One of the keystones to this collaboration effort is the investigative program.
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But those holes (some of them, anyway) turned out to be keystones.
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AlphaGo demonstrated a command of pattern recognition and prediction, keystones of intelligence.
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It had sought bidders for the sale of its 100 percent stake in Keystones.
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On Tuesday night, she also called for progressive keystones like universal Medicare and stemming climate change.
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The remote regions I draw are the keystones of climate change but are inaccessible to most people.
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Then the dispensary keystones that forty-five percent price increase, turning it into a 90 percent price increase.
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These are keystones of Beijing's "Made in China 2025" initiative, one of several government policies driving Chinese tech investments overseas.
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Health care and Social Security are always important issues for voters, and Democrats have often made them keystones of political campaigns.
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Singh explores how patterns are keystones for our world both in particular and general cases, from nature and human behavior to superstition.
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She would salvage snarling gargoyle keystones from demolition sites and take them home in my sister Tracy's stroller after kicking Tracy out.
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Certain keystones of French cuisine, like bread, charcuterie and pastry, had been left out of the first volume, and the authors were resolved to fill in the gaps.
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"The product goes from the cost of a dollar, it keystones, which means it doubles the margin to $2, and then sells to the consumer for $4, " Lemonis said.
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No one can definitively tell you whether GM and Ford, both centenarians and keystones of the obsolete 20th century economy, will exist for another hundred years (or 25, for that matter).
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The bony white colonettes and the multicolored ceiling keystones may seem garish, but they were aspects of the medieval cathedral (along with opulent wall hangings and portal statues painted in vivid colors).
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"Humans are certainly the overdominant keystones," he said earlier this year in the science journal Nautilus, "and will be the ultimate losers if the rules are not understood and global ecosystems continue to deteriorate."
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Re'em pointed to reliefs of what he described as the symbols of the "Agnus Dei", a lamb that is an emblem of Christ, and the "Lion of Judah" on keystones in the hall's vaulted ceiling.
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Last month, scaffolding was erected outside Columbia University's McBain residence hall, at 83 West 28th Street, where window keystones sit damaged, the terra-cotta facade is cracking and a safety violation remains outstanding, building records show.
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The keystones of his success are a relentlessly positive attitude and his faith in his players, said Wayne Wilson, who was part of York's second recruiting class at Bowling Green and played on the 173 title team.
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That era lasted until just before World War I. Many of the carefully carved keystones and classical column capitals lasted until the heyday of urban renewal a couple of generations later, when wrecking crews pried them off.
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That it works is largely thanks to the stunning performances of Jeremy Strong as Kendall Roy, the heir to the family company throne, and Brian Cox as Logan, his ruthless father, as their characters emerge as the keystones of the entire show.
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Then again, finding new friends on campus to make music with outside of class is one of the keystones of the college experience—right up there with learning to survive on a diet of Jameson's and KD, and escaping your hometown's dismal dating scene.
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"It is important to improve Wikipedia's gender bias both because it is one of the keystones of our digital commons and because it's becoming one of the content backbones of the Internet: many other popular sites pull in content from Wikipedia's APIs," they explain.
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When I think back on the keystones of the genre, games like Thief and System Shock 2, I think about feelings of freedom and experimentation and more recent entries like Dishonored 2 and Deus Ex: Mankind Divided tried to woo players by making their worlds even larger and more sprawling.
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He was a member of the Keystones 1902 WPHL championship team.
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The Keystones franchise is now known as the Scranton/Wilkes-Barre Yankees.
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Keystones (which are large Sunstones) are placed in each tower (e.g. the orange tower has an orange keystone) and maintain the Veil. A Chosen from each Order is assigned as a guardian to protect their Order's Keystone. The Keystones must be unsealed for periodic renewal or tuning by the guardian, and if all Keystones are unsealed at one time the Veil will shut down.
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The Keystones would go on to win the 1901-02 WPHL championship title.
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The first story has simple rectangular fenestration; the windows of the second through seventh stories have flat-arched lintels with triple keystones (some have end voussoirs), except for the second-story corner windows above the entrance porticoes which have molded surrounds with cartouche keystones. The top story has round-arched windows with keystones and is capped by a copper cornice with egg-and-dart and patterned motif moldings.
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The walls have been cleansed, the stones and keystones have been repaired or replaced.
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It has nine-stone voussoirs without keystones. It had Federal/Greek transitional- style woodwork.
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Toledo released him after the season. Scott played with the Reading Keystones of the International League in 1928, batting .315. Scott returned to the Keystones in 1929, but received his release in July 1929 after 62 games, due to the team's disappointing play.
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The 16th through 35th-story facades contain identical decorative elements on all sides. Like the lower stories, these are faced with brick and contain paired sash windows. Above the 28th floor are limestone keystones over the windows, as well as a cornice with brackets. There is an ornate entablature above the 31st floor; keystones above the 32nd-floor windows; bracketed keystones above the 33rd floor windows; and an observation deck on the 33rd floor.
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The flanking sections are also pedimented, and are punctuated by round arched openings topped by keystones.
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Frederick Siegel (1861 - June 6, 1916) was a 19th-century Major League Baseball player. He played shortstop during the 1884 season for the Philadelphia Keystones of the Union Association. He appeared in eight games for the Keystones in June 1884 and had seven hits in 31 at-bats.
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It has brick and contrasting concrete trim elements, including flat-arched lintels with raised keystones and voussoirs. With .
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A dentil course of small blocks extends across the facade and is another classical feature. Fenestration includes rectangular windows topped with marble pediments and arched windows with prominent keystones. Three large windows on the second story are each topped with fanlights. Plaques with swag designs are located above the keystones.
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The chimneys are intricately decorated. They rise as blind arches with stone imposts and keystones to a seven-course corbel projects in and out. Above it the brick is recessed into a narrow panel, and a narrow capstone tops the chimney. The dormers have round-arched windows topped with keystones.
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If more than half the players fail to become Harbingers within ten minutes, the game is forfeited. They must remain in the sewers until either they are released by the Gatekeeper, or collect the Keystone which allows them to release themselves. Players who become Harbingers start collecting Keystones either by landing on them on the game board, or by taking them from other players by dueling. Soul Rangers cannot collect Keystones by landing on them; instead, they chase down other players and steal their Keystones.
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Quaker City was ambitious but Philadelphia's third team by playing strength, behind the Athletics and Keystones. Flowers scored 112 runs in 27 games, more than four per game and roughly tied with three other players for the team's second-best rate behind first catcher Fergy Malone. The next season, he moved to the Keystones and led the team in games and runs. When the NABBP permitted openly professional teams for the 1869 season, the Keystones were one of twelve teams that contested the professional pennant race.
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Retrieved August 27, 2011. The following season, Hoover joined the Union Association's Philadelphia Keystones and made his major league debut on April 17, 1884. The Keystones played 67 games, and Hoover appeared in 63 of them, mostly in left field. Hoover was one of the best players in the Union Association that year.
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Its features include arched windows, keystones, bay windows and stairways. It combines a concrete construction with a stone facade design.
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The obsolete Keystones were replaced by the Martin B-10 in 1937. In June 1938, the squadron moved to Clark Field.
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White was resigned and sent to join his team on the road, but the Wheeling manager, Al Buckenberger, refused to accept him, and he was released.White 2014, p. xiv. He rejoined the Pittsburgh Keystones, and played in a "Colored Championship" tournament held in New York City, in which the Keystones finished second to the Cuban Giants.White 1995, p.
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The Keystones were instrumental in changing the league from amateur to professional, and were the first to import players from Canada. The Pittsburgh Athletic Club repeated as champions, although the Keystones were instantly competitive. In one memorable game that occurred during this era, the WPHL's Garnet Sixsmith scored 11 goals in a game at the Duqesne Gardens.
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Ordinarily, they will have been softened by contact with the beer. This step is of course not necessary if using plastic keystones. # Ensure the keystone is the correct size for the cask. Most keystones will fit most casks but there are exceptions and the time to find out is not as the beer chugs out round it.
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Christian Rickley (October 7, 1859 – October 25, 1911) was a 19th-century Major League Baseball player. He played primarily shortstop during the 1884 season for the Philadelphia Keystones of the Union Association. He appeared in six games for the Keystones in June 1884 and had five hits in 25 at-bats. He played in the minor leagues through 1890.
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The join in the brickwork is clearly evident, and there is a step in the rendered plinth. Two windows have bracketed sun hoods, with shingle roofs. The arches of the windows are without keystones, but the door and blind door have accentuated keystones. The first floor on this side has three evenly spaced windows with similarly treated heads.
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The facade is decorated with moulded plaster details including small pilasters with acanthus leaf capitals, rosettes, keystones, brackets, cornice and balustraded parapet.
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In the summer of 1902 Keystones' player Harry Peel, a Keystones player in 1901-02, admitted that he was paid $35 a week to play in the so-called amateur league and so no amateur teams would play against these teams again without being suspended by either Canadian or U.S. officials. According to Peel "[The Keystones] make no bones whatever about paying men. If they do not pay them, they give them fake positions." Peel was later suspended by the Ontario Hockey Association and his appeal was rejected on December 10, 1903 and again on November 30, 1904.
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Rustication, carving and a balcony emphasize the central segmental- arch entrance. The first floor has square-headed windows with splayed keystones; cornice between first and second floors; stone balcony on monumental brackets in front of central window of second floor; round-arched second floor windows set within concave round-arched recesses with unusual foliate keystones; square-headed windows of third floor have keystones with smooth enframement and stylized sill corbels; stone band at impost level; modillioned roof cornice with handsome balustrades; two-story slate mansard roof pierced by segmental dormers above which are bulls-eye dormers.
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Broadway or stage flats are generally constructed of nominal ( actual) pine boards. The boards are laid out flat on the shop floor, squared, and joined with the keystones and corner blocks. The keystones and corner blocks are inset from the outside edge, which allows for flats to be hinged or butted together. They are then glued in place, and stapled or screwed down.
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The round-arch widows on the second and third floors had metal hoods with keystones. The building was typical of the city's Victorian commercial buildings.
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Harry Peel was one of the first openly professional hockey players. In 1902 he disclosed that he was paid $35 a week to play for the Pittsburgh Keystones. This was a violation of the team's amateur status. As a result, both Canadian and U.S. officials disallowed all amateur teams to play against the Keystones and Peel's amateur status was revoked by the Ontario Hockey Association.
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These windows have intricately carved keystones. A wide entablature forms separates the ground and first floors; above it, the windows are straight-headed and set below architraves with decorative keystones. Between each window is a slightly projecting panel. At the top of the building, a parapet runs around the whole building in front of the roof; it has balustraded sections in front of each dormer window.
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Keystones, as a hallmark of strength or good architecture, or their suggested form are sometimes placed in the centre of the flat top of doors, recesses and windows for decorative effect, so as to form an upward projection of a lintel. Although a masonry arch or vault cannot be self-supporting until the keystone is placed, the keystone experiences the least stress of any of the voussoirs, due to its position at the apex. Old keystones can decay due to vibration, a condition known as bald arch. In a rib-vaulted ceiling, keystones commonly mark the intersections of any two or more arched ribs.
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The round arches are composed of brick with stone keystones. Large brackets with pendants band the cornice at the roof line of the two-story structure.
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After his season with the Phillies, Hawks played for the Newark Bears, Reading Keystones, Buffalo Bisons, San Francisco Seals, and Mission Reds until his retirement in 1931.
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To graduate, students must complete a Keystone project, the culmination of their studies. A Keystone can take various forms: a scientific paper, video documentary, art installation, photography exhibit, work of fiction, or research paper. Students present their Keystones to their peers, faculty and community. A few outstanding Keystones are granted Distinction, and some are chosen as Showcases that the students present to a wide audience in a formal setting.
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In the summer of 1902 Keystones' player Harry Peel admitted that he was paid $35 a week to play in the league. According to Peel "[The Keystones] make no bones whatever about paying men. If they do not pay them, they give them fake positions." Peel was later suspended by the Ontario Hockey Association and his appeal was rejected on December 10, 1903 and again on November 30, 1904.
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The round-arched windows feature limestone keystones on the first story, while the second-story windows have heavy limestone frames culminating in keystones. Limestone belt courses extend along the first story and between the first and second stories. A cornice with an unadorned frieze and dentil molding runs below the roof's edge. Topping the hipped roof is a circular limestone cupola with Tuscan columns and copper roof with a brass finial.
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Second-floor windows are three-part, with marble keystones and springers. Third-floor windows are set in recessed round-arch panels, with both the rectangular window opening and arch top having marble keystones. A decorative cornice is topped by a low parapet and flat roof. When built in the mid-1880s, the building was in the then-popular Second Empire style, with clapboarded exterior and mansarded tower at the corner.
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Keystones were occasionally employed. Ornamentation may be simple or dramatic. Lush gardens often appear. The style was most commonly applied to hotels, apartment buildings, commercial structures, and residences.
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The building has on its entrance facade, a steeple-wall and inside, several bays with bossed keystones vaults with sculptures of a crown, a rose and a rhombus.
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The Minneapolis Keystones was a small club of black baseball players formed in Minneapolis, Minnesota running from approximately 1908 to 1911."LEADING BASEBALL CLUBS" Indianapolis Freeman, Indianapolis, IN, April 1, 1911, Page 7, Column 5 While the Negro National League was not formed until 1920, the Keystones did have many top notch players, and at least one of them, Hurley McNair would go on to play with the Kansas City Monarchs and several other teams. Many of the top players of the day who were too old by the time the league was formed, and include William Binga, George Hopkins, Bobby Marshall, and Archie Pate. Many researchers do not consider the Keystones a "formal" Negro league team.
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Joseph Nicholas Flynn (December 29, 1861 – December 22, 1933) was a Major League Baseball outfielder. He played for the 1884 Philadelphia Keystones and Boston Reds in the Union Association.
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1907StPaulColoredGophers Frank "Bunch" Davis () was a shortstop in the Negro leagues. He played for several different teams, including the Chicago Union Giants, St. Paul Colored Gophers, and Minneapolis Keystones.
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There are pilasters at the corners, and at the top is a gable acting as a pediment. In the ground floor are three doorways, the central doorway being wider than the outer doorways, all with fanlights under moulded surrounds containing keystones. The central doorway has a segmental head and contains double doors, the outer doorways being round-headed. In the upper storey are three round-headed windows with moulded surrounds and keystones.
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Flanking on the next two bays are two nine-light windows with three-light sides topped by a broken scroll pediment, their sills resting on the keystones below. The corner bay is set with a plain, recessed blind panel. Next to it on the end bay is an oculus with keystones at the cardinal points in a stone surround, set with a 16-pane grid. Above the third story is a frieze and cornice.
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Each Province has its own headstone and is in the Harbinger's colours. Both sides of the Province board have paths used by the players to move around the board. Located along the paths are the six Keystones for that colour Province, and three different game symbols: the black holes, the lightning bolts and the compasses. The game includes six boomerang-shaped slabs which allow players to store their character card, Numb Skull and collected Keystones.
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Connie Price and the Keystones is a project helmed by guitarist/multi- instrumentalist Dan Ubick from Los Angeles, California, combining influences of funk, hip-hop, psych and soul. Besides Ubick, it had a revolving membership while they performed as a backing band to Big Daddy Kane from 2008 to 2012. As a studio artist, Connie Price and the Keystones have released original recordings across three albums, two EPs and a number of singles.
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Each section is covered by a hip roof. The main facade is three bays wide, with a shallow project central gabled section supported by paired Doric columns. Ground floor windows are set in segmented-arch openings with limestone keystones, and second-floor windows are set in rectangular openings with splayed lintels and keystones. The entrance is a double-leaf door with flanking sidelight windows and a large semi-oval transom window above.
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Main lobby The entrance vestibules lead to the main lobby, a triple-story space whose design was inspired by that of the Palais Garnier, the opera house of the Paris Opera.; The lobby uses yellow Siena marble throughout. Surrounding the lobby space on the first floor is an arched gallery with rusticated piers, scrolled keystones, red marble roundels, and garlands linking the roundels and keystones. A decorative frieze runs above the first floor gallery.
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The keystone in the choir ending bears a board with a relief of the Czech lion. There are family signs and a shield which depicts a hand with two open fingers on the keystones in the eastern part. There is stylized rosette and a sign of family Šváby from Chvatliny on the keystones in the west part. The sign represents a gate between two towers with battlements where is a standing sheep.
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The first world is themed around the jungle, the second around water, the third around lava, and the fourth around winds. Each world contains four levels, except for the final world which contains three. In each world the goal is to collect three colored gemstones called Keystones in order to reopen a portal to finish the level. In addition to the Keystones, there are 2 additional optional collectible types: Blue Whisps and gold Gatekeeper Coins.
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Straps can be used in place of keystones. They are long and wide (same as toggle) rectangles. They are easier to construct than keystones, but not as strong due to their narrower dimension and reduced glue/nailing surface area. A coffin lock or screws may be used to join securely adjacent flats, or traditionally with a lash line cleat, where cotton sash cord is lashed around cleats installed on the flat's edges.
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William Jones was a professional baseball player who played catcher and outfield in the American Association for the 1882 Baltimore Orioles and in the Union Association for the 1884 Philadelphia Keystones.
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David Drew was a Major League Baseball shortstop who played in one two games for the Philadelphia Keystones and 13 games for the Washington Nationals of the Union Association in 1884..
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Players must collect the six Keystones of different colours to win. Although players only need one keystone per colour, players can collect more than one which can prevent other players from completing the game. Each Keystone gives players different powers, depending on which Harbinger they are, the list of powers being described on the back of the character's card. When players have collected the Keystones, they can win the game by returning home to the central hub.
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It has beautiful architectural features such as sculpted heads and coats of arms keystones. The round tower on the other hand has Gothic architecture with large bays illuminating beautiful hexagonal vaulted halls.
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It sits on a rubble stone basement and features pilasters, brownstone keystones, and a pressed metal cornice. Note: This includes It was listed on the National Register of Historic Places in 1985.
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Harold William Peel (b. June 21, 1879 – d. November 28, 1944Harry William Peel Ancestry (ancestry.com)) was a Canadian early professional ice hockey player with the Pittsburgh Keystones of the Western Pennsylvania Hockey League.
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The three original stone doors were of generous proportions with arches and keystones . At the sea gates, two separate buttresses of considerable thickness are arranged inward to reinforce them in their defensive mission.
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The gable peaks have circular vents. Surrounds include combinations of beige brick voussoirs and toothing, and terracotta voussoirs, hood mouldings, red brick surrounds, and toothed concrete sills and keystones. The main entrance portico to the west has series of concrete arches with keystones on brick columns under a gabled roof. Other external decoration includes beige brick quoins, and several string courses, made up of combinations of diagonally-placed bricks and projecting bricks, with a concrete string course at hall floor level.
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The southern bay differs from the rest of the facade with its finer and more decorative treatment. The openings on the second level are rectangular and separated by fluted pilasters, while on the third level the openings are arched and separated by Corinthian pilasters. There are ornamental keystones above the arches and the central keystones bear the initials "M" and "P" respectively for Manwaring and Paling, the original building owners. A prominent cornice with a course of large dentils runs across this section.
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The building corners are quoined in stone, and the first-floor windows are set in rectangular openings with keystones. The second-floor windows are round-arched, also with stone keystones at the tops. The building is set on a 20th-century concrete foundation with a brick water table, replacing its original foundation in 1915-16. The building's cruciform plan is not common for colonial period churches, and it is also rare for churches from that period to have a full second story.
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The Keystones' home field was Central Park, located in the Hill District at the corner of Chauncey Street and Humber Way. The park was built by the prominent African American architect Louis Arnett Stuart Bellinger, who would later design Greenlee Field for the Pittsburgh Crawfords.Strecker, Geri, "The Rise of Greenlee Field: Biography of a Ballpark," Black Ball: A Negro Leagues Journal 2:2 (Fall 2009): 39-40. In their first season the Pittsburgh Keystones played as associate members of the Negro National League.
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The front entrance is covered by a pediment and is flanked by pilasters with brackets above. There are engaged Corinthian columns on the first floor and engaged low piers below the windows; the first floor has stucco arched sash windows with keystones. Corinthian columns are on the first floor exterior with piers below the windows; the windows on this floor are set in stucco arched sash frames with keystones. The building has a frontage along High Street and a frontage along Mouat Street.
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In 1924, Horan started off with the Reading Keystones of the class AA International League. He batted .376 to lead the league before his contract was sold to the New York Yankees in mid-season.
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The windows along the side of the north aisle are Georgian with keystones. The south porch is gabled, with stone benches inside. The inner doorway dates from the 13th century, and has a pointed arch.
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However, the keystones of the viaduct could not be reinstated. In July 2009, after being displayed for many years as a monument in Adenauerstraße, Altenbeken, they were integrated into the viaduct's newly constructed viewing platform.
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Three rectangular windows topped by brick hoodmolds and keystones are in each of the west two bays, while two rectangular windows topped by brick hoodmolds without keystones are in each of the east four bays. Dentillated brickwork and an ornamental bracketed cornice top the structure; the original secondary cornice has been removed. The western facade, along Ann Arbor Street, contains a fire escape, more windows, and entrances on both stories. In the rear is a two-story wooden porch running along the length of the building.
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During the 1901-02 season, Riley Hern, a future member of the Hockey Hall of Fame, began his professional career with the Keystones. In his first season, Hern led the league in victories, with nine in 14 games and was named to the WPHL All-Star Team. However, in the next season, Hern led the league in losses, losing 10 out of 11 games. Joining Hern on the team in 1901 was Arthur Sixsmith who moved to Pittsburgh and turning professional with the Keystones.
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Morrison started out on the semi-professional ice hockey circuit in the 1901–02 season when he played for the Pittsburgh Keystones in the Western Pennsylvania Hockey League. Amongst his teammates on the Keystones that season were Riley Hern and Harry Peel, with Peel later admitting to being paid money to play for the team. Morrison himself were investigated on the same matter by the Ontario Rugby Football Union and the Ontario Hockey Association after playing a game with Toronto against London."Playing hockey here is a serious offense" The Pittsburgh Press, November 10, 1902.
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The layout of the third through eighth stories is identical on Fifth Avenue, 34th Street, and 35th Street. The third story has one square-headed opening in each bay and keystones above the windows, as well as a horizontal band course above the windows. The fourth through sixth stories have square-headed openings, with no keystones, and a frieze runs above the sixth floor. The seventh and eighth stories are designed as a double-height arcade, similar to the base; each bay has a square-headed window under a semicircular window, separated by a transom.
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Pittsburgh Athletic Club, 1901 WPHL Champions The 1901–02 season is considered the first season whereby the league was recognized as professional, the first professional ice hockey league. The league had three teams in 1901-02: Pittsburgh Bankers, Pittsburgh Athletic Club and the Pittsburgh Keystones. To fill these teams, many business and organizations imported young Canadians like George Lamb and William "Pud" Hamilton and set up teams. The Pittsburgh Keystones, 1902 WPHL ChampionsThe league lured players from Canada with promises of high-paid employment and small cash incentives, which was around $30 a week.
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1902 Pittsburgh Keystones, WPHL Champions Afterwards, the Keystones, and every other amateur team in Pittsburgh, began playing all of their games on the new ice rink at the Duquesne Gardens. The Gardens, because of its artificial ice surface, lured many established hockey players to the Pittsburgh-area from Canada. In 1901 the team became members of the Western Pennsylvania Hockey League, with the Pittsburgh Bankers and Pittsburgh Athletic Club. Aside from league play, the teams also played exhibition games against some of the best amateur teams from North America.
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The team was one of two (the Toledo Tigers being the other) created to fill one of the vacancies created in the NNL after the Cleveland Tate Stars and Pittsburgh Keystones had been dropped after the previous season. It drew much of its personnel from the disbanded Keystones and from the New Orleans Crescent Stars, an independent southern team. Hall of Fame outfielder Pete Hill, 40, was asked by Rube Foster to manage the team, and remaining roster spots were filled from tryouts held in Chicago in April, and by castoffs from other teams.
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The cast stone detailing, portico, and brick corner quoins, are elements of the Classical Revival style that was popular in the early 20th century. The building entrance is a square portico that is framed by four monumental Ionic fluted capital and pilaster columns. The front façade features several square rock stone walls that are believed to have been either gravestones salvaged from the original cemetery or flower beds, although neither use has been confirmed. Other neo-classical elements included keystones over the basement windows and keystones over the pedimented entry doors at the basement level.
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Setting up for a dado stack is approximately the same as for preparing keystones and cornerblocks, but requires less layout, as the length of stiles, rails and, toggles are equal to the face of your flat. Hollywood or studio flats can be made in various thicknesses to suit a particular design, but are most often made of nominal ( actual) pine boards. The boards are laid out on edge on the shop floor, the ends are glued together and stapled or screwed. Keystones and corner blocks are not normally used.
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In 1887 he joined the Pittsburgh Keystones of the National Colored Base Ball League as a left fielder and later second baseman. He was batting .308 when the league folded after a week of play.Riley 1994, p. 836.
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James J. McCormick (December 31, 1861 – September 11, 1905) was a third baseman in Major League Baseball for the 1883 Baltimore Orioles of the American Association and the 1884 Philadelphia Keystones and Washington Nationals of the Union Association.
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William H. Kienzle (March 12, 1862 – April 16, 1910) was a 19th-century Major League Baseball player. He played outfield for the 1882 Philadelphia Athletics in the American Association and the 1884 Philadelphia Keystones in the Union Association.
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George Patterson was a 19th-century Major League Baseball player. He played outfield in two games for the Philadelphia Keystones of the Union Association in 1884. He had one hit in seven at-bats in those two games.
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Interesting features include the stone-incised fluer-de-lis keystones. Source: Liberty's Living Legacy – 19th Century Houses and Buildings 1820 – 1899 Written by: Christopher Harris c. 2004 It was listed on the National Register of Historic Places in 1978.
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In the side facade of the nave there is a big window closed by an overhung semi-circular arch with broad frames and keystones. The façade of the presbytery part is embraced by pilasters with windows in two climes.
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Constructed by E. L. Koonce, the Calhoun County Courthouse is a two-story brick Georgian Revival structure with a five-story clock tower. The building is not particularly ornamented, with cut stone trim, including stone keystones above arched windows.
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His best season with Vernon was 1923 when he compiled a .340 batting average and .461 on-base percentage in 132 games. He concluded his playing career with the Columbus Senators in 1924 and the Reading Keystones in 1925.
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Robert G. Foster (October 6, 1856 – June 15, 1921) was a 19th-century Major League Baseball player. He played primarily catcher during the 1884 season for the Philadelphia Keystones of the Union Association and the Philadelphia Athletics of the American Association.
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The wall window keystones are alternately bricks and tiles. Excavations showed a rebuilding of the facade of the Basse Oeuvre and additions resulting from fires in the eleventh century. The present facade is not the original facade of the building.
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William John Gallagher was a Major League Baseball outfielder and pitcher. He played in the American Association for the 1883 Baltimore Orioles, in the National League for the 1883 Philadelphia Quakers and in the Union Association for the 1884 Philadelphia Keystones.
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Stylistically, the building is an example of the transition between late Victorian and the Federation periods. The upper parapet, sandstone quoins and keystones are typical of Victorian period detailing, while the use of face brick is more typically a Federation detail.
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It is topped with a fanlight. Marble piers 9 feet (3 m) high are at either corner of the front. The window on the easternmost bay is smaller than the middle three. All have splayed brick lintels, marble keystones and sills.
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The individual keystones are decorated with various Christian symbols: the tetramorph, Christ, the Lamb, foliage, oak leaves and vines, Saint John the Baptist, Saint Agnes, a peasant, the Coronation of the Virgin, the Risen Christ and a king and a sword.
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Saturdays were reserved for private parties and the Pittsburgh hockey club that evolved into the Pittsburgh Keystones, a group of local men from the Western University and Carnegie Tech. In the summer, the casino was used as a 3,500-seat theatre.
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The home is considered more representative of New England architecture than other contemporary Georgetown homes. The house has many architectural details including "a wide limestone stairway", "pink- painted lintels with keystones", "brick voussoirs", "Doric pilasters", and a "semi-elliptical fanlight".
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The roof is red tile and the exterior is red brick. Windows are double-hung and have white stone sills. Embellishments include stone keystones above the windows. Brick walls in front of the depot and on the platforms were originally installed.
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Nevern Bridge spans the River Nevern in the centre of the village. The current bridge was built in the late 18th or early 19th century and is a Grade II listed structure. It has two unequal arches, recessed with keystones.
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The building is a single storey building constructed of brick with a corrugated iron hipped roof in a Federation Free Classical style. The building sits upon a rendered plinth and has stuccoed archways, keystones and string courses with feature timber cornices.
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For aesthetics, keystones are often larger than ribs in vaults and many of the voussoirs (arch stones) in arches, or embellished with a boss. Mannerist architects of the 16th century often designed arches with enlarged and slightly dropped keystones, as in the "church house" entrance portal at Colditz Castle. Numerous examples are found in the work of Sebastiano Serlio, a 16th-century Italian Mannerist architect. The U.S. state of Pennsylvania calls itself the "Keystone State", because during early American history, it held a crucial central position among the Thirteen Colonies geographically, economically, and politically, like the keystone in an arch.
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After the Nets announced they would play half their matches in Pittsburgh, the league had planned to have the Keystones play in Philadelphia. The team of Soviet players did compete in WTT in 1977, but it did not have a permanent home and played its "home" matches in several different cities. The name Pennsylvania Keystones was scrapped, and the team was officially called the Soviet National Team and informally the Soviets. As for the Nets, they played approximately half their 1977 home matches at the Coliseum at Richfield and the other half at the Civic Arena in Pittsburgh.
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The Pittsburgh Keystones was the name of two historic professional Negro league baseball teams that operated in 1887 and again in 1921 and 1922. The first team was a member of the first black baseball league in 1887, the League of Colored Baseball Clubs. The league only lasted a week, which resulted in a 3-4 record for the Keystones, and included Weldy Walker, the second African- American to play in the major leagues and future hall of famer, Sol White. The second club was founded by Alexander McDonald Williams, a Barbadian immigrant and pool hall operator.
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Hurley Allen McNair (born October 28, 1888 in Marshall, Texas - December 2, 1948 in Kansas City, Missouri) was a baseball player in the Negro Leagues and the Pre-Negro Leagues. At the age of 21, he was pitching for the Minneapolis Keystones. He left the Keystones halfway through the 1911 season and went to play for the Chicago Giants. He played outfield"Monarchs Open 1923 Season Tomorrow at Association Park" the Kansas City Advocate, Kansas City, KS, Page 1 and 3 and pitcher and played from 1911–1937, mostly playing for teams in Chicago and Kansas City, Missouri.
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Central Park was a baseball venue located in the Hill District of Pittsburgh, Pennsylvania from 1921–1925. The stadium was the first black-owned, controlled and managed baseball park in the city. Located at the intersection of Wylie Avenue and Humber Street, served as the home of the Pittsburgh Keystones of the Negro National League. Officially named Central Amusement Park, the field's construction was commissioned in 1920 by Keystones' owner Alexander M. Williams and was designed by the prominent African-American architect, Louis Arnett Stuart Bellinger, who would later design Greenlee Field for the Pittsburgh Crawfords.
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Its design includes a two- story porch with balustrades on each floor, tall windows with limestone lintels and keystones, and a cornice with ornamental brackets and moldings. The building was added to the National Register of Historic Places on January 21, 1988.
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The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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A smaller matching dentiled belt course runs above the first floor. The facades have brick decorative elements, including angle quoins and rusticated keystones over windows. The first floor contains entrances into the commercial space. Two metal fire escapes run up the sides.
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Samuel H. Weaver (July 10, 1855 in Philadelphia – February 1, 1914 in Philadelphia), was a professional baseball player who played pitcher in the Major Leagues from -. He would play for the Philadelphia White Stockings, Milwaukee Grays, Philadelphia Athletics, Louisville Eclipse, and Philadelphia Keystones.
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John O'Donnell was a 19th-century Major League Baseball player. He played catcher in one game for the 1884 Philadelphia Keystones of the Union Association. His one game was played on July 16, 1884. He recorded one hit in four at-bats.
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The house was built of brick by 300 German bricklayers. The walls are double thick using a common bond. On the interior, the walls are covered using plaster and lath. The sills, lintels and keystones around the openings are made of Indiana limestone.
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The southern nave is vaulted by Gothic rib vault with wedge-shaped ribs. Then it continues to bays corners onto cornice capitals, finished with prismatic console. Round keystones are plain and unadorned. On the southern nave there are original Gothic windows without tracery.
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The arches have smooth finishes. Another cornice above a plain frieze serves as the arches' springline. From it in the center of the south story rise three smaller round-arched windows, triple-hung with the lower panes blind. Their surrounds have keystones.
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In 1913, Johnson pitched a no- hitter for the Chicago American Giants. Johnson pitched for the 183rd Infantry Team in 1918. In 1922 he managed the Pittsburgh Keystones, and in 1923 he managed the Toledo Tigers, acting as a player-coach for the Tigers.
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364 to finish second in the league batting race and also ranked third in both on-base percentage and slugging percentage.Shiffert, John (2006). Base Ball in Philadelphia. McFarland. pp. 147-148. However, he was the only player on the Keystones "who was any offensive threat".
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The building has a brick exterior and features a limestone arched entrance, arched lintels with keystones around the first-floor windows, limestone quoins, and a pediment with an urn. The building was added to the National Register of Historic Places on November 27, 2017.
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The former Singleton Post Office is a large two-storey building in the Victorian Italianate style with an arched colonnade and upper storey verandah at street face. It features rendered brickwork, a hipped slate roof and stone detailing in the footing, keystones and sills.
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Many of the stone bridges have keystones on which is engraved the number of the bridge: the keystones of Viewforth bridge, the second bridge from the start of the canal at Edinburgh Quay, are emblazoned with the coats of arms of Glasgow and Edinburgh, facing west and east respectively. The income from the project was derived from tolls, and charges for wharfage and so on. Maximum prices for these were laid down in the Act. The tolls were based on tonnage of the merchandise being conveyed; there was a toll for empty vessels, and this was to be remitted if the vessel returned laden within fourteen days.
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A distinctive feature that evokes the interpretative style of the mid-16th-century Italian Mannerist architecture is the ornamentation of the fenestration. This is most prominent with the second- and third-story windows’ display of the "Gibbs surround," which is characterized by keystones and spaced blocks surrounding large windows. Here, this motif is composed of terra-cotta displaying bead and reel decoration, elaborately carved quoins, keystones, and Doric order moldings. Framing the second- and third-story bays of the north and south pavilions are two-story engaged Corinthian columns, supporting a continuous architrave, which is capped with a dentiled cornice and a parapet of alternating brick panels and open balusters.
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Door openings are spanned by pointed arches locked by keystones of honed sandstone, the shape of the keystones reminiscent of the Tocal stone barn of 1830. The common palette of materials, of brick, timber and terracotta tile, and the extensive colonnades connecting the main campus buildings make for a unified complex but within this uniformity there are marked contrasts of architectural expression. Each of the main buildings flanking the quadrangle is necessarily varied in design by its function, maintaining an individual character and structure expression. Structural expression and the textural qualities of exposed natural finishes, form the major role in defining the character of each space.
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The arched windows have keystones on the ground floor and dripstones on the upper level, and the roofline is decorated with a cornice and balustrade. In 1930, a new wing and entry corridor were added and the interior was renovated. The interior is currently undergoing further renovations.
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John James McGuinness was an Irish professional baseball player. He played in three seasons in Major League Baseball, 1876 for the New York Mutuals, 1879 for the Syracuse Stars, and 1884 for the Philadelphia Keystones of the Union Association. He was mostly used as a first baseman.
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Thomas J. Gillen (May 18, 1862 – January 26, 1889) was a 19th-century Major League Baseball player. He played primarily catcher during the 1884 season for the Philadelphia Keystones of the Union Association and during the 1886 season for the Detroit Wolverines of the National League.
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William James "Buster" Hoover (April 12, 1863 – April 16, 1924) was an American outfielder in Major League Baseball. He played for the Philadelphia Keystones, Philadelphia Quakers, Baltimore Orioles, and Cincinnati Reds between 1884 and 1892. Described as a "long legged heavy hitter","Base Hits". Daily True American.
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The building is a two-story free standing brick structure with a brick foundation. It features an overhanging bracketed metal cornice and a centralized broken pediment above. The windows on the second floor have stone lintels with keystones. The two original storefronts are indicated by iron columns.
