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58 Sentences With "keep it to yourself"

How to use keep it to yourself in a sentence? Find typical usage patterns (collocations)/phrases/context for "keep it to yourself" and check conjugation/comparative form for "keep it to yourself". Mastering all the usages of "keep it to yourself" from sentence examples published by news publications.

Think whatever you feel is right; just keep it to yourself.
I lifted up his arm and told him, 'Keep it to yourself.
Space cowboy, I Miss You, Keep it to yourself, FOLLOW YOUR ARROW!!
Rule Two: If you do know he's coming, keep it to yourself.
Sometimes, it might be better to keep it to yourself, experts say.
If you don't have anything nice to say, just keep it to yourself.
If you're going to be a racist, stereotypical jerk...keep it to yourself.
Immerse yourself in it alongside someone you care about and keep it to yourself.
If you don't like a post … just keep it to yourself and unfollow that person!!!
Unless your tip is a number that's 15-20% of the bill, keep it to yourself.
Why not just keep it to yourself, if there is nobody else to hear your words?
Nobody cares about what's going on in your personal life so just keep it to yourself.
Next time, keep it to yourself — some of us like to wrestle with the muck of life.
But this is just between you and me, and I'm trusting you to keep it to yourself.
"Unless you really want to spark off a debate, it's kind of, 'Keep it to yourself,'" he said.
But, like the sweaty man-boys of SantaCon and wearers of dumb Christmas sweaters, please keep it to yourself.
They don't want anyone to know For all the reasons mentioned, it may seem easier to keep it to yourself.
Name Withheld When information is given to you on condition that you keep it to yourself, you're obliged to give serious weight to the compact of confidence.
Here's an idea next time you're thinking you might know better than a random mom you see on the bus or even your own daughter: keep it to yourself!
Some part of me was paying close attention, and it unquestioningly absorbed the lesson of that day: if you are gay, keep it to yourself or suffer the consequences.
The dish does have a way of coaxing people together — you may order it for yourself or with a group, but you should not expect to keep it to yourself.
"So let me give you a little me advice that my mother gave me 37 years ago, and that's if you don't have something nice to say keep it to yourself."
Your story is yours, you can share it when you want to, you can keep it to yourself forever, it's okay...it doesn't make you more or less of anything at all.
"If you telling your boss that you are looking for another job would lead to you being told to pack your belongings and leave the building, keep it to yourself," says Slyman.
" Kennedy claimed that she tried to address the issue with someone at the show, but was told "Nobody cares about what's going on in your personal life so just keep it to yourself.
Sharing intimate details about your love life falls into the "too much information" category, she says, and "if it doesn't enhance your professional image, or enrich workplace relationships, you should keep it to yourself."
"Try to keep it to yourself and don&apost bring it out to the world, because it&aposs not going to help us come the later stages of the tournament," defender Kyle Walker said Friday.
There are rules for ordinary people about to meet an extraordinary entrepreneur on short notice: Rule No. 1: You probably won't know he's coming, and No. 2, if you do know, keep it to yourself.
The wind kicked up dust as she launched into a calypso version of "Keep It To Yourself" that went seamlessly right into a cover of Brooks & Dunn's "Neon Moon" while a blood red moon was projected onto the screen behind her.
One, rushing across campus in a seersucker suit on his way to a Kentucky Derby-watching party, summed up the sentiment of many when he said that if you have an opinion that might offend someone, keep it to yourself.
Since the water supply in the US is generally safe, Crosby thinks you can maybe get by rinsing a water glass that you've been using in just water if only you have used it and plan to keep it to yourself.
I never thought about it until young people started getting onstage, and it's supposed to be a dance concert and they kept telling us about their horrible mother or what a hard time they had and all of this true stuff, and I went: Oh, keep it to yourself.
I'm on the other side being very vocal to some of the people in my district, telling them that just because you achieved the American dream you can't keep it to yourself and let the Nimby (not in my backyard) attitude make you want to wall up your neighborhood.
If you can think of anyone worse in this world than someone trying to sing along in a club to a song they don't actually know the words too, then please keep it to yourself because I've had a rough few months and don't think I could take the pain.
I mean, she's not wrong on any of those points, but as Asia O'Hara pointed out, even if you feel that way you keep it to yourself until your confessional interview because she doesn't need the other bitches squishing sour grapes into her ears like they're trying to make a really salty malbec.
Maybe this moment came on a basketball court, but it's more likely that it happened at a party or under the humming shitty lights of some work setting or in some conversation or other; it may have happened on social media, although you'd probably do well to keep it to yourself if it did.
