the pure Beaux-Arts style, this Exposition featured by some of the most avant-garde architects of the time, including Le Corbusier and two architects from Soviet Russia, Konstantin Melnikov, who designed the Soviet Pavilion, for which he won a gold medal, and the architect Alexander Rodchenko; their buildings, in the new constructivist style, were noted for their assertive modernity and lack of ornament. The pavilion designed by Le Corbusier was called the Esprit Nouveau (New Spirit) and contained his design for the Paris of the future. His vision called for replacing a large part the right bank of Paris with two- hundred-meter tall skyscrapers and giant, rectangular apartment blocks.
Gwynne's "Homewood" and garden, completed in 1938 Building The Homewood when he was just 24, Gwynne acknowledged his sources as Le Corbusier's Villa Savoye and Ludwig Mies van der Rohe's Tugendhat House. Despite his enthusiasm for flat surfaces, man-made materials and rigorous lack of ornament, Gwynne produced a remarkably mature design at a young age,Hugh Pearman, "The Homewood, Surrey: rent a Grade II-listed modernist masterpiece", The Sunday Times, 4 March 2007 designing all the built-in furniture, light fittings and innovations such as ensuites and window mechanisms. The main accommodation is raised on pilotis to accommodate parking for the family's many cars. There is one large living room with a dining area screened at one end.
Where the potter's wheel was used, the technology made some kinds of decoration very easy; weaving is another technology which also lends itself very easily to decoration or pattern, and to some extent dictates its form. Ornament has been evident in civilizations since the beginning of recorded history, ranging from Ancient Egyptian architecture to the assertive lack of ornament of 20th century Modernist architecture. Ornament implies that the ornamented object has a function that an unornamented equivalent might also fulfill. Where the object has no such function, but exists only to be a work of art such as a sculpture or painting, the term is less likely to be used, except for peripheral elements.

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