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Bronze lettering above the entrance identifies it as the Dobbs Ferry post office. The entrance centers the entire main facade. It is arched, with flanking wooden pilasters topped with dosserets and a denticulated (toothed) broken-bed pediment. The windows feature splayed brick lintels and capping keystones.
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Chudleigh, p. 2 Archways came to be featured heavily in doorways. Porches, backdoors and even basements featured simple arches, rarely decorated with capitals or voussoir-style keystones, that show inspiration from both Colonial Mexico and Saxon-Roman styles. These arches continued outward, appearing as garden gateways.
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The center three on the first floor are topped by triangular pediments, while those on the second floor have keystones set just below a Greek key frieze. A balustrade rings the flat roof. The house was listed on the National Register of Historic Places in 1989.
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Elias Peak (May 23, 1859 - December 17, 1916) was a Major League Baseball second baseman. He played for the 1884 Philadelphia Keystones and Boston Reds in the Union Association. He was still playing minor league ball as late as 1897. He died in Philadelphia on December 17, 1916.
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This does not indicate a problem with the beer, but because part of the keystone is driven into the cask (where it floats on top of the beer) it must be thoroughly cleaned before the cask is tapped. This action is worthwhile even when plastic keystones are used.
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Consoles and metal ornamentation provide additional embellishment. The consoles are two types - metal under the projecting cornice and limestone above the windows. The Former are decorated with deeply chased acanthus leaves. The latter are classical in style and serve as the keystones in the jack arches above the windows.
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The left (west) wing projects forward by , it is in red sandstone with yellow stone dressings, and has chamfered quoins. The windows have architraves with keystones, and sills on corbels. The right (east) wing projects forward by , it is in brick with stone quoins, and contains square-headed windows.
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Grace's professional career began in 1925, playing for the Lincoln Links and Little Rock Travelers. After playing for the Muskogee Athletics in 1927. He played for the Travelers again in 1928, then he was signed by the Chicago Cubs organization, where he started the season with the Reading Keystones.
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Nikolaus Pevsner praises the "pretty classical doorway".Pevsner & Hubbard, p. 288 The stone doorcase, described as "good" by English Heritage in the listing, has Ionic columns; there is a semicircular fanlight with a pediment above. The sash windows to the front face all have stone lintels with decorative keystones.
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The paper noted that 2,500 to 3,000 fans showed up to watch the game, despite claims of bad weather. No score or records were reportedly kept but the paper did note that the team from Queen's University outplayed the Pittsburghers, who had never played the game before. Since the students from Western University participated in the game, it is possible that several of those players later played for the Keystones. The Casino was destroyed in a fire on December 17, 1896 The Yale University hockey team was to have played a series of games against the Keystones, at the Casino, but they were telegraphed and told not to come to Pittsburgh due to the destruction of the arena.
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Keystone Park is a former baseball ground located in Philadelphia, Pennsylvania. The ground was home to the Philadelphia Keystones of the Union Association in 1884. The location of the ballpark was on the east side of Broad Street and Moore Street. The field was the original grounds of the Forepaugh Circus.
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They have marble sills and splayed brick lintels with marble keystones. Recessed panels are worked into the brick between the two stories; the corners are quoined. At the roofline is a modillioned, dentilled cornice. The small six- over-six double-hung sash in the five dormers are topped with pedimented gables.
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In each of the ground-floor bays, there are rusticated arches with foliate keystones. The arches formerly contained storefronts until the building's conversion into a hotel. The main entrance is from the northernmost arch on Park Avenue South. A belt course runs on the facade between the ground and second floors.
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Bricks are laid in stretcher bond. Stone belt courses provide sills and lintels the narrow one-over-one double-hung sash windows on the first story. Segmental arches of vertical brick, with keystones, spring from the lintels on the flanking projections. The second-story windows are similarly treated but less restrained.
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The entire building is dominated by large and handsome rhythmic, round-headed windows with simple keystones. The window openings are flanked by engaged Doric columns on the first and second stories. Square pilasters mark the corners of the pavilions and the facades. A cornice and balustrade surround the entire building.
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The entrances are framed in Tuscan columns and pilasters. The first and second floor windows are accented with keystones. Above the third floor windows is a wide wooden cornice, and above that a brick parapet. The lodge closed in January 2011 and the building has since been repurposed for office space.
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Large stylised vermiculated keystones rise from the arches to support the cornice. At either end of the upper facade large fluted pilasters with Corinthian capitals also support the cornice. The cornice is an elaborate element of the facade considering the size of the building. It has large brackets and ornamented dentils.
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Entrances are set in arcaded surrounds with medallions; the stairway and vestibule arches have eagle keystones. Atop the wall is a frieze with a center lamp between griffins holding ribbons and garlands. The coffered ceiling is painted with triangles and rosettes. Round hanging bronze glazed lanterns with clustered bulbs provide light.
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Managed by Fred Downer, they compiled a 7-14-1 record against league and other associate clubs. The Keystones joined the league as full members in 1922, finishing sixth with a 14-23-2 record in league play under managers Dizzy Dismukes and Dicta Johnson. The team disbanded after the season.
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The front facade features a three-bay loggia formed by arches with voluted keystones, springing from Tuscan order columns. This building served as the main post office for Greenville until 1969. It currently serves as a U.S. Courthouse. It was added to the National Register of Historic Places in 1986.
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1 Iansiti went on to define the roles required for a business ecosystem to be considered healthy, including Keystones that provide a foundation for connecting and supporting other organizations within the ecosystem. This field of strategy provides insights for industries in which interdependencies and engagement with customers and suppliers are critical.
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The Subject Was Roses (1968) Retrieved 11 March 2018. In the opening scenes of the 1978 film Dawn of the Dead, Soldiers are seen wearing red keystones on their uniforms.Dawn of The Dead (1978) Retrieved 12 November 2016. The Soldier in the movie The Happening is wearing keystone patches on his uniform.
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Bertram Clifford "Bert" Morrison (January 10, 1880 - April 23, 1969) was a Canadian professional ice hockey rover who was active with several clubs in the early 1900s. Amongst the teams Morrison played for were the Pittsburgh Keystones, Portage Lakes Hockey Club, Calumet Miners, Montreal Shamrocks, Toronto Professionals, Montreal Wanderers and Haileybury Hockey Club.
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The town still has several houses with keystones. The one at Cal Llombart has Renaissance style balconies while those at Cal Victor resemble a farmhouse. Almoster celebrates its main festival on July 30, the day of Saints Abdon and Senen. The second festival takes place on September 29, the day of San Miguel.
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Grace made his major league debut for the Chicago Cubs in 1929, playing in 27 games and batting .250. After a season back in the minor leagues with the Keystones, he returned to the Cubs for 7 games in 1931 before being traded to the Pittsburgh Pirates for fellow catcher Rollie Hemsley.
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North lodge The bridge crossing the lake dates from about 1843, and is constructed in brick with stone dressings. It consists of five segmental arches, with abutments running down to the banks. The arches have rusticated voussoirs and keystones, and above the voussoirs are hood moulds. Between the arches are brick pilasters.
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These vaults spring from thin continuous moldings before diverging into tiercerons, liernes, and transverse ribs. The north and south aisles feature quadripartite vaults with large pendant keystones. The nave arcade piers all differ from one another, though those on the south side feature tall (c. 5 feet) prismatic bases and continuous moldings.
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Adjacent to the entrance is a walled courtyard which occupies the street corner and has a number of trees growing in it. An entrance centred on the southern Flinders Street facade is not original. The building has two principal storeys. The lower storey windows, round arched with keystones, have been blanked out.
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It is decorated with plasterwork, colossal pilasters and stylized keystones. The outer, two-storey elements stand out in particular, with the colourful-lettered REGAL logo adorning the façade. The building has a flat-roof structure. The floor of the foyer is decorated with terrazzo tiles, and the ceiling is decorated with plasterwork.
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William L. McCall (March 14, 1898 - July 12, 1943) was a pitcher in Negro league baseball. He played for the Pittsburgh Keystones, Cleveland Tate Stars, Birmingham Black Barons, Kansas City Monarchs, Chicago American Giants, Indianapolis ABCs, and Detroit Stars from 1922 to 1931."Bill McCall Negro League Statistics & History". baseball-reference.com. Retrieved June 9, 2012.
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Lines of windows, alternately circular and round headed, run up each side, with grotesque masks and cherubs serving as keystones. The unique feature of the tower are the eight Baroque pinnacles. The four on each corner have pannelled bases and scrolls, surmounted by vases. Between each of these are 20 foot obelisks, with ball finials.
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This assembly is framed by pilasters and a broken pediment. The entrance is flanked by sash windows set in rectangular openings that have limestone keystones. The interior has a standard plan for period post offices. The lobby floor is finished in square quarry tiles colored blue and orange, and the walls have marble wainscoting.
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Brickwork quoins ornament the building corners with cast stone keystones and sills at each of the window openings. On the first floor, sash is the original 12/12. On the second floor, the dormer window openings are arched with 8/8 Gothic sash. The center entry has a double leaf replacement glass and aluminum door.
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In the middle floor each bay contains two round-headed two-light windows with moulded heads and keystones and are flanked by pilasters. The top floor has two segmental-headed two-light windows with moulded architraves in each bay. Internally the former banking hall has retained its plastered coffered ceiling and a Gothic fireplace.
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Nevern Bridge (Welsh: Pont Nanhyfer) spans the River Nevern () in the centre of Nevern, Pembrokeshire, Wales. This Grade II listed bridge, south of the church, was built in the late 18th or early 19th century. Constructed of rubblestone and ashlar, this humpback bridge has two unequal archesthe south arch is largerand is recessed with keystones.
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On the sides of the church are tall round-headed windows with keystones. In the west bay on the north side of the church is a blocked doorway. This contains a window, and there is a round-headed window above it. The east bay on the south side has a similar door and windows.
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It receives the waters of the Cardeña river and the Magdalena stream. The Torrelara reservoir , near Peromingo is located on these . It the N-110 and the AP-51 cross the river over concrete bridges. In the past a stone bridge of a single arch with granite keystones of granite was used as a crossing .
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Warren Willis Heller (November 24, 1910October 29, 1982) was an American football player who played 3 seasons in the National Football League with the Pittsburgh Pirates (1934–1936). Played football at Steelton High School in Dauphin County, Pa. 1926-29. Played football for the Pittsburgh Panthers 1930-32. Played football for the Reading Keystones 1933.
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On the western facade, facing the East River, the facade contains bricks that are recessed to form patterns such as chevrons and polygons. In some places, bluestone was used in belt courses and keystones. Most of the windows have brick arches. The building was fueled by coal, which required a chimney to ventilate safely.
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The building's main windows are sash, set in segmented-arch surrounds with keystones and ears. The interior retains original moulded woodwork and marble fireplaces. The house was built in 1873 for Dr. Milton Wedgewood, a prominent local doctor. It was designed by Charles F. Douglas, known for his large-scale work on Lewiston's mills.
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The openings on the ground floor are all of arched brickwork with moulded keystones. The main entrance has a pair of timber doors with a fanlight above and a prominent keystone. The division between levels is emphasised by a moulded stringcourse and cornice. This carries the wording "KURILPA LIBRARY" above the entry in bronze lettering.
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The Cloquet City Hall, also known as the Spafford Building, is located at Avenue B and Arch Street in Cloquet in the U.S. state of Minnesota. The red brick Colonial Revival building was built in 1920 and features quoinblocks, keystones, and an entablature with a high parapet. Tall stone pilasters extend to the high cornice.
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The symmetrical façade features large arched window openings with decorative keystones. This building served as Hartsville's post office until 1963, when a new post office was built. It was listed on the National Register of Historic Places in 1997. The building is now home to the Hartsville Museum, which offers local history and art exhibits.
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However these fanlights were covered over with plywood around 1980. The negative space defined by the arches is stucco rather than brick. All three rows of windows have wide limestone window sills, and the upper two rows are punctuated with white keystones. The prominent downspouts at the corners were added in a 1996 remodeling.
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The depot is a two- story rectangular brick building that has a variety of design styles. The low- pitch hip roof is clad in red Spanish tiles. The lower floor has Roman arches around the doors and windows. There is extensive use of concrete in this building, in the quoins, keystones, imposts, and sills.
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On each side of the entrance are ornate bronze lamps of florentine design and arched windows with exaggerated keystones. Three rectangular windows with prominent mouldings distinguish the upper level. A heavy rendered cornice with a tiled roof behind completes the building. Although built in two stages, the internal finish to the newer section mirrors that of the first.
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George Hopkins (born 1858) was an American baseball pitcher and second baseman in the pre-Negro leagues. He played many seasons for the Chicago Unions, and for Iowa's Algona Brownies and Minnesota's Minneapolis Keystones. Hopkins played with many popular players of the day, including Dangerfield Talbert, Henry W. Moore, Chappie Johnson, Albert Toney, and Harry Hyde.
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The viaduct that crosses the Traun was initially not built over the river. Instead the river was diverted under the viaduct prior to its formal opening on 19 July 1859. The viaduct is 105 metres long and has five 30 metre-high arches. The bridge is made of nagelfluh (a variety of conglomerate) with decorated keystones.
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The base has paired rusticated Doric pilasters with portland entablature blocks. Between each pillar of the base are four round-headed arches, and each archway has a keystone. These keystones each have detailed carved heads, which depict Homer, Socrates, Plato and Demosthenes - representing the liberal arts. Before the belfry, is a stepped circular base made of granite.
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But the front of the house is of exposed, apricot-brown brickwork, speckled with crushed coal. And the unusual bay window features a triangular pointed frame unique in Glebe.Smith, 1989 The decorative enframement of windows and doors is expressed with considerable vigour. The sandstone lintels are carved from one block to simulate segmental arches, some with prominent keystones.
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May 25, 1928. By June 30, 1928, the carving of the bison heads for the span keystones and the fasces for the piers was nearly complete. These items were fashioned in studios and later installed on the bridge. The eagle disks, however, were carved in place, which meant their manufacture had to wait until the bridge was nearly complete.
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The Anoka Post Office exhibits features of Colonial Revival architecture such as its rectangular plan, a brick exterior, symmetrical façades, a hip roof, and a dentillated cornice. The doorway has a central pediment and is set in the middle of three arched openings topped with keystones. Another key element of the style is the fanlight over the main entrance.
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In addition to the Pirates, the Pittsburgh Stogies, Pittsburgh Burghers and Pittsburgh Rebels played in various leagues from 1884 to 1915. The Rebels won the pennant in 1912 and finished just a half game shy of a pennant in 1915. The Pittsburgh Keystones, Homestead Grays (playing in the city limits), and Pittsburgh Crawfords played in the Negro Leagues.
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The facade is divided horizontally by a string course and vertically by pilasters. There are three arched openings on both levels of each section. Decorative elements include architraves, pilasters, keystones, horizontal mouldings, rosettes, ornamental urns and triangular pediments centrally placed in the parapet. The side and rear walls of the building are unrendered porphyry (Brisbane Tuff) with some sandstone.
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The library's main entrance is within a projecting pavilion topped by a keystone and two voussoirs; the doorway once had a transom which has since been covered. A limestone entablature encircles the building, and the windows feature brick lintels with limestone keystones. The library was added to the National Register of Historic Places on August 10, 1988.
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Keystone The presbytery is a place for spiritual ceremonies. This space is elevated by one step from the rest of the church. The bundles of the ribs in presbytery are mostly tight to the ground. Besides painted keystones is the ceiling decorated with painted coats of arms of the diocesan bishops, archbishops and Pope John Paul II.
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Levi Samuel Meyerle (July 1849 - November 4, 1921) was an American Major League Baseball player who played for eight seasons in organized professional league play. During his career he played for the Philadelphia Athletics of the National Association, Cincinnati Reds and Chicago White Stockings of the National League and Keystones of Philadelphia of the Union Association.
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The entry is marked by a small Ionic portico at the top of a flight of stairs. Windows are casement units dividing in the middle on the front and sides, with single swinging sashes to the rear. The first floor windows have arched blind lunettes above with stone keystones. The building rests on an elevated concrete basement.
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Zhu saw this archive as one of the keystones in research of the ancient Chinese architecture design, as well as the Song Treatise on Architectural Methods (Yingzao Fashi) and Qing Official Manual of Constructional Engineering, due to its large scale and coverage on each step of building design. Research in the stage first catalogued the drawings and models.
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The E. S. Swayze Drugstore is a two-story red brick structure constructed in a vernacular Italianate style. The first floor has a double, five-panel door next to a Palladian-inspired window. Both window of which feature are set in rounded brick archways with keystones. A secondary cornice separates the first floor from the second.
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Julian was born in Reading, Pennsylvania. He attended Bucknell University, where he lettered in football, basketball, and baseball, and from which he graduated in 1923. From 1923 to 1926, Julian played minor league baseball with a number of clubs: the Reading Keystones, the Harrisburg Senators, the York White Roses, the Chambersburg Maroons, and the Lawrence Merry Macks.
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On 27 December 1935, the Mauna Loa volcano on the island of Hawaii erupted, threatening the city of Hilo. Six Keystones of the 23rd used precision bombing tactics to drop twenty 600-pound bombs in the path of the volcano's lava flow, thus saving the city of Hilo by diverting the lava away from the city.
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Windows on the second level each have a classical balustrade, frieze with carved classical motifs, and molded cornice supported by scrolled brackets. The third and fourth stories are marked by large round-arched windows with scrolled keystones. These windows denote the interior location of the courtrooms. The arched windows are divided by classical pilasters (attached columns) and circular medallions.
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Arched openings, enriched by keystones and swags, encompass the double-height windows that light the interior court-rooms at the third story. The north and south sides of the building are less ornate. Above the rusticated base are a series of tripartite window openings flanked by colossal Corinthian pilasters. A heavy balustrade rises above the fourth-story cornice.
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Recessed behind the arches are plate glass windows. The second floor level has round headed window openings in line with the arches on the level below. These openings have decorative hood mouldings, and prominent keystones of acanthus leaves. The facade is finished with a dentilled string course which is the base of a Corinthian entablature with Italianate balustrading.
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Oamaru stone is used on many of Otago's older structures, like this bridge arch in Oamaru. Houses in Oamaru using Oamaru stone. Weathered cornice and decorated keystones in the harbour area of Oamaru. The distinctive combination of dark basalt and Oamaru stone is seen in buildings such as Dunedin Railway Station (centre left) and Law Courts (right).
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There is a modillion cornice at the roof deck and a bracketed and molded frieze. Keystones decorate the tops of the windows and there is brick quoining on the corners. There have been several alterations made to this house. The central tower has been removed and an addition was added to the south side of the structure.
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The window openings in the upper floors feature brick segmental arches with keystones and brick sills. with The building was constructed in brick, but has subsequently been covered with siding. The cornice level of the building also features decorative brickwork that has also been covered. The building served as the local headquarters of the German Knights of Labor.
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Lighter-toned stone serves as trim on some of the arched windows, keystones and quoins. Above the stone the house is faced in either wood shingles or stucco. Most windows are one-over-one double-hung sash windows. Those set in shingled faces are simply treated, while those in stone are trimmed in contrasting stone with radiating voussoirs.
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The first floor has small balconies with timber balustrades braced in diagonal patterns. The house has timber sash windows and French doors. The sandstone house has decorative external detailing in stone and timber trim. The square-snecked rubble stonework is dressed with projecting quoins, keystones, toothed windows surrounds and string courses and the tower has an arched cornice.
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As part of this he added images of the heads of Native Americans in the keystones of the arches over the ground floor windows. Hastings transformed the façade in Beaux-Arts style and added a grand staircase. He also modified rooms on the lower two floors to make them more suitable for entertaining. Eight ambassadors lived in the house.
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Echoes of the architecture of the temple and the religious edifice return boldly in the three uppermost storeys, with a double order of arches on spiral columns, capitals decorated with foliage, and keystones with small animal heads. A tympanum with a curious internal colonnade crowns the façade in a riot of minute decoration and majestic architectural sculpture groups.
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All the sculpture on the exterior of the building is by Edmund C. Thompson. The keystones in the arches over the doorways and above some of the windows are carved with cherubs. Rather than all being identical, their designs are slightly varied. A frieze runs around the building just below the level of the top floor windows.
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In 2004, Connie Price put out an EP, Blood's Haul, on the Stones Throw imprint Now Again with UK drummer Malcom Catto, and that same year the instrumental album Wildflowers was released featuring members of Funk Inc., Poets Of Rhythm and L.A. Carnival. A second EP, Sticks & Stones, was released in 2005, a collection of live performances, a b-side, and a dub remix of the first cut from the LP. Three years later, Connie Price and the Keystones put out the Tell Me Something album on Ubiquity Records, which featured guest appearances from Percee P, Ohmega Watts, Wildchild, Soup/Zaakir from Jurassic 5, Aloe Blacc and Freestyle Fellowship's Myka Nyne among others. From 2007 to 2009, Connie Price & the Keystones became one of two main backing bands on Scion's Live Metro series.
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He left the town to learn to be a brewmaster, and in 1874 founded the Torch Lake Brewery. The company was an immediate success, and in 1899 was the largest brewery in the Upper Peninsula. This building also has arched second-story windows with keystones, and a metal cornice. A 1920s era sign for Lindell Chocolate Shoppe hangs in front of the building.
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In the 1926 season, Durning began play for the AA-level Reading Keystones, playing in six games. Durning was recalled to Philadelphia in April 1926, but did not play another game for them. Upon moving to the Salisbury Indians of the Class-D Eastern Shore League, he led the team in games played (81), at-bats (320), and hits (106). His .
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The houses have stone and brick pedimented porticos over their entranceways. The lower- level windows have flat-arched surrounds with keystones; the oculi break the cornice lines beneath segmentally arched pediments. The northern gatehouse has another one-story rear addition and a small one-car garage. The club's two tall gateways are made of French-imported carved stone and ironwork.
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The first-story door, with an architrave featuring colored glass, pilasters, sidelights, and a transom, serves as the house's primary entrance. The lintels of the windows on the south facade have stucco scored to simulate heavy keystones. The sills, original to the house, are made of white Vermont marble.“War, Storms, Fire Fail to Destroy Island Home.” Houston Post; November 10, 1966.
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Windows on the second floor are in groups of three, with splayed lintels that have stone keystones. Stone stringcourses run at the top of the first-floor windows and at the bottom of the second-floor windows. A stone panel above the equipment bays is carved with the company identification. The upstairs rooms feature original woodwork, including door and window trim.
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It is flanked by two windows with cast-stone trim and cast iron lanterns. The front windows are shallow-arched, with brick surrounds, keystones and spring blocks. The steeply pitched gabled roof is tiled in slate and topped by an octagonal cupola with louvered openings, a copper dome and weather vane. The roofline is marked by a modillioned cornice with side returns.
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Lesenes set on lateral sides of the façade are decorated with Eastern ornament. First floor is rusticated. There is an arch at the front door and an arch at the entry to the yard – they both are decorated with keystones with lion masks. Cartouches, on central one of which the year of building of the house – 1897 – is carved, adorn façade entablature.
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Each end has a tall limestone basement level, with window sills that are just above ground level. The brick walls above contain projecting stretcher courses at regular intervals, creating a rusticated look. Every floor has four window openings with limestone lintels below and limestone keystones above. A limestone entablature and a stone balustrade within a limestone frame tops the building.
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The middle opening of each portion is slightly wider than the other openings and above them are triangular pediments at parapet level supported on moulded brackets. The facade treatment to the plinth is rendered and coursed to resemble ashlar. A string course runs across between the openings at the springing level of the arches. The semi-circular arches have moulded surrounds and keystones.
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The porch is topped by a low balustrade, and there is a pedimented entrance to the upper level of the porch on the second floor. Windows on the lower two levels have stone keystones, and there are panels of garlands between the second and third levels. photo c. 2010 Allen University was founded in 1870, and established its campus in Columbia in 1880.
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Stylistically, the building is an example of a Federation Free Style building. The sandstone gable, keystones and the use of face brick is typically Federation detail. The item meets this criterion at State level. The place has a strong or special association with a person, or group of persons, of importance of cultural or natural history of New South Wales's history.
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The only decoration on the façade was brick corbelling at the cornice level and keystones over the windows. It was listed on the National Register of Historic Places in 1983. This combination commercial and residential rental property had been owned by a series of owners over the years. with It has since been demolished and the property turned into a parking lot.
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After 6 years out of major league baseball, Meyerle appeared in three games for the Philadelphia Keystones in 1884. His final game was on April 26, 1884. Known as "Long Levi" in his playing days, Meyerle finished his career with some stellar numbers, hitting .356 for his career with 513 hits, 86 doubles, and 279 RBI in 307 games over 8 seasons.
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External decoration, on the facade only, includes rendered masonry bracket supports to the eaves, rendered string courses, label moulds, and keystones over the arches . The rear and side walls contrast with the street facade. They are brown brick with red-brown brick lintels over the flat-arch openings. Stone lintels are evident on the lower storey windows to the rear of the building.
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Hale did his finest and best known works between 1904 and 1908. Hammerton Street Council School is widely regarded as his triumph, as the finest Arts and Crafts school in Sheffield. It opened in October 1904 and cost £14,000. It features windows with elaborate lintels, ornate keystones over the doors and decorative drainpipes, as Hale introduced aspects of Baroque into his work.
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The bridge is built over a weir between two ponds (part of the Bosherston Lily Ponds). There are eight segmental arches in limestone, one with slightly projecting keystones. The arch rings are in ashlars; the rest of the arches in common stonework. There are a low rebuilt parapet walls, with slight wing walls at each end, on either side of the roadway.
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The 1901–02 WPHL season was the fifth season of operation for the Western Pennsylvania Hockey League. Three Pittsburgh-area teams competed in the season, in which all games were played at the Duquesne Gardens. The season concluded with the Pittsburgh Keystones having the best record in the league and being named league champions. It would be the team's only league title.
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The Pittsburgh Keystones were a semi-professional ice hockey club, located in Pittsburgh, Pennsylvania and was a member of the Western Pennsylvania Hockey League, the first league to openly hire hockey players from 1900-1904. The team played all of its games at the Duquesne Gardens, and was involved in allowing Harry Peel become the first admitted professional hockey player in 1902.
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The middle band of three floors is rough red brick. The rectangular windows are unusually large and are capped by pressed brick jack arches with stone console keystones. An elaborate metal bracketed cornice forms a projecting cap for the building and eloquently defines the roofline. The variety and richness of the materials and textures contribute to the impressive dignity of the Northumberland.
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The building is decorated with classical design features including the round arched openings and prominent keystones and eaves. The balconies and verandahs are designed as a response to the Townsville climate and allow for cross- ventilation of all rooms and offices. The balcony floors are of concrete and the ground floor verandahs, entrance hall and main staircase are finished in terrazzo.
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The building is topped by an octagonal cupola pierced by windows flanked by engaged pilasters and topped with bracketed pediments. The copper- clad mansard roof features oval windows accented with decorative stone surrounds with keystones. In 1986–1987, a $1.15 million exterior restoration and copper roofing project was completed. The interior features an original cast-iron staircase adjacent to the eastern entrance.
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The first story features rusticated granite with tall round-arch openings topped with scrolled keystones. Small, rectangular paired windows are above the arches. The upper stories, which are defined by a string-course and faced with smooth, ashlar blocks of granite, are dominated by two-story engaged Doric columns that separate large windows. These simple columns indicate the location of interior courtroom spaces.
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Although Shorten's major league career ended in 1924, he continued to play in the minor leagues for another four years - as the player-manager of the Reading Keystones in the International League in 1925, for the Newark Bears in 1926, and for the Scranton Miners in 1926 and 1927. He compiled a .354 batting average in 119 games in 1927 at age 35.
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The Lyman Block is located in downtown Brockton, across Main Street from City Hall, and immediately adjacent to the similar Howard Block. It is a four-story structure, built out of load-bearing brick and covered by a flat roof. It has granite corner quoining, and brownstone window lintels with keystones and shoulders. The main facade is crowned by a bracketed cornice.
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The Howard Block is located in downtown Brockton, across Main Street from City Hall, and immediately adjacent to the similar Lyman Block. It is a four-story structure, built out of load- bearing brick and covered by a flat roof. It has granite corner quoining, and brownstone window lintels with keystones and shoulders. The main facade is crowned by a bracketed cornice.
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The top level has small rectangular windows separated by cartouches (decorative ovals). A heavy, ornate cornice with a dentil (rectangular block) course and carved anthemion motifs tops the building. Other elevations contain a similar level of detail, although they lack the two-story arched windows. Windows on other elevations are topped with pediments containing cartouches or lintels with medallions or carved keystones.
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An ornate oval medallion with a garland, acanthus leaves, and a shell motif tops the doorway. Rectangular, first-story windows have flat arches with projecting keystones. A colonnade that features paired Ionic columns with stylized foliated motifs and unusual tassel ornamentation dominates the three central bays of the second and third stories. Small balustrades with urn-shaped members extend between the columns.
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Large tripartite, multi-pane, double-hung windows are located on the second story between the columns. Spandrels separate the large windows from smaller tripartite windows on the third story. A key motif and centrally placed projecting keystones top the windows. Also on the second story and flanking the colonnade are windows with elaborate semi-circular hoods featuring scrolled brackets supporting oval medallions.
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The north elevation features a centrally placed, projecting, multi-curved parapet and flanking entry portals. The loggias, hallmarks of the Spanish Colonial Revival Style, provide ventilation and shelter from the weather. The openings are segmentally arched with projecting keystones topping the openings. Classically inspired pilasters divide the openings and are skillfully combined with wrought-iron balusters that are located on the second level.
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The street level of the south-facing, symmetrical facade is dominated by a series of round-arched openings that together form an arcade. Scrolled keystones top each arch. The rusticated limestone on the first story distinguishes the ground level from the smooth upper floors. On the second story, the area beneath a prominent central portico features three arched doorways separated by pilasters.
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The resulting design presents a rusticated first floor and Corinthian order columns and pilasters on each elevation. These massive columns and pilasters define the sequence of window bays on the second, third, and fourth stories. Rusticated stone-arched windows with carved keystones adorn the first story. The more ornate second-story windows are capped with classically inspired pediments and balustraded sills.
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Born in Birmingham, Alabama, Davis began his professional baseball career in at the age of 21, playing for the Gulfport Tarpons of the Cotton States League. After posting a .356 batting average in 27 games for Gulfport, he was sent to play for the Reading Keystones of the International League where he hit for a .308 average in 137 games during the season.
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Two brick chimneys rise from the western corners. The south (front) elevation of the first story has two glass storefronts, topped by a wooden cornice. All four windows on both upper stories are round-arched with louvered shutters, brick keystones and a stone sill supported by corbeled brick. "STANDARD HOUSE" is prominently painted on a wooden panel between the second and third stories.
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The roofline is gently pitched and had projecting gables with heavy eaves and cornices and with returns suggestive of a classical pediment. The eaves have carved and scroll cut brackets with turned pendants. The main facade gable is pierced with a bull's-eye window. Windows have round arches with distinctive cast iron keystones that may have been made in the Kohler foundry.
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The front of the house once had a full-width veranda. This has been replaced with a small canopy over the main entrance, though it sports an elaborate pair of brackets. The original sections' windows are topped with wooden hoods with exaggerated limestone keystones. The wide eaves are characteristic of Italianate architecture, though they lack the bracketing common to the style.
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Sills are incorporated into a stone belt course that wraps around the building, while lintels are embellished with prominent keystones. The design is similar to that of the Chester Transportation Center in Pennsylvania. The station building has been listed in the state and federal registers of historic places since 1984 and is part of the Operating Passenger Railroad Stations Thematic Resource.
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Paired paneled pilasters flank the six- light sidelights aside the main entrance, topped by another four-light transom. The six-panel wooden door opens into a central hall running the depth of the house. In the middle an elliptical arch with molded soffit panels and reeded wood trim and keystones. A similar arch on the adjacent wall leads into the stair hall.
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By the 20th century the choir's three keystones depicted the coat of arms of Altstadt, Adam and Eve, and a no longer legible inscription.Bötticher, p. 230 The church's triptych by Anton Möller in 1586 depicted Judgement Day, while its framing was probably designed by Michael Doebel the Elder in 1690. A slender Salvator Mundi from 1706 was located on the pulpit's wall.
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The entrance surround has pilasters rising to a bracketed segmental-arch pediment. First-floor windows are elongated, and topped by headers decorated with swags. Second-floor windows are topped by splayed lintels with keystones, and have shallow wrought iron balconies. The house was built sometime after the War of 1812 in a Federal style, and was later given its present Second Empire treatment.
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The storefronts typically consist of display windows flanking a recessed entry. Second floor windows are set in round-arch openings with stone keystones and shoulders, with a narrow stringcourse acting as a sill. The third floor windows have segmented-arch openings, but are otherwise similar. The dormers on the steep roof section have shallow gabled roofs, with drip moulding around the windows.
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Cornelius F. Daily (September 11, 1864 – June 14, 1928) was an American professional baseball catcher, outfielder and first baseman. He played in Major League Baseball (MLB) for the Philadelphia Keystones, Providence Grays, Boston Beaneaters, Indianapolis Hoosiers, Brooklyn Ward's Wonders, Brooklyn Grooms, and Chicago Colts between 1884 and 1896. His brother, Ed Daily, also played professional baseball."Con Daily Statistics and History".
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The bifold doors to the right hand side doorway have been replaced with aluminium framed glass sliding doors. Prominent cream rendered banding wraps the building and gives emphasis to the corners and the breakfront. The double doorway main entrance is defined by a plain projecting cornice sitting on three heavy brackets. Plain rendered arches with prominent keystones frame the central upper level windows.
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An older building is joined to the bank building's southern elevation, between it and the Lincoln House. It is a two-story structure of brick, painted to match the limestone bank, in Flemish bond. Arched windows with stone keystones and impost blocks relate it to the other buildings in the area. It also has brick quoins and a flat roof.
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Giri is a noted quizmaster and author of several quiz books. He is also the mind behind the Global Awareness Program (GAP) one of India’s first focused, structured knowledge enhancement programs for school children and Knowledge‐Hub & Global Business Review for management students. He has pioneered a program on Values Education in schools called "Keystones". Over 2,50,000 children are part of these programs.
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These are found in the early architecture of most cultures, from Eurasia to Pre-Columbian architecture. A console is more specifically an "S"-shaped scroll bracket in the classical tradition, with the upper or inner part larger than the lower (as in the first illustration) or outer. Keystones are also often in the form of consoles.Summerson, John, The Classical Language of Architecture, p.
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Northern Tioga School District did not participate in the State's Science Its Elementary grant program, the Keystones to Opportunity Literacy grant, or the 21st Century learning grants. Nor did the district seek funding through the DEP's Environmental Education grants program; Project 720 High School Reform grants (discontinued effective with 2011–12 budget); nor the 2012 and 2013 Pennsylvania Hybrid Learning Grants.
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Bechtel had also played for a couple of other Philadelphia teams during his amateur career before 1870. He was formerly of the Philadelphias in 1867, and the Keystones in both 1868 and . The following season, he signed with the New York Mutuals, who had offered him a higher salary in , and batted .302 and scored 64 runs in the team's 54-game schedule.
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Most of these were simple, somewhat spartan structures, and the level of ornamentation at Dobbs Ferry is a departure from the norm. In New York, only the Granville and Hudson Falls post offices share the parapeted gables and window keystones. It has remained largely intact since its construction. Modern aluminum doors have been installed at the entrance, as well as modern lighting inside.
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The main window elaboration is in the arch mouldings and keystones. The window reveals have two steps each but no aedicules and timber-framed double-hung sash windows. Masonry panels with vermiculated treatment under each first floor window hint at balustrading. To the rear, the original form is partly concealed by a series of basement and ground floor alterations and additions.
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The Keystones' history can be traced to the Keystone Bicycle Club, which consisted of students from Western University (today known as the University of Pittsburgh) and Carnegie Tech. Around 1895 the club gave up bicycling, renamed itself the Pittsburgh Keystones and played ice hockey at the newly built Schenley Park Casino, which was located in the Oakland neighborhood of Pittsburgh, on Saturday afternoons, as an amateur club. On December 30, 1895, the Pittsburgh Press made mention of a “great international hockey and polo tournament” opening game at the Casino. The newspaper reported that a team consisting of ten players from Queen's University played against a group of local players from Western University and Pittsburgh Catholic College of the Holy Ghost (today Duquesne University) and a half hour of exhibition of hockey was played before the ice polo match.