So what I was getting to in my mind but I didn't say it out loud is — since you sold Huffington Post for a bunch of money to AOL, it's a big, successful exit for you — how does that affect the way you look at the next company you're investing a lot of time and money in, BuzzFeed, in terms of how long you'd want to keep it to yourself, whether or not you'd consider selling it, what success looks like ... If you've had a success like HuffPo, how does that go into what you think about the next big project?
Keep It To Yourself is the debut album by MullMuzzler (a band formed by Dream Theater lead singer James LaBrie). It was released on August 24, 1999.
The videos for 'A Kick in the Mouth' and follow up single 'Keep It to Yourself' were filmed back to back in one weekend and were the most expensive videos recorded so far as they were both shot on film. The 'A Kick in the Mouth' video was shot in a studio in London with seven real dancers and Ryan Maunder, the engineer who worked on the album, and who appears in all the single sleeves as well as starring in the video for 'Keep It To Yourself'. Maunder also created a remix of the single.
"Keep It to Yourself" is a song written by American country music artist Kacey Musgraves with Shane McAnally and Luke Laird, and sung by Musgraves. It was released on March 10, 2014, as the fourth and final single from Musgraves' debut album, Same Trailer Different Park (2013).
The album features all three of Williamson's singles that charted on Billboard's R&B; Singles chart; "Don't Start Me Talking" (#3), "Keep It to Yourself" (#14), and "Help Me" (#24). The album also features "Bring It On Home" (later covered by Led Zeppelin) and "One Way Out" (covered by Allman Brothers Band).
The Official Secrets Act is M's second album, released in 1980 on Sire Records. The track "Official Secrets" was released as a single and charted in the UK at No. 64 in November 1980. The follow-up single was "Keep It To Yourself". The track "Maniac" featured Level 42 members Phil Gould on drums and Mark King on bass.
"Act Like You Don't" is a country pop ballad about the struggle of moving on from a relationship that ended amicably. The song's lyrics find Eden "pleading for space" from an ex-boyfriend in order to heal from her heartbreak. Critics have complimented the "authentic" songwriting and have compared the song's themes to "Keep It to Yourself" by Kacey Musgraves.
The set featured a cover version of the Gorillaz song "Feel Good Inc.", as well as two songs from the second album, "Some Mothers Do 'Ave 'Em" and then upcoming single "Keep It to Yourself". In September 2006, the band toured around the UK and Europe with Canadian punk band Billy Talent. This was the first time that Reuben played in Europe.
16 In an era when the presidential salary was expected to cover wages for the White House servants, Polk replaced them with slaves from his home in Tennessee.Greenberg, p. 74 Polk did not purchase slaves with his presidential salary, likely for political reasons. Instead, he reinvested earnings from his plantation in the purchase of slaves, enjoining secrecy on his agent: "that as my private business does not concern the public, you will keep it to yourself".
"Rainbow" debuted at No. 58 on the Billboard Country Airplay chart for the chart dated February 16, 2019. In its second week, it entered the top 40 of that chart, making it her highest-peaking single since "Keep It to Yourself" in 2014. It also debuted at No. 17 on the Billboard Hot Country Songs chart and at No. 98 on the Billboard Hot 100. On the latter, it became her first song to chart in six years.
Kerr toured the South of Sweden with Jan Lundgren to promote the CD as well as in the UK. The Jazz Man reviewed the release as "A typically classy offering from Kerr. A lovingly crafted selection of songs beautifully sung and flawlessly played" In late 2007 Kerr toured the UK with her husband Geoff Gascoyne’s project “Keep it to yourself”. Bob Dorough performed with the band at the Cork Jazz festival and the piano player on that tour was Jamie Cullum.
In the bar's parking lot, the two men fight. Mill goes too far and drowns Kahane in a shallow pool of water while screaming, “Keep it to yourself!”. Mill then stages the crime to make it look like a botched robbery. The next day, after Mill is late for and distracted at a meeting, Studio chief of security Walter Stuckel confronts him about the murder and says that the police know that he was the last one to see Kahane alive.
Another World is the ninth studio album by Gerry Rafferty. The album was released in 2000 on the Icon Music label to good reviews. It was re-released in 2003 on the Hypertension label with a slightly amended track order, and with "La Fenêtre" replaced by "Keep It To Yourself", the latter track also being released a single in Europe and the UK. Mark Knopfler of Dire Straits appears throughout the album, providing rhythm guitar and lead fills. The album was originally only available through Gerry's website to download.
The song begins with drums, electric bass, and a left hand piano part, followed by a keyboard riff in the right hand. The riff is also used as a fill between verse and chorus sections and is also played at the end. The section order is intro-verse-fill-chorus- bridge-v-f-c-b-solo-c-outro. Chicago members Peter Cetera and Donnie Dacus performed the backing vocals and sang along with Billy Joel during the bridge and in the outro ("Keep it to yourself, it's my life").
