It is also served at Jardiniere in San Francisco, and at Crossroads, a vegan celebrity haunt in West Hollywood.
|
|
Impossible Foods makes its West Coast debut today, starting with Jardiniere and Cockscomb in San Francisco and Crossroads Kitchen in Los Angeles.
|
|
Initial tastings were held at high-end restaurants in New York and California, including David Chang's Momofuku Nishi and Traci Des Jardins' Jardiniere.
|
|
1899), Sir Hugh Nelson (c. 1906), and Sir Thomas McIlwraith, all were one-time Premiers of Queensland when the state was a colony. Jardiniere – James Campbell & Sons held at Queensland Art Gallery The Queensland Art Gallery holds two items of Watts’ a Jardiniere c.1890 a product of the James Campbell and Sons pottery works and a Sketch model of the late David Bowman (c.1916).
|
|
If just a lone orchid sitting in the window isn't decorative enough for you, put the pot in a pretty cachepot or jardiniere to add visual interest.
|
|
Bust of Simon Saint-Jean by (1885) La Jardiniere Simon Saint-Jean (14 October 1808, Lyon - 3 July 1860, Écully) was a French painter who specialized in flowers.
|
|
Jardiniere, c. 1900. Govert-Marinus Augustijn (Bergen op Zoom, 27 October 1871 – Hilversum, 26 May 1963) was a Dutch potter in the style of the Art Nouveau.Biographical data at the Netherlands Institute for Art History. He was the son of pottery manufacturer Govert Johannes Augustijn and Maria van Dijke.
|
|
Madame Pompadour as "La Belle Jardiniere" (after Charles-André van Loo) Frontispiece from "La Pitié" (engraving after Monsiau) Jean-Louis Anselin (26 May 1754 – 15 March 1823) was a French engraver. Amongst his best work is an engraved portrait of Madame Pompadour as "La Belle Jardinière" (pictured).Portalis, Roger & Béraldi, Henri. Les graveurs du dix-huitième siècle (Paris D. Morgand et C. Fatout, 1880) pp. 29-34.
|
|
A Roseville jardiniere in the Pinecone pattern The Roseville Pottery Company was an American art pottery manufacturer in the 19th and 20th centuries. Along with Rookwood Pottery and Weller Pottery, it was one of the three major art potteries located in Ohio around the turn of the 20th century. Though the company originally made simple household pieces, the Arts and Crafts–inspired designs proved popular, and Roseville pieces are now sought after by collectors.
|
|
One of Limbert's most notable pieces, a jardiniere, was included among Stickley and other craftsmen's work in the 1973 show at the Art Museum of Princeton University that began the Arts and Crafts Revival. Limbert's provided several major custom orders of furniture for the Old Faithful Inn in Yellowstone National Park. The hotel is still filled with Limbert Rockers, Arm-Chairs and Settles in the "Flanders" style, with a custom ordered yellow finish. Several wash stands remain in the Old House section of the Inn, and a number of pieces of Old Hickory furniture, a line represented by Limbert, are still in use.
|
|
In the 17th century Nevers was then a pioneer in imitating Asian ceramic styles in Europe, within some decades followed by all producers of fine wares. The second half of the 17th century was Nevers' finest period, with several styles being made at the same time, including a grandiose Italianate Court style.McNab, 12, 18, 20–21; Chaffers, 150; V&A;, Nevers Jardiniere By the time of the French Revolution Nevers wares had ceased to be fashionable and expensive,Garnier, 274–275 but the relatively crudely painted faiences patriotiques wares commenting on political events have great interest and charm.
|
|
In particular, in a short story This Is Not Written In A Cookbook (1947) by Yevgeny Vorobyov, a Soviet soldier and a former chef in a Moscow noble hotel explains to his comrade in arms, that "cutlets de volaille are made for two tastes. There are cutlets de volaille Kyiv-style and cutlets de volaille jardiniere." Kotlet de volaille in Poland The dish also made its way to Poland in the 19th century, as its eastern territories became part of the Russian Empire after the partitions. The name kotlet de volaille is used to this day for chicken Kiev in Poland.
|
|
Lilac, white and green jasperware cachepot with saucer, 1785–1790, by William Adams & Sons. A cachepot (, ) is a French term for what is usually called in modern English a "planter" or for older examples a jardiniere, namely a decorative container or "overpot" for a plant and its flowerpot, for indoors use, usually with no drainage hole at the bottom, or sometimes with a matching saucer. It is intended to be more attractive than the terracotta (or today, plastic) flowerpot in which the plant grows, and to keep water off furniture surfaces.Cachepot article Another French term is jardinière; the distinction is that that is usually larger, and may sit on the floor, either indoors or outdoors.
|
|
"Antiques Roadshow's Highest Valuation Ever", BBC Channel on YouTube. Retrieved 25 August 2009 Glassware expert Andy McConnell later valued a collection of chandeliers at seven million pounds (their actual insurance value), noting as he did so that this beat Mould's record; however these were fixtures of the building in which the show was being filmed (Bath Assembly Rooms) rather than an item that had been brought in. In reality, the two most expensive objects to be sold as a result of being discovered on the show are the 1932 camera found by Marc Allum, which realised over $600,000 (US) in 2013 and the Christofle et Cie Japonisme jardiniere filmed by Eric Knowles, which sold for £668,450 (including buyers premium). Conversely, many items brought before the experts are without commercial value, if not outright counterfeits.
|
|
Paris became world-famous for making consumerism a social priority and economic force, especially through its upscale arcades filled with luxury shops and its grand department stores. These were "dream machines" that set the world standard for consumption of fine products by the upper classes as well as the rising middle class.Patrice Higonnet, Paris: Capital of the World (2002) p 195, 198-201 Paris took the lead internationally in elaborate department stores reaching upscale consumers with luxury items and high quality goods presented in a novel and highly seductive fashion. The Paris department store had its roots in the magasin de nouveautés, or novelty store; the first, the Tapis Rouge, was created in 1784. They flourished in the early 19th century, with La Belle Jardiniere (1824), Aux Trois Quartiers (1829), and Le Petit Saint Thomas (1830).
|
|