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The main hall was completed in 1688 according to Nicholas Pevsner, and the adjoining farmhouse is dated "IC 1691", It is built of grey ashlar, with a graduated stone slate roof. The hall is a 2-storey building, with 7 bays on each floor, and a central door displaying a coat of arms and a steep broken swan-neck pediment. 6 of the ground floor windows are fitted with light ogee mullion and transom windows, with marginal glazing bars and keystones, and all of the 7 first floor windows are sash windows with marginal glazing bars, cyma-moulded surrounds and keystones. On the rear is a wing, with a hipped roof and quoins, mullion and transom windows; the 2 storey farmhouse extends from this wing, with 3 bays on each floor, and a central chimney stack.
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This two-storeyed building, situated in Alice Street, is of brick construction with a rendered facade and a galvanised iron roof. The facade has semi-circular arched windows on both levels. There are eight openings on the upper level and three to each side of a central square carriage way on the lower level. All the arched openings have moulded architraves, sills, and ornamented keystones.
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The courthouse was originally designed and built with four floors, high arched windows with hood-moulds and keystones, sectional Corinthian columns, and a flight of stairs to each entrance. Above the entrances are high Corinthian columns supporting a pediment. The main entrance has Justice standing on the peak of the pediment. The mansard roof contained dormer windows with a central tower capped with a mansard roof.
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They are trimmed with brick lintels, keystones and stone sills, separated by broad pilasters. A large red sign saying "Albany Pump Station" is at the top of the facade, with "Brewpub and Restaurant" in smaller letters beneath. A later northern extension is similar. To the south is a two- story brick building used as stables when originally constructed, with rounded windows in that section.
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At the top of the columns are moulded cornices, which are carried out over the lateral bays. These bays contain two round-headed windows with imposts and keystones, one in each storey. The lower windows are partly blocked with notice boards, and the upper windows contain circular geometric glazing. Under the arch, steps lead up to a recessed porch with doorways and a Venetian window.
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The stones on the front facade are carefully dressed compared with those on the other elevations. The lintels and window sills are blocks of rock-faced stone, except for those on the front. On the front, carefully dressed stone voussoirs and keystones are used for the round arches for the main entrance and the window above. High school classes were added in the 1920s.
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The Vermontville Opera House is a rectangular three-story structure with walls faced in concrete block in the first story and red brick above. The building has a mansard roof and a foundation of rock-face fieldstone ashlar. Window bays are separated by slightly projecting piers, which stretch upward to the cornice line. The windows have segmental arches and cut stone sills and caps with prominent keystones.
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A large Victorian Gothic church building constructed of solid masonry walls, performed stone arches, traceried windows and keystones to and about doors and window openings. It is a solid structure with engaged buttresses. The tower is divided by decorative string courses and the transept and chancel ends are gabled with continuous stone copings. The roof is slate with ventilation ridges and copper gutters and downpipes.
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The Echo The Echo is a loggia at the end of the southeast axis of the building, with a facade of four piers of rusticated stonework, of which alternate courses are projecting and vermiculated, It has large vermiculated keystones at the heads of the three arches. It is attributed to Vanbrugh, its features being almost identical to a Vanbrugh design of 1722 for a single archway.
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The two-story brick structure features around arch windows with keystones, double brackets under the eaves, and a broad cornice. The wrap-around porch is believed to have been built around the turn of the 20th century, replacing the original. Walter I. Pratt built an addition onto the house for his Kimball pipe organ. That space was converted into bedrooms and a bath around 1966.
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The Adelaide Street facade has a similar arrangement of openings, but has arched windows in the end bays of the top floor with keystones that extend to the cornice line. A similar cornice occurs above all the other window openings as sun hoods. Cantilevered balconies occur only on the first floor level at each end and in the centre. These have wrought iron railings with diagonal balustrading.
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This sober cloister next to the Claustro Real was built in conventional Gothic style with double pointed arches. It was constructed in the second half of the 15th century by the architect Fernão de Évora. It stands in contrast with the Manueline flamboyance of the somewhat larger Claustro Real. The keystones in the vault carry the coat-of-arms of D. Duarte I and Afonso V.
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The ancient city of Olynthus was one of the architectural and artistic keystones in establishing a connection between the Classical and Hellenistic worlds. Over 100 homes were found at the Olynthus city site. Interestingly, the homes and other architecture were incredibly well preserved. This allows us to better understand the activities that took place in the homes and how space inside the homes was organized and utilized.
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The commercial buildings are largely consistent in design. Nearly all stand two stories tall, with brick walls or façades, and featuring a commercial adaptation of Italianate architecture. Their ornamentation is largely restrained to simple brick cornices, stone window sills and keystones, and a modest variety of window styles. One contributing property, the Hurd House–Anderson Hotel, had been individually listed on the National Register in 1978.
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Building corners feature brickwork that is quoin-like in appearance. Windows on the central section are set in rectangular openings on the first two floors, and round-arch openings on the third; the first-floor windows are topped by stone keystones. Building entrances are set at the ends of the central section. The building was designed by architect Julius Schweinfurth and was built in 1905.
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Gelli Bridge is a Grade II listed two-arch bridge spanning the River Syfynwy a few yards before its confluence with the Eastern Cleddau. The date of the bridge is not known, though projecting keystones suggest it is 18th century. It has been modified since its original construction. The unequal semicircular arches span 7m and 4m and the roadway is 2.4m between the parapets, with wider approaches.
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It is a saddle-back bridge with a parabolic arch.Alamy: para, accessdate: 4 March 2017 The keystones are carved with masks, one of a Jacobean man, the other of a Restoration man. Above these are plaques, that to the east, bears an inscription; that to the west a sundial. The bridge is supported by buttresses, and at each end is a canted projection with decorative panels.
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Based on different models of genetic inheritance, two different terminologies were developed; both of them are still in use. The clinical significance of this highly immunizing D antigen (i.e., Rh factor) was soon realized. Some keystones were to recognize its importance for blood transfusion (including reliable diagnostic tests), hemolytic disease of the newborn (including exchange transfusion), and very importantly the prevention of it by screening and prophylaxis.
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The 1903–04 WPHL season was the seventh season of operation for the Western Pennsylvania Hockey League. Four Pittsburgh-area teams competed in the season, in which all games were played at the Duquesne Gardens. However, the Pittsburgh Keystones withdrew from the league on January 17, 1904. The season concluded with the Pittsburgh Victorias having the best record in the league and being named league champions.
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On the sides there are two rizalites with attics. Tier division of the facade is underscored by an interstorey traction. The walls are rustic; the window openings of the first and second floors have a different shape: they are decorated with pediments, platbands and keystones. The windows of the lateral risalites at the second floor are decorated with twin pilasters with archivolts and with an arcuate cornice.
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The bays are divided by two-story pilasters with stylized capitals. The pilasters support a classical entablature that features an architrave, frieze, and cornice with a dentil course. On the original portion of the building, other openings are rectangular and topped by flat arches with limestone keystones. A roofline brick parapet wall with limestone coping and pedestals is on the original portion of the building.
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The Johnson County Courthouse is a good example of the Italianate style of architecture. The stilted arch window openings with pronounced keystones and the consoles on cornices are characteristics of this style. Bricks for the courthouse were made from clay soil mined from a location just south of the Buffalo City Park. Kilns at the foot of the Big Horn Mountains provided the lime for the mortar.
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However, like other barnstorming teams of the time, they had considerable impact on the desegregation of baseball. Today, the Keystones are rarely mentioned in Negro baseball history, and stats and rosters are hard to find. By at least 1911, sources say the team was being managed by Col. Edward F. Mitchell, and the teams address is listed at 1313 Washington Avenue in South Minneapolis.
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Large multi-pane tripartite windows occupy the third story. At the eastern and western ends of the facade, glazed, multi-pane doors on the second story have segmental arched openings with articulated surrounds and keystones. The doorways lead to small balconets that feature scrolled, cast iron railings. Windows on the third story are rectangular and feature surrounds similar to those on the second-story doors.
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These windows and the door have arched keystone lintels with stone keystones and caps. Brick pilasters divide each side of the building into four bays the rear three have windows which duplicate the windows on the facade. The Hughes School is an example of 19th century one–room schoolhouse architecture. The land for the school was given to School District No. 4 by Nicholas Curtis in 1832.
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Similarly, the original building's third-floor window openings are topped by scrolled keystones and set beneath carved limestone panels. The rear addition contains a simple brick facade on the upper stories with rectangular windows. A small cornice separates the third floor from the attic, which contains wide carved limestone panels flanking each of the narrow windows. A larger, more extensively decorated terracotta cornice runs above the attic.
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There are no ornaments on the keystones showing us that the building was primarily functional. The distance between two pylons varies between 3.8 and 4.7 m. The key-stones are sometimes single, sometimes double, and the masonship of the round arches is different but the aqueduct appears as a unity. The cause of this strength or solidity depends on the perfectionism of the arch architecture.
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Limestone stringcourses serve as a water table between the basement and first floor, between the first and second floors, and above the top floor. The building is crowned by a modillioned and dentillated cornice and a low balustrade. Windows are set in pairs in each bay, with limestone keystones. The international YMCA was founded in Great Britain in 1844, and its first American branch opened in 1851.
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Stone tablet commemorating John Milton, now at St Mary-le-Bow The main frontage of the reconstructed church faced north onto Watling Street. It had eight round- headed windows (one of them blind) decorated with carved keystones. The plan of the church was in the shape of a slightly irregular quadrilateral with an annex protruding on the south. The walls were topped by a balustrade.
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The Dr. John William Morris Clinic is a historic professional office building at 118 West Main Street in McCrory, Arkansas. It is a single-story stone and masonry structure with a front-facing gable roof. An arcaded porch extends across part of the front, with concrete keystones and quoining. The building was constructed in 1936 and is in a distinctive variant of Craftsman style.
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Taylor's minor league baseball career spanned 1928 to 1943; he appeared in 1099 minor league games while playing for more than 10 different teams. He appeared in 10 games in the major leagues, with the Chicago Cubs in 1932, batting .125 (1-for-8) with one run scored. The Cubs released Taylor to the Reading Keystones of the International League at the end of May 1932.
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The next year, Simmons became a starter for the Athletics and went on to become one of the most feared hitters in baseball for the next 20 years. Scheer did not play another game in the major leagues. Scheer split the 1924 season between Milwaukee and Shreveport in the Texas League. In December 1924, Scheer was sold by Milwaukee to the Reading Keystones of the International League.
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The windows are sashes with keystones, the windows in the lower two floors having 12 panes, and those in the top floor have 16 panes. The northwest face is in four bays, and contains similar windows. The southeast face has two unequal gables, with casement windows in the ground floor. At the rear the central two bays are recessed with gables, and contain casement windows.
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The windows on the London Road elevation have all been bricked in. At the southern end of the site is the former "Staff Quarters", a two-storey building in four sections, having seven windows in all at each level, some of which are blank. The date 1868 is engraved on one of the keystones. This building has a modillion cornice and a moulded band between the floors.
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The bridge is made of "squared and tooled sandstone blocks with ashlar dressings". A circular oculus in the spandrel above each pier is filled in with whinstone rubble. The five main arches each have an arch band and a triple keystone; the arches grow larger and higher towards the bridge's centre. There is a smaller semicircular flood arch at either end, with pendent keystones.
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Patrick (Pat) Carroll (March, 1853 - February 14, 1916) was an American Major League Baseball catcher who played for the Altoona Mountain City and the Philadelphia Keystones, both of the Union Association, in 1884. In 16 total games he was 16-for-68 (.235) and scored 5 runs. He was a slightly below- average defensive catcher for his era, making 13 errors in 106 total chances (.877).
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An arched pediment spans the width of the entry, and is surmounted by a projecting bay with arched timber work and a triangular timber pediment. The eaves have shaped timber brackets, and a rendered masonry chimney rises above the roofline. Windows and doors to the ground floor street facade are arched, linked with string courses, and decorated with keystones. The upper level openings are rectangular.
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The series is set before the events of Shadowside with Wazzat wiping Nate Adams's memories clean. New changes include Nate owning a Yo-kai Watch Elder (Model K) and the use of Yo-kai Keystones. The show also retains its gag comedy and humor from the original series. The new series, which is more comedy focused than the original, introduces a new form of Yo-Kai, Onechanside.
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It is a single-nave structure with a star-vaulted nave and sculpted keystones. The frescoes on the triumphal arch date from the 17th century. The main altar was consecrated in the late 17th century, and the altars dedicated to Saint Anthony, Saint James, and the Trinity date from 1666, 1657, and 1646, respectively. The crucifixion group on the arch beam was created in 1680.
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Two booster tapes were released following the success of The Harbingers. The tapes provide a challenging experience for experienced players. They run for forty-five minutes instead of the sixty minutes of the original, and come with a new rule to limit the number of Keystones added to each province based on the number of players. Other than this limit the normal rules apply.
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This bay is divided by brick piers between which there are concrete spandrel infills and sash windows. The central wing terminates in pavilions to the east and west. The external walls are faced at ground and first floor level with glazed brown bricks and above with a rough cast finish. The south elevation has a regular rhythm of flat arched window openings with prominent rendered keystones and rendered sills.
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Hern began playing ice hockey at an early age, playing for school teams in St. Marys and Stratford, playing both as a goaltender and a forward. Hern played for Stratford Legionnaires from 1898 to 1901. He began his professional career with the Pittsburgh Keystones of the Western Pennsylvania Hockey League (WPHL) during the 1901–02 season. In his first season, Hern led the league in victories, with nine in 14 games.
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The tower has a crested mansard roof. The building retains some of its rich ornamentation. The first floor bays on the northern frontage have single windows framed by pilasters, and are encircled with cornices, with a parapet with pediments above the windows. The two-storeyed parapeted bay to the eastern frontage has a (now enclosed) belvedere, with arched openings with imposts, extrados, keystones, small balustrades, and parapet with stepped cornice.
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Sion Hill is a brick three-part house with a five-bay 2-1/2 story central bock flaked by one-bay shed-roofed wings. The main facade faces south toward Chesapeake Bay. This side features a pedimented porch at the entrance door, a three-part second floor window above, and a lunette in the attic gable. Typical windows are nine-over-nine sashes under flared stone lintels with projecting keystones.
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In Welshpool the J & M Morris's iron foundry had the Agricultural Implement Depot built in Church Street for the display of their products. This was to the designs of the work of the Borough surveyor Robert Hurst around 1904, in deep red Ruabon brickwork with arched display windows with masqued heads used as keystones. The inscription Agricultural Implement Depot runs along the parapet of the building."Scourfield and Haslam" (2013), 271.
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The equipment bays on the ground floor have rusticated brick voussoirs, shaping round-arch openings in three of the bays, and a segmented-arch opening in one. The second story has round-arch windows in its central bays, and rectangular sash windows at the southern end, all with keystones. Dormers in the hip roof have Gothic- arched gables. A single-story addition extends to the south, adding several more equipment bays.
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Benton County Courthouse, July 2011 The Benton County Courthouse has been the home of Benton County government since it was built by Albert O. Clark in 1928. The Classical Revival structure features keystones, round-topped windows, and the inscription "Sovereignty rests with the people" in a large concrete block above the main entrance. The structure was added to the NRHP in 1988, along with many other historical structures in Benton County.
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Although his major league career ended in 1925, Jones continued to play in the minor leagues through the 1930 season with the Mission Reds of the Pacific Coast League (PCL) in 1926 and 1927, the Los Angeles Angels of the PCL in 1928 and 1929, and the Reading Keystones of the International League in 1930. He compiled a .346 batting average in his final season at age 40.
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St James House was grade II listed on 27 June 1952. The listed building has an 18th-century facade with a three-storey, five-bay elevation. The exterior is red brick, highlighted by light-colored, raised stone quoins which serve as the cornerstones of the walls, contrasting with the brick. Decorative keystones of similar material are atop all of the windows except one, which is lugged and scrolled.
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Despite these losses the WPHL started with the same four clubs, but the Keystones withdrew from the league on January 17, 1904. The team's players were then dispersed to the other three teams. Many other promising young players took their place and three different Pittsburgh teams challenged Portage Lakes for the U.S. Pro title that year. The league champion Victorias put up the best battle, losing two games to one.
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Ambrose Hall in 2014 Ambrose Hall was built in five phases from 1885 to 1912. Each section is similar to the others and yet each section possesses its own character. The features that are common to all the sections include round-arch windows and doorways with stone hood molds and keystones. A stone stringcourse runs between the first and second floors on all but the first section of the building.
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A substantial Victorian Free Classical post office with an overall Palazzo form. The building is of two stories, constructed of stuccoed brick with moulded decoration. The ground level consists of colonnade archwork and the first floor of segmental arch window openings with exaggerated keystones, separated by pilasters. A truncated clock tower with cupola was added in the 1920s on the corner and designed similarly in the Free Classical style.
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The colonnade leads on to the taller orangery which has three tall round arched openings with keystones, all the openings in the orangery and the colonnade have now been filled in as they have been converted to apartments. British Listed Buildings. Gives architectural details of house and orangery. The stables stand 200 metres to the north east and are built of ashlars and coursed rubble with a hipped stone slate roof.
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The Alabama and Mississippi primaries were seen as a last possible point for the Newt Gingrich campaign to stay afloat in a primary season where he had only won two states up to that point; South Carolina in January and Georgia during Super Tuesday. Alabama and Mississippi were the keystones of his "Southern Strategy". Gingrich ignored other upcoming primaries to focus on campaigning in the two neighboring Gulf states.
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All openings other than the rectangular windows of the two mezzanines have round arches and balconies, with marble keystones in the arches decorated with bold and expressive heads. The overall effect is simple and elegant. The interior was decorated with high quality stucco and with framed paintings by Antonio Zanchi, Luca da Reggio and Pietro Liberi. Many of the rooms had magnificent ceilings with beams decorated in gilt and polychrome motifs.
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Two booster tapes were released following the success of The Harbingers. The tapes provide a challenging experience to The Harbingers for experienced players. The booster tapes run for forty-five minutes instead of the sixty minutes of the original, and come with a new rule to limit the number of Keystones added to each province based on the number of players. Other than this limit the normal rules apply.
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It is flanked on the first floor by single sash windows with stone keystones, and on the second floor by bands of sash windows with transoms above. The front-facing wing ends have no windows, and a brick panel outline with marble corner blocks. Medallions are centered near the tops of these panels. The town of Bennington's first high school was built about 1875, and was over its capacity by 1909.
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View Terrace is a restrained Victorian Italianate style terrace of two houses built in 1893 of stuccoed brick. It has keystones, mouldings and label stops to each depressed arch opening above the windows and doorways. Half fluted pilasters divide the façade and define the recessed first floor balustraded balcony. The roof line is dominated by an elaborate parapet, the centre of which has the name View Terrace and the date 1892.
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Nos. 38-40 Gloucester Street is a two-storey late Victorian Italianate style stuccoed terrace with basement. Its most distinctive features are the very tall decorated arched doorway openings and the arched windows with plain keystones. All the windows at ground level are double hung with one pane in the upper window, two in the lower. The windows of the upper storey are double hung with four panes.
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Charlestown Town Hall is located in the town's village center, on the north side of Summer Street a short way east of Main Street. It is a two- story masonry building on a granite foundation, with a gabled roof. It has Italianate styling, with rusticated brick pilasters separating the bays and a corbelled brick cornice between the floors. Window bays are topped by brick segmented arches with keystones.
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His first play, The Hamlet of Stepney Green, was produced at the Oxford Playhouse in 1957. It is considered to be one of the keystones of the "New Wave" in British 'kitchen sink' drama. His subsequent plays include Enter Solly Gold (1962), Ezra (1981, about Ezra Pound), Playing Sinatra (1991) and The Dreams of Anne Frank (1992, about Anne Frank). He has also written extensively for radio and television.
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At the base of the tower is the main entrance into the church. The tower is flanked by narrower side entrances. The three entrance portals are framed by compound round arches that feature limestone keystones and impost blocks. Above the main entrance is two pairs of round arch windows, and above them is the bell chamber whose cornices are arched to accommodate a clock on each face of the tower.
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Round marble columns, terraces, bedrooms, wooden and crystal halls have features like neo-classical, neo-Islamic and neo-Ottoman characteristics. The arches in S and C shapes originated from the Rococo style. Columns, palmets or sea shells have been added to the keystones of the arches. The baroque style of the 19th century has been reflected with oval windows, fluted cornices, flushed columns with small tower on ends.
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The top of a cask, showing an unopened wooden shive with a plastic seal. keystones to the front. A shive is a wooden or plastic fitting used in ale casks. It is found on the curved side of the cask, arranged so that when the cask is on its side and the keystone is at the lowest part of the rim, the shive will be the highest point of the cask.
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The church is vast and narrow (22 m) in proportion to its height (32.4 m). The nave was raised to its present height by the second architect, Huguet, altering the proportions of the church and giving it its present aspect. Its interior gives a sober and bare impression by its lack of ornaments and statues in the nave. The ribbed vaults, supported by compound piers, are closed by ornamented keystones.
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The Todd House is a two-story Queen Anne brick and clapboard residence, with asymmetrical massing and an irregular roofline. The facade uses a wide variety of finishes and ornamentation. The first floor contains a large rounded arch window, topped with a brick voussoir and limestone keystones. A carved fan half- pediment is placed above the front entry, and there are carved rising-sun and star details in the baseboard.
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Beside the central arch is a small illuminated sign of the hotel's name. To the south is the entry to a retail tenancy with a recent aluminium shopfront. The entrance vestibule has a pressed metal ceiling, and leads to the former telephone lobby which features tessellated floor tiles and a leadlight window. Through a further triplet of moulded plaster archways with keystones, capitals and balusters, is the main stair hall.
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The armory is located on the west side of Main Street, at its southwest corner with Armory Street. It is a two-story Classical Revival brick building, whose front facade is dominated by a Classical portico with four columns extending the full height of the building. It has a stone water table and modillioned cornice. Windows have stone sills, and those on the first floor have stone keystones.
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It is laid out in a traditional Orthodox plan, with many of its surfaces heavily marbleized. The bimah at the center, pews surrounding it on three sides facing the ark in the rear and a separate gallery for women. The windows are set in molded wooden trim with keystones. The vaulted ceiling is finished in pressed metal with a decorative frieze, and the stained glass windows feature Hebrew motifs.
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In 1901, Art visited Pittsburgh on his way back to Ottawa from his wedding in Campbellton, New Brunswick. In Pittsburgh, he met Arthur McSwigan and the two men founded the WPHL. By 1902, Art convinced his brother, Garnet, and several other Canadian players to play in the new league. He then turned professional with the WPHL's Pittsburgh Keystones, for which he played with for the next three seasons.
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John Fischer (August 1855 – February 9, 1942) was a 19th-century Major League Baseball player. He played pitcher and occasionally first base during the 1884 season for the Philadelphia Keystones of the Union Association and during the 1885 season for the Buffalo Bisons of the National League. He also played in the Eastern League for part of the 1885 season and in the Pennsylvania State Association in 1886.
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The new mansion, named "Hollywood", is a brick house with a green slate roof. The front of its central two-story portion has a pedimented portico with four Ionic columns. It presides from a grassy hill and is approached by a winding drive. Its red brick is laid in Flemish bond; white marble from the Georgia Marble Company of Tate, Georgia is used for keystones, quoins and trim.
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Edgar Edward "Ned" Cuthbert (June 20, 1845 – February 6, 1905) was an American professional baseball outfielder. Cuthbert's baseball career began in 1865 with the Keystone Club of Philadelphia. After two seasons as a second baseman and outfielder with the Keystones, he moved across town to the West Philadelphia club, playing only four games for them before joining the Philadelphia Athletics. With Cuthbert, the Athletics won national championships in 1867 and 1868.
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The keystones in the church, carved from sandstone and painted in full colour, date from the thirteenth to the fifteenth century. Those of the transept and the nave are of the thirteenth and fourteenth centuries, those of the crypt and the choir of the fifteenth century. Their paintwork was restored in 1859 by Antoine François Denecken to their original state, i.e. in red and blue with gold detail.
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Deady Hall is a three-story brick building, with a mansard roof and mansarded corner towers. Its windows have rounded tops with keystones in the Italianate style, and there are rows of dentil brickwork above the second and third floors. The main cornice is studded with modillions, and the mansard roof is lined with gabled dormers. The hall was built in 1873-76 to a design by William Piper.
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The Parks School is a historic former school building just north of Arkansas Highway 28 in the center of Parks, Arkansas. It is a single-story fieldstone structure, with a gable-on-hip roof, and several small gabled dormers on the long (south-facing) front facade. Two entrances are set in round-arch openings with keystones. The building has retained most of its original windows, doors, and other original hardware.
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The first two were the names of previous Philadelphia hockey teams and given the connotations of losing (Quakers) and the minor leagues (Ramblers), were passed over. Liberty Bells, though seriously considered, was also the name of a local race track. Bashers, Blizzards, Bruisers, Huskies, Keystones, Knights, Lancers, Raiders, and Sabres were among the other names considered. The flying P has been the Flyers' primary logo since the beginning.
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On the side which is opened to the nave the profile of ribs continues to the ground while on other sides ribs are ended by simple supports. On the southern wall former consoles with vegetable motives can be seen. The vault of the nave is also cross, and it is divided into ten bays and there is one with five bays above the chancel. Keystones in naves are decorated.
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In the 20th century the building was extended by adding a north-west wing. In the fringe parts of elevations you can find panels with windows: the bottom ones being rectangular and the upper ones semi-circular. The drawing-room has a ceiling with a facet and an orchestra and choir balcony is situated on the first floor level. The entrances and windows have flat frames with keystones.
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"Masons comes down" It has also been known as Evergreen Lodge No. 17 A.F. & A.M.. It is a two-story masonry Classical Revival-style building on a raised basement, with a portico incorporating Ionic columns. Doors and windows are topped by flat brick arches with terra cotta keystones. Terra cotta is also used in cornices and in plaques beside the building's portico. It has a shallow roof being a parapet.
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The terra cotta in the northern (front) facade is highly decorated. On the first two stories the storefront is framed with acanthus leaves and garlands with mock keystones and rectangular blocks. The windows are brass-framed glass with the two-story storefront as a whole framed in marble. Above the storefronts, the upper facade in three bays is articulated by three-story high engaged pilasters with highly enriched Corinthian capitals.
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There is also a further entry at the splayed corner which leads to the Public Bar. Although substantially remodelled, the Public Bar retains its pressed metal ceiling with beam surrounds, cornices and roses. From both private entrances, generous corridors lead to a central arched vestibule which features moulded pilasters and archways with keystones. Adjoining is the main stair in polished cedar, with square moulded balusters and carved newels.
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The west (front) facade has a slightly exposed basement with revetted four-pane sash windows. Above a marble water table, all windows are trabeated, with marble surrounds. A stringcourse of header bricks laid vertically creates a springline for the round arches with keystones that enclose the second floor windows. Both they and the first-story windows are six-over-six double-hung sash; the third story has three-over-three.
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The business failed, closing in 1989,James, Manchester: The Greatest City, p355 and the building subsequently lay empty for more than a decade. Attempts to save the building were made by Manchester City supporters, without much progress. By May 2001, the building was demolished.James, Manchester: The Greatest City, pp18–19 Two keystones from the Hyde Road Hotel reside in the memorial garden at the City of Manchester Stadium.
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The work, by Robert Ingersoll Aitken, depicts 68 artists from 490 B.C. to 1925 A.D. The original main entryway consists of three arched portals to the interior. The facade here includes decorative moldings, keystones, bulls-eye medallions, and stone quoins. A frieze hung above the arches, with the name "Columbus Gallery of Fine Arts". A set of sixteen limestone steps leads to the sidewalk, flanked by two Italian-style lamp posts.
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It is a two-story steel frame structure on a stone foundation faced in beige brick with a flat roof, five bays along the west (front) elevation on Broadway, and three on the south along Columbia. The two sides facing the streets have ornamentation in stone and terra cotta. On both facades, the windows are recessed in round-arched openings topped by scrolled keystones. Between them are large cartouches.
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A videotape, or in later games a DVD, is included with the game and acts as a game clock. The video stars the host of the game, who appears throughout the tape giving instructions to players. When a player has collected the Keystones, they can win the game by facing their earlier expressed "greatest fear", which is actually just a random event; if they are successful they win the game.
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These are on the west facade: segmental with radiating voussoirs of plain brick and cast concrete lug sills; south facade: first floor, plain double hung windows; above these are a second row of small windows approximately 2½' x 4', semi-circular with cast concrete surrounds and pressed metal decorative keystones; second floor, standard double hung with shaped concrete lintels with raised keystones and continuous cast concrete sills; east facade: first floor, large fixed windows with transoms above and continuous sills and headers of cast concrete; second floor, the same as the south facade; the north facade originally had no openings, anticipating neighboring construction, but has since had several small fixed-pane windows added, as well as doors that allow direct access to the building's parking lot. The main entrance, intended for the bank, is on the southeast corner. The door is recessed and approached by three granite stairs. Originally, there were paneled double doors but they have been replaced by a standard plain single door.
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S. H. Kress, & Co. Building is a historic commercial building in Nogales, Arizona. Built sometime between 1917 and 1930, the building's stylized "Kress" on its pedimented parapet identifies its original use as part of the S. H. Kress & Co. chain of "five and dime" retail department stores. The building is two story, fired brick, with cast stone keystones over flat arch windows and a pressed metal cornice. Aluminum signage has been added to the facade.
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The upper floors are finished in red brick laid in Flemish bond. The second and third-floor windows are set in rectangular openings with marble keystones and sills, while the short fourth level appears to be a raised element of the third floor. A projecting cornice with dentillated entablature extends around the building. with When completed in 1904, the building housed all of the federal facilities in Newport, including courts, post office, and customs offices.
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Liberty Bells, although seriously considered, was also the name of a local race track. Bashers, Blizzards, Bruisers, Huskies, Keystones, Knights, Lancers, Raiders and Sabres were among the other names considered. It was Ed Snider's sister Phyllis who named the team when she suggested "Flyers" on a return trip from a Broadway play. Ed knew immediately it would be the winning name, since it captured the speed of the game and went well phonetically with Philadelphia.
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The Drawing Room to the north has an arcade which separates a central rectangular space from peripheral pocket spaces formed by the projecting bays. The arcades have cast iron column on cedar-encased bases with floriated capitals, and extrados and keystones to the arches. The drawing room fireplace has richly carved surrounds. The "Prince of Wales" room immediately behind the Drawing Room has a marble mantelpiece, and tall timber doors opening onto the verandah.
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The Record Printing and Box Company Building is a three-story brick timber-framed building with a flat roof, typical of manufacturing plants built at the turn of the century. The external brick is brown. Window openings are arched or flat with keystones. The main entrance is through a double door located in an arched brick opening with semicircle glass window above Brick cornices run atop the building along the street facades.
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Raymond and Patrick were at her side when she died, as Patrick had come home from Rochester to be with her.” Geraldine was only 25 years old, leaving Patrick and 2½ year old Raymond. In the baseball season of 1924 it was reported at 6 feet tall, Patrick Martin had a “sparkling fast ball and bewildering curve.” During this season Martin pitched 29 games while playing for the Reading “Keystones” in the International League.
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The decorative elements of the Italianate style building features brick arches with dressed limestone keystones, recessed brick panels, and brick pilasters. The bracketed cornice on the top is a recreation added during the building's restoration in the 1980s. It continued to house a merchandise store for most of its history, and was used as a residence before it was abandoned. The building was listed on the National Register of Historic Places in 1979.
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The decorative details are found in the wide first floor windows of the commercial space that feature elliptical arches with cast stone spring blocks and keystones. Another decorative feature is found at the top of the building where a modified entablature incorporates the brick-framed windows and the stucco panels between them into the architrave. Above it is a simple brick wall that acts as a frieze and a cast stone cornice above it.
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Railroad Depot Complex was a historic train station complex located at Tarboro, Edgecombe County, North Carolina. The brick section of the Freight House was built in 1884, with a frame addition built about 1912. The brick Passenger Station was built between 1908 and 1913, and consisted of a two- story central section flanked by one-story wings. It featured eclectic, classical detail, including flat arches with keystones, a bold and heavy cornice, and pilasters.
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The local church is dedicated to Saints Hermagoras and Fortunatus. It dates to the second half of the 15th century and the workmanship of the keystones in the chancel link it to the stonemason workshop in Kamnik. The south wall of the chancel features a fresco of the crucifixion and fragments of a fresco of Saint Catherine dating to 1460. The main altar is from the second half of the 17th century.
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The front rooms have back to back fireplaces with marble surrounds. Decorative arches with prominent keystones at the top of the stairs and part way along the corridor define the hall. Accessed from the rear verandah, the single room west wing is lit by full pane sash windows on three sides and has a recent plain plaster ceiling. A concrete parking area runs to the rear of the building accessed from Reef Street.
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A corbelled beltcourse separates the second and third floors. The third and fourth floors have windows topped by splayed brick soldier headers with stone keystones. The fifth floor windows are set in round-arch openings, and the building is capped by a projecting dentillated and modillioned cornice. The corner at Main and Crossett is styled as a three- bay polygonal section in redstone, with decorative panel blocks between the windows of each bay.
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Soul Rangers hunt down other players and steal their keystones. Soul Rangers were created during the game's development. Brett Clements wanted to introduce characters that players did not want to become, but he later found that players enjoyed the anarchic role of the Soul Ranger. The final character in the game is the Gatekeeper, whose job is to make sure the other characters cannot escape from The Other Side to the real world.
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The front facade is five bays wide, with the three central bays fronted by a tetrastyle portico featuring four monumental Doric columns. The front doorways on both levels are trimmed with radiating brick voussoirs, with carved marble impost blocks and keystones. The openings are each filled by two sidelights with decorative muntins, and a fanlight around a central door. All of the window openings are enhanced with carved marble sills and lintels.
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There are marble window sills and keystones over the door and window openings. The main block is seven bays wide, and at each of the outermost bays on the first story is a shallow projecting bay with a copper roof. Sash is 12/12 on the first story, 8/8 on the second story, and is original throughout the building. The main entry has a replacement glass-and- aluminum double-leaf door and transom.
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On top of the porch is a triglyph frieze, a cornice, and a balustraded parapet. Above the porch is a balcony with a window flanked by Ionic semi- columns and paired pilasters. The windows in the basement are short and rectangular, those in the ground floor are tall and round-headed with keystones and voussoirs, and in the upper floor they are tall and flat-headed with architraves. All the windows contain sashes.
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The western unit had been modified with a recessed entry and windows, but these were later returned flush with the building and are topped with fanlights and segmental brick arches. Second floor windows on all four units are tall and narrow with arched tops and roll moldings with keystones. The attic level has short vents treated similarly to the second floor windows. A bracketed and denticulated metal cornice projects from the top of the building.
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The school itself is faced in brick laid in Flemish bond trimmed with cast stone sills, keystones, and water table on a high basement. Both wings are topped with slate hipped roofs, with overhanging wooden eaves at the roofline. The two-and-a-half-story classroom wing, running east-west to the south, has an octagonal wooden cupola topped with bell roof and finial. Two small hip-roofed dormer windows pierce either end.
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The entrance porch is flanked by pilasters and has a cornice and parapet with a tympanum. Below the roofline, a set of three sash windows are topped with slightly recessed arches which extend above the level of the cornice; the centre arch is higher. Above these is a pediment with a circular recess surrounded by four keystones. At the rear (facing Tackleway), some of the original red-brick wall remains, although it has been altered.
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These are arched above the first floor and intersected at midpoint by the first floor verandah. Between each arch are engaged pilasters with substantially moulded capitals. Other decorative features include keystones at the centre of each arch, small brackets below the first floor verandah and cast iron balustrading. The end sections are also symmetrical in design, with a single window at ground level and a group of three windows at first floor level.
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That season, Stuart led the WPHL with 16 goals in his first pro season and was named to the First All-Star team. William Duval, the 1902 captain of the Ottawa Silver Seven, also made the trip to Pittsburgh and began his professional career with the Victorias. Ottawa's Chic Henry, Charles Spittal and the Sixsmith brothers, Garnet and Arthur, also played for the Victorias. Arthur, the previous season, played on the Keystones' championship team.