The first session that Williamson recorded for Checker was on August 12, 1955 where he recorded "Don't Start Me to Talkin'" and "All My Love in Vain", which were released as a single a month later in September. On January 7, 1956 he recorded "Let Me Explain". The single "Keep It to Yourself" b/w "The Key (To Your Door)" was recorded on August 7, 1956. "Fattening Frogs for Snakes" b/w "I Don't Know" was recorded on February 6, 1957 and was released either in late May or early June.
The box set included the original Non Stop album, the previously released "Call on Me" single, and two more discs including the "Running Out", "Will You Be There?" and "Non Stop" singles. "Running Out" and "Will You Be There?" were housed together on one disc with the same track listing as the single. "Non Stop" contained the same track listing as the single, with three bonus tracks: "Pop Pop Pop Pop", "Keep It to Yourself" and "Cosmic Climb". All four discs fit inside a black cardboard box with a red string inside to lift the CDs out of the box.
Elements of Persuasion, released March 29, 2005, is Dream Theater singer James LaBrie's first solo album under his name, and third solo project, his first two being Keep It to Yourself and MullMuzzler 2, which were released under his band MullMuzzler. LaBrie hired new musicians, including guitarist Marco Sfogli from Italy and Richard Chycki as sound engineer. Despite the lineup change, the album is still based on the same general style used on the past two albums, although with a much heavier sound. This is the last of LaBrie's solo albums to feature drummer Mike Mangini, who would join Dream Theater five years later.
His cover stories included pieces on Chris Wolstenholme of Muse, Justin Chancellor of Tool, jazz bassist Christian McBride, and Alex Webster of Cannibal Corpse. He was on the magazine's masthead as a Contributing Editor from 2007-2012. In his career as a sideman musician, during 1997-1999, Beller recorded two tracks on Steve Vai's The Ultra Zone album, toured Europe with former MC5 guitarist Wayne Kramer, and continued work with Mike Keneally on his albums Sluggo! and Dancing. During 1999-2005, Beller tracked three albums for Dream Theater's James LaBrie - two under the Mullmuzzler name (Keep It To Yourself and Mullmuzzler 2), and one as James LaBrie (Elements Of Persuasion).
In late 1980, the follow-up album called The Official Secrets Act was released, containing the songs "Keep It to Yourself" and the title track, and was inspired, albeit tongue-in-cheek, by the overwhelming worldwide paranoia of the time. It was recorded in the UK and Dublin, with contributions from Bill Whelan (the man behind Riverdance, who at the time worked as an arranger). Among the musicians on the album were Phil Gould on drums again, who also introduced his friend and subsequent Level 42 colleague Mark King. King at the time played guitar as much as bass, and it was prior to his discovery of his trademark sound.
Checker released several singles by well-established blues artists such as Elmore James, Arthur "Big Boy" Crudup (credited as Perry Lee Crudup), and Memphis Minnie, none of which sold well. One well-established blues artist that did manage to make a hit on Checker was Sonny Boy Williamson II, who charted with "Don't Start Me Talkin'" (number 3) in 1955, "Keep It to Yourself" (number 14) in 1956, and "Help Me" (number 24) in 1963. On March 2, 1955, the Chess brothers recorded their first rock and roll artist, Bo Diddley. From this session came Bo's self-titled debut single on Checker, which topped the R&B; charts and was inducted into the Grammy Hall of Fame in 1998.
After the release of the career-spanning compilation Melting Pot the band's contract with Beggars Banquet was up, and they signed to Universal Records. Relations with the Beggars label remained strong however, and the band helped put together the B-sides collection Songs From The Other Side and the DVD Just Lookin' 1990–1997, which showcased all their promotional videos and a selection of live recordings from that era. Us And Us Only was the start of a new era for The Charlatans. Their first release for Universal saw new keyboard player Tony Rogers make his Charlatans album debut, having previously toured in support of Tellin' Stories and contributing to B-sides "Keep It to Yourself" and "Clean Up Kid" from the "How High" single.
"Keep It to Yourself" is a country song addressed to an ex, speaking of how the narrator doesn't want to hear how her ex is feeling, because she doesn't want to fall for him again. It is musically and lyrically different from Musgraves's other songs, with a more traditional lyric and slight country pop sound. Musgraves stated: “It’s just about knowing and wanting to know how that person feels about you, like, in a situation, but just knowing that it’s not good for you anymore and that you literally have to be the strong person and say, ‘Don’t tell me, because it’s just going to rope me back in.' It’s just like about getting over that hump, that hard part where you feel like you’re just going to die because this person’s not there anymore. Nobody wants to feel naked or uncomfortable, and removing yourself out of a situation that you know is probably not right is really hard, but it’s something that you just have to do.” Instruments used in this song include guitar, banjo, piano, and pedal steel guitar.

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