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25 Sentences With "Japanese street fashion"

How to use Japanese street fashion in a sentence? Find typical usage patterns (collocations)/phrases/context for "Japanese street fashion" and check conjugation/comparative form for "Japanese street fashion". Mastering all the usages of "Japanese street fashion" from sentence examples published by news publications.

Their polymer clay pieces combine their own whimsical visions with their love for Japanese street fashion, namely the Kawaii aesthetic.
Years before Beats turned the Western mainstream on to the concept of stylish cans, the discreetly futuristic Eggos managed to bridge the gap between Japanese street fashion and Sony's cold minimalism.
Venus's style, especially in early videos, draws heavily on the Lolita subculture, a look originating largely in Japanese street fashion and popularised by the Gothic & Lolita Bible (scans of old editions are on Tumblr here) and brands like Angelic Pretty and Baby, The Stars Shine Bright.
Bape is a popular Japanese street fashion brand and with many celebrities appearing in magazines and catalogs wearing Bape's clothing.
In 2006, Miss Japan Kurara Chibana appeared in a ninja-samurai costume for the Miss Universe competition. Goth Ninja, a type of Japanese street fashion, became popular in 2009. In information technology, "cyber ninja" are sophisticated counter-hackers.
Japanese street fashion sustains multiple simultaneous highly diverse fashion movements at any given time. Mainstream fashion often appropriates street fashion trends as influences. Nowadays, street fashion is getting more and more popular. Most major youth subcultures have had an associated street fashion.
In December 2007, Marui Co., Ltd. launched an international shopping and information website, maruione.jp. The site operates in Japanese, simplified and traditional Chinese, Korean, English, and French. The shopping site offers Japanese street fashion and traditional goods while their LiveJ information site provides information on fashion, culture and visual kei music.
His art is recognized by its heavy emphasis on muscle and weight for both genders, shaded with sharp gradients and highlights. His designs are influenced by the clothing found in Japanese street fashion, particularly Lolita and Fruits fashions. In interviews, he insisted that he uses no reference for his work, relying only on "strong images from memory".
Streetwear is a style of casual clothing which became global in the 1990s. It grew from New York hip hop fashion and eventually California surfskate culture, to encompass elements of sportswear, punk and Japanese street fashion. Eventually haute couture became an influence. It commonly centers on "casual, comfortable pieces such as jeans, T-shirts, baseball caps, and sneakers", and exclusivity through intentional product scarcity.
Aristocrat is a type of Japanese street fashion, championed by the visual kei rock musician Mana with his fashion label Moi- même-Moitié, and influenced by gothic and Neo-Victorian fashions. A typical outfit will combine elements of fetish wear with Victorian and sometimes steampunk fashions, including tight pants, velvet sportcoats, top hats, cravats, corsets, ankle length skirts, lace petticoats, and the frilly pirate shirts previously popularised by the New Romantics of the 1980s.
Fruits (stylized "FRUiTS") was a monthly Japanese street fashion magazine founded in 1997 by photographer Shoichi Aoki. Though FRUiTS covered styles found throughout Tokyo, it is associated most closely with the fashion subcultures found in Tokyo's Harajuku district. The magazine primarily focused on individual styles found outside the fashion-industry mainstream, as well as subcultures specific to Japan, such as lolita and ganguro, and local interpretations of larger subcultures like punk and goth.
In an interview in the January/February 2006 edition of Blender magazine, Cho called Stefani's Harajuku Girls a minstrel show that reinforces ethnic stereotypes of Asian women.Harajuku Girls by Margaret Cho writing on her blog, October 31, 2005, accessed December 29, 2007 Writer Mihi Ahn of Salon.com said of Stefani's Harajuku Girls: "Stefani has taken the idea of Japanese street fashion and turned these women into modern-day geisha".Gwenihana by Mihi Ahn, Salon.
These fashion conscious, or fashion-obsessed, youngsters indirectly and directly dictate this type of Japanese fashion. It is not an exaggeration to say that they are the agents of fashion, who take part in the production and dissemination of fashion. Japanese street fashion emerges from the social networks among different institutions of fashion as well as various street subcultures, each of which is identified with a unique and original look. These teens rely on a distinctive appearance to proclaim their symbolic, subcultural identity.
Three 'Rady' shop staff were arrested and charged with stealing clothes. The crime occurred due to shop staff only getting paid around 880 yen an hour. The 'Rady' store was closed within the same month. Oyajigyaru (オヤジギャル): isn't a style, rather it is a title that gyaru have gotten themselves because of their manner of showing and acting out towards others on the street, these gyaru have carried as the over prevailing years of its existence of as a subculture of Japanese street- fashion.
Man wearing a tiger kigurumi onesie on the street A type of onesie known as kigurumi (着ぐるみ), or "cosplay pajamas", emerged as Japanese street fashion and spread outside Japan in 2009 when they were exported by the Kigu company. Kigurumi can also refer to a costumed character, and these types of clothing resemble various types of animals, similar to a mascot costume. They became popular worldwide, in particular following a viral video of Miley Cyrus twerking while wearing a unicorn kigurumi.
A Classic Lolita and an Aristocrat. Aristocrat is a Japanese street fashion that is inspired by what is thought to have been worn by middle class and higher social status Europeans in the Middle Ages, as well as the upper class in the 19th century. The fashion includes long sleeve blouses and shirts, long skirts, corsetry, and trousers and dresses that are styled similarly for men and women, since it is centred on androgyny and elegance. Most aristocrat fashion takes heavy influence from gothic fashion.
Miuccia Prada created the costumes for the second section, based on rock-n-roll and taking influences from Japanese street fashion. During the Latin influenced third section, Puglisi and Jebran crafted the matador-inspired costumes portrayed in the music video of the album's first single, "Living for Love". They used black tulle netting on the pants and paired the dress with a transparent side-paneling, coupling it with a black and fuchsia-colored jacket embellished with the letter 'M' in Swarovski crystals. Another design by Michele had Madonna wearing a shawl, flamenco hat, lace, skirts and a jacquard bodysuit.
Japanese fashion has inspired many fashion professionals in the West, starting with Kenzō Takada’s