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The eight-story building is steel frame with marble and brick facings. At street level it features a projecting one-story portico with paired Tuscan columns; the level above the portico has recessed Tuscan loggias with individual window balustrades. A wide third-story molded entablature is surmounted by cast iron balconies. The window openings over the entire facade have articulated keystones and the openings on the seventh level also feature cast iron balconies.
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The Veil is a shroud of darkness that covers the world from the sun, resulting in eternal darkness in which only the Sunstones can provide light. It was created to protect the people of the Dark World from the creatures of Aenir, and is generated by the seven Keystones in the seven towers. The Veil is presumably quite thick, as it takes many moments to cross. Inside the Veil, there is absolutely no sunlight.
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Tozer's Building has a detailed, symmetrically composed facade with smooth-rendered masonry featuring elements arranged in careful proportion typical of the Neoclassical style. Openings are arched and of equal widths and are visually separated by square pilasters set in low relief and string courses. Pilasters on the lower level have capitals decorated with flower motifs while pilasters of the upper floor have Corinthian style capitals. Arches are finished with moulded architraves and keystones.
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The Elks Building is set on the east side of Hancock Street, the main thoroughfare through downtown Quincy. It is a three-story brick structure, with limestone trim. The ground-floor retail spaces are faced in limestone, flanking a recessed entrance framed by Doric columns and topped by a wrought iron railing. The second floor has four round-arch windows, with limestone sills and keystones, flanking a central Palladian window flanked by paired pilasters.
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Fenestration above the entrances consists of tripartite windows o two-over-two flanked by one-over-one, with narrow one-over-one in the space between those windows and the pavilion corners in order to illuminate an interior stairwell. Brick between the stories is in a herringbone pattern. The pavilion is topped by a pediment above the molded raking cornice which marks the roofline. It has an oculus with rowlocks and keystones in the middle.
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A large wood door with carved medallions and inset metal grilles is centered in the central block. The first story features three round-arch openings that contain cast-iron frames and transoms with decorative circular, oval, and floral patterns. The arched openings are topped with scrolled limestone keystones flanked by circular medallions. Vertically aligned with the arches on the second story of the facade, three central windows feature small balconets with cast-iron balustrades.
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In the early 19th century, Jérôme-Joseph de Momigny wrote an extended analysis of No. 15 in D minor, K. 421. Momigny used the setting of text based on Dido's Lament to discuss the emotional and expressive qualities of the first movement of this work. These works stand as some of Mozart's most famous works. They are considered "established keystones" of the chamber music repertoire and are heard frequently in concerts, radio broadcasts, and recordings.
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The collection was initially compiled from works that the Nazis had classified as "degenerate art". The Gröppel Collection, containing around 200 paintings, sculptures and graphics, was acquired in 1957 and is now one of the keystones of the museum.Die Sammlung des Museums Ostwall The collection. At the heart of the collection are works by Ernst Ludwig Kirchner, Otto Mueller, Emil Nolde and Karl Schmidt-Rottluff, who founded the movement Die Brücke in Dresden in 1905.
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The second floor has rectangular sash windows with transoms, with sills set in a sandstone string course. Raised brick panels separate the second and third floors. The third floor windows have round-arch transoms, and are set in openings with sandstone keystones. Its historic uses are as retail space on the ground floor, office space on the second, and a meeting hall on the upper levels, used by lodges, fraternal societies, and community organizations.
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The entrance has double timber doors and arched fanlight with coloured glass panels. The ground floor has a shopfront to either side of the entrance, with a glazed wide arched opening framed by pilasters and entablature. The first floor has a verandah with rendered balustrade, columns, entablature and arched spandrel panels with decorative keystones. This elevation has a rooftop balustrade, between column tops surmounted by spheres, with a central curved pediment with laurels in relief.
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The building features dentil molding where the roof meets the walls, and the fourth floor has a balcony with paired Tuscan columns on the west side. Additionally, the exterior features keystones over the windows on the first and second floors, plus a balustrade along the roof line. Inside the High Renaissance building, the columns of the lobby are covered with a fake marble coating called Scagliola. The lobby has marble flooring and oak woodwork.
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A curved pediment is located over the two central tenancies at parapet level with the words "WENLEY HOUSE" following the curve of the parapet and the date 1865 centred below. The entry doorways have keyed surrounds with grotesque faces located on the keystones. There is a continuous pronounced cornice below parapet level, and a continuous band as a sill to the upper level windows. The lower level windows have individual sills supported on moulded brackets.
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The Saint Joseph County Courthouse is a rectangular, three-story, Richardsonian Romanesque building, constructed of red brick with sandstone trim. The lower level is slightly below grade, and is faced with rock. The building has a hip and gable roof, and a square plan, pyramidal-roofed, arcaded center tower rises to 45 feet in height. The main entrances are to the north and east; these entrances display round-arch stone detailing topped by keystones.
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Opened in 1940, the red brick depot replaced an 1874 structure. Its Colonial Revival style, popular in the early 20th century, includes stylized quoins, brick cornice and grey stone trim used to highlight the coping, keystones and lintels. In early 2013, the city broke ground on a $2.2 million project to transform the depot into a multimodal transportation center. During the renovation, workers installed new dormers and the open-air waiting room was recreated.
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The entryway is arch-shaped, and the arch is filled in with decorated wrought iron in a fan-shaped design. The first floor of the building contains the original banking room, which has a pressed tin ceiling, stained oak door and window surrounds, and keystones above the window arches. It has a poured concrete floor, which replaced the original floor, which had been damaged by rot. The plaster walls have been covered by fiberboard.
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They also learn that the Veil is maintained by the seven Keystones which lie at the top of each of the seven towers. Most of the Chosen leave the Castle due to the Day of Ascension. To prevent the Veil from failing, Tal, accompanied by the Freefolk leader Crow, climb the Red Tower and defeat the deadly Keeper. They also solve a puzzle of tiles to prevent any alarms from ringing out.
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Upon Tal's return to the Castle from the Icecarls, he is taken by the Imperial Guards to a prison called the Pit. In here, Tal discovers the previous prisoners had scratched their names on the wall, and shockingly, Tal finds his father's name on the very bottom. It seems Rerem was actually taken captive by Sharrakor as part of Sharrakor's plot to destroy the Veil. Unsealing all Keystones would shut it down.
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Circular windows, framed in wood, are inserted within the arch. Above the keystones and within the vertical panels are corbelled brick features with narrow slits that suggest machicolation. Apparently, there has never been an ornamental cornice. The scale of the two- story windows is non-residential and the form suggests a mid-19th-century Italianate style often applied to semi-public buildings such as fire stations, banks, Masonic meeting halls, and libraries.
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The three keystones of mindfulness are: Intention, Attention and Action. Technology is said to interfere with mindfulness by causing the individual to forget what matters (intention), the distracts (attention), and then keeps the individual from taking action. In technological addiction, the reward system, located in the mid-brain and underlies addiction, evolved to rewards finding and consuming food. In complex animals this evolution also rewards the exchange of information within the social group.
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The arms of Charles Pratt, 1st Earl Camden, for whom the crescent was named, are on the doorway keystones along with an elephant's head which was his symbol. In July 1951 Number 1 Camden Crescent was the scene of an abduction when John Straffen took five-year-old Brenda Goddard and later killed her. In Jane Austen's Persuasion the Elliot family rent lodgings on Camden Place as the Crescent was then known.
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The front (east) facade is built from rock-face sandstone in regular courses, the three remaining walls feature rough-cut stone in irregular courses. Each side wall (north and south) has four windows with round, stone, arched lintels, keystones and stone sills. Each window features a full round arch and a nine over nine sash. Each of the building's four corners is adorned with stone quoins as are all of the windows.
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The ribs are carved in a decorative shape, with slightly bevelled edges, and joined in the flat circular keystones at the apex of the vault. Ribs in the chancel continue to the heads, which are closing simple or bundle round shafts. The vault above the three aisles is supported by four massive polygonal pillars and ribs ends in pyramidal brackets on the walls. The chancel is opened to the nave by a massive triumphal arc.
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There was a gallery at the west end with a small organ. The exterior walls were of brick, except for the east front, towards Friday Street, which was faced with stone. The east wall was unadorned at street level, but had a row of five round-headed windows with cherub-headed keystones above. The tower, in the south west corner, which was not visible from the street, was the plainest of any Wren church.
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Brammer Grocery Store is a historic building located in the West End of Davenport, Iowa, United States. The building was listed on the National Register of Historic Places in 1983. The two-story, brick, Greek Revival style building is an example of a traditional local house form adapted to small- scale commercial use. with It features a plain façade, a diamond-shaped light in the gable, and keystones over the second floor windows.
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Second story windows are set in rectangular openings with granite sills and lintels, while third floor windows are in segmented-arch openings with granite keystones and sills. Fourth story windows are also set in segmented-arch openings, but are topped by keystoned granite caps. The facade is capped by a broad cornice and decorative stamped metal entablature. with The block was built in 1902 for Dr. William Mayo, a prominent local politician and businessman.
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Keystones above two of the entrances place the newer building at 1859. On being grade II listed in November 1992, it was described as an "Italian villa style on an unusually large scale; stuccoed with painted ashlar dressings and deep-eaved low-pitched hipped roofs. Big panelled stacks with corbelled and sometimes gabled caps". J. C. Harford Esquire In 1873 it is estimated that the estate had 8,399 acres in Cardiganshire and Carmarthenshire.
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Louis Haish portico Rosebank is a two-storey Victorian Italianate villa with a tower, asymmetrical planning and neoclassical details. Constructed of rendered brickwork with string courses, heavily framed windows and doors of semicircular heads with keystones, fluted pilasters, cornices and ornamental eaves brackets. There are also some crenellated walls attached to the tower and the end of the verandah. The property has both front and rear gardens, the latter relatively densely planted.
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The Bar Harbor Post Office stands on the north side of Cottage Street, just west of its junction with Federal Street and on the fringe of the main village's central business district. It is a substantial single-story structure, built out of Maine granite. Its main facade faces south, and is five bays wide, with banded pilasters, topped by medallions, separating the bays. The outer four bays have paired sash windows topped by keystones.
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One of the keystones to creating a space that is part of the community is to ensure that it is well maintained. This creates a culture around the area to ensure that the space stays clean and well used. Companies such as Embassy group under their CSR program have donated funds for TUI to create a maintenance team that works to keep the areas that they have worked on clean after the initial project.
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Wickey returned to his hometown of Rochester, NY in 1923 and played for the Rochester Tribe in 1923, 1926, and 1927. Wickey's career also included two seasons with the Buffalo Bison in 1924 and 1925. In 1928, Wickey played his last season in the minor leagues for the Reading Keystones. He ended his career in 1929 at the age of 34 playing for the Elmira Colonels in the New York-Pennsylvania League.
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Above the top floor windows is a modillion cornice, and a coped brick parapet. The entrance door in the central bay has a Gibbs surround with a pulvinated frieze and a pediment. In the other bays on the ground floor and all the bays in the middle floor contain twelve-pane sash windows, and in the top floor the sash windows have nine panes. All the windows have rusticated wedge lintels with projecting keystones.
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The facade bays are otherwise articulated by brick pilasters, and have pairs of narrow windows, each with stone keystones, shoulders, and sills. The Seminary building was designed in the Victorian Gothic style popular at the time of its construction, and was completed in 1883. The architect is unknown. In preparation for the building's 100th anniversary in 1983, an exterior restoration project was completed, and the building was placed on the National Register of Historic Places.
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He came back to Chicago and finished the year with the Leland Giants. 1907 St. Paul Colored Gophers Working with Reid and Hirshfield, Ball organized and managed the St. Paul Gophers in 1907. He even played on the team part of the season, but didn't finish the season there and moved back to Chicago to finish the year with the Leland Giants. In 1908 Ball went back to Minneapolis, Minnesota and played for the Keystones.
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These strongpoints were keystones in the British arch; fall, and the line would crumble. Given that the front was far too wide for the troops available and the gaps between the hills too large, maintaining this balance in the face of enemy numbers was shaping up to be a difficult task. Worse, the linear arrangement of the mounds denied the British position meaningful depth, thereby increasing its vulnerability to individual Italian breakthroughs.Playfair 1954, p. 175.
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Businessmen David Bailey and Daniel Rugg built the building as a joint venture in 1871; each merchant occupied half of the building, with a common staircase connecting the two halves. The three-story, brick building had an Italianate design. The tall, narrow windows on the second and third stories featured arched stone hoods; the arches on the front windows were divided by keystones. A metal cornice with ornamental bracketing and panels ran below the flat roof.
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The windows, which have cut stone sills and brick segmental arches with stone keystones, are united by a brick banding. The facade's first-story, with its recessed center doorway and border of black tiles with orange lozenges, was the result of a 1926 remodeling. Except for this, and a coat of green paint above, this building remains unaltered." The building was deemed "architecturally significant for its unique brick ornamentation, which fits Marcus Whiffen's "High Victorian Italianate" classification.
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The building's facade Rosenbaum Brothers Department Store (1849–1971) in its prime was one of the largest department stores between Pittsburgh, Pennsylvania and Baltimore, Maryland. Founded in 1848 in the City of Cumberland, Maryland along Baltimore Street, the Rosenbaum Department store once employed over 200 people. Their building was a , five story building with bay windows. Trimmed stone, anthropomorphic sculptures on the keystones, and lions heads along the roofline comprise a few of the decorative architectal details.
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The tower has rectangular windows to first floor level, surmounted by arched windows encircled in elaborately detailed Dutch gables. The Dutch gables have festooning and are interspersed with acroteria on pedestals. The tower makes a large footprint on the ground floor which frames the main entrance, and has arched openings with keystones. The verandah which surrounds the building to north, east and partially to the west has timber boarded ceilings, fine lattice spandrels, and cast iron balustrades.
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Most of the buildings use Classical Revival design features with symmetric facades, pilasters, keystones, and dentil and modillion cornices. Other architectural styles popular at the time, such as Gothic Revival and Second Empire are absent. The Blacherne has a few elements of Richardsonian Romanesque design, while a few bay windows show influence of Queen Anne style architecture in the United States. Tudor Revival architecture began its influence in the 1920s, with the Dartmouth and the Wyndham as examples.
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The other bays (1, 2, 4, and 5) on the northern facade consist of simpler, narrow, arch openings capped by hood-moulds and keystones. At the upper level of the same facade, the three central bays are articulated as wide, square openings with Tuscan half-columns within, supporting the lintel at either extreme. Bays 1 and 5 are each articulated by a quoined surround and an angular pediment, supported by brackets and decorated with an ornamental relief tympanum.
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A fiberglass dome house in Davis, California Glass-reinforced plastics are also used to produce house building components such as roofing laminate, door surrounds, over-door canopies, window canopies and dormers, chimneys, coping systems, and heads with keystones and sills. The material's reduced weight and easier handling, compared to wood or metal, allows faster installation. Mass- produced fiberglass brick-effect panels can be used in the construction of composite housing, and can include insulation to reduce heat loss.
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Solanco School District was awarded a $443,069 competitive literacy grant. It is targeted at improving reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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William F. Johnson (September, 1862 in New Jersey – July 17, 1942 in Chester, Pennsylvania), was a Major League Baseball outfielder. He played all or part of five seasons in the majors. Nicknamed "Sleepy Bill", Johnson made his debut with the Philadelphia Keystones of the Union Association in , playing just one game in left field and going 0-for-4. He did not play in the majors again until , when he played in 11 games for the Indianapolis Hoosiers.
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Tephereth Israel Synagogue is located a few blocks northeast of downtown New Britain, on the north side of Winter Street west of Martin Luther King Jr. Drive. It is a two-story masonry structure, built out of red brick with stone trim. Square towers flank a central entry section, which has three entrances at the top of a broad series of steps. The entrances are set in round-arch openings with keystones, as are the windows set above them.
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Fred Burnett (December 24, 1899 - February 9, 1962), nicknamed "Tex", was an American Negro league catcher and manager from the 1920s to the 1940s. A native of Houston, Texas, Burnett broke into the Negro leagues in 1922 with the Pittsburgh Keystones. He went on to play for several teams, including the New York Black Yankees, whom he also managed for several years in the early 1940s. Burnett died in Los Angeles, California in 1962 at age 62.
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When surveyed in the 1980s, the house had a somewhat more elaborate exterior: the roof had extended eaves with Italianate brackets, and the attic windows had Italianate bracketed surrounds with diamond-shaped keystones. The main entry hood featured Italianate brackets, and similar window detailing was found on the windows of the bay.See photo above for current conditions. Annis was one of the first streets to experience residential development due to the expansion of the Arlington Mills.
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Atmosfear: The Harbingers is an Australian video board game designed by Brett Clements and Phillip Tanner and published by Mattel as a major update to the Atmosfear series. The object of the game is to collect six different coloured "Keystones", face player's worst fear and thus beat the "Gatekeeper". Each player adopts the persona of one of the "Harbingers", otherwise must play as a "Soul Ranger". The game is set in a place known as "The Other Side".
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East Hall is a modest three-story rectangular block brick structure, topped by a low-pitched roof and pierced by several brick chimneys. The main facade poses a slight projection capped by a triangular pediment. Similar to Ballou, the building possesses an array of Italianate elements such as arched window headings, dentiled cornice moldings, and thick brownstone keystones. During the 20th century, window sashes, frames, windowsills, and the cornice were painted white to enhance the aesthetic character.
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The tops and bottoms of the rectangular second-floor windows contain stone trim. There are stone keystones atop the slightly arched third and fourth-floor windows, and atop the rectangular fifth and sixth-floor windows. A fire escape is mounted between the third and fourth bays, toward the western portion of this facade. A cornice, supported by stone bases that are attached to the vertical piers, runs along the facade between the fifth and sixth floors.
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The new building was taller than its predecessor, with five storeys and three large mansard roofs decorated with wrought ironwork. The south-facing façade is stuccoed, and its windows are set in segmental-arched architraves with prominent keystones. The ground floor projects and is enclosed by a modern glazed lobby area. The main entrance has Corinthian columns on each side, supporting an entablature which in turn supports a balcony spanning the whole of the first floor.
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St. Mary Church was built of limestone in a Romanesque Revival style. The façade is framed by two hexagonal towers; the spire of the north tower houses the bell, and is raised six feet (1.8 meters) above the south tower. The large central double entrance doors and smaller flanking doors are topped by an arched wooden infill panel. All openings on the façade are topped with projecting round stone arches, with the keystones and imposts projecting further.
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The house is a large three-story brick structure, trimmed in brownstone. The front facade is five bays wide, with corners trimmed with brownstone quoining. The window bays are also lined with quoining and topped by flat-arch brownstone with keystones. The center three bays of the front facade are sheltered by a two-story porch, supported on the first floor by fluted cast iron Corinthian columns, and on the second by fluted wooden Ionic columns.
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The rear projection has had the spaces between the columns bricked up, creating what now serves as the church vestry. The building's windows are round-arched with keystones, with a three-part Palladian window in the eastern wall. The interior retains original woodwork and hardware, including box pews, pulpit, and trim. The pulpit originally stood at the northern end of the long axis, but was apparently moved to the eastern wall sometime in the 18th century.
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The windows of the three-storey building have moulded stone surrounds. The ground-floor windows have stone sills, arched tops and keystones with decorative motifs, including a lamb's head. The first-floor windows have stone cornices; the central window at this level, above the portico, has three lights. The central bay has a portico with Tuscan columns flanking the main entrance, which is reached by a low flight of stone steps and features an arched head.
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The Temple Sinai building is located on the north side of Charles Street, a side street just south of Beacon Street on the west side of Coolidge Corner. The building's lot originally fronted on Beacon Street, but has been subdivided. The building is a two-story brick structure, with a front-facing gable roof, Greek temple portico, and tower with octagonal cupola. The building corners have brick quoining, and it has round-arch windows capped by limestone keystones.
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The ground-floor columns are of Doric style and the keystones of each of the arches bear medallions with images of apostles or Mercedarian friars. The columns of the upper floor, built later, have more decoration than the lower. These columns are decorated with lattices intertwined with foliage and fruit. The spaces between the pilasters are decorated in Baroque style, with sculpted images of Mercedarian friars in the triangles that extend from the arches to the ceiling.
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Rothwells building is a five storeyed masonry building with a basement. The street facade contains individual classical variants common in late Victorian buildings. The lower floors have wide arched openings with flanking columns topped by decorative capitals, while the windows have arched architraves with keystones. At the parapet level there is a cornice supported by bracketing, and above this is an ornate triangular pediment spanning the width of the building bearing the words ROTHWELL'S - ESTABLISHED 1897.
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The windows on the upper floors have arched architraves with keystones and are separated by engaged columns with elaborate capitals. At the parapet level there is a cornice supported by bracketing, and centrally above this is a narrow pediment bearing the name "ROWES". The lower level shopfront has also been refitted and a first floor balcony removed. The laneway elevation is a simplified version of the street facade, with round-headed windows in an articulated brick wall.
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The ground floor has three arches to the central section, with one arch to either side, with coursed render expressing voussoirs and a vermiculated base. The central arches open to an entrance portico and are accessed via wide steps, with the side arches housing window displays. The first floor is composed similarly, with the three central arches originally to a loggia, but now glazed. These arches have expressed imposts, vermiculated keystones, and decorative mouldings to voussoir and abutments.
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The former Chevry Lomday Mishnayes Synagogue stands in Hartford's Clay-Arsenal neighborhood north of the downtown, at the southeast corner of Mather and Bedford Streets. It is a masonry structure, built out of red brick with trim of orange and yellow brick. It is three stories in height, with a shallow-pitch gabled roof. Upper story widnows are set in round-arch openings, framed by soldier bricks; the windows on the front facade second story have keystones.
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He then moved to Keystone Studios, where he began appearing in bit parts in the Mack Sennett films, including those of Charlie Chaplin. By 1915 he was playing juvenile leads in the Keystones, and directing some of the films as Charles Parrott. His Keystone credentials were good enough to get him steady work as a comedy director with other companies; he directed many of Chaplin imitator Billy West's comedies, which featured a young Oliver Hardy as villain.
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The former postal lobby and main staircase are located at the south (main) entry. Original finishes include marble flooring and wainscoting, marble pilasters along the south wall, decorative crown molding, bronze ornaments and grills, and marble surrounds with keystones accenting the south wall's doors and windows. Marble writing tables and a bulletin board with marble surround are at the lobby's south wall. Below the north wall's crown molding are Ulreich's murals, depicting important events in Florida's history.
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Secondary entrances are located on the southeast and southwest corners of the building, where the meeting points of the exterior walls have been designed as concave arc configurations. Round arches with ornate medallions placed on the keystones also mark these entrances, and Doric porticos are located above the second story of the corners. Male and female mascarons (carved faces) adorn the exterior. The carvings sport different horticulturally themed headpieces, including corn, wheat, cat tails, and oak leaves.
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The presbytery itself is illuminated with Late Gothic stained glass windows with rich, original designed traceries. Oratory, choir and the entrance to the sacristy The Sacristy is dated back to the reconstruction around the year 1320. It has a rectangular floor plant and it is vaulted in three fields of cross ribs vault with wedge ribs that abut the tracery console. In the centre of the ribs are keystones with the motif of ram, moon and sun.
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The side elevations, including the four-bay-wide rear addition, contain casement windows with lion's-head keystones. An entablature and small cornice runs above the first story. Second and third floor facade detail The second and third stories and the attic are clad with buff brick and contain casement windows. On the original building, but not its rear addition, the second-floor windows are set beneath curved architraves, with balustrades at the bottom of each opening.
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The Romanesque hall contains three large church doorways, with the main visitor entrance adjoining the Guilhem Cloister. The monumental arched Burgundian doorway is from Moutier-Saint-Jean de Réôme in France and dates to c. 1150. Two animals are carved into the keystones; both rest on their hind legs as if about to attack each other. The capitals are lined with carvings of both real and imagined animals and birds, as well as leaves and other fauna.
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The exterior of the first two floors is treated differently than the upper floors, with a tall first floor whose windows are separated by stone pilasters, and heavily quoined corners. The second floor windows are set within round-arch openings with elaborate keystones. The upper levels are finished predominantly in brick, with marble trim; the third story receives a somewhat more elaborate treatment. The interior banking hall (on the first floor) was noted for its particularly sumptuous decoration.
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Cairano's art and career began a rapid ascent following several other commissions for work within the sanctum of the Santa Maria dei Miracoli. On November 16, 1941, he was paid for two keystones for the vault of the old Duomo which was being built under the aegis of Bernardino da Martinengo. Cairano was given the sole commission for figurative sculptures in the new building. Two years later, in 1493, Cairano began work at the courtyard of the Loggia palazzo.
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The United States border station is located at the south end of the Ferry Point Bridge, and just west of Calais's central business district. The main building is a 2-1/2 story brick structure with Colonial Revival style, from which a two-lane metal porte-cochere extends. The building has a side gable roof and corbelled brick chimneys. The building corners have brick quoining, and many of its windows have angled brick-and- marble lintels with keystones.
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The church's main entrance is located on its west side; the three sets of double doors are each topped by a stained glass transom. A pair of four-story towers are located on either side of the entrance. The third and fourth floors of each tower are open with pilasters framing the arched openings; balustrades run along the third-floor apertures, while the fourth-floor openings feature keystones and classical cornices. Triangular pediments are situated atop both towers.
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McAfee had played college baseball for the University of Michigan from 1927 to 1929 and participated in the Michigan Wolverines baseball team's 13-game tour of Japan in the fall of 1929. He also played minor league baseball in the International League for the Reading Keystones, Newark Bears, Montreal Royals, and Rochester Red Wings. A native of Georgia, McAfee later returned to his home state. He was elected and served as the mayor of Albany, Georgia.
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The window sills and decorative window lintels in the facades are both of stone, with the lintel having bevels etched into them to mimic voussoirs and keystones. A trench, surrounded by a black wrought iron fence and not visible from the street, permits light to enter the basement windows. The basement window sills are wood and the lintels brick. The first and second story windows are 9/9, while the smaller third story windows are 6/3.
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Doodle finds that a mysterious intruder is stealing the Keystones that allow travel in the gates between the lands. She wakes Noodle and together they set off to find the intruder, traveling to the top of Haven Tor along the way. In each of the worlds they see big black feathers and a large flying figure along the way. At the end of each world, the ruler of that realm thanks Noodle and Doodle and gives them a treasure.
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The keystones of the vaults depict the Four Evangelists, the Lamb of God, and an angel blowing a trumpet. At the southeast corner of the chapter house is a small chapel in a bay window. A staircase on the east side of the cloister leads to the monks' dormitory. A corridor on the eastern side of the cloister goes to a Late Gothic connecting building, built by lay brother Conrad von Schmie, leading to the monastery hospital, the Ephorat.
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Former non-conformist chapel adjoining former rectory (Llangrove Cottage qv). c1840. Built of coursed and squared sandstone rubble with ashlar dressings and a hipped slate roof. Rectangular shaped building adjoining Llangrove Cottage to west, north entrance, moulded cornice and string course, cast iron canopy supported on four pillars to entrance, semi-circular headed doorway with fanlight and panelled doors. Two windows to west side with flat arches, stone heads with keystones and glazing bar sash windows.
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The first-floor centre verandah is painted brown and cream and has a bituminous-coated floor, timber balustrade painted to imitate masonry and board and batten soffit. The ground-floor open arcade runs the entire length of the facade and comprises arched bays and a central colonnaded porch. This verandah has a pebblecrete floor, concrete steps, board and batten ceiling, black wrought iron balustrading and large pendant lights. The masonry arches have decoratively moulded architraves and prominent keystones.
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Windows are set in pairs in segmented-arch openings or singly in round-arch openings, with stone keystones and lintel end stones. The interior is framed in wood. The school was built in 1888, and originally served as a community school for the village, housing all grade levels. It was doubled in size in 1903, with a near duplicate of the original construction placed to the rear and joined to it via a connecting hall and stairwell.
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At the same time, a mysterious man calling himself Enigma approaches Morgaine le Fey, and tells her that the three heroes are a "trinity", keystones to the power of the universe itself (the keystone to the multiverse is the New Earth universe, this universe's keystone is Earth, and Earth's keystones are the Trinity), and convinces her to join him in taking their places by using a mystic ritual.Trinity #1 To achieve this goal they enlist Despero; as three are required to take the power of the Trinity, Enigma will seize Batman's place, Morgaine will take Wonder Woman's, and Despero will usurp Superman's. The three send out agents, such as countless Gotham City criminals and the inhuman Howlers, to steal items connected to the heroes and relics related to the Egyptian tarot. They also conspire to mark the heroes with mystic runes, obtain the Cosmic Egg containing an imprisoned Krona (which was formed at the conclusion of the DC/Marvel crossover JLA/Avengers), and abduct the mystic Tarot, who recently was revealed to have a connection to a power known as the "Worldsoul".
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Windows are set in segmented-arch openings on the first two floors, and round-arch openings on the third, with stone keystones and sills. The eave features decorative brick corbelling. with St. Albans, located just from the Canada–United States border, has a long history of immigration from adjacent Quebec. By the 1850s its French-speaking population had grown to the point where the local Roman Catholic diocese established the Holy Angels Convent a few blocks north of the present site.
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The windows in the bays on either side of the entrance have round-arch tops, while the remaining windows have flat lintels with keystones. The window above the door is a larger window with sidelights, and the gable above has a large fanlight lunette in it. The property includes two outbuildings, each of which have Gothic Revival features. and The house was built by William Blacklock who, on September 24, 1794, purchased two lots in the newly laid out Harleston Village.
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The building was enlarged to meet the growing needs of the religious community. The original construction is mostly ruined and abandoned, although the refectory, kitchens, stairs, cloister of the cistern, yards, gardens and cemetery are identified. The main entrance of the convent is opens directly onto the street Francisco Botello. It is made with blocks of granite and consists of a geminate inverted arch, with thread cutting molding and keystones; it is aligned with and supports arch panels on flat pilasters.
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Archie Pate (born July 15, 1886 - April 16, 1936) was an American baseball pitcher and outfielder in the Negro leagues. In 1909, at the age of 22, he was pitching for the St. Paul Colored Gophers. He was playing with many notable players, including Dick Wallace, Chappie Johnson, Will McMurray, William Binga, and Bobby Marshall. He would move across town in 1910 to play two seasons for the Minneapolis Keystones where he would also play with future Kansas City Monarchs pitcher Hurley McNair.
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Most of the building has been extensively altered; however, the exterior of the central projecting bay, formerly the main entrance, and the interior of the trophy room remain substantially intact. The central projecting bay has a brick base, a terrace to the first floor, and is surmounted by a pediment which spans the width of the bay. An octagonal belvedere rises above the roof line. The brick base has white rendered quoins, and two arched windows with rendered concrete surrounds and keystones.
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Curwensville Area School District was awarded a $365,004 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The District was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The north (front) facade is centered around the round-arched main entrance, with modern aluminum and glass doors framed by a carved wooden fanlight surmounted by a vertical brick archivolt and keystone. "BALLSTON SPA N.Y. 12020-9998" is written in black lettering above the door. The windows on the front and lobby sections (the front three bays) on the sides have splayed brick lintels, keystones and stone sills. A stone course goes around the building above the top of the entrance archivolt.
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Northgate School District was awarded a $710,746 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Allegheny-Clarion Valley School District was awarded a $739,252 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The front windows are typical 20th-century windows with six-over-one sash and have splayed wooden lintels and those on the first floor have raised center keystones. Projecting out from the hipped roof are two dormers with shingled sides. The front facade has a one-story porch that runs the length of the face with a half-hipped roof. The porch is supported by six Doric columns that frame the bays and has a wooden frieze with a triglyph above each column.
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Clearfield Area School District was awarded a $70,258 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The National Colored Base Ball League was the first organization of a professional Negro League in 1887. The Washington Capital Cities and the Cincinnati Browns both joined the National Colored Base Ball League on May 6, 1887, just as the 1887 season was beginning. Cincinnati and Washington D.C. joined the original league six teams: Baltimore Lord Baltimores, Boston Resolutes, Louisville Falls Citys, New York Gorhams, Philadelphia Pythians and Pittsburgh Keystones. The Washington Capital Cities franchise quickly folded before playing any official games.
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Franklin School was built in 1926 by the Phoenix Elementary School District. Wings were added in 1935 and 1936, and those wings were expanded to its current configuration in 1945. Designed by local architect Jay Knapp, important decorative elements included porthole gable ventilators, cast stone tablets and keystones, and a frieze- like panel with the inscription of the school name. After Phoenix Elementary closed the school, Phoenix Union used the building to house its Desiderata Program for special needs students in the 1990s.
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While Maher was better known as a Prairie School architect, the Drydens requested a Georgian design inspired by Ellen's memories of Eastman's home. The three-story house features an entrance portico supported by four Corinthian columns and topped by a pediment. The house is faced with brick and features quoins at the corners and keystones above the windows. A wooden frieze and cornice run below the base of the roof, which begins below the third floor and features several projecting dormers.
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West Perry School District was awarded a $756,516 competitive literacy grant. It is to be used to improve student reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Chichester School District was awarded a $1 million competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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A feud soon began between the two clubs. The Duquesne and Winter Garden teams each played out-of-town opponents, often on the same night, and in direct competition of one another. Many of the other teams that used the Winter Garden were members of the Western Pennsylvania Hockey League, which included teams such as the Pittsburgh Keystones, Pittsburgh Duquesne and Pittsburgh Lyceum used the Winter Garden for matches. Soon after one of Pittsburgh's earliest women's league formed at the Winter Garden.
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Woodland Hills School District was awarded a $807,940 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Each storefront has three plateglass windows, with entrance gained via the main building entrance. The upper floors have eleven window bays, those on the second floor set in segmented-arch openings with stone shoulders and keystones. The windows in the outer bays on the third floor are set in rectangular openings with peaked lintels, while two of the center three bays have narrow paired round-arch windows. The last bay, above the main entrance, matches those on the second floor.
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The hall is constructed from dressed stone with a hipped slate roof. The main frontage of the building faces south and is composed of three storeys and a seven window range, the windows are mostly 20th century top hung casements with moulded surrounds and keystones. The front also has a central pediment and the main entrance has an open Doric three bay colonnade. The main colonnade leads off the west side of the building and is composed of eight bays with Doric columns.
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The Eugene P. Robertson House is a two-story, red brick Italianate structure with a T-shaped main section and a slightly lower rear addition. The house originally had a small Italianate front porch and double entry doors. Around 1900 these were replaced with a broad bracketed veranda supported by square wood posts on a cement block base, and a single front door with sidelights. The windows have highly ornamental carved stone caps with keystones and corbels and incised detailing.
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In the past, Human Rights Watch has labeled Steinmeier as "Realpolitik advocate", for whom, "when it comes to defining his relationship with countries such as Russia and China, human rights play only a subordinate role".Wenzel Michalski (10 February 2014), A Second Chance for German Foreign Minister Steinmeier Human Rights Watch. In Steinmeier's opinion, the "[r]ejection of capital punishment is one of the keystones of German human-rights policy. The death penalty goes against our fundamental ethic and moral principles".
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A series of double-hung windows with arched heads are situated on either side of the doorway. The door and window openings are emphasised with mouldings at the level of the sill and head with central keystones in each arch. The upper floor verandah is cantilevered out over the footpath with a cast iron balustrade and frieze and a convex roof. Where the building steps back, the parapet ends and the roofline changes to a skillion, separate to the main roof.
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The storefront is dominated by brick pilasters with cement caps, and a recessed panel of basket-woven brick spans the top of the façade. The three-story, three-bay, two-part commercial block building at 709 Fifth Street (118-5318-0028) features brick quoining on the upper two stories, which are visually separated by a series of three stuccoed diamond panels. The windows on the upper two levels of the circa 1936 building are capped by brick splayed jackarches with cement keystones.
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US Post Office-Morrisania -- originally Station "T" -- is a historic post office building located at Morrisania in The Bronx, New York, United States. It was built in 1936, and designed by consulting architect William Dewey Foster for the Office of the Supervising Architect. The building is a two- story, five bay wide brick building with a hipped roof and a one bay recessed wing in the Colonial Revival style. It features an arcade of five recessed brick round arches with limestone keystones.
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Austin Area School District was awarded a $276,518 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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This differs from the upper level in the neighbouring bay whereas the original building below is identical in form across both bays. The bays of the original building are separated by keyed rusticated pilasters and individually are quite narrow in proportion. Both remaining bays extend through to Burnett Lane at the rear. Each bay is symmetrical with the first floor level having rectangular openings and the level above, the top level of the original building, having arched openings with ornamental keystones.
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Another Athletics franchise played in the American Association from 1882–1890, while a third Athletics franchise (also known as the Quakers) played one season in the Players' League and one season in the American Association. The Philadelphia White Stockings and the Philadelphia Centennials played in the National Association during the 1870s. Joe Borden of the White Stockings pitched the first no-hitter in professional history. The Philadelphia Keystones and the Wilmington Quicksteps both played parts of the Union Association's lone season in 1884.
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Derry Area School District was awarded a $964,247 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Sherman "Bucky" Barton (born February 2, 1875 in Normal, Illinois - July 11, 1947 in Chicago, Illinois) was an Outfielder in the Negro Leagues. 1907StPaulColoredGophers Sherman's brother, Eugene Barton also played baseball, playing for the cross-town team Minneapolis Keystones while Sherman played for the St. Paul Colored Gophers, beginning in 1907."St. Paul Gophers Base Ball Club" The Appeal, St. Paul, Minnesota, August 31, 1907, Page 3, Columns 3 to 5 Barton died at the age of 72 years in Chicago, Illinois.
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When the cask is empty, it is a courtesy to the drayman (the brewery's delivery driver who also collects the empty casks) to stop up the hole in the keystone with a small cork bung which can be obtained for this purpose. This prevents old beer being spilled on him or in his vehicle. Similarly, the shive hole may be sealed with a spile. It is common for wooden keystones to acquire a layer of mould on the outside between filling and tapping.
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Robert Reach (August 28, 1843 - May 19, 1922) was an American professional baseball player born in Brooklyn, New York. He played shortstop in three games during a two season span in the National Association, from 1872 to 1873. Reach had previously played for the 1869 Olympics, and the 1868 Philadelphia Keystones teams when they were in the amateur National Association. He played two games for the 1872 Washington Olympics, collecting two hits in eight at bats, and scored one run.
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All the large windows have keystones with cherubs' heads. The main door in the centre of the central block has Ionic columns with a broken pediment containing a cartouche of the arms of Liverpool. Each wing has three square-headed doors approached by steps. The wall, railings and gate piers on School Lane are also listed at Grade I. The 2005-2008 renovation at a cost of £14 million also included a new 2250 square metre extension, the architects being BIQ Architecten.
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Milton Area School District was awarded a $441,867 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Philipsburg-Osceola Area School District was awarded a $654,514 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Port Allegany School District was awarded a $452,548 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Deng's appointment as Professor of History at Beijing University followed in 1950. The 1950s were the golden era of Deng's academic career when between 1947 and 1957 he produced the largest quantity of his historiographical work. In 1958 he was criticized for his suggestion that the "four keystones" of Chinese historical education were chronology, institutional functions, historical geography and bibliography. Later Deng began to contribute to the compilation of the Outline of Chinese History • The Song, Liao and Jin Dynasties ().
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Carbondale Area School District was awarded a $749,003 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Taylor County Courthouse in Butler, Georgia was built in 1935. It is a Neoclassical Revival-style building that was designed by Columbus, Georgia architect Frederick Roy Duncan. Classical elements in the design that are more prominent than usual for courthouses built during the Great Depression include its cupola, pedimented portico and entrances, quoins, and keystones. The courthouse replaced the first courthouse of Taylor County which had been built in 1852 on the same site and which served for 80 years.
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Towanda Area School District was awarded a $681,372 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Hansen was signed by the Cubs for a tryout in 1927, described by the Miami News as "the first native son hurler to reseive a tryout in a long time". Chicago assigned him to their double-A affiliate, the Reading Keystones, where he appeared in 34 games during the 1927 season. Notching the team's third-worst winning percentage (.111) with one win against eight losses, he amassed a 6.99 earned run average (ERA), allowing 99 runs in 94 innings pitched.
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Brønnum House The building is four storeys high and consists of four bays on Tordenskjoldsgade, a three-bay rounded corner and a half bay that connects the building to Harsdorff's House on Kongens Nytorv. The building surrounds three sides of a small courtyard which is closed to the south by a fire wall. The external façade has rustication on the ground floor and rich stucco decorations on the upper floors. The keystones of the rounded openings are designed as grotesque masques.
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Central Greene School District was awarded a $435,739 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The St. James Apartments are located just southeast of the extended former Springfield Armory grounds, at the southeast corner of State Street and Oak Street. It is a four-story masonry structure, organized in a U shape with its main facade facing State Street and wings extending south. Both street-facing facades feature projecting rounded bays, with one at the street corner. Ground-floor windows are set in round-arch openings, while the second and third-floor windows have keystones of cast stone.
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In the mid-1870s, Allen pitched collegiately for Western Reserve College, now known as Case Western Reserve University. He is credited as the first college baseball player to perfect the curve ball, and notably never lost a game once mastering the "curve." With fellow college teammate, John P. Barden, Allen played professionally with the Erie Keystones during the summer of 1876. While in Erie, he learned the concept of a curve ball from a competitive Pittsburgh pitcher, perfecting it in the college ranks.
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This route ran under the aforementioned Montgreenan carriageway via a bridge which has an embankment leading up to it. The area near the old Mosside farm has been the site of several limestone quarries and limekilns in 1858 (OS), but by 1897 these had closed. Mosside bridge is of a very high quality of workmanship and ornamentation. It has false windows, diamond / lozenge shaped embellishments, a thistle on the keystones and raised random patterns and other designs which represent leaves.
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Selinsgrove Area School District was awarded a $826,148 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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These courses run above and below the windows, and a deep band of blue-grey brick runs around the base of the entire building. The windows to the upper level have flat arches with splayed brick voussoirs (excepting to the toilet bay). The ground floor windows have square heads with sandstone lintels and keystones to the 1899 section, and splayed brick lintels to the newer section. All openings to the west are protected with corrugated iron sunshades on timber brackets.
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Big Beaver Falls Area School District was not awarded a competitive literacy grant. The funding is for improving reading skills birth through 12th grade. The grant required the district to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Altoona Area School District was awarded a $1.5 million competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The interior and lower line or curve of an arch is known as the intrados. Old arches sometimes need reinforcement due to decay of the keystones, forming what is known as bald arch. In reinforced concrete construction, the principle of the arch is used so as to benefit from the concrete's strength in resisting compressive stress. Where any other form of stress is raised, such as tensile or torsional stress, it has to be resisted by carefully placed reinforcement rods or fibres.
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The upper levels are separated by a stone stringcourse, and feature sash windows set in pointed-arch openings with alternating stone and brick voussoirs, and stone keystones. A wooden cornice projects at the top. The building was constructed in 1876, originally to house retail space on the ground floor, and meeting facilities of the local chapter of the International Order of Odd Fellows (IOOF). The IOOF hall was used by a large number of local organizations as a meeting space.
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Above the entrances are a three-part window on the second floor, and a three- part Palladian window in the third floor. Windows in the other bays are set in groups of one to three, topped by splayed lintels with keystones. The cornice is dentillated and decorated with egg-and-dart moulding. The building was built in 1917, a time when the Asylum Hill neighborhood had ceased to be the city's fashionable upper-class area, and was becoming more middle class and commercial.
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He told of how he was forged, and that the Great Beings intended him as a failsafe if the universe ever went wrong. Takanuva then reported that when the Toa reawaken Mata Nui, a massive energy storm will erupt in Karda Nui, and destroy everyone and everything in the cavern. No sooner than when he finished the report, the Makuta returned, and a massive battle erupted once more. The Toa rushed to fit the keystones they retrieved into the Codrex.
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Harmony Area School District was awarded a $119,018 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The window bays had a set of three windows on each story; the windows featured voussoirs and large keystones, and a stone belt course ran above the windows on each story. The roof had a large central pavilion with two dormers and two side pavilions with one each; the dormers were aligned with the four window bays. The building was added to the National Register of Historic Places on November 8, 2000. It was demolished circa 2006, and was delisted in 2020.
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The north front Designed by Charles Barry in 1851 to replace a house previously destroyed by fire, the present house is a blend of the English Palladian style and the Roman Cinquecento.Crathorne 1995, p. 29 The Victorian three-storey mansion sits on a long, high brick terrace or viewing platform (visible only from the south side) which dates from the mid-17th century. The exterior of the house is rendered in Roman cement, with terracotta additions such as balusters, capitals, keystones and finials.
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Garden front Capesthorne Hall is constructed in red brick with ashlar dressings and has a slate roof. Its plan is symmetrical and consists of a central block in three storeys with cellars, and two-storey lateral blocks protruding forward to form three sides of a forecourt. The middle part of the central block is in seven bays, with a colonnade consisting of segmental arches. These are carried on Tuscan columns with circular panels in the spandrels, and keystones decorated with diamond rustication.
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McKeesport Area School District was awarded a $529,260 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Robert Wells Marshall (March 12, 1880 - August 27, 1958) was an American athlete. He was best known for playing football; however Marshall also competed in baseball,"Keystones Trimmed Oelwein Saturday" Oelwein Daily Register, Oelwein, IA, Page 4, Column 3 track, boxing, ice hockey and wrestling. When Marshall played baseball for Minneapolis Central High School, he played first base for three years. Central was the champion of the Twin Cities High Schools for Marshall's junior and senior years, of 1900 and 1901.
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According to the Department of Neighborhoods, surviving sandstone features include "the former entry vestibule arch, the arched openings with keystones at the second floor level windows, the upper floor level window sills and watertable. Painted original sandstone trim also accentuates the former name plaque above the entry vestibule arch and the cap of the central raised entry bay." The building retains all of its original window openings. The two large openings at the first floor level date from the parking garage conversion.
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Wilkinsburg Borough School District was awarded a $886,696 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Greencastle-Antrim School District was awarded a $996,048 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The District was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Tyrone Area School District was awarded a $142,214 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Glendale School District was awarded a $652,176 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The former Israel Putnam School is located east of the city's central business district, at the southwest corner of School and Oak Streets. It has a large central block with smaller flanking wings, and a matching two- story addition extending to the rear, built in 1922. Windows are set in rectangular openings, with limestone keystones and sills. The main entrance is at the center, recessed in an arcade of five arched openings, which extends into the nearly fully exposed basement level.
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They are normally made of plywood, and are triangles with corners of 45°, 45°, and 90°. They are most often made by ripping the plywood at and then mitering it at 45 degree angles to create triangles with legs. Keystones join the toggles to the stiles of soft-cover flats. They are long, and normally rip sawn to the same width as the toggles (usually ) on one end, and on the other, forming a shape similar to the keystone of an archway.
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Its windows are square-headed, and their stone sill and keystones are clearly visible on the unrendered facade. The courtyard can be entered from the west, or via a narrow passageway through the southern facade's single-storey section. The main building's east-facing wing consists of a similar series of stone-capped parapeted gables; however, they are smaller in scale. It features a small tower that does not sit proud of the wall as the one on the southern elevation does.
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Otto-Eldred School District was awarded a $307,985 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Williamsport Area School District was awarded a $569,904 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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There is considerable scope for incorporation of decorative patterns and elements into jack arches. Keystones, stepped or arched top profiles, and polychrome or contrasting colors and materials may all be used to create the desired effect. One of the earliest jack arches is in the Deyrü'z-Zafaran Monastery in eastern Turkey, near Mardin. The floor of the chapel (and the roof of the crypt) is formed from a jack arch and is said to have been constructed in the centuries BC.
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Penn Cambria School District was awarded a $280,332 competitive literacy grant. It is to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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Aliquippa School District was awarded a $1 million competitive literacy grant. It is to be used to improve reading skills kindergarten through 12th grade. The district was required to develop a lengthy plan which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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After the Keystones folded after their 1922 season, Williams lost his savings, and by 1924 he had sold the park to Sell Hall. Central Park was sold again and turned into a “summer dancing pavilion.” In 2012, Central Park was denied an historical marker by the Pennsylvania Historical and Museum Commission. According to the Commission, the venue was seen as a local or regional interest rather than a national and the state already had several other markers commemorating the Negro leagues.
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Albert Joseph "Smiling Al" Maul (October 9, 1865 May 3, 1958) was an American professional baseball player. He was a pitcher over parts of 15 seasons (1884–1901) with the Philadelphia Keystones, Philadelphia Quakers/Phillies, Pittsburgh Alleghenys, Pittsburgh Burghers, Washington Senators, Baltimore Orioles, Brooklyn Superbas and New York Giants. He led the National League in earned run average in 1895 while playing for Washington. For his career, he compiled an 84–80 record in 188 appearances, with a 4.43 ERA and 346 strikeouts.
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Render is also used to highlight the keystones of the three arched entrances of the front portico and lintels of ground floor doors and windows. The hipped and gabled roof is clad in corrugated metal sheeting, and the raked eaves are lined with timber. On the northern (rear) elevation, sections of keyed brickwork and a filled-in doorway indicate the location of planned extensions which never occurred. An original entrance door, accessed by concrete steps, is located at the eastern end of the classroom wing.
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The windows illuminating the double-height 2nd-floor banking room are large arched windows, except the outermost windows on each side, which are smaller rectangular windows beneath decorative metal grilles. Above the 2nd-floor windows are ornamented keystones. The 3rd story is arranged with 10 bays on Wall Street, arranged in groupings of 2, 6, and 2, as well as with 14 bays on William Street, arranged in groupings of 1, 4, 4, 4 and 1. Above the 3rd floor is an elaborate cornice.
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There would be a sighting, and then Phillips would get away. This pattern was repeated for weeks and then months. Locals referred to cops as "keystones" and seemed to favor the idea of Phillip's being on the loose, due to his ability to escape capture, despite being seen in the area, and the hundreds of troopers brought into Chautauqua County. No figures have been officially released, but some reports state that New York State spent $8 million on the manhunt from April until August 2006.
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In 1915, he jumped to the Brooklyn Tip-Tops of the Federal League, which is where he ended his major league career. He continued to play minor league baseball on and off until 1926. His last appearance came with the Reading Keystones, where he played in five games at the age of 46. Following his retirement from baseball, Hooks returned to his hometown of Syracuse, New York where he worked in real estate and became involved in local politics, serving as a local alderman and property assessor.
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The Jones Block is located in the town center of Adams, on the east side of Park Street north of town hall. It is a three-story brick structure, topped by a flat roof, with a decorative band and dentil molding at the roof line. The ground floor consists of two storefronts, framed by cast iron paneled columns, on either side of a central building entrance. Second and third floor windows are set in round-arch openings, those on the second story with sandstone keystones.
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The former Bunker Hill School is located in the densely built Charlestown neighborhood of Boston, on the west side of Baldwin Street at its junction with Bunker Hill Street. It is a 3-1/2 story brick building, with a mansard roof providing space for a full fourth story. Its main facade is seven bays wide, with the center three projecting slightly. Windows are set in segmented arch openings with headers of brick with stone keystones, and there are stone stringcourses between the floors.
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The two storey building at the corner of Cumberland and Essex Streets has brick parapet walls, with a slate roof behind. The part of the building on the corner is grander, with stepped sandstone lintels above the shop entry and windows and sandstone keystones above the first floor arched windows. The lower part of the building facing Essex Street features an arched brick entry doorway and does not have a parapet. Style: Classic Free Style Edwardian; Facade: Brick; Internal Walls: Plastered brick walls; Roof Cladding: Slate.
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The first game was the next day, April 30, 1932, and had future hall of famers Satchel Paige pitching to catcher Josh Gibson as City Council members, the Allegheny County commissioners, and Mayor Kline watched from the stands. Greenlee Field held 7,500 spectators and it was the home field for the Crawfords throughout the Great Depression era. The Homestead Grays also played there for a time. Greenlee Field was located a few blocks up Bedford Avenue from Ammon Field, home to the Pittsburgh Keystones.
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The building is a three-storey face brick building on the corner of Globe Street, erected in 1892 as shops and offices. The building design can be described as an example of the transitional architecture of the late Victorian and early Federation periods. The upper parapet, rendered sills and keystones are typical of Victorian period detail, with the use of face brick more typical of the Federation period. As part of the development works of the 1980s a section of the building in Globe Street was demolished.
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Brookville Area School District was awarded a $724,085 competitive literacy grant, in May 2012. The funding is to be used to improve reading skills birth through 12th grade. The District was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The building has been extended to the northwest and this extension is distinguished on the facade by mottled patterned brickwork, simplified detailing, large multi-paned window and corrugated metal sun shading. The facade along Gregory Terrace is a decorative composition of stepped parapets, patterned brickwork and round-headed window openings. There are a number of large arched openings with stylised keystones, which contain doorways into the building. In the parapet there is raised lettering with the words 'INDUSTRIAL, "ROYAL NATIONAL A & I ASSOCIATION", "PAVILION".
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If the beer is particularly "lively" (common in warm weather and with specific beers) the contents may spray out when the cask is vented. During use, the hole in the centre of the shive can also be used (with the spile removed) to insert a marked dipstick in order to measure the quantity of beer remaining. As with keystones, it is considered good form to close up the hole in the shive when returning empty casks, both to prevent spillage and to reduce bacterial and fungal contamination.
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Designed by architect George W. Burkhead, this was the first of the buildings dedicated exclusively to the performance hall. Its most distinctive features are the pediment high over the main entrance, above the brick cornice, and prominent keystones over the entrances. It was undistinguished architecturally; soon after its construction, The Western Architect characterized it as "an ugly, barn-like structure dignified by the name of 'Auditorium'." It was the home of television station KCAU-TV (original call letters KVTV) from 1955 until early 2017.
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"I Got Soul" is a song performed by American R&B; singer Eamon issued as the third single from his 2017 studio album Golden Rail Motel. The song was produced by Eamon and Dan Ubick of Connie Price and the Keystones and co- produced by Stoupe from Jedi Mind Tricks. Vocal production was handled by Los Angeles-based record producer Snipe Young. The song lashes out against mass marketing and individualism, while suggesting that there are deeper, more worthwhile things to possess than money and luxury items.
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The entrance is flanked by two casement windows with arched headers to either side, all of which have expressed imposts, extrados and keystones. The arcade has arches at either end, with two cross arches framing the entrance. The floor of the arcade has diagonally-laid black-and- white marble tiles, the ceiling is boarded, and the rendered wall is scribed to imitate coursing. A garage structure has been constructed on the southern side, setback from the street, infilling the space between this and the adjacent building.
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The next season, the Portage Lakes Hockey Club of Houghton, Michigan began a professional league which continued to play professional exhibition game against the WPHL's Pittsburgh Bankers. However the exposure given by playing Portage Lakes raised the profiles of some of the Pittsburgh players, who were lured away after the season for the promise of better pay in Michigan. The team soon raided Pittsburgh’s teams for top players like Riley Hern and Bruce Stuart. This led the Keystones to withdraw from the league on January 17, 1903.
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The Saint Augustine Church is a rectangular red brick Gothic Revival building on a high foundation of random ashlar, which extends to the base of the windows. Window sills and caps, keystones, and beltcourses are made of yellow Berea sandstone. There is a square tower at one corner of the front facade; the ashlar extends further up this tower. The opposite corner of the facade contains a slightly projecting end bay with a side-facing gable at the top, creating some visual balance to the tower.
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The Building at 203-205 North Market Street is a historic commercial building located at 203-205 North Market Street in Champaign, Illinois. Built circa 1870, the building has an architecturally significant Italianate design, stylistically matching its neighbor at 201 North Market Street. The Italianate style was popular in both residential and commercial buildings in the United States from the 1850s through the 1880s. The two-story building's characteristic Italianate features include its tall, narrow arched windows capped with keystones and its brick entablature.
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Other exterior elements typical to the Italian Renaissance Revival style of architecture include classical features such as pediments, triglyphs, and dentils, which are interspersed with foliated and floral designs. A unique detail is the arch keystones that have carved fish-scale patterns. Perhaps the most striking exterior features of the building are the groupings of four colossal statues placed at each of the building's corners. These identical copper and bronze sculptures are called History, Agriculture, Industry, and Arts, but are popularly known as The Ladies.
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It is distinguished from the second story by a stringcourse and by the second story's smooth masonry. Differentiation also occurs in the fenestration. While the first floor has recessed, rectangular windows with simple moldings, the second-story windows are larger and elaborately detailed with classical moldings, balcony balustrades, and crowning triangular and segmented pediments, some of which are set within large arched niches with keystones. A continuous frieze, dentil molding, and cornice finish the top of the wall, where a parapet caps the composition.
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Southern Tioga School District did not participate in a Pennsylvania competitive literacy grant. The funding was to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five- year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The southern elevation is characterised by striking sets of windows under each gable - each section has a large central window with arched head and side windows, all highlighted with contrasting brick surrounds and accentuated keystones. A flat roofed verandah is located on the western elevation and is accessed by a concrete ramp. There are also a series of large timber double doors and sets of louvres along this elevation. The eastern elevation runs parallel to the street and has regular sets of tall windows grouped in threes.
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This provides much flexibility in arranging and mounting many different types of electrical jacks in one plate or panel without requiring customized manufacturing. Some keystones use a pass-through type connector, where there is a jack on both the front face as well as the rear side. Others only have a jack on the front and employ a different mechanism for hard-wiring signal cables to the rear, such as a mini 110 block, an insulation- displacement connector, or a crimp or solder connection.
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A stone entablature separates the ground floor from the next two floors. These floors are divided into six bays, articulated in a 1-1-2-1-1 pattern by stone piers, and each floor is also delineated horizontally by rusticated stone beltcourses above and below the windows. Windows on the second floor are paired round-arch windows with keystones, while third-floor windows have segmented-arch tops with stone hoods. Two of these are more ornate, rising into wall dormers that interrupt the bracketed and dentillated cornice.
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The International League (IL) franchise that eventually became the Scranton/Wilkes-Barre RailRiders was founded in 1919 in Reading, Pennsylvania, as the Reading Coal Barons. The team changed names to Marines in 1920, Aces in 1921, and Keystones in 1923. The team played in Reading from 1919 to 1932 before relocating to Albany, New York, to become the IL incarnation of the Albany Senators through 1936. The team then relocated to Jersey City, New Jersey, in 1937 to become the Jersey City Giants until 1950.
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Guilloche-patterned carving on the architrave of the thrice-repeated Palladian windows is also used in the roof cornice. Above a simple, double-doored main entrance is an elaborate double-door with a carved pediment adorned with dentils, fanlight and pilasters. On the first floor, twelve-over-twelve window openings are contrasted on the second floor with Palladian windows with Roman- arch keystones (a motif repeated in the portico). In the original design, a massive three-tiered tower is topped by a bell-shaped, copper cupola.
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The center entrance is topped by a round-arch fanlight and sheltered by an elaborate dentillated and bracketed portico. The flanking bays have polygonal projecting bays on the first level, with narrow windows topped by segmented arches, and similar dentillation and bracketing. Above the main entrance are a pair of narrow round-arch windows with stone keystones, while the windows above the side bays are wider and set in segmented-arch openings. The dormers in the mansard roof section are gabled and also elaborately treated.
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The First MicGillicuddy Block is located at the northwest corner of Lisbon and Ash Streets, occupying a prominent position on Lewiston's principal downtown street. It is a four-story brick structure, trimmed with metal and stone. Its main facade faces Lisbon Street, and is three bays wide, the corner bay rounded at the upper levels and capped by a conical roof. Windows are varied, including large round-arch and segmented- arch windows, and paired narrow windows, all with arches highlighted by orange brick voussoirs and granite keystones.
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With the energy field down, they entered the complex, unaware that Antroz was silently following them. Before the other Makuta could get in, Tahu retrieved the keystones to raise the energy field once more. Inside the Codrex, the Toa Nuva discovered niches in the floor, similar in size and shape to the canisters that they used to make their way to the island of Mata Nui. Onua hit a button on a nearby console, and the floor slid down to a cavern far below.
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Tammany Hall logo on the pediment 44 Union Square, a -story neo- Georgian building, is the oldest surviving wigwam of the Tammany Society. It measures on its western facade along Union Square East, and on its northern facade along 17th Street. The particular neo-Georgian features in the Tammany Hall Building include Flemish bond brickwork; rectangular windows with stone keystones, set in arched openings; and wrought-iron balconies. The facades along Union Square East and on 17th Street are both arranged to give the appearance of symmetry.
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Keystones of the arch "embody its history": one side shows a castle, the symbol of the U.S. Army Corps of Engineers, and the other provides inscription that it was reconstructed in 1898 by the First Regiment of the Fifth Battalion of the Corps. The arch is otherwise decorated by geometrical designs in relief. Abutments of the bridge are from the 1862 original construction. The bridge is named for General Santiago Mendez Vigo, who was governor of Puerto Rico, for Spain, during 1840 to 1844.
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It is a one-story rectangular building sided in brick laid in English bond with limestone and wood trim. The south (front) facade features a projecting central pavilion with three semicircular wood-arched windows with keystones and rectangular blocks at the springlines. Such tripartite windows unified by a fanlike recessed tympanum, here typically with the radiating fluting of a patera, are elements of English Neoclassical architecture as practiced most familiarly by Robert Adam.see Adam's his Boat House at Kedleston, 1769, for the very same window motif.
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The two bays on the ends have regular rectangular windows with keystones and a decorative recessed panel above. Below the two front windows flanking the main entrance are balustrades and cast iron fences around window wells allowing light into the basement. Above the arches is raised metal lettering saying "UNITED STATES POST OFFICE" below a limestone frieze with geometric decoration. The roofline is marked by a plain cornice, topped with a limestone-coped brick parapet interrupted by stone balustrades above each of the three central bays.
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Some building corners are pilastered, and the right sections each have entrances recessed in rectangular openings. A stringcourse of rusticated red stone separates the elevated basement from the ground floor. Windows on the first floor have red stone lintels and sills, while the third-floor windows have stone sills and brick soldier headers with central stone keystones. The school was built in 1899 to a design by Holyoke architect George P.B. Alderman, and was named for the area's first English settlers, Jophet and Henry Chapin.
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The roofs were not dismantled systematically: reporting on excavations carried out on the north transept during 1878, St John Hope reported: > "On the east side of this transept is a large square chapel, which > originally had a vaulted roof, but, from the way in which the ribs lay on > the floor, it is evident that it was demolished by knocking out the > keystones, and letting the whole fall."Hope, W. H. St John (1879). On the > recent excavations on the site of Dale Abbey, Derbyshire.
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This building has a parapet with a dentil cornice concealing the roof and a moulded band between the floors. The northern section is slightly higher and has two-halves, one set back, each of which has three sash windows, with one entrance door. At right angles to this building is what is now known as the "Barrack Block" which is a single storey block with a flat roof. In the centre there is a round-headed carriage entrance with keystones surmounted by the Royal Crest.
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The facades have identical terra cotta Classical Revival decorations such as garlands egg and dart molding and keystones. The two-and-a-half-story tall base of the building contains one- and-a-half-story tall storefronts with newer aluminum and glass-framed windows installed and canopies overhead. The center bay on the Michigan Avenue side has a projecting cornice across the top of the storefront opening. The right- hand bay contains the entrance to the upper floors, with another building entrance in the left-hand bay.
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Jersey Shore Area School District did not participate in the 2012 literacy grant. The funding was to be used to improve reading skills birth through 12th grade. The district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans.
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The society's 1912 headquarters is located on the west side of Grove Street, separate from its junction with Elm Street by a society-owned triangular pocket park. The building is a two-story masonry structure, built out of red brick, with terra cotta trim and a slate hip roof. It is five bays wide and three deep, with ground-floor windows set in round- arch openings capped by terra cotta keystones. The building corners are quoined, and the roof line is adorned with modillions and dentil moulding.
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Exterior walls are clad in yellow brick, with prominent decorative limestone window sills, keystones, and panels between the first-floor and second-floor windows. The front entry is covered with a limestone portico. A variety of windows are used through the house, with one-over-one, double-hung windows on the main body, round-arch windows on the first floor of the wings, and three-part wooden casement windows on the second story. The interior has a central hall with rooms symmetrically arranged around it.
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The object of the game is to collect six different coloured "Keystones" and thus beat the host. For most games in the series, the "Gatekeeper" is the host but in the 2006 game and three expansions for the original one other characters take the role of the host, introducing their own rules. To beat the host, the players must face their worst fear. If none of the players are able to win the game within the set time limit, the host is the winner.
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Aldous reveals that ancient ruins found on one of the planets are actually a spaceship from an earlier civilization, and that it may be able to reach Meido. After gathering a number of Keystones, they are able to resurrect the spaceship and reach the Meido. After fighting through more hordes of Krawl, Rallen fights a large Krawl called Xelles that has the ability to heal whatever comes near it. After defeating it, Rallen fights a final Leader Krawl and kills it, thus ending the invasion - temporarily.
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The line of each pilaster is carried through to roof level by a projected section of cornice topped by a block in the parapet and a pedestal and ball above the parapet line. Each bay contains three window openings flanked by small pilasters with acanthus leaf capitals. A broad string course decorated with a row of rosettes separates the square-headed windows of the first floor from those on the upper level. These are arched and their keystones extend to a cornice embellished with brackets and a row of dentils.
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640 Broadway demonstrates Delemos & Cordes' competency for Neoclassic design. The Broadway facade shows a two- story base with second-story comer show windows, a limestone entrance leading to the upper floors with oval transom, a denticulated hood and paired, grouped and arched fenestration across the upper stories. Classical ornamentation, including cartouches, triglyphs, keystones, molded architraves and foliated capitals ornament the facade. The Bleecker Street facade shows the same two- story brick base, recessed fenestration, a historic wood sash and end bay at the west, similar to the Broadway facade.
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Tomb A was reopened by the Greek archaeologist Matheos Besios in 1991, the same year when he discovered and excavated tomb B. Both tombs had already been plundered by grave robbers who had removed some keystones of the vault to gain access. The identity of who was once was buried in either of the tombs is unknown. The elaborate building design points to important persons. Heuzey had almost all the usable and transportable artifacts (except one stone block with the relief of a snake, two doors and smaller artifacts) transported to France.
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The first and second floors are faced in limestone and feature piers supporting a cornice; the third floor is also covered in limestone. The fourth through eleventh floors are constructed in red brick; windows on these floors feature terra cotta keystones and sills, and the eleventh floor is capped by a terra cotta cornice. The twelfth floor is decorated in terra cotta panels which incorporate Crane Company valves in their design; this floor is also topped by a cornice. The building originally housed offices for the Crane Company, which manufactured plumbing and heating equipment.
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It was reached by stairs from the tap room in the adjacent public house so that people attending a dance did not have to pass through the market area. The roof was in a similar style to many of Madocks' buildings, with a shallow pitch of slates, and wide eaves, while a flight of steps ran across the front of the building, creating a plinth on which it stood. There were six medallions and five keystones on the front of the building, with representations of theatrical figures. During August, the market space became a theatre.
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The keystone (shown in red) of an arch Dropped keystone at Colditz Castle A keystone (or capstone) is the wedge-shaped stone at the apex of a masonry arch or typically round-shaped one at the apex of a vault. In both cases it is the final piece placed during construction and locks all the stones into position, allowing the arch or vault to bear weight. In arches and vaults (such as quasi-domes) keystones are often enlarged beyond the structural requirements and decorated. A variant in domes and crowning vaults is a lantern.
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The stones were donated by a local quarry based in Leyburn and the design is meant to replicate a clock face. The circle has four major keystones, at the cardinal points of a compass, with smaller stones occupying the rest of the points with a larger stone in the middle. In the summer of 2019, a new pond was created to entice wading birds and associated wildlife. The man-made pond was christened Spigot Mere after a Second World War mortar shell (known as a Spigot) was uncovered during the excavations for the pond.
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Detail of the façade showing the ornamentation Balluta Buildings is one of the finest among the few surviving Art Nouveau buildings in Malta, and it is also regarded as Psaila's masterpiece and one of the most iconic buildings in the country. It consists of three connected blocks of flats, with three vertical structures having long vertical arched openings protruding from the rest of the building. These are topped with keystones decorated with a carved putto. The openings are flanked with a row of double windows and pilasters on either side.
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The U.S. Post Office, also known as the Willows Main Post Office or US Post Office-Willows Main, is the main post office in Willows, California. Built in 1918, the post office was designed by Walter D. Bliss and William B. Faville, architects known for their work in San Francisco. The building was designed in the Italianate and Beaux-Arts styles. The building's roofline and arched arcade entrance with Doric columns were inspired by the Italianate style, while its detail work, including terra cotta reliefs, quoining, and decorative keystones, is Beaux-Arts styled.
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The tower has windows occurring at different levels, which are arched and include keystones in their design. The water tower was built in 1879, the same year as Ellwood House, and at that time the structure was topped with a wooden water tank with a conical roof. Between 1897 and 1910 the wooden tank was removed and replaced with an additional 30 courses of stone which matched the original structure. The arched door at the base of the water tower was replaced with a larger square- shaped double door.
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The central portal has double, panelled doors, fanlight, and large open segmental pediment supported on large consoles. The tympanum has a cartouche bearing the Salt family coat of arms, flanked by the carved figures of Art and Science by Thomas Milnes. At basement level, the windows are square-headed, while at ground and first floor level the windows are round- arched and archivolted, the first floor windows being framed by fluted Corinthian colonnettes, and with carved head keystones and blind balustrade with turned balusters. There is a dentilled cornice between the ground and first floors.
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The Mausert Block is located in the town center of Adams, on the east side of Park Street roughly opposite town hall. It is a three-story brick building with a twelve-bay facade and a flat roof with a projecting modillioned and dentillated cornice. Windows on the second floor are rectangular, with rough-cut stone sills and lintels, while those on the third floor have round-arch tops with keystones. The ground level is divided into multiple storefronts, with the main building entrance near the center, recessed in a round-arch openings.
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The roof is pierced on three sides by gabled center sections, that on the southern side, over the main entrance, more prominent than the others. The main facade is nine bays wide, the central three (below the gable) slightly recessed. Windows in the outer bays are set in segmented-arch openings, with sandstone sills and brick lintels with slightly projecting keystones. Windows in the central section are set in square openings with stone lintels and sills, except in the gable, where there are three windows set in round-arch openings.
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On the Broadway facade, the side pavilions are wide, while the central pavilion is about wide. The Broadway facade contains decorative elements that signify the area's historic connections with the maritime industry, including "nautically-inspired sculpted elements", decorative keystones above the first- floor arches, decorative ship-themed roundels above the third-floor loggia, and carvings of seahorses with their riders above the pavilions' setbacks. Within the four-story base, the central section is recessed slightly. The first floor contains five double-height arches, set within rusticated masonry, facing east toward Broadway.
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The former Story School is located north of downtown Marblehead, on the southeast side of Elm Street opposite its junction with Curtis Street. Now predominantly residential, the area was until an 1877 fire an industrial area with many small shoe factories. It is a two-story red brick building, with a hip roof and Colonial Revival styling. Windows are set in segmented-arch openings with keystones at the tops, and there is a gabled pedimented in the roof above the main entrance, in a section that projects slightly.
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Providence Court is located on the north side of East Street (Massachusetts Route 9), several blocks east of Pittsfield's central business district. It is a five- story brick and stone structure, in a T shape with a horizontal block at the front and a long projecting wing to the rear of the center. It is basically Colonial/Georgian Revival in character, with limestone trim that includes corner quoining, window sills and keystones, and belt courses. The ground floor, essentially a raised basement, is finished in rusticated limestone, while the upper floors are predominantly in brick.
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The lintels of the second floor windows are made of stone, while the windows on the third through fifth floors contain brick lintels with keystones made of stone. A brick entablature in the Doric order, and a stone cornice, runs above the stone trim on the fifth floor. The top 1.5 stories consist of a gambrel roof that includes the sixth- floor attic. Three brick-faced dormers protrude from the roof, corresponding to the architectural bays below; the dormers on the sides contain three windows, while the center dormer contains two windows.
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Accessed 2013-05-27. Designed and built by L.C. and B.C. Coffman and by Amos Cooke, it is one of several Italianate houses in the city, but none of the others feature the Kelley House's most prominent component. Some of its typical Italianate features include the ornamental frieze, the cornice supported by pairs of brackets, the keystones and architraves on the rounded arched windows, and the quoins. Setting the house apart from the other Italianate residences is its unusual circular front dormer window, set in a semicircular extension of the facade.
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The gauge can be recharged quicker by collecting crystals and keystones. Lilac's basic attacks consist of strong but sluggish hair whips, an uppercut into the air, a crouching kick, and a dive kick from mid-air. The Dragon Cyclone, used by pressing jump mid-air, lets Lilac spin like a spinning top and deal touch damage but also acts as a double jump with reduced gravity. Pressing the special button with a full energy gauge activates the Dragon Boost, an eight-directional air dash that deals heavy touch damage and makes her temporarily invincible.
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Carthona is described by the Heritage Council as an "impressive two storey mansion with cellars, of mannerist Tudor Gothic style. Built of sandstone, exterior there is a profusion of gabled slate roofs having castellated parapets and balconies dominated by tall tudor chimneys. Ground floor windows are pointed Gothic style having three centred heads and fretwork while first floor windows are flat arched and shuttered." It was built in 1841 by Sir Thomas Mitchell and it is believed that many of the keystones of doors and windows were carved by him.
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In modern times, this building overlooking the Piazza Rovetta is only used for special occasions. The portico at the base of the building, covered with cross-vaults decorated by a cycle of keystones by Gasparo Cairano, was established between 1497 and 1502. Entering here, the Stefano Lamberti portal of 1552 is visible, flanked by columns and two fountains in Botticino marble by Nicolò da Grado, and introducing the Antonio Tagliaferri staircase of 1876. In the early 20th century, painters such as Arturo Castelli decorated it, painting Brescia armed in the ceiling above the staircase.
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The Judd Building at the corner of Merchant and Fort Streets combines elegant features of Italianate architecture with businesslike functionalism. Designed by Oliver G. Traphagen, newly arrived from Duluth, Minnesota, it boasted Hawaii's first passenger elevator when it opened in 1898. A fifth floor was added on top in the 1920s, the interior was remodeled in 1979, and the ground floor has also been reconfigured. However, the exterior of the middle three floors reflects Traphagen's original design, with arched windows, simulated keystones, and decorative wreaths and floral designs.
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Former hearse house A former hearse house at the southeast corner of the churchyard dates from about 1833, and has been converted for use as an electricity sub-station. It is a rectangular single-story building of red sandstone with a quarry tile roof. The door opening at the front has a wide semicircular arch with a keystone and springing blocks, above which is a string course and a cornice with moulded eaves. On the west side and at the rear are small vents with semicircular heads and keystones.
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The capitals of each of the 44 columns are decorated with carved heads depicting Hermes/Mercury, the Greek/Roman god of commerce. The windows on the main facade are topped by eight carved keystones, which contain carved heads with depictions of eight human races, namely "Caucasian, Hindu, Latin, Celt and Mongol, Italian, African, Eskimo, and even the Coureur de Bois". Carved under the main entrance arch are the municipal arms of the city of New York. A cartouche of the United States' coat of arms, by Bitter, was commissioned for the roof.
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The current City Hall was originally built as a courthouse, and was completed in 1908 at a cost $75,000. It was one of seven such buildings commissioned by the new Province of Alberta between 1906 and 1912, under the direction of Provincial Architect A. M. Jeffers. The building was constructed in modern renaissance style, with the outside being composed entirely of red brick. The front steps, the back steps, the columns, and the keystones are constructed of stone, and the foundation is made of concrete and rubble sheathed with sandstone from the Calgary area.
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Accessed 2010-02-13. Like many Ohio small-town hotels constructed in the years after the Civil War, the Gregory House was built of local materials and typifies the commercial vernacular architecture of the Firelands. Three stories tall with an irregular floor plan, the brick hotel rests on a stone foundation, and sandstone is employed for the coping, the lintels, and the keystones. In its earliest years, the hotel possessed a ten-bay facade with arched windows, topped with corbelling that formed a simple cornice, and display windows filled the first story.
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The Henry J. Crippen House is located north of downtown Concord, on the west side of North Main Street at its junction with Pearl Street. It is a 2-1/2 story masonry structure, with a mansard roof providing a full third floor in the attic level. The front facade is symmetrically arranged, with a pair of entry doors under a portico supported by wooden piers with recessed panel bases and brackets beneath the dentiled cornice. The doors and windows are all topped by segmented arches with cast iron keystones.
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The Triangles folded following the 1976 season. With Pittsburgh and Philadelphia both lacking franchises, the league had considered fielding a team called the Pennsylvania Keystones in 1977, composed of players from the Soviet Union. However, with the Cleveland Nets struggling to draw fans for their home matches, owner Joseph Zingale decided to fill the WTT void in nearby Pittsburgh and have his team play approximately half of its home matches in Richfield Township, Summit County, Ohio and the other half in Pittsburgh. The team was called the Cleveland-Pittsburgh Nets.
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The west facade features a central doorway surmounted by a window which opens into the gallery. All window and door openings, with the exception of the west door and window, are topped with jack arches with raised keystones executed in rubbed bricks. The interior of the church is laid out in two aisles running east and west, with a gallery extending across the west end, accessed by a staircase in the southwest corner of the building. Centered on the north wall of the church is the pulpit, which is crowned with a simple sounding board.
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It is a three-story structure with a limestone facade on Jefferson Street, brick along Fourth Street, and a chamfered corner that joins the two elevations. The Jefferson street facade is livelier with short towers, pilasters between the widows, and Gothic arched hoods over tall, narrow windows. The Fourth Street facade is flatter, with wider windows and stone used for the keystones, hood molds, imposts, window sills, small columns and belt courses. with The building was built as an investment by local businessmen Thomas Hedge, Sr., E.H. Carpenter, John M. Gregg, and Wesley Bonar.
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Henry P. Easterday (September 16, 1864 - March 30, 1895) was a professional baseball player. He played all or part of four seasons in Major League Baseball between 1884 and 1890, primarily as a shortstop. Easterday began his career with the Philadelphia Keystones of the Union Association during the 1884 season. When the league folded he played in the Southern League in 1885, the Eastern League in 1886 and the International Association in 1887 before rejoining the Major Leagues with the Kansas City Cowboys of the American Association in 1888.
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On the third level, the windows of the outer bays are topped by half-round blind arch panels, those on the inner bays splayed lintels with keystones. The upper floors of the inner five bays have pilasters flanking each of the outermost bays. On the interior, the central lobby and public corridor have retained their original finishes; the rest of the building has been renovated for apartment conversion. The hotel was designed and built in 1924 by H.L. Stevens Company of New York City, a contractor that specialized in hotel construction.
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The bank wing is rectangular in plan and accommodates the banking chamber, accountant/clerks' office, strong room, manager's office and stationery room. Entered from the main entrance on Channon Street, the banking chamber is distinguished by a decorative pressed metal ceiling and cornice. Two flattened archways with prominent decorative keystones to the southwest mark the extent of the 1876 chamber beyond which is the accountant and clerks area also defined by a pressed metal ceiling and cornice matching that in the main banking chamber. A strong room stands to the southern corner of this space.
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The 29,058 square foot building features 2 floors in addition to a fully raised basement level. A distinctive feature of this building is its use of stone. This building features more stone application than any other building on the university's campus. The building also features a broad sweep of fifteen steeps to the main entrance, smooth- face blocks defining a five-bay entrance, intricately carved lintels and acroteria, full classical entablature, splayed arches with keystones over the eight-over-twelve sash windows, and a hexastyle portico with an incised frieze.
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St John's Church is substantially intact in its form, setting and external appearance apart from the replacement of the original timber shingle roof with cement sheet shingles. Much of the internal detail and fittings is also intact. Some sandstone blocks have weathered more quickly than others but most are in excellent condition. Some of the joints on the keystones over the northern and southern entry porches have cracked but apart from a small crack where the southern wall joins the south-east buttress, the rest of the joints appear to be in fine condition.
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The monumental main entrance, leading through an arcade to the interior courtyard, is a Palladian motif consisting of a central molded arch, with a keystone ornamented with a cartouche, rising from an interrupted entablature which is supported by pinkish polished granite columns of composite order and pilasters with entasis. A pair of large central ornamental wrought-iron gates is flanked by smaller gates. The spandrels carry inset granite roundels. The entrance is flanked by round-arched first-story windows with molded surrounds and keystones and second-story rectangular windows with surrounds.
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Social-ecological systems are based in the concept that humans are a part of — not separate from — nature. This concept, which holds that the delineation between social systems and natural systems is arbitrary and artificial, was first put forth by Berkes and Folke, and its theory was further developed by Berkes et al.. More recent research into social- ecological system theory has pointed to social-ecological keystones as critical to the structure and function of these systems, and to biocultural diversity as essential to the resilience of these systems.
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" PNC Park hosted the team's MLB record-tying fifth All-Star game in 2006. Pittsburgh also has a rich Negro League history, with the former Pittsburgh Crawfords and the Homestead Grays credited with as many as 14 league titles and 11 Hall of Famers between them in the 1930s and 1940s, while the Keystones fielded teams in the 1920s. In addition, in 1971 the Pirates were the first Major League team to field an all-minority lineup. One sportswriter claimed, "No city is more synonymous with black baseball than Pittsburgh.
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Ice hockey has had a regional fan base since the 1890s semi-pro Keystones. The city's first ice rink dates back to 1889, when there was an ice rink at the Casino in Schenley Park. From 1896 to 1956, the Exposition Building on the Allegheny River near The Point and Duquesne Gardens in Oakland offered indoor skating. The NHL awarded one of its first franchises to the city in 1924 on the strength of the back-to-back USAHA championship winning Pittsburgh Yellow Jackets featuring future Hall of Famers and a Stanley Cup winning coach.
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The Saxony Apartment Building is a historic apartment building in Cincinnati, Ohio, United States. Located along Ninth Street in the city's downtown, this five-story brick building includes a distinctive range of architectural details. Among these elements are brick pilasters and projections, a three- story bay window on each side of the symmetrical main facade, semicircular balconies, and many stone pieces, such as pediments, keystones, and stringcourses. Due to its location at the intersection of Ninth and Race Streets, the Saxony appears to have two fronts: one onto each street.
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Many Victorian houses in Bushwood have decorative keystones above their entrances in the form of faces. Mainly found in Leyspring, Leybourne, Barclay and Woodville Roads, the use of these elements was influenced by the Neoclassical/Greek/Gothic revival introduced by Romanticism in the early Victorian period (mid 1800s). The most common figure is that of a bearded man with long, heavy beard which is probably referring to a water-related pagan divinity like Poseidon (the Roman god Neptune) or Father Thames. Other identifiable themes include the Green Man and various monarchs.
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Flowers played in every known game and he was the third of three players who scored more than three runs per game. Continuing as the regular shortstop, he played some pitcher and catcher, too. The Keystones remained second best in Philadelphia behind the Athletics; they lost all five matches between the two and won only 3 of all 20 professional matches. For 1870 they did not return to the professional field, but Flowers moved to the Haymakers of Troy, New York, a pro team of average strength, where he played all 46 known games.
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The windows originally featured rounded arches with ornamental keystones, but the original panes have been replaced with rectangular sliding windows and the arches covered over. Above the main entrance is set a Palladian window overlooking a balcony. Except for the entrance and its surroundings, the western (rear) facade is nearly identical to the eastern (front) facade. The building's overall design is predominantly Renaissance Revival in style; many elements resemble those of the earlier Italianate style, but rough stonework on the first story and large quoins are more typical of the later style.
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A central stone wall divides the verandah and arcade, reflecting the original function of the building, with a set of stone entrance steps to each of the end central bays. The arches have pronounced extrados, imposts and keystones, and the verandah has timber batten balustrade and French doors with fanlights. Downpipe heads have the year 1900 in relief, gables have decorative timber panels and windows are timber sashes. A section of verandah is located at the rear on the ground floor, and a single-storeyed masonry toilet wing has been added to the southwest corner.
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At first, many investors were hopeful that the casino could be rebuilt. However, they later learned that the $400,000 building was only insured for a sum of $50,000-$75,000. The Yale University hockey team was to have played a series of games against Western University of Pennsylvania, Duquesne University and the Keystones the weekend after the fire, but they were telegraphed and told not to come to Pittsburgh. The only thing that remained was the large brick smokestack and a portion of the wall along the bridge side of the casino.
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The shopping center opened August 3, 2007 with the opening of the center's J. C. Penney department store, marking the return of the retail chain to Nampa after a 19-year absence. The center was one of the keystones in the overall revitalization of Nampa's downtown in 2005. In January 2008, Sports Authority announced it would close its old Nampa location near Karcher Mall and construct a new store in the shopping center. In August 2008, Macy's announced it too would close its Karcher Mall store in late 2009 to move to the shopping center.
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The ribs have a simple profile, but fragments of a more complicated type were also found in the rubble, together with keystones. These pieces supposedly belonged to another stately hall situated above the room, but they were built into the reconstructed vaults by restorers in the 20th-century. The northern pillar of the Gothic Hall was already discovered by Alajos Hauszmann at the beginning of the 20th century. The remains were buried under the outbuildings of the Royal Gardens, and Hauszmann protected the medieval pillar by building a brick shaft around it.
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Vassar's Main Building is a large brick building, four stories in height, with a fifth floor under its mansard roof. It is U-shaped, with a central portion long, and transverse wings in length projecting forward at the ends of the central section. At the center of the central portion is a projecting pavilion topped by a slate-roofed dome with iron cresting. Most windows are sash, set in openings with either segmented-arch or round-arch tops; the roof is pierced by dormers whose rounded tops have keystones.
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Those of the lower storey have semi-circular heads and are surrounded by continuous mouldings of a Roman style, rising to decorative keystones. Beneath each window is a floral swag by Grinling Gibbons, constituting the finest stone carving on the building and some of the greatest architectural sculpture in England. A frieze with similar swags runs in a band below the cornice, tying the arches of the windows and the capitals. The upper windows are of a restrained Classical form, with pediments set on columns, but are blind and contain niches.
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The outer sections have secondary exits on the ground floor, while the center section has three bays, each of which has a main entrance on the ground level. The upper level bays have sash windows with granite sills, with all but the outer bays also having keystones above. The center three bays are topped by a decorative parapet. The interior of the retains a significant amount of original material, but has deteriorated in a number of places due to damage by water and wildlife that has gained entry in its long period of vacancy.
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The arches at the entrance, keystones, window frames and other structural aspects all date to this period of construction and are still integral to the inn. However, the antique door is attributed to an unknown later date. It was at this time, in 1737, that it was first mentioned that the inn had a "golden cross" (guldenes Kreuz) in its decorative shield, thereby giving rise to the name Landgasthof zum Goldenen Kreuz. Johann Josef Schäfer acquired the inn through marriage in 1895 and extended what is today the rear wing of the building.
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The original front of the building facing Sutton Street was a bare brick wall. In 1973, a new wing was added with windows matching the original side elevation with the insertion of plain double doors into the end bays. Structurally, there are tall narrow brick piers between which the actual wall is recessed, but most of the wall consists of the apparent frames of the tall, narrow two-story windows, which seem to occupy most of the surface. The deepest windows have round arches at the top with prominent stone keystones.
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Flanking the portico are a series of three square arched window openings, taller on the ground floor. The central, first floor, window on each side is lengthened to form a door and a small semi circular Juliet balcony surrounds this. These balconies are visually supported on large oversized keystones above the corresponding openings on the ground floor level. Rising from the rib-and-pan roof of this section of the building, is a three storeyed stuccoed clock tower, with balustraded openings on the second floor and a four-faced clock in the section above.
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Paired brick pilasters, followed by paired, rendered Corinthian ones continue the vertical emphasis to the arch below parapet level. On each side of the central bay the openings are all arched with keystones, and although they house windows at the ground floor level, form arcaded verandahs on the upper three levels. The arcaded upper levels have wrought iron balustrades with the initials CTA located centrally, apart from the second floor central balcony which has balustrading similar to that on the parapet. The pediment at parapet level has an ornate central moulding of the CTA crest.
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The two-story front entrance is divided into sections by four pairs of Ionic columns; three large arched windows decorated with muntin and topped by keystones decorate the three main sections. The entrance, located at what would be the bottom of the middle window, features iron grilles on its windows and transom and is topped by a cartouche. A frieze with ornamental medallions and a dentillated cornice surround the building above its second story. . The courthouse was added to the National Register of Historic Places on May 28, 1976.
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The upper storey stands over the pavement on three round- headed arches with keystones. The first floor has four pilasters with Corinthian capitals and a pediment displaying the Royal Arms. Atop the building is a wooden cupola with a clock and weathervane erected in 1753.South Molton Guildhall - Heritage Gateway database A central niche holds a bust of Hugh Squier (1625-1710) of Petty France, Westminster, a wealthy merchant best remembered as a generous benefactor to the town of South Molton, the place of his birth, where in 1684 he founded a "free school".
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The Wait Block stands in the heart of Manchester Center's commercial business district, just east of the junction of Main Street (Vermont 7A) and Bonnet Street (Vermont Route 30) on the south side of Main Street. It is a three-story brick structure, three bays wide, with a flat roof and marble trim elements. The facade is divided into three arched panels, articulated by brick pilasters, the center panel narrower than the outer ones. Windows on the upper levels are set in segmented-arch openings, with keystones and ears of marble.
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The chimneys are corniced and in exposed face brick, and the roofs' gabled hips have small lunette ventilators. The arcade front formed a panel in face brick and stucco to Maitland Street. The loggia was topped by a stucco- rendered entablature bearing the name Narrabri Post Office, in the manner of Barnet's other larger post offices of the time, the arch keystones rise up to support the entablature immediately overhead. The arches themselves are dressed in robust stucco archivolts and spring from a set of astylar brick piers.
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The dark red painted brick exterior of the church is complemented by black asphalt roofing and rough-hewn bluestone courses. It has three sections: a fellowship hall on the east, central bell tower and worship section on the west. They create a north (front) facade that starts with the three-bay gabled roof. Tall Gothic arched windows, the center one larger than those on the flanks, with bluestone sills and keystones, are centered in the first story, with a pair of smaller double-hung sash windows in the apex, set off by a brickwork course.
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Heritage boundaries Opened in 1858 by the Union Bank of Australia it has historic significance as the first bank of Orange. The former Union Bank building is of simple and austere Victorian styling, its facade enlivened only by decorative lintels, keystones and sills to the window openings. Situated on a corner it makes a positive architectural contribution to the street. (Heritage Office files) The Orange branch of the Union Bank of Australia was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria.
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The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales. Opened in 1858 by the Union Bank of Australia it has historic significance as the first bank of Orange. (Heritage Office files) The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. The former Union Bank building is of simple and austere Victorian styling, its facade enlivened only by decorative lintels, keystones and sills to the window openings.
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Padgett returned to minor league baseball, joining the New Orleans Pelicans of the Southern Association. He spent two seasons playing for the team and was considered an offensive and defensive upgrade for the Pelicans. Padgett was granted an unconditional release in 1930, whereupon he joined the Charlotte Hornets, who were ranked as Class B in the South Atlantic League. In the middle of that season, he signed with the Reading Keystones of the International League and played for them for the remainder of the year before retiring completely from baseball.
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It was during this time, that Conant formally established the Western Pennsylvania Hockey League, with three teams the Pittsburgh Bankers, Pittsburgh Athletic Club and Pittsburgh Keystones. However the three team league also played exhibition games against the best amateur teams from all over North America. As with the Casino, Canadian players once again took to Pittsburgh's artificial ice surface. In 1901 Pittsburgh had lured future Hall-of-Famers like Riley Hern and Alf Smith into the league, along with several of the era's top players such as; Lorne Campbell and Arthur Sixsmith.
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The Substation addresses the corner at an angle to Bowen Bridge Road complementing that of the more prominent Old Museum to the northeast across Bowen Bridge Road. Substation, 2019 The Substation building is rectangular in plan with a timber-framed tiled hip roof behind a rendered brick parapet with a moulded cornice. The elevations are characterised by arch openings, accented keystones and rendered lintels. The front elevation is symmetrical about a projecting central entrance porch in which a decorative crest bearing the lettering BCC sits within an arched doorway.
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The ground-floor windows are recessed, arched and set in surrounds with deep rustication and large keystones. A cornice between the ground and first floors supports Ionic columns in antis which rise through two storeys. The three bays which form towers are heavily rusticated—the outermost right to the top, and the chamfered entrance bay just at first- and second-floor levels, as far as a flattened semicircular pediment with the Royal Assurance Company's arms and an inscription. Above this is the clock face, then the slightly recessed cupola.
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Andreas Schlüter designed the keystones above the round-arch windows in the form of heads of giants. Georg Friedrich Hitzig (1811-1881) constructed the monumental flight of steps to the upper floor of the north wing and also a roof over the courtyard.. The building was converted into a military museum in 1875. In March 1943, Rudolf von Gersdorff tried, but failed to assassinate by suicide bombing Adolf Hitler, during the opening of an exhibition in this museum. From 1949-65 the Zeughaus was restored after heavy war damage, the interior being completely redesigned.
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Norwich Cathedral's choir vault Bosses can often be found in the ceilings of buildings, particularly at the keystones at the intersections of a rib vault. In Gothic architecture, such roof bosses (or ceiling bosses) are often intricately carved with foliage, heraldic devices or other decorations. Many feature animals, birds, or human figures or faces, sometimes realistic, but often grotesque: the Green Man is a frequent subject. The Romanesque Norwich Cathedral in Norfolk, England, has the largest number of painted carved stone bosses in the world; an extensive and varied collection of over one thousand individual pieces.
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In 1917, Sennett gave up the Keystone trademark and organized his own company, Mack Sennett Comedies Corporation. Sennett's bosses retained the Keystone trademark and produced a cheap series of comedy shorts that were "Keystones" in name only: they were unsuccessful, and Sennett had no connection with them. Sennett went on to produce more ambitious comedy short films and a few feature-length films. During the 1920s his short subjects were in much demand; they featured stars such as Louise Fazenda, Billy Bevan, Andy Clyde, Harry Gribbon, Vernon Dent, Alice Day, Ralph Graves, Charlie Murray, and Harry Langdon.
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The Queen Street facade of the Regent Building (completed late 1928) was designed using classically inspired detailing and proportions, and was described as "a Palazzo facade, imbued with an Art Deco flavour". It is symmetrical, with three window bays across and four storeys above ground level, although the fourth floor is stepped back and has no windows on this building face. The first floor features rustication in the form of scored render imitating stonework, and similarly made arched windows topped with moulded keystones and sitting on decorated panels. The second and third floors have plain, giant-order pilasters, with stylised "Composite" capitals.
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In 1898, Savva Mamontov and Petersburg Insurance consolidated a large lot of land around the former Chelyshev Hotel. Mamontov, manager and sponsor of Private Opera, intended to redevelop the area into a large cultural center built around an opera hall. In 1898, the professional jury of an open contest awarded the job to Lev Kekushev; however, Mamontov intervened and assigned it to English architect William Walcot, who proposed a refined Art Nouveau draft codenamed A Lady's Head (implying the female head ornament repeating in keystones over arched windows). Mamontov eventually hired Kekushev as a construction manager.
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VCF's signature design is a modern two-storey facility that serves 350 children (or as many as 700 attending in shifts) and provides eight classrooms, a library, electricity, and bathrooms. As the schools are often the newest and most structurally sound buildings in these communities they are also used for town gatherings, meetings and celebrations. In areas prone to flooding, the VCF school may be the only two-storey building in a region where villagers can go to escape disaster. Quality control, accountability for funds, sound engineering, and sound design are keystones of VCF activity in Vietnam.
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The composition measures tall by wide and was designed by Edward McCartan. The windows on the base contain one of four types of display-window designs: the original designs installed with the rest of the building in 1929, and one of three modifications. The upper stories are faced with brick. The northern facade of the fifth through 15th stories curve along the wings. The facade of this section contains paired sash windows with decorative metal spandrels, as well as limestone keystones above the windows on the 15th story. Above the 15th floor is a cornice with 78 terracotta bison heads, which symbolize industry.
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The entry is recessed under a large round arch, above which is a portico supported by Ionic columns. On the second level of the pavilion are three long, narrow, round-arch windows with granite keystones above, and on the third level are two rectangular sash windows topped by blind arches. On the interior, the building has a basic cruciform plan, with classrooms at the corners, and central corridors running north–south and east–west. On the second floor the east corridor ends in a small room that initially served as a library, above the main entrance.
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A room of furniture built according to Brigham's designs, illustrated for The Ladies' Home Journal, 1910. Brigham specifically aligns her modernist aesthetic with that of Hoffmann, with its focus on the square as a fundamental unit of design. However, the raw surfaces and rough construction that were keystones of her approach don't become a mainstay of modern design for another two decades, when Gerrit Rietveld's crate furniture of the 1930s recapitulates Brigham's box furniture under the banner of De Stijl. A combination desk, reading table, and bookcase built from crates during Brigham's sojourn on the island of Spitsbergen.
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The former Wesleyan Methodist Church is a two-storey building in red brick, which is set well back from the street. The front façade is gabled, with stone dressings, and is flanked with tall brick pilasters. This face has a recess at ground level containing two adjacent doorways, which have stone surrounds with pilasters and decorative keystones, and semi-circular arched heads with fanlights; the doorways are flanked by two narrow windows. Above the doors is another large arched recess, faced in stone, which contains two large arched windows flanked by pilasters, with a smaller circular window above.
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Cheesemaker and his wife His father, Hans Wydyz or Weiditz the Elder, Hans Weiditz dem Älteren, Hans Weiditz I (ca 1475 Straßburg - ca 1516 Straßburg), worked in Freiburg im Breisgau between 1497 and 1514, and was described as a 'bildhower' or sculptor in the Painters' Guild records. In 1505 he worked on the Dreikönigsaltar in Freiburg Cathedral. Parish records show a 1510 payment to him for carved wooden rosettes on the keystones in the chancel, working with Hans Baldung, the gifted student of Albrecht Dürer. He is not to be confused with the slightly older Strasbourg woodcut artist Hans Wechtlin.
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Most of the storefronts have recessed entries and display windows, with a band of tall transom-like windows above. The facade sections are articulated on the upper levels by slightly projecting stone piers with colored terra cotta detailing, with additional terra cotta bands in between the second and third floors, and between the third floor and cornice. The cornice has rounded elements above the building entrance bays and the center storefront bay, with keystones and more colored terra cotta. Trinity Church The Trinity Methodist Episcopal Church, established in 1844 as the Union Street Methodist Church, was built on this site in 1869.
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The Lake County Courthouse and Sheriff's Residence, located at 601 3rd Avenue in Two Harbors, Lake County in the U.S. state of Minnesota was built in 1906. In 1888 a two-story brick sheriff's residence and jail was erected with an adjacent Queen Anne style courthouse. A 1904 fire destroyed the courthouse, but the jail and residence remained. The replacement building, designed in the Beaux Arts style by James Allen MacLeod was built of brick and limestone, featuring quoin blocks, stone window surrounds with large keystones, dentil moulding, and four large columns supporting the entry overhang.
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Significant Sites and Structures, 163. Bay windows project from all facades except the north. They have narrow round- arched one-over-one double-hung sash windows with stippled corners scored to give the appearance of quoins serving as surrounds, becoming segmental arches with projecting keystones; a fleur-de-lys carved from Sing Sing marble is on the front stone. Above them a bracketed cornice with broad eaves sets off the flat roof; on the second story they are echoed by a tripartite window with a projecting continuous stippled surround and otherwise similar treatment to the first-floor windows.
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Willis Jones (birthdate unknown) was an American baseball outfielder and manager in the pre-Negro leagues. Easily confused on team rosters with his team mates Abe Jones and Bert Jones, Willis Jones appears on team rosters for the Chicago Unions and Chicago Union Giants from 1895 to 1902. 1907 St Paul Colored Gophers After a few more years in Chicago, in 1907 Jones started playing for the St. Paul Colored Gophers and eventually moved to the nearby Minneapolis Keystones. He played with several popular players of the day, including Home Run Johnson, Rube Foster, Mike Moore, Bill Gatewood, Dick Wallace and George Hopkins.
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The family moved again to Pittsburgh, Pennsylvania and he played there for the Keystones. Harris played football for Indiana and was injured again, which left him unable to play baseball again until 1899. In 1900, he pitched and played first base for Bud Fowler and his Smoky City Giants. In June 1901 he took over for William Binga playing third base for the Columbia Giants until Binga returned. Then, he worked the rest of the season as a utility player until the end of the 1902 season when the Columbia Giants moved to Big Rapids, Michigan.
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By early November 1832, he and his selected twenty convicts; with suitable experience had opened a quarry near the creek, had cut a number of stone blocks and were ready to start building operations. The design called for a horseshoe shape to give optimum strength. By March 1833, the experimental bridge was so far advanced that Mitchell had to decide what should be carved on the keystones. He agreed that on the upstream side (the south side), the inscription should commemorate the man he had chosen so percipiently, so the masons carved "DAVID LENNOX", while on the north side they carved "AD 1833".
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The balustrade returns at each end for only one bay, as the side elevations become much simpler and less ornate. At street level, the facade is an arcade of moulded segmental archways with pilasters, ornate capitals and keystones engraved with the letter "L". At the northern end are stairs to two entries to the public bar with double doors of silky oak and etched glass, and double hung windows between. To the central archway are white marble steps to a pair of similar doors with matching sidelights and arched toplight, which leads to the entrance vestibule.
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The central entrance is flanked by pilasters, which have fluting to the lower section of the shaft, supporting a triangular pediment surmounted by a moulded ornament at the apex. The pediment and cornice have egg and dart mouldings, the architrave has dentils, and the pilasters surmount tall pedestals, which flank entrance steps with low wrought iron gates. The arches have expressed imposts, extrados and keystones, and are surmounted by a frieze with moulded swags. The paired arches either side of the entrance have a central granite column with an Ionic capital, surmounting a tall pedestal flanked by a moulded balustrade.
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The diet of Snares penguins usually consists of krill of the species Nyctiphanes australis, small fish, and cephalopods. One study found that about 60 percent of the mass of stomach contents from Snares penguins consisted of krill, 30 percent was fish, and about 10 percent was cephalopods. The researchers concluded that the number of fish otoliths and cephalopod beaks indicated the importance of these types of prey to adult penguins while at sea.Mattern T, Houston D, Lalas C, Setiawan A, and Davis LS (2009) "Diet Composition, Continuity in Prey Availability and Marine Habitat - Keystones to Population Stability in the Snares Penguin (Eudyptes Robustus)".
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US Post Office—Fredonia is a historic post office building located at Fredonia in Chautauqua County, New York, and within the boundaries of the Fredonia Commons Historic District. It was designed and built in 1935–36 as a Works Progress Administration project, and is one of a number of post offices in New York State designed by the Office of the Supervising Architect of the Treasury Department, Louis A. Simon. It is a one-story, five bay brick structure set on a brick foundation in the Colonial Revival style. The central section features three large round arched openings with cast-stone keystones.
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The Joseph Bosch Building is a two-story Italianate commercial building with two entranced and a recessed center second-story entrance on the front facade. It sits on a stone foundation with a full basement and has a flat roof.Bosch, Joseph, Building from the state of Michigan, retrieved 8/18/09 The building has plate glass windows in the first floor and arched windows on the second story with decorative brick and stone hoods with prominent keystones. The windows are arranged in two banks of four, with a single window in the narrow recess the north side, altering the symmetry of the facade.
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The first-story entrance front is dominated by the residence's grand entrance door. The eight-panel door is faux-grained and is encased by fluted pilasters, and topped by an elliptical fanlight detailed with looped tracery set within a molded nichelike arch. The entrance is flanked by single unadorned windows. The three windows on the second-floor are emphasized by their floor length, ornamented with white marble lintels and are set in recessed red-brick arches with white keystones, tied together with a narrow white string course that runs around the entire perimeter of the house.
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These include tan-colored corner quoining, cast stone sills for the windows (except at the basement level, where cut granite was used), and similar stone keystones above the windows. Tan beltcourses run above and below the main floors, and the main entrance is a double door topped by a half-round transom, with flanking tan brick pilasters and a cast stone entablature above.Beard, Christine (2011). NRHP nomination for Berwick High School; available by request from the Maine State Historic Preservation Office Berwick's first secondary school was the private Berwick Academy, established in South Berwick in 1798.
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The arms of the transept are covered with rib vaults of archaic style, without keys, separated by a band decorated with chevrons (). The semicircular arch that opened onto the southern apse chapel shows twenty keystones carved with anecdotal scenes or stylised animals. The choir, three bays deep and much modified in the 17th century, still reveals its primitive Romanesque structure, especially in the high columns that marked the start of the semicircle of the apse. The abbey church was classified as a monument historique by the 1862 list and various parts of the abbey were classified in 1992.
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The closets on the first floor in the Town Hall The profile of the arc, that consists of two strong sharp- clear edge toruses, is repeated variably also in the two-vaulted parlour of the Town Hall that is behind the Citizens Hall. Low-relief keystones in the vaulted ceiling in the parlour of the Town Hall is one of the first examples of low embossing style that is representative to local late Gothic. The parlour of the Town Hall (raesaal) is the most important room of the Town Hall. The aldermen kept meetings and carried the votes there.
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The second and third floor facades are also rusticated with beveled blocks but have shallower crevices between each row. The center bay on Park Avenue South and the center three bays on 17th Street contain double- story arched openings with keystones at top, while each of the bay at the ends of each facade contain two windows per floor. On the Park Avenue South side, there is a small iron balcony projecting from the third story of the double arch, with the initials "G" and "L" on the iron railing. The third floor facade is topped by a denticulated (tooth-like) cornice.
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The courtyard is accessed through a porte-cochere on Federal Street, and features buff-colored brick walls with granite stringcourses and keystones for the walls. The building's formal entrance, located at the angled corner at Federal and Market Streets, is marked by a large, triangular pediment that surmounts a Doric frieze and engaged columns decorated with banded rustication. The entrance leads into the elliptical Rotunda, an elegant and open two-story foyer with refined classical detailing. The Rotunda features a curving marble staircase with a balustrade of thin cast-iron balusters, rising to the second floor along the perimeter of the room.
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The building is asymmetrically arranged, with a principal corner entrance, emphasised by an octagonal tower surmounted by a spire projecting above the roof line of the building. The tower is expressed on the ground floor by an arched entrance portico. The first floor is pierced with square headed arched door openings with terracotta keystones integrated into a continuous decorative moulding; and on the second floor by round headed arched openings bounding an open octagonal seating area. The rolled zinc mansard roof is partially concealed by a series of Dutch gables, correlating to the bays of windows on the body of the building.
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The most notable structure in the grounds is a former brewhouse that stands to the northeast of the hall, This dates from the 17th century and is constructed in brick on a stone base, with stone dressings and a slate roof. The building has two storeys and three bays, and the windows and entrances have flat arches with stone keystones. There are entrances in the first and second bays, and in the upper storey there are louvred windows in the first and third bays. On the left side of the building is an external staircase leading to a first floor entrance.
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A keystone module for a CAT5 network cable A 3-port keystone wall plate A keystone module is a standardized snap-in package for mounting a variety of low-voltage electrical jacks or optical connectors into a keystone wall plate, face plate, surface-mount box, or a patch panel. Keystone modules have a rectangular face of 14.5 mm wide by 16.0 mm high and are held in place with flexible tabs. This allows them to be snapped into a mounting plate with correspondingly-sized rectangular holes, called ports. All keystones, regardless of the type of jack they carry, are interchangeable and replaceable.
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The main facade is three bays wide, with a central entrance flanked by sash windows. The windows have granite sills and hoods with granite keystones and ears. The building was erected in 1888 to a design by Portland architect Francis Fassett, for Freeport businessman Edmund Buxton Mallett, Jr. Mallett was a transformative force in Freeport's economy, building shoe factories, a sawmill, grist mill, and coal yard, in addition to the granite quarry and brickyard that produced the materials used in construction of this building. These businesses were instrumental in shifting Freeport's economy from one based on coastal maritime pursuits.
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Windows on the first and the second floor have classic bands with keystones and are located between vertical rusticated lisens. The facade is decorated by a central three-axes projection with an entrance gate with an axe and a bunch of fasces in the key (a symbol of justice) and intermittent bridgehead with sitting putti holding a scale and a sword (other attributes of justice). The building is covered by a tin gable roof with dormer windows, and the central projection is emphasised by a high mansard roof. The lobby and a triple staircase are decorated by classicistic arcades, marble columns and balustrades.
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Watercolour, pen and ink drawing of Barton Aqueduct in 1793 by G. F. Yates At about long, wide and above the river at its highest point, the aqueduct was, for its time, an enormous construction. Early illustrations show the aqueduct's piers to have been flat- faced, but an engraving of 1864 shows them to have pointed cutwaters extending beyond the spring of the arch; it is likely that the piers were refaced in the early 1820s. The arches were composed of several rings of brickwork, with masonry used for decorative keystones. All the masonry used in the structure was coursed ashlar.
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Malcolm Catto is an English musician and record producer. He is the co-founder and producer of the London psych'/jazz/experimental outfit The Heliocentrics. They have so far released four of their own albums but have also issued collaborations with DJ Shadow, Mulatu Astatke, Lloyd Miller, Orlando Julius and Melvin Van Peebles. Apart from his work with The Heliocentrics, Catto has taken part as a drummer in many projects including MRR-ADM, Madlib, DJ Shadow, Connie Price and the Keystones, Quantic, The Hypnotic Brass Ensemble, Redback, J. Rocc, M. Chop and The Poets of Rhythm.
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The development of collective thinking and creativity, the prioritization of the individual's leisure time to promote self-development, and the promotion of an appreciation for nature were keystones in his philosophy. His philosophy could be labelled as a form of vitalist humanism aimed at generating healthy individuals engaged in a continuous improvement of society. Felix emphasized that a generalized appreciation for nature requires an accurate reconstruction and awareness of natural history. Felix believed that modern individualism is detrimental to the development of cooperative patterns of behavior, which would only be possible in small communities of 5,000 individuals or less.
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The William O. Munsell House in southeast Portland in the U.S. state of Oregon is a 1.5-story single dwelling listed on the National Register of Historic Places. Built in an eclectic mixture of Bungalow, American Craftsman, and Colonial Revival styles in 1902, it was added to the register in 1989. Situated on the western edge of a proposed Buckman Historic District, the Munsell House features large pedimented gable dormers facing the cardinal points. The oval window in the facade dormer includes ornamental keystones, also facing the cardinal points, in the manner of many Colonial Revival structures.
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Webb stayed in London, having been appointed Deputy Surveyor by Inigo Jones. He acted as a spy for Charles I, probably out of zeal rather than by appointment, and sent the plans of London's Lines of Communication (new fortifications) together with the number and location of the newly mounted guns. In 1649 Webb made a number of drawings for Durham House, an unrealised project for a townhouse for the Earl of Pembroke on the Strand. In one drawing the emphasised keystones of the entrance and ground floor windows recall an early design by Jones for the Queen's House.
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In 1908, he played utility for the Minneapolis Keystones, then moved to first base later in the season. In 1909, he joined the St. Paul Colored Gophers. In 1910, he split the season between the Chicago Giants"Chicago Giants Will Raise Flag Sunday" Chicago Broad Ax, May 14, 1910, Page 2, Columns 4 and 5 and the Colored Gophers, appearing for and managing the Colored Gophers team occasionally until at least 1916."Colored Gophers to Play Carrs in South St. Paul" The Appeal, St. Paul, Minnesota, August 5, 1916, Page 3, Column 3 Marshall bought the Colored Gophers team in 1911.
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One of the keystones of Crosby's relationship with the Lax Kw'alaams Tsimshian was a convert named Victoria Young or "Queen Victoria", a chieftainess of the Giluts'aaw tribe. Crosby's wife, Emma Crosby, founded the Crosby Girls' Home in the community in the 1880s. It became part of B.C.'s residential school system in 1893 and was closed in 1948. Under Crosby's direction, the Methodist missionary presence in northern B.C. expanded from Lax Kw'alaams to include ten missions, and, using Lax Kw'alaams as a base, he supervised mission work among the Nisga'a, Haida, Gitxsan, and other groups in addition to the Tsimshian.
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The clock tower has four clock faces installed of unusual design, having white lettering and hands on a black face. The two storey section has three rendered and cream painted corbelled brick chimneys with terracotta pots, punctuating the eastern and northern sides of the building and at the centre. The ground floor of the western facade is classically detailed, with a three-bay arched masonry colonnade, with tan painted keystones to the centre and tan and red painted dentilled entablature above. The colonnade is paved with red clay tiles and has a plaster soffit with moulded cornice.
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Three face brick chimneys with terracotta pots punctuate the upper-floor roof, and two painted chimneys punctuate the rear additions to the ground-floor section of the residence. Fenestration is largely symmetrical to the front facade, and the openings of the ground-floor front facade retain original elliptical fanlights with rendered mouldings and keystones. The ground-floor projecting sills are painted a tan colour to match the column capitals and bases, and the window elements are painted dark green. The upper-floor French doors and windows to the front facade are also symmetrical and original, excepting the more recent, outer screen doors.
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The William Waller House is a historic house located at 1012 N. Dearborn St. in the Near North Side neighborhood of Chicago, Illinois. The home was built in 1875-76, shortly after the Great Chicago Fire, during the development of Chicago's prosperous Gold Coast district. The house's Italianate design features a stone exterior, a double bay front, a bracketed and ornamented cornice, arched windows, and decorative keystones. Though Italianate rowhouses are still common in the Near North Side, freestanding Italianate homes are relatively rare, and the Waller House is one of the best-preserved examples of these homes.
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Cox Dec 12 The stone keystones above every arched brick opening replicate the shape of the keystone above the entrance to the homestead's stone barn constructed 1830. The roof tiles were initially proposed to be terracotta shingles but the cost was prohibitive and Swiss pattern terracotta tiles were finally installed. The emphasis on timber craftsmanship derived from traditional wood crafting methods utilised in the construction of rudimentary Australian rural buildings, required the sourcing of skills and materials no longer easily acquired on the scale required. Most of the structural timbers were to be hardwoods sourced within the region, ironbark, Brushbox and Tallowwood.
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Iansiti explains the concept of business ecosystems in Marco Iansiti and Roy Levin, "Strategy as Ecology," Harvard Business Review, Volume 82, Issue 3, March, 2004. Within this context, Iansiti discusses the role of Keystones, firms that create a platform that sustains and enhances the health and performance of the business ecosystem. • Technology Integration: Making Critical Choices in a Turbulent World (Harvard Business School Press, 1997) Iansiti writes about the choices faced by high- tech firms regarding the adoption and integration of new technologies into the firm's offerings. Iansiti assesses the performance of technology integration projects and makes suggestions for organizational best practices.
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The success of the Cubans led to the creation of the first recognized "Negro league" in 1887—the National Colored Base Ball League. It was organized strictly as a minor league and founded with six teams: Baltimore Lord Baltimores, Boston Resolutes, Louisville Falls Citys, New York Gorhams, Philadelphia Pythians, and Pittsburgh Keystones. Two more joined before the season but never played a game, the Cincinnati Browns and Washington Capital Cities. The league, led by Walter S. Brown of Pittsburgh, applied for and was granted official minor league status and thus "protection" under the major league-led National Agreement.
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The Toledo Tigers were a Negro National League team that operated during the season, its only season in the league, representing Toledo, Ohio. It played its home games at Toledo's Swayne Field, home of the minor league Mud Hens. The team was one of two (the Milwaukee Bears being the other) created to fill one of the vacancies created in the NNL after the Cleveland Tate Stars and Pittsburgh Keystones had been dropped after the previous season. Its personnel consisted at first of a few veterans and semi-pro players, though it was improved in late May when it merged with the short-lived independent team, the Cleveland Nationals.
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Windows are set in round-arch openings on the first floor and segmented-arch openings on the second, with stone sills and keystones. The Center Street facade is five bays wide, with a similar arrangement and styling of doors and windows. Early federal government facilities in Machias were located in leased spaces secured by the postmasters and customs collectors, a condition eventually found inadequate due to frequently changing addresses, and spaces that were not properly configured for the purpose. In 1867 the United States Congress authorized construction of this building, for which the land was acquired in 1870, and the construction completed in 1872.
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She plans to magically kill Marco to end the contest, believing him to be less important than Celia because he was not part of the circus. At the last moment, Celia rushes to save him, resulting in the two being ripped from reality and becoming incorporeal spirits bound to the circus. With its magical keystones removed, the central bonfire goes out and the circus environment begins to break down. Celia and Marco preserve the circus by magically rebinding Poppet, Widget, and their new friend, a keen circusgoer called Bailey Clarke, back to the circus, relighting the fire and bringing back the spirit of the circus.
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The Central Valley School Board has determined that a pupil must earn 28 credits to graduate, including: Math 5 credits, English 4 credits, social studies 4 credits, science 4 credits, Physical Education and health 2.5 credits, speech 1 credit, technology 1 credit and electives 6.5 credits.Central Valley School Board, Central Valley High School Student handbook, 2011 In order to graduate students must demonstrate proficiency on the PSSA exams and the state required Keystones Exams when implemented. Students not achieving at the proficiency level on PSSA or district alternatives assessments are required to attend the C-VAP program. The C-VAP program provides tutoring to assist students in achieving academic success.
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Daines Barrington noted in 1784, after viewing several Smith of Warwick houses, found "all of them convenient and handsome" despite changes in taste.Quoted in Colvin 1995. Colvin summarised the elements by which a Smith house is easily recognizable: three storeys, with the central three bays emphasized by a slight projection or recession; uniform fenestration with exterior detail confined to keystones, architraves, quoins and a balustraded parapet, which was the most significant modernisation of a formula derived in essence from the late seventeenth-century model typified by Belton House. In the plans there was invariably a hall backed by a saloon in the centre, with a staircase set to one side.
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The entrance's portal to the church of the Charterhouse is currently located in an entrance's courtyard landscaped with a Saint Bruno of Cologne's statue, founder of the Order. Its tracery dates from first half of the 16th century, originally serving as connection of the stays of the monastery with the service units and the portería. The arcaded long gallery preceding the courtyard is formed by arches that form recessed groin vaults finished off in keystones with modular decoration. In 2010 the cloister is intervened for ensure the maintenance of the walls and consolidate the out of waters of the courtyard, that suffered inclement weather.
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In the United States of America, state library agencies established in each state have long been a catalyst for a great deal of the motivation for public library cooperation. This has been since the founding of the movement, starting in 1890 when Massachusetts created a state Board of Library Commissioners charged to help communities establish and improve public libraries. Over the years, state library agencies played a major role in encouraging larger units of service to provide library resources. The Library Services Act (1956) and the Library Services and Construction Act (1964) were keystones in the goal of providing library service throughout the nation.
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The ruler of Chembakaserry kingdom was a renowned Nambuthiri Brahmin who took pride in the prosperity of his own kingdom and Sri Krishna temple. Since temples were then considered keystones to a kingdom's spiritual and temporal well-being, the King decided to embarrass the rulers of Nanrulainattu (capital-Thrikodithanam) by making a deliberate, untimely visit to the famous Vishnu Temple. He arrived in Thrikodithanam after the Seiveli puja (the last ceremony of the day) and after the temple had closed. It is considered very inauspicious to open a temple after the gods are put to rest, but still, the King forced an entry by bribing a caretaker.
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One of the Silver Street upper windows is blind, though with its full drip moulding and segmental arch, this may have been intended as a compositional counterbalance to the extra bay at the south end. All upper windows have partly aedicular treatment with segmentally curved stilted drip mouldings, accentuated keystones and a continuous sill that forms part of a ground floor-first floor entablature. The windows are generally double hung sashes. The roof is on a bracketed cornice, with sparsely and irregularly applied brackets in pairs, and in places, as a trio, which is geared to the varied window placements on the Marrickville Road and Silver Street elevations.
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At the north end of the one-and-a-half-story auditorium wing is the main entrance, sheltered by a pedimented, tetrastyle portico. The six round wooden columns (two of which are engaged with the north facade) rising from the stylobate paved in basket weave-patterned brick three feet (1 m) below the water table to unusual capitals with acanthus leaves around a fluted neck. The entablature above echoes that with a fluted architrave, a plain frieze with "Bendheim Western Greenwich Civic Center" in gold lettering, and a dentilled cornice with Greek keys in the modillions. In the center is a round vent with directional keystones.
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The Martin and Carrie Hill House, also known as The Gorge White House, is a historic residence located on rural orchard land near Hood River, Oregon, United States. It may be the finest and most ornate example of the Dutch Colonial Revival architectural style in the vicinity of Hood River, incorporating a large array of the distinctive features of the style. Characteristic elements include a gambrel roof, symmetric, rectilinear form, fanlights, dormers, dentils, balconies, window keystones, fluted columns, and others. The house also displays a very high degree of historic integrity on both the exterior and interior, with only minor alterations since its construction in 1910.
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In July 2008 she performed in four shows on Scion A/V's "Live Metro" tour featuring hardcore rap duo M.O.P.. Funk band Connie Price and the Keystones and saxophonist James King (later of Fitz and The Tantrums), provided backing. She has also sung backup for Miley Cyrus and modeled in an art piece for Kanye West. In 2008 she hosted the VMA's Nappy Boy TV with T-Pain. She has contributed to a number of film soundtracks as a singer and songwriter, including Walk Hard: The Dewey Cox Story (in which she was also an uncredited actress) and The Nanny Diaries with Scarlett Johansson.
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First floor windows are set in square openings, while those on the second and third floors are set in segmented-arch openings. The fourth floor windows are set in round-arch openings with brick headers and granite keystones, with a band of corbelled brickwork joining the windows at the base of the arched portion. Windows above the main and secondary entrances are treated differently: those above the secondary (Irving Street) entrance have segmented-arch openings. On the second-level above the main entrance are two round-arch windows, with a rectangular one above them, separated by a decorative panel from a large round-arch window at the top.
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The side arches house tall narrow sash windows which have similar imposts, voussoirs, keystones and abutment treatments, and which are flanked by circular Ionic pilasters with square Ionic pilasters at the corners of the projecting bay. The pilasters are supported by a deep base, either side of an enclosed balustrade panel of interlocking circles, and in turn support a heavy entablature with a parapet above which has open balustrade panels of interlocking circles. The clock tower, square in plan, has paired square Corinthian pilasters at each corner supporting an entablature with pediment to each face. The clock faces have been removed, and are now blank.
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The Central Valley School Board has determined that a pupil must earn 28 credits to graduate, including: Math 5 credits, English 4 credits, social studies 4 credits, science 4 credits, Physical Education and health 2.5 credits, speech 1 credit, technology 1 credit and electives 6.5 credits.Central Valley School Board, Central Valley High School Student handbook, 2011 In order to graduate students must demonstrate proficiency on the PSSA exams and the state required Keystones Exams when implemented. Students not achieving at the proficiency level on PSSA or district alternatives assessments are required to attend the C-VAP program. The C-VAP program provides tutoring to assist students in achieving academic success.
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These compositions are examples of "conversational music", a term he uses to describe a musical language constructed from processes governing a verbal conversation, that are handled in a musical way. Simon's most recent compositions draw inspiration from Central European folkloric traditions placed in context with jazz, classical music and contemporary influences. Simon's guitar duet with Spanish/Honduran guitarist Astor Escoto resulted in an album Escoto & Simon “Collage” described as "one of the best contemporary world guitar albums of the decade". Simon's composition “Vision of Seven Keystones” received a semi-finalist award in the instrumental category of the 2011 International Songwriting Competition ISC after receiving over 16,000 entries.
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The structure is unified by the 1918-1919 brick facade to Adelaide Street, designed in a free classical idiom. The face-brickwork in this front elevation is a mottled, deep red, broken by a rendered ashlar base with exaggerated keystones to the windows, a central vertical rendered ashlar bay and pediment, and a rendered cornice and parapet. The central pediment is decorated with a garland of vine leaves and bunches of grapes, symbolizing the business of the firm that commissioned the construction in 1918, and bears the date 1871 (the year in which Quinlan, Donnelly & Co. was formed). The original fenestration pattern remains intact.
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At the first story, the principal approach is created by broad steps of Texas Pink granite spanning the width of the building, leading to three arched entrances with keystones, alternating with four rectangular windows with decorative metal grilles. Limestone masonry walls are articulated by chamfered joints, rising to an overhanging stringcourse. The limestone walls of the upper stories are smooth in contrast, but are also divided into seven bays, featuring rectangular windows at the second story, and elongated fenestration formed by vertically stacked windows at the third and fourth stories. Above the entablature, the attic (sixth) story is similarly clad in smooth limestone veneer with rectangular fenestration flanked by flat pilasters.
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The floors to all three porches have modern red tiles, concrete steps, and terrazzo doorway thresholds, with some new aluminium handrails attached to the corner entry. The building has a rendered finish, painted in a tan and maroon colour scheme and the window frames have been painted dark green. The ground floor is dominated by moulded arched detailing with prominent keystones and pilasters, and ashlar cut render to the base of the tower and the eastern end of the northern facade. There is a continuous moulded string course cutting across the arched windows of the first floor, with another at the level of the main roof eaves on the corner tower.
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After attempting to capture the League (who had come to check on the prisoners) he reveals that he planned to take control of the villains upon their arrival, only for their teleport beams to be redirected elsewhere. Kanjar Ro appears in Trinity, having disguised himself as Despero, in order to take his place in a ritual that takes the positions of "keystones of the universe" from Superman, Batman, and Wonder Woman. Although the ritual is successful, granting Morgaine le Fey and Enigma great power, Kanjar gains nothing, due to his deception.Trinity #21 Revealed as a fake, Kanjar flees Morgaine and Enigma, but is confronted by a vengeful Despero.
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SIMI maintains that concepts of Islam, Shariah law and Islamic state, keystones of Quran, are antithetical to Islam. Among its various objectives, SIMI aims to counter what it perceives as the increasing moral degeneration, sexual anarchy in Indian society and the 'in sensitiveness' of a 'decadent' West. They aim to restore the supremacy of Islam through the resurrection of the khilafat, emphasis on the Muslim ummah and the waging of jihad. According to Sayeed Khan, a former president of SIMI, the group became more militant and extremist in the backdrop of communal riots and violence between Hindu and Muslim groups in the 1980s and 1990s.
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In spring 2009 the full-scale mock-up of crew capsule of Gaganyaan was built and delivered to Satish Dhawan Space Centre for training of astronauts. India has already successfully developed and tested several building blocks, including re-entry space capsule, pad abort test, safe crew ejection mechanism in case of rocket failure, flight suit developed by DEBEL and the powerful GSLV-MkIII launch vehicle.India's manned space mission is on, Cabinet okays Rs 10,000 crore plan, Economic Times, 28 Dec 2018. Having met all required technological keystones, the Indian Human Spaceflight Programme was accepted and formally announced by the Prime Minister Narendra Modi on 15 August 2018.
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One of his first plans was to steal the Codex, a magical object that can answer any informational question, and to hide it under a mountain-like creature in Aenir. In Sushin's body, he makes himself the Dark Vizier, a sort of right-hand man to the Empress, to be able to order the royal guards to help him in his plot. His ultimate goal was to unseal all the Keystones to shut down the Veil, allowing a forming army of Aenirans to attack the Dark World. He was foiled by Tal, Milla and their band, and was ultimately killed by Crow at the climax of the story.
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In the there are four large round keystones about in diameter decorated with coats of arms, which derive from the cloisters and were donated by Bishop Ruprecht of Regensberg, and Canons Philipp von Flersheim, Erpho von Gemmingen and Wilhelm von Stockheim. Another cloister keystone belonging to the Archbishop of Cologne and cathedral scholaster Hermann IV of Hesse is now located above the entrance of Neuburg Abbey Church in Heidelberg. The foundation stone of the cloisters from the year 1484, which had been thought lost, was found during cleaning in the Dom's lapidarium at the end of February 2014.wormser-zeitung.de: "Anno domini 1484..." – Grundstein des Wormser Doms gefunden.
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The 5-story, 3-bay Italianate style cast-iron front facade was originally composed of superimposed arcades, with a 2-story arcade capped by an intermediate modillioned foliate cornice, surmounted by a 3-story arcade. The arcades are formed by elongated fluted Corinthian columns (most of the capitals’ leaves are now missing); rope moldings, which also surround the spandrel panels; molded arches with faceted keystones and molded paneled reveals; and foliate spandrels. The ground floor was first altered in 1919. Between the second and third floors the building featured a series of wreath-encircled portraits of George Washington and Benjamin Franklin cast, like the rest of the facade, in iron.
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The verandah has a corrugated iron bull-nosed roof with a gabled entry porch over the central bay. The external walls are unpainted brickwork, with painted plaster ornamentation to the western facade. The openings to the lower level of this facade are decorated with moulded plaster archways with keystones, cornices and projecting window sills and are separated by fluted pilasters. There is a series of entrances which, beginning from the north, lead to a tenancy, a blocked shopfront possibly also a former tenancy, the Public Bar, the Stair Hall leading to the accommodation wings, and the Lounge Bar which leads into the Bistro area.
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Steelton-Highspire School District did not participate in the State's competitive literacy grant. Under the grant, the district was required to develop a lengthy literacy plan, which included outreach into the community. The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans. Of the 329 pre-applications by school districts reviewed by the Pennsylvania Department of Education, School District was one of only 148 entities that were invited to submit a full application.
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Ornamentation on the bridge includes protruding keystones at the top of the arch, a slight peak at the top of the arch, and a string course that matches the roadway level. The bridge resembles other stone arch bridges built in Minnesota townships during the late 19th century and early 20th century, but the ornamentation sets it apart. Another facet of historical importance is the fact that the bridge has never been substantially altered during its lifetime, except for a concrete cap replacing the original coping at the top of the railings. The bridge has been listed in the National Register of Historic Places (#89001825) due to its historical integrity.
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The flat can then be flipped over and covered with muslin or decorative plywood. Toggles in a Broadway flat are placed on centers. Broadway flats can also be constructed using Half-lap and Cross-lap joints instead of keystones and corner blocks, and joins stiles, rails, and toggles, by sawing a deep half-lap at the ends of the pieces, and/or a deep dado groove mid-piece, which are then glued and stapled together. Dados can be made using a radial arm saw or table saw, and a dado stack cutter (two outer circular saw blades and one or more "chippers" between them, giving a much wider cut).
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In 1998 artist Gene Threndyle in partnership with the Friends of Dufferin Grove Park created a series of gardens and a fountain marking the path of Denison Creek. As part of the installation, a set of large architectural ruins were relocated from High Park to Dufferin Grove Park. These ruins were identified in 2020 by artist and amateur historian Andrew Lochhead, and confirmed by Threndyle, as the long-lost remains of the second Toronto Custom House (1845-1909) designed by Kivas Tully. The ruins, mostly keystones and some capitals, represent one of the few remaining local examples of the work of one of nineteenth century Ontario's most important and prolific architects.
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Classically moulded detailing is also used on the uniformly spaced openings and the four bay, round arched colonnade, including slender pilasters to the sides of windows and prominent keystones within moulded arches. The ground-floor interior comprises four major areas. These incorporate the carpeted retail area in the north-eastern quarter, carpeted mail room and post boxes on the eastern side, carpeted lunch room on the western side and other tiled staff amenities in the south eastern corner, and carpeted office areas in the south-western corner. Ceilings of the ground- floor are predominantly plasterboard with coved cornices in the western side offices, mail room and retail areas.
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Quoins are a feature of the main building on the western side and sash windows feature flat arches and keystones. Gothic style scalloped timber bargeboards decorate the steeply pitched roof of the main building; the roofline over the verandahs is a less steep pitch, the entire roof being of corrugated iron overlying well preserved wooden shingles. The annex is situated immediately to the west of the main building and is of two rooms with a verandah along the eastern elevation with a decorative spandrel along its western edge. The timber-framed building weatherboard clad and roofed with corrugated iron features external framing on the southern and eastern elevation.
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Among its most prominent themes are its division into five bays on both the front and the western side, with the three central bays being recessed from the corners. On the top story, the normal lintels give way to an arcade decorated with limestone keystones carven in the shapes of scrolls. Masonry courses divide the building into several vertical components: the second and third stories are separated by a large beltcourse, while lintels are placed throughout the facade. In 1976, much of West 4th Street was designated a historic district, the West Fourth Street Historic District, and added to the National Register of Historic Places.
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In contrast > with the vertically integrated environment of the 1960s and 1970s, today's > industry is divided into a large number of segments producing specialized > products, technologies and services. The degree of interaction between firms > in the industry is truly astounding, with hundreds of organizations > frequently involved in the design, production, distribution, or > implementation of even a single product. And because of this increasingly > distributed industry structure, the focus of competition is shifting away > from the management of internal resources, to the management and influence > of assets that are outside the direct ownership and control of the > firm.Marco Iansiti, "Keystones and Dominators: Framing Operating and > Technology Strategy in a Business Ecosystem" , pg.
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The building, which was designed by James Glen Sivewright Gibson in the Baroque style, was built at a cost of £98,400 (equivalent to £ in ) and was completed in 1905. It was built adjoining Walsall Town Hall which had been commissioned a few years earlier as a public assembly hall. The main entrance to the council house was designed with a round head and Ionic order columns; the ground floor was styled with round-headed windows and projecting keystones while the bays on the first and second floors were separated by large Composite order columns. A large tower was erected at the east end of the building with open balconies on each side and a roof lantern above.
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On the arch's keystones are further personifications: Fortune on the outer, and Rome on the city side. The internal façade of the archway has two wide sculpted panels, portraying scenes of Trajan in Benevento: on the left (from inside the city) is the Sacrifice for the opening of the Via Traiana, with the emperor flanked by lictors, while on the right is the institution of the alimentaria (a beneficent institution created by Trajan to help children in Roman Italy), symbolized by pieces of bread on the table in the center, with personifications of Italian cities with children. The vault has a coffered ceiling, in the center of which is a personification of the Emperor crowned by Victory.
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Throughout 1965 numerous hearings were held by Special Subcommittee on Education and the Education Subcommittee of the Senate Committee on Labor and Public Welfare held numerous hearings. Based on the recommendations of University administrators, educators and student aid officers, a new bill was introduced: H. R. 9567. It was passed by the House of Representatives on August 26 and the Senate passed the bill on September 2. In signing the Higher Education Act of 1965 into law, President Johnson said that the act, along with the Elementary and Secondary Education Act of 1965 as "keystones of the great, fabulous 89th Congress" that would spread "the roots of change and reform" throughout the nation.
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Education centre block B (technical college workshop), located to the northeast of teaching block A, is a two-storeyed brick structure with a hipped corrugated iron roof. The building has large multi-paned sash windows with angled headers and rendered sills, with rendered keystones to the ground floor windows. Entrances are located on the southwest and northeast, with the southwest entrance having a deep cornice supported by brackets above the door and with a fixed window above. The northeast entrance consists of a two- storeyed rendered composition of double timber doors with windows above to the ground floor, and similar doors with an arched fanlight to the first floor accessed from an external timber stair.
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The E44's dynamic braking, a novelty under PRR wires, made them just as sure-footed descending grades as climbing them (although the brakes were not regenerative). They even occasionally hauled passenger trains in emergencies, although they were not very adept in this role, being (officially) limited to , having a pronounced oscillating tendency at speed on jointed rail, and of course lacking steam generators for passenger service. The units were delivered in an entirely new paint scheme. While adorned in the familiar PRR Brunswick Green, the units carried the sans-serif road name in yellow, flanked by two small PRR keystones, together with a keystone on the front and rear, and a large yellow road number.
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Above the street level the exterior of Building A is executed in a grandiose, ornate style employing an eclectic mix of Classical and Romanesque design elements. The facade is asymmetrical, with the top two stories tied together by a blind arcade incorporating Romanesque arches with exaggerated keystones and pilasters surmounted by composite capitals. The facade also incorporates horizontally arranged panels of relief-moulded interlocked circles at the juncture of the ground and first floor, similar panels of relief-moulded arches at the juncture of the first and second floor, and the Boland's name in prominent relief lettering beneath the parapet. The facade is painted in cream with some details picked out in dark green.
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The place demonstrates rare, uncommon or endangered aspects of Queensland's cultural heritage. The former Crawford and Co Building possesses a facade design that, in its individual elements and their composition, is uncommon and has always been uncommon. The use of skyline decoration – emu and kangaroo statues bearing shields, picks and shovels; an ornamental central pediment featuring lion's heads, acanthus leaves and egg; and dart mouldings upon a balustraded parapet – plus dissimilar and abundant enrichment to each storey including moulded faces on the keystones of the entrance and ground floor window arches is an idiosyncratic stylist combination. The place is important in demonstrating the principal characteristics of a particular class of cultural places.
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Brisbane Associated Friendly Societies (BAFS) Building, lettering and mortar-and-pestle detail, 2015 The BAFS Building is a three-storey building with basement, constructed of load-bearing masonry that accommodates a pharmacy and offices. The building has sculptured, parapetted facades to both George and Turbot Streets which feature carefully detailed Classical and Art Deco-style decorative elements. The bottom half of the building is smooth- rendered and painted in a cream colour, which is also used on the mouldings around the windows and in bands on the corners of the building to simulate quoining. The first floor windows are set within wide arched openings which have exaggerated moulded keystones that connect to the sills of the upper floor windows.
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It has Egyptian-styled columns with classically moulded round arches, balustrade infills of each bay, vinyl tile covered floor, beaded board soffit and attached lights. The front facade is made of rendered brick and painted while the rear is face brick in a predominantly cream colour scheme with tan detailing, red lettering and red corner details around the clock faces. It has moulded string courses at regular intervals up the facade, with a wider band at the first-floor level and a finely dentilled cornice at parapet level and within the large pediment at the southern end of the eastern facade parapet. Openings are evenly spaced and have moulded arches with prominent keystones.
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With this in mind, a public appeal for donations to fund proposed works was advertised in newspapers from 1856. The reading room of the library in the 1920s, by Sam Hood Work began in earnest in early 1860 which joined the two formerly separate buildings of the old SMSA and the Independent Chapel into one frontage. Internally the walls of the older buildings and many of the internal spaces were retained and adapted. The new façade was designed in a Palladian style with late Georgian features such as Corinthian columns on the upper level, round fanlights with keystones, corbelled cornice and interlocking circles with a central panel inscribed "Sydney School of Arts", all of which are still visible.
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The arch on the south side has a keystone bearing the inscription "DAVID LENNOX", on the north side, "AD 1833", the packing of the bridge to either hand of the main ashlared section is of coursed rubble revetments, making the total length of the bridge carriageway of almost . The stone parapets are laid above a projecting plinth which begins just above the keystones. The area between the curve of the arch and the horizontal carriageway was packed with small rubble stone. There was originally a damp-proof lime-mortar course above the vaulting, but this, together with most of the packing, was removed when the bridge was stripped back to the arch in 1976.
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In 2016, he has appeared on a few more collaborations, including "The Void" on Vinnie Paz's solo project Cornerstone of the Corner Store, and "Use Them Blues" on the Afro & Marco Polo album A-F-R-O Polo. On April 7, 2017, Eamon released the video for "Be My Girl", the lead single from his upcoming album, Golden Rail Motel, which was released on September 15, 2017. On June 15, 2017, Eamon released the second single, "Before I Die", from the album. Golden Rail Motel was Eamon's first new album in over a decade and was produced by Eamon, Stoupe (Jedi Mind Tricks), Dan Ubick (Connie Price and the Keystones), Snipe Young, and Mikal Blue.
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The play by the Maribor Slovene National Theatre in 1960 The Visit is a popular production to attend for German language students, as it is considered one of the keystones of twentieth century German-language literature. The play is also often used as a text for those taking German as a foreign language. Premiered as Besuch der alten Dame at Schauspielhaus Zürich, Ruedi Walter played in 1956 the blind eunuch Loby. The original 1956 play by Friedrich Dürrenmatt was adapted for American audiences by Maurice Valency; this version features a number of significant alterations. Its first Broadway theatre production, in 1958, was directed by Peter Brook and starred Alfred Lunt and Lynn Fontanne.
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The following year, Cuthbert relinquished the managerial duties but continued with the Brown Stockings as a player before jumping to the Baltimore Monumentals of the ill-fated Union Association in 1884, his final season. Reportedly, Cuthbert stole the first base in organized baseball in 1865 while playing for the Philadelphia Keystones, simply by waiting for the pitcher to be distracted and running from first to second base. However, according to Peter Morris' "A Game Of Inches", base-stealing was part of baseball well before 1865; the earliest explicit account of stealing a base goes back to 1856. Cuthbert died of endocarditis in St. Louis, Missouri, and was laid to rest at Bellefontaine Cemetery.
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Lester Abrams (born 1945) is a singer, songwriter, musician and producer who has played with such artists as B.B. King, Stevie Wonder, Peabo Bryson, Quincy Jones, Manfred Mann, Brian Auger, The Average White Band, The Doobie Brothers, Rufus and many others. Two of his co-compositions appeared on the Grammy Award winning album "Minute by Minute". He has also composed songs for film and television; two of his works can be heard in the Oliver Stone-produced movie, "South Central". Lester Abrams was also a member of and/or associated with several other bands and people, including Leslie Smith, Arno Lucas, Rick Chudacoff, The Les Smith Soul Band, L.A. Carnival, Crackin' and more recently, Connie Price and the Keystones.
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Mansard roof detail, seen from the ground at Union Square The W New York Union Square building's most prominent feature is its four-story mansard roof, which contains dormer windows, escutcheons, and five decorative keystones with garlands. On the 18th story, the west and east facades contain fenestration in a 2-3-2 format and the south facade contains fenestration in a 2-3-3-3-2 format. On the 19th story, the west and east facades' fenestration is in a 1-3-1 format and the south facade's fenestration is in a 1-3-3-3-1 format. There are carved scallops atop each of the window groupings on the 18th and 19th stories.
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Old Mineral House (Alice Street frontage), 2013 Old Mineral House, situated on the corner of Edward and Alice Streets, is a five storeyed building of rendered brick, with a cast iron and timber internal structure and timber flooring. The street facades are visually divided by rendered vertical bands imitating stonework into three bays in Edward Street, and five in Alice Street. The ground floor level is rendered to simulate broad segmental arched openings with keystones, some containing a pair of windows and others single large openings. The main entry is in the central bay of the Edward Street facade and has a semi-circular arched opening with flanking pilasters supporting an austere projecting entablature and cornice.
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The National Cathedral was declared completed in 1990, almost nine decades after the cornerstone was laid, though restoration, elaboration, and intense maintenance continue to the present day. Seferlis’ contributions to the Cathedral take the form of limestone gargoyles, grotesques, capitals, pinnacles, saints, angels, keystones, bosses, column capitals, and freestanding figural sculptures of historical personages such as Helen Keller and Pope John XXIII. The Smithsonian Castle on the National Mall In addition to the Shrine and the Cathedral, Seferlis enthusiastically undertook a number of high-profile restoration projects on both public and private buildings. He carved elaborate capitals used in restoring the Corinthian columns of the east front of the U.S. Capitol building.
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The first floor loggia has stilted arches of contrasting brickwork with columns, pilasters, keystones and other cement rendered elements. The remainder of the facade is relieved with contrasting cement rendered dressings, sills, string courses, pilasters, entablature and pediment. The Waghorn Street facade includes a first floor verandah with a balustrade and valance in a sunflower pattern which was common in Victoria on boom era houses and hotels and was registered as pattern no:VIC 444 by J Cochrane & G Scott 17 November 1887. At the rear, the "back of house" functions are expressed on the exterior of the building to Waghorn Street by a step in the parapet and the change in window treatment.
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The ground floor verandahs had timber floors which have been removed, and a central set of sandstone steps accessing the main entrance on the eastern side. Fanlights, 2015 The east and south walls have smooth faced sandstone blocks, while the north and west walls have picked faced sandstone. Both floors have French doors with arched fanlights opening onto the verandahs, with three sets of doors either side of the central entry, and all arched headers have expressed vermiculated keystones. The central entry has double doors with sidelights, and an arched fanlight with coloured glass segments surmounted by an expressed keystone carved in relief with the initials JD 1867 surrounded by a garland of leaves.
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The Wilmington Quicksteps quickly began to dominate the league, and were so highly regarded was the club that major league clubs began to show up to play exhibition games; they defeated both the Washington Nationals and the Baltimore Monumentals during the season. By August, the Quicksteps had already sewed up the league championship with a 50-12 record; unfortunately, their dominance nearly destroyed fan interest in the Eastern League, and even in Wilmington, attendance averaged only 400 per game. Late into the season, Henry Lucas, the Union Association founder and owner of the St. Louis Maroons, convinced Simmons and the Quicksteps to cross over into his league after the Philadelphia Keystones folded.
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Above the keystones of the arches, at above the floor and wide, runs a cornice which supports the Whispering Gallery so called because of its acoustic properties: a whisper or low murmur against its wall at any point is audible to a listener with an ear held to the wall at any other point around the gallery. It is reached by 259 steps from ground level. The dome is raised on a tall drum surrounded by pilasters and pierced with windows in groups of three, separated by eight gilded niches containing statues, and repeating the pattern of the peristyle on the exterior. The dome rises above a gilded cornice at to a height of .
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Around 1497, while continuing with his work on the Caesars, Cairano also developed five keystones for the portico of the Loggia palazzo, representing Sant'Apollonio, San Faustino, San Giovita, Justice and Faith. Between 1499 and 1500, he delivered two large trophies to be placed on the top order of palazzo, while between 1493 and 1505, Cairano participated in the fulfilment of leonine protome, capitals, and candelabras and friezes for the same top order. The attention of the artist to his craft and productions is evident, and it influenced in general all the decorative sculptural works made for the palazzo at the time. Cairano's concentration on the Caesars is interrupted only briefly by the return of Tamagnino between 1499 and 1500.
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The funds come from a Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant It is a five-year, competitive federal grant program designed to assist local education agencies in developing and implementing local comprehensive literacy plans. Of the 329 pre-applications by school districts reviewed by the Pennsylvania Department of Education, School District was one of only 148 entities that were invited to submit a full application. In County 5 school districts and one charter school were awarded funding for one year. The funds must be used for teacher training, student screening and assessment, targeted interventions for students reading below grade level and research-based methods of improving classroom instruction and practice.
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The rear of the building lies on the alley between I and J Streets. The west elevation contains a shallow recess or indentation to provide a light well for windows in the west wall when a former building stood adjacent to the property. The building is divided horizontally into four areas or tiers: the ground floor tier on both 12th and J Streets contains shops and shop bays, with terra cotta spandrels above the arched clerestory and standard shop windows, and angled recessed shop entries. The tall second floor tier contains tall, handsome, arched windows with stained glass insets and tympanums, enframed with detailed terra cotta moldings that emphasize the arches, keystones, and window footings.
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When dice are rolled, a tile to its corresponding result removes the tile. If either both the 10 and 11 Keystones or just one of the base (3 or 18) stones are removed, the game ends. The player must initially make an arch- bet (a bet on a Keystone) which remains throughout the game. If the die is rolled a value matching a removed stone, it removes the stone adjacent to it, based on its position (lower if it is 10 or less, higher if it is 11 or higher.) If the first roll of the game is a 3 or 18, it is declared a Jackpot and all arch-bets automatically win; the game still ends.
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The architecture of the Austin Home is inspired by the second empire architectural style combined with elements of later Victorian and Edwardian style. The exterior features that it is known for are its bay windows, its brick and stone terrace, the brick chimneys, and the botanically themed carved keystones. The estate ground's oldest building is a wood stable from the mid-19th century, which was attached to the old coach house, and was once used as a gardener's shed until the end of the 1920s. The interior of the house showcases the Victorian and Edwardian components through its floating staircase in the central hall, high baseboards, ceiling medallions, plaster crown mouldings and hardwood floors.
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In addition to tuition payments, Sylvan Heights Science Charter School can apply for government grants to increase its funding. Both the Pennsylvania Department of Education and the U.S. Department of Education offer several taxpayer funded education grants each year. Sylvan Heights Science Charter School did not participate in the Striving Readers Comprehensive Literacy grant, also referred to as the Keystones to Opportunity grant. The school also did not participate in PA Science Its Elementary grants (discontinued effective with 2009-10 budget by Governor Rendell);Pennsylvania Department of Education, Science: It’s Elementary Grantees Students in 143 Schools Benefit from Intensive Science Curriculum, July 22, 2008 nor the annual Pennsylvania Department of Environmental Protection's Environmental Education grants.
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The Edgerton Depot is a historic railway station located at 20 South Main Street in Edgerton, Wisconsin. The station was built in 1906-07 to serve the Chicago, Milwaukee, St. Paul and Pacific Railroad, also known as the Milwaukee Road; it replaced the city's original depot, which opened in 1853 with the railroad. Railroad engineer C.F. Loweth designed the station, which features a hipped roof, bracketed overhanging eaves, a red brick exterior with stone trim, and decorative brick quoins and keystones. The station was critical to the city's tobacco industry, which attracted customers from as far away as Europe; the railroad both shipped tobacco to larger cities and brought business agents to the city's firms.
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As the Coalition ran a fear campaign on the issue and this became one of the keystones which helped it win a successive fourth term. However, it is generally agreed that governments have little control over interest rates, which are set by the Reserve Bank of Australia. There is little evidence in the political science literature to support the media's narrative for the mortgage belt making negative economic assessments of the Labor Party instead leader effects had a far larger impact on vote choice with a significant effect for negative assessments of the Labor leader, Mark Latham, on the defection of Labor partisans to the Coalition. In March 2005, interest rates rose by a quarter of a percent.
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The interior of the chapel extension, like the exterior, has a classical design influence with round headed archways and openings, neo-classical painted decoration and classical mouldings. The nave has shallow side aisles divided from the body by a nave arcade of round headed arched openings with moulded architraves and large plaster keystones, all supported on marbelised columns with decorative plaster capitals. The barrel vaulted ceiling of the nave, is punctuated with operable clerestory windows and these are separated by moulded ribs. The sanctuary, which is divided from the nave by a round headed archway supported on substantial red marble columns, is semi-circular in plan and covered by a half domed ceiling.
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The Crusades created national mythologies, tales of heroism, a few place names, and developed Europe's political topology. Historical parallelism and the tradition of drawing inspiration from the Middle Ages have become keystones of political Islam encouraging ideas of a modern jihad and a centuries-long struggle against Christian states, while secular Arab nationalism highlights the role of western imperialism. Modern Muslim thinkers, politicians and historians have drawn parallels between the crusades and political developments such as the establishment of Israel in 1948. Right-wing circles in the western world have drawn opposing parallels, considering Christianity to be under an Islamic religious and demographic threat that is analogous to the situation at the time of the crusades.
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The game room has exposed ceiling beams of rough-hewn cypress, cypress paneled walls and salvaged wide heart pine flooring that may have been saved from the prior plantation residence that was demolished so that this house could be built on the same site. The game room also gives access to a small wine cellar located in the basement. The private family quarters (not open for public tours) are found on the second floor and are accessed by a hallway featuring arches with fluted pilasters and keystones. The bedrooms have generally simpler finishes than those found on the ground floor, though the rear bedrooms and the third level finished space are quite plain.
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The chapel was consecrated for God's worship to the holy abbot and local resident Antonius, the holy bishop Wolfgang (depictions of whom are to be found used as keystones together with Archbishop Johann's coat of arms), the Madonna, the holy bishop Ruprecht and the holy virgin Cunen. Each Tuesday and Thursday, a Mass was to be said in the chapel by the Cochem pastor, for which the chapel would yearly receive 6 Gulden and 24 Weißpfennig in Cochem currency. For that, the hay from Sehl's meadows, bordering on the chapel, was pledged. Sehlers were "half-townsmen" of Cochem without their own municipal rights, and thus Cochem town council at first spoke out against the move to bring a bell to the so-called Sehler Dom ("Sehl Cathedral").
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A two-storey extension (1959–60) which adjoins the southern end of the block is not of heritage significance. Ornamented with a Spanish Mission- style decorative treatment, the building is constructed from red face brick walls with rough-cast concrete render to the entrance bay walls and smooth render to undercroft walls, window sills and lintels, and panels below the first and second floor windows. The second floor has arched windows to the entrance bay, main façade of the central wing, and to the stairwells and corridors on the east elevation, constructed from semi-circular brick arches with brick or concrete keystones. The entrance bay features a cantilevered balcony over the main entrance door, accessed by French doors, and a decorative parapet with small louvred ventilation panel.
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The Kress Foundation Relief by Rene Paul Chambellan Sibbert's Mayan Revival Kress store on Fifth Avenue in New York City was built in 1935 and demolished in 1980. > A seven-story marble structure designed for every shopping comfort, its Art > Deco elegance was graced by airborne Mayan gods on the sales floor and > Mayan-style hieroglyphs of the gloves and padlocks and yard goods for sale. > Awarded a gold medal for architectural quality, the store represented the > zenith of the Kress empire in luxury, modernity, and retailing capacity. The downtown Kress store in Greensboro, North Carolina, is a characteristic example that shows the chain's use of elaborate exterior details including coats-of-arms, metal work, and inlaid artistic flourishes on the keystones and corners.
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At its rear is a freestanding brick chimney stack, counted as a separate, contributing structure for the purposes of the National Register listing. The four eastern bays on the north and south facades of the auditorium wing are set with simulated sash, broken by vertical and horizontal mullions, two stories tall rising from a stone beltcourse sill within slightly recessed round arches with keystones at the top. In the fourth and fifth bay exposed basement levels are a pair of double-door entrances with stone surrounds. The fifth bay has a 12-over-8 similar to those on the building's east facade midway along the height of the taller windows, with a simulated oculus closer to the roofline, marked by a cast stone cornice.
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The less money the manager had to pay his players, the more money that manager got to keep. As a result, the Pittsburgh teams were able to get many great players such as future Hall of Famers Alf Smith, Hod Stuart and Riley Hern. These players played for pay in Pittsburgh, eventually forcing the Canadian leagues to go pro in 1907, a development that led directly to the formation of the National Hockey League in 1917. However, in the summer of 1902 Harry Peel, a Keystones player in 1901-02, admitted that he was paid $35 a week to play in the so- called amateur league and so no amateur teams would play against these teams again without being suspended by either Canadian, or U.S. officials.
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It contained 186 keystones or voussoirs carved by Herbert, or completed under his supervision, in fifty-six weeks between May 1835 and July 1836. Various interpretations of their curious motifs have been put forward, including claims that the many carved heads were portraits of Herbert and his wife, eccentric Norwegian convict and explorer Jørgen Jørgensen, Lieutenant- Governor (Sir) George Arthur and other colonial officials and local personalities. Despite being promised a conditional pardon for successfully completing the task, Herbert asked to be allowed to remain three weeks longer in Hobart to marry Mary Witherington, which he did on 1 July 1835. Herbert was granted a free pardon in February 1842 and continued to live at Ross, where he worked as an ornamental stonemason.
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The large main entrance doorways are generally round arch openings symmetrically placed in gable ends and often flanking a smaller central window. Long side window and door openings are generally of the segmental arch headed type with multi-pane windows in carefully detailed cast iron frames, astragals, and pivoting sections. Door and window dressings are a combination of Helidon freestone, brickwork, or cement render usually with restrained use of coloured brick or stone voussoirs and keystones, raking arches and label moulds. Boiler shop, 2016 In the early years of the twentieth century, well designed and finely detailed industrial brick structures such as the Power House, Erecting and Boiler Shops were constructed, completing the intended lateral expansion along the northern and southern sides of the Traverser.
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Dining room at the Toowoomba railway station, circa 1919 Dining room, 1998 The Railway Refreshment Room wing (1902) is a two storeyed rendered masonry L-shaped building with a single-storeyed addition to the north (1915 tearoom), and hipped corrugated roofs which rise above those of the Station Building. It contains the Railway Refreshment Room on the ground floor (which is still in operation), and officers on the upper floor. A steel and timber framed pavilion attached to the north of the dining room wing houses a fine timber Honour Roll. The building has rusticated piers at the corners, arched openings with profiled surrounds, expressed piers with decorative capitals and circular motifs at ground floor level, and windows with flat heads and keystones to the upper storeys.
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The Old Post Office, also known as the former Pekin Federal Building, is a historic building in Pekin, Illinois. Built in 1906, the building held Pekin's U.S. government offices; the first floor served as the city's main post office, while the second floor held various offices, including a Department of the Treasury office and an Army recruitment office. Supervising Architect James Knox Taylor designed the building in the Renaissance Revival style, in keeping with the tradition of using classical styles for federal buildings. The building's design features a red brick exterior with a limestone base and quoins; fanlights and keystones above the first-floor windows; and a limestone cornice with a parapet wall and a cartouche above the main entrance.
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This closely followed what was possibly the Stamps Quartet's most famous moment, backing Elvis Presley in his 10 June 1972 concert at Madison Square Garden. The quartet that appeared on "Hee Haw" in 1972 consisted of Willie Wynn, Duane Allen, William Lee Golden, and Richard Sterban. Joe Bonsall, a Philadelphia native who was a member of the Keystone Quartet and recording on Duane Allen's Superior label, joined in October 1973 (coincidentally, both Sterban and Bonsall had been members of the Keystones during the late '60s, recording much of the ORB's material). That same year the Oak Ridge Boys recorded a single with Johnny Cash and the Carter Family, "Praise the Lord and Pass the Soup", that put them on the country charts for the first time.
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The town hall was built in the 14th century as a cloth hall, rebuilt in 1544 and given a fashionable neoclassic facade in 1635-43, in order to match the prestigious Amsterdam City Hall built in the same period. The 17th century look of the building was preserved during several restorations, but in 1835 a wooden tower was added to the top of the building. The lions at either side of the steps were made in 1841 by the Ironworks IJzergieterij L.J. Enthoven en Co, of The Hague. The right side of the building stretches over the Voorstraathaven with gothic arches dating from the 14th century, as is the cellar with its sculpted 14th century keystones in the vaulted ceilings.
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The cupola of the church of Santa Maria dei Miracoli with its cycle of the Apostles by Gasparo Cairano and some of the Angels of Antonio della Porta (1489) Duomo Vecchio of Brescia, with the two keystones of Gasparo Cairano (1491) Nothing is known of Gasparo Cairano before 1489. No information has been found about the date and place of his birth, education, or the circumstances that led him to Brescia. The appellation da Milano, with which he is often recalled in the sources, however, does not provide a definitive fact of his origin because it could refer to the city as well as to the dukedom or diocese. The generic reference, in any case, is compatible with the cultural basis of his artistic work.
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The piers of the bridge are constructed of coursed granite ashlar and the voussoirs are dressed granite with single keystones. The spandrels, the space between the arches, are filled with mortared granite rubble, and the arch barrels are constructed with an estimated 550,000 bricks. The original roadway was made of granite blocks, the seams of which were filled with tar, but this has been modified with modern asphalt paving and with the piers being modified with the addition of reinforced concrete sheathing for the river piers. The iron walkways, produced by Crowell and Sisson, project over both the sides of the bridge with iron brackets. Constructed from 1875-77 at a cost of USD $95,000, the details of the bridge's construction and its architect are unknown.
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Tim Bluhm (vocals/guitar), Greg Loiacono (guitar/vocals), Isaac Parsons (bass) and Mike Wofchuck (drums) met in 1990 while attending California State University-Chico, living off campus in Bradley Hall. They jammed and played some original songs at a few parties (once billed as Pippi Longstocking and the Trunk-of-Funk), but soon Isaac and Mike were lured away by the prospect of playing Led Zeppelin and Jane's Addiction covers at big parties as the rhythm section of the Keystones. Meanwhile, Tim and Greg played acoustic guitars and sang harmonies to songstress Ali Weiss in the mellow trio Ali and the Cats. These bands played throughout 1990, but in early 1991, Tim, Greg, Isaac and Mike got back together and got serious about being a rock band.
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Historical parallelism and the tradition of drawing inspiration from the Middle Ages have become keystones of political Islam encouraging ideas of a modern jihad and long struggle while secular Arab nationalism highlights the role of western imperialism. Muslim thinkers, politicians and historians have drawn parallels between the crusades and modern political developments such as the mandates given for the governance of Syria, Lebanon, Palestine, and Israel by the United Nations. Right-wing circles in the Western world have drawn opposing parallels, considering Christianity to be under an Islamic religious and demographic threat that is analogous to the situation at the time of the crusades. Crusader symbols and anti-Islamic rhetoric are presented as an appropriate response, even if only for propaganda purposes.
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Featured speakers included Philip Rosedale - creator of Second Life who announced the implementation of EOS as a base for his social VR world High Fidelity, and game designer Steve Gaynor, whose games Gone Home and Tacoma Malicki-Sanchez cited as keystones for immersive storytelling and keynote speaker and Voices of VR podcast host Kent Bye whose opening presentation touched upon esoterica and the philosophical foundations of experiential design. In 2019 VRTO welcomed media harbinger Douglas Rushkoff, Bloomberg Prize Winner Amelia Winger-Bearkskin, Olivier Palmieri of Ubisoft Sarah Vicks of Intel Studios, and 35 other leaders of the VR & AR industry. The conference moved to the Toronto Media Arts Centre. Rushkoff recorded the first episode of Team Human in Canada live at the conference.
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Block A from the north-east Block A is a symmetrical two-storey building set high on an enclosed undercroft level and has a tall hipped roof clad with corrugated metal sheets. At the roof's central peak is a prominent metal ventilation fleche with round cupola. The building's facades are defined horizontally with three materials: smooth-rendered masonry with lined coursing at undercroft level; facebrick for the ground floor up to the sill level of the first floor; and painted pebble dash stucco above. The building character is softened through the use of attractive, simple, and low maintenance materials with minimal decorative features, including a restrained use of dark glazed bricks contrasting with the unglazed main body of the building and smooth-rendered concrete dressings, flat window hoods with scrolled brackets, and keystones.
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A highly decorated drawing room bay on the ground floor level dominates the Sydney side elevation of the building and features a series of segmental arched tall windows with moulded sill course and label panels below the sill, pitched slate roof with lead capping and flashing, decorative moulded brackets supporting the awning, and moulded trims and keystones to the arches. Access to the residence is via a porch from the face brick two-storey wing on the Railway Parade elevation. A later skillion roof utility room addition is located on the western side of the residence. The orientation of the building's openings including the architectural detailing and embellishment provide evidence of the close relationship between the Station Master's residence and the Station as well as the importance given to the railway staff at the time.
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The building possessed articulated bays totalling to eight; each consisted of an arch on the first floor and a slightly projecting, curved balcony on the third, fourth and fifth floors. The facade was broken at the sixth floor by an open circulation space accented by alternating narrow and wide, oval-shaped frames. There is an ornamental, projecting turret crowned by a ribbed, eight- sided, bell-shaped cupola surfaced by iron tiles made to appear like shingles on the corner facing Plaza Cervantes. The turret doubled as a clock tower, with a series of clocks surrounding the circumference of the cupola’s base. The oldest-looking portion of the building’s facade was the first floor, as it evoked a Neo-Renaissance character with its stylized rusticated bands and stepped arches with false keystones.
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On the north side of the courtyard there is a building dating back to 1626, with a portico of undressed stone in classical style, with grotesque faces on the keystones of the arches, and a loggia. The east doorway (1610) is perfectly aligned, along the line where the antique decumano stretched, with the west door, which opens onto Piazza Paolo VI. Entering by the east door a few steps further in, on the left, before the second doorway (1626) into the courtyard, you will find the Scalone de Lezze (1610), which leads to the registrar's offices. Peace of Berardo Maggi. A stairway and the corridor with ceilings decorated by Tommaso Sandrini and Francesco Giugno (1574–1651) lead into the Chamber of the Podestà, divided into four rooms in the 16th century.
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The south or garden facade is almost identical in composition except that the three entrances in the pavilion are spanned by round arches with heavily marked voussoirs and keystones, and the upper windows are unframed. The other windows are framed by stone architraves and sills, and the limestone belt course and rusticated angle quoins are very prominent. The existing broad hip roof, pierced by four interior chimneys located near the ridge, is a replacement of the original roof, possibly a hip-on-hip that was destroyed by fire in 1844. The south or rear elevation was undoubtedly taken directly from Plate LVIII of James Gibbs' Book of Architecture and the north elevation was less directly derived from a plate of Haddo House in Scotland, shown in William Adam's Vitruvius Scoticus.
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GLaDOS also appears in an expansion to tower defense game Defense Grid: The Awakening, entitled You Monster, where she tests the player's abilities in a Portal-themed set of levels. In the crossover title Poker Night 2, GLaDOS appears as the dealer and is a part of an announcer pack for Valve's Dota 2. The crossover-franchise game Lego Dimensions includes a significant amount of Portal content, including a Lego-constructed GLaDOS (voiced by McLain) as one of the main villains in the game's primary story. The heroes are forced through more Aperture tests (in which she accuses them of cheating through the usage of the keystones and their abilities) and eventually defeat GLaDOS by introducing her to HAL 9000 to distract her long enough to damage her.
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Arms of alliance above the door leading to the market Corbel Corbel at the edge of the house Carvings at corner posts Yard on the ground floor Shop and Bobbelage on the ground floor Judging by its outward appearance, the Goldene Waage appeared to be a typical renaissance building in Frankfurt's historic city center: a tall foundation made of red sandstone that outwardly showed intricate, richly decorated arcades – four of which pointed towards Hell's Lane (Höllgasse), two towards the market. The arcades were based on widely overhanging imposts; the keystones depicted lions' heads. The front door, which was decorated by a double lintel, was located between the two arcades facing the market. While the upper one was connected to the (extended) column shafts of the arcades, the lower formed almost a straight line.
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The front (and only) façade is fully rusticated from the 1st floor upwards; it is of five bays divided by six fluted pilasters surmounted by Corinthian capitals which are united by an entablature supporting a balustraded parapet. The principal entrance which occupies the central bay of the first floor is heavily pedimented in the style of James Gibbs and reached by a flight of steps which rise over and shield from view the entrance to semi-basement. This secondary entrance to the house, intended only for use by servants and tradesmen is reached by a descending, segmented external double staircase, a common enough feature in a baroque house ascending the principal entrance, but rare when descending to a secondary entrance. The windows are ornamented by dropped keystones and aprons.
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Thomas Goodwillie was a Scottish sculptor active in Moray in the nineteenth century. He is known for carving the statue of George Gordon in his robes of the office of chancellor of Marischall College, Aberdeen, in 1855, which sits atop the Duke of Gordon's Monument, and for his work with David Bryce, creating many of the sculptures that decorate Cullen House. He worked with Alexander Reid on numerous buildings, including the parish church at Inverkeithny, and the Falconer Museum in Forres, for which he carved the faces of eminent scientists into the keystones of the arched interior. He also carved the bull's head into the keystone of the arch at the west front of Alexander Ross's large Italianate range at Home Farm in Kinloss, and he created the cartouche featuring Saint Giles in the town hall in Elgin.
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The street front in the rue de Jouy presents a symmetrical, austerely unornamented range of two-storey buildings with a rusticated central arched porte cochère leading between ranges of stabling to the entrance court and matching end pavilions of three storeys, crowned with tall sloping slate roofs à la française, which are pierced with pedimented dormers. The cour d'honneur is enclosed by the five-bay principal corps de logis, corner pavilions and the identical flanking wings, of two storeys equal in value, of paired windows of four-over twelve panes framed in molding between lightly panelled piers. The keystones of the windows are integrated with sculptured friezes that run above them and serve as supports to the cornices, tying together all the elements of the design. Garlands of fruit and leaves, human and animal masks and carved draperies provide a rich decor.
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These actions damage the boundaries between the dimensions, causing them to merge and characters to be displaced. When Robin (Scott Menville), Frodo (Yuri Lowenthal), and MetalBeard (Nick Offerman) are pulled into the vortexes, each unknowingly in possession of one of the Elements, Batman (Troy Baker), Gandalf the Grey (Tom Kane), and Wyldstyle (Elizabeth Banks) all jump in after them. The three get pulled into the same vortex and appear on Vorton, where the vortex generator they came out of explodes, prompting them to rebuild it. Aided by X-PO, the three use the generator to travel through the dimensions and search for the Foundation Elements and the five missing Keystones that power the generator (Shift, Chroma, Elemental Phase, Scale, and Locate) hoping to find their missing friends and stop Vortech's plan from succeeding in the process.
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Hansen was reported to be on the Reading staff again during 1928's spring training, with the Keystones still anticipating his arrival as late as mid-April, but he played the entire 1928 season for the unaffiliated Elmira Colonels, posting a 12-17 win-loss record in 229 innings (37 games; tied for most pitching appearances on the club). Hansen led the Colonels in runs allowed, earned runs, and walks, allowing 241 hits on the season and collecting a 4.14 ERA. In 1929, Hansen re- surfaced with Chicago on the way to spring training at Catalina, and spent that season in the minor leagues with the Dayton Aviators, where he accumulated a 5.16 ERA (105 earned runs in 150 innings), winning seven games and losing eleven. He struck out 78 batters that season against 68 walks, allowing 166 hits.
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The house, which he had much improved, became the rendezvous of many distinguished people, among whom were Horace Walpole, David Hume, the poet Thomas Gray, and sculptress Anne Seymour Damer, who carved the keystones of Henley Bridge. The grounds were laid out by Conway according to the taste of the period. At the upper end of the Happy Valley in the park was placed a Grecian ruin built of stones brought from Reading Abbey, and stones from the same place were used to build and stones from the same place were used to build the bridge over the valley which carried the road from Henley to Wargrave. On a hill beyond the pleasure grounds was a Druidic temple presented to Conway by the inhabitants of Jersey (where it was found near St. Helier in 1785), when he was governor of that island.
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Building with classroom attached The building comprises a two-storey rendered brick and iron-roofed main building with a later single-storey brick classroom or hall at the rear, added during the period of school occupancy of the building and perhaps contemporary with the Federation style porch of timber construction added to shelter the principal entry to the main building. Outbuildings at the rear include a separate kitchen-house and a stables block with later garage addition, the latter original internal details such as the horse "boxes" and wooden cobble floors. The bank building proper is of simple and austere Victorian styling, its facade enlivened only by decorative lintels, keystones and sills to the window openings. Internally the building is also very simply and economically fitted with none of the elaboration usually found in major commercial premises of the period.
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External: Located at 6 Railway Parade to the eastern side of Lithgow Station, the Station Master's residence is a fine example of a grand two-storey railway residence. It is constructed of brick and stone, with rusticated render to the main railway facades and a slate tiled roof. The residence is located on the northern side of the railway line with a projecting faceted observatory room over the entrance portico. The distinctive Victorian features include arched windows with contrasting rendered moulded trims and sills, projecting keystones, rendered contrasting string band at the first floor slab level, decorative moulded brackets supporting the wide eaves, a rendered chimney with corbelled top, timber framed double-hung windows with two-pane upper sashes, timber panelled entrance door with sidelights and fanlight, and an arched two- storey high decorative portico with tessellated tile flooring over the front entry dominating the railway facade.
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Romano's willingness to play with the conventions of the classical orders is already in evidence; the Doric here has guttae but no triglyphs on its narrow entablature. The volutes of the Ionic capitals are repeated in the window surrounds between them: "The canonic orders here begin to be treated visually as independent from their structural purposes, and this liberation offered the architect new expressive possibilities."Talvacchia His last building in Rome, the (started 1522–23), was a considerable contrast, being a palazzo in the city centre, with shops on the ground floor, and a massive, imposing feel. The rustication and exaggerated size of keystones that were to be so prominent in his later buildings in Mantua are already present on the ground floor, which dispenses with any classical order, but the two upper floors have increasingly shallow orders in pilasters, somewhat in the manner of the Villa Lante.
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The main (west) facade has a projecting two and a half-story gable roof section that is three bays wide and two deep. Decorative detail on the exterior includes quoins, the James Gibbs-inspired surround on the main entrance, and the molded surrounds and keystones of the casement windows. In the northwest corner of the intersection between the building's two sections is a one-story-high, one-bay- square addition with a narrow metal casement window on the west facade and a large double entrance for horses on the north. The building's interior consists of a large riding ring that is open to the rafters, and in the gable- roofed section, there are lockers and changing rooms on the first floor and a multi-purpose room on the second; on one of its walls is a floor-to-ceiling window permitting view of the ring activity below.
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Flanking the porch are a pair of extensively glazed early 20th-century cast-iron verandahs with copper roofs. The south (rear, garden-facing) front has a centrally oriented flint and stone porch flanked by paired entrances with segmental arched pediments and keystones, windows with architraves and a panel with a coat-of-arms carving. The five-window range on the main façade is similar to that on the north side, but the side wings have arched French windows and balconies. The visitor route covers four levels and includes the entrance hall, a former library (now the Macquoid Room), a morning room, ground-floor corridors on the northeast and northwest sides, the Cleves Room, a drawing room and dining room and a substantial staircase leading to a first-floor landing with former bedrooms on the northwest, north, northeast, southwest and southeast sides, as well as two servants bedrooms and an Edwardian bathroom.
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Builder Peter Brown was employed to renovate Bostock's former office in October 1882 and the bank moved there in 1883. At this time, the bank was a simple rendered building with a central arched doorway and an arched window on either side, all with decorative pilasters and semi-circular heads with keystones. Bank records show that "general improvements" were made in 1935; this is believed to have been when the pediment was built above the entry and the windows and doors were changed. In 1948, the Queensland National Bank was absorbed by the National Bank of Australasia Ltd which also had an Ipswich branch nearby in Brisbane St. The two branches remained in operation until 1973 when the former Queensland National Bank building was sold to solicitors Somers and Walker who used it as an office then leased it to the Bank of Queensland in 1981.
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The reverse of the front facade entry arch, on the courtyard, is similar to it but without the keystone and is flanked by a pair of blind oval bulls-eyes with top and bottom keystones. The building is entered from the courtyard through four porticoes with columns of composite order, Guastavino tile ceilings, and balustrades (part of the one at the northeast corner is missing) which are set against the angled corner. Wood double doors with glass central panels and transoms are surrounded by egg-and-dart moldings and are flanked by small round-arched windows (most of which have been filled with polished granite). The courtyard walls maintain the building's overall horizontal division and materials, except that the base is one story high and is composed only of wide limestone bands and the brick is set in horizontal bands with plain and denticulated stringcourses.
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The inspiration for the Baroque facade at Heythrop was Gian Lorenzo Bernini's final design for the Louvre, a plan never executed. Like Chatsworth, Heythrop Park comprises two floors linked by the giant order standing upon a raised semi-basement; the bays are articulated by a giant order with the Baroque inturned Corinthian volutes invented by Francesco Borromini. The elevation is broken by three projections, the centre being the central portico with Corinthian columns; this has no pediment to break the roof-line. In a break from his usual style, Archer has given the fenestration unusual emphasis by contrasting architectural detailing: the windows on the ground floor are from a design by Bernini, while those on the floor above are in a mannerist style with overlarge keystones penetrating the cornice, criticise this treatment of the fenestration as "fussy" and speculate it could be the result of input by Shrewsbury himself.
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Architectural plans, circa 1935 The Fortitude Valley Police Station, a two-storey, L-shaped building in red facebrick with contrasting imitation stone facings in cream cement render, is a striking presence to the corner of Brookes and Wickham Streets, Fortitude Valley. The prominent tiled hipped roof is interrupted at the street corner and building ends by high narrow parapets with relieved quoining. Built around a courtyard containing a lavatory block and garaging to the rear, the Station is distinguished by a rendered portico entrance below an electric clock and rendered arched timber sash window within the high narrow parapet to the corner and striking rendered arches with prominent scroll keystones to the ground floor timber sash windows to both elevations.Police station, 1936 Single-height Doric columns flanked by rusticated pilasters beneath a dentilled cornice frame the main corner entrance portico which contains a set of terrazzo stairs and landing.
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Iansiti helped develop the field of Ecosystem Strategy, which focuses on the creation of firm-level strategies that are intimately connected to the surrounding business ecosystem.See, for example, Marco Iansiti, "Keystones and Dominators: Framing Operating and Technology Strategy in a Business Ecosystem" Iansiti built upon the previous work of James F. Moore,James F. Moore, "Predators and Prey: A New Ecology of Competition," Harvard Business Review, May/June, 1993 the founder of the field of Ecosystem Strategy, and is considered the current thought leader in the field. Iansiti examined firms such as Microsoft Corporation and Walmart, and found that the success of these firms depended heavily on the sustained health of complex networks of customers, suppliers, and competitors: > Many industries today behave like a massively interconnected network of > organizations, technologies, consumers and products. Perhaps the most > dramatic and widely known example is the computing industry.
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In the 1902–03 season Switzer played three games with the Pittsburgh Keystones of the American semi-professional Western Pennsylvania Hockey League. From 1903 to 1907 Switzer played for the Michigan Soo Indians, and for three seasons between 1904–1907 he represented the club in the International Professional Hockey League, the first fully professional hockey league, where he played alongside future Hockey Hall of Fame members Didier Pitre and Jack Laviolette.The Origins and Development of the International Hockey League and its effect on the Sport of Professional Ice Hockey in North America Daniel Scott Mason, University of British Columbia, 1992 The IPHL folded prior to the 1907–08 season and Switzer switched league when he moved north the border to Winnipeg and the Manitoba Hockey League where he represented the Winnipeg Strathconas for 15 games. He also played one game, and registered one goal, for MHL club Winnipeg Maple Leafs that same season.
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Lennox agreed "to plan the stone bridges...make the centring arches, and carry on such works by directing and instructing the common labourers then at the disposal of the Government". Lennox's first bridge was on the main western road at Lapstone Hill. By direction of the governor it was named Lennox Bridge and the keystones bear the name of its builder and the date 1833. It is the oldest bridge still standing on the mainland of Australia, and for ninety-three years it carried all the traffic from Sydney to the west; until 1963 it was still used by vehicles travelling up Mitchell's Pass on the initial climb over the Blue Mountains, although the main road was moved in 1926 to a better gradient by way of Knapsack Gully. In January 1834 he fixed the site for a bridge over the Medway Rivulet on the main southern road three miles (4.8 m) south of Berrima, now known as Three Legs o' Man Bridge; this was a timber structure supported on three masonry piers twenty feet (6 m) apart.
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Toowoomba Railway Station (platform side), 2012 The Station Building (1874) is a substantial symmetrical building with an elongated rectangular plan with gabled bays to the east and west, and hipped roofs to the north and south. The building is finely detailed externally: the corners have pilasters formed by projecting quoins; floor and sill levels are articulated with string courses; the western ground floor openings have arched heads with keystones framed by continuous mouldings, and include a wide arch over a centrally placed entrance to the platform; the eastern ground floor windows have square heads and projecting quoins; the upper floor windows are framed with scrolled brackets supporting moulded projecting heads; the cornice has dentils and the gable ends have cartouches. Later alterations to the western elevation include concave awnings over the upper gable windows, and an enclosed timber verandah running between the two gabled bays with a corrugated iron awning projecting from the soffit. Two cast iron queuing rails are located outside ticket windows adjacent to the western entrance.
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Here they are painted as grisaille statues in contrast to van Eyck's lifelike versions; and, unlike van Eyck's, here Adam and Eve stand in shame hiding their nudity.Upton (1975), 54 Earthly sin and strife, anger and revenge, are represented in the warriors in the corner spandrels, and signify that which Christ's birth would bring to an end. Themes of punishment and redemption are further explored in the six scenes on the arch, where the reliefs show the events from (from left to right): The angel of God expelling Adam and Eve from the Garden of Eden; post-Expulsion life "when Adam delved and Eve spun"; the sacrifices of Cain and Abel; Cain killing Abel; (top) God banishing Cain; Cain saying farewell to his parents, or possibly his brother Seth leaving to find the Tree of Life, a Jewish legend from The Apocalypse of Moses, a pseudepigraphical work from antiquity.Murdoch (2009), 6 The two uppermost reliefs on the arch, which have a central focus and function as keystones, bring attention to the juxtaposition of Old and New Testament themes.
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In 2014, Connie Price and the Keystones digitally released four songs under the title "Lucas High EP", a tribute to Euro jazz-funk session man Doug Lucas, who helped create the sound for some rare studio instrumental bands and jazz-funk concept groups, including Chakachas, Superfunkydiscotheque, Plus, JJ Band, S.S.O. Orchestra, and Mombasa. The EP also featured Zach Lucas, son of the late jazz funk composer and trumpet player. Following the positive response to the Lucas High sound on the EP, producers Dan Ubick and Matt Fife remastered the original four tracks with Dave Cooley and expanded the session to a full LP release called Lucas High with seven new originals (A Man Called Horse Records). Lucas High featured a studio sound of CP&K;'s heavy hitting ensemble led by bandleader Dan Ubick, and accompanied by some of the most prolific artists from the golden age of hip hop, including Big Daddy Kane, Talib Kweli, Brand Nubian, M.O.P., Imani and Brown of The Pharcyde with DJ Rhettmatic, Soup and Marc 7 of Jurassic 5, Brother J of X-Clan, Wildchild of Lootpack, Llgl Tndr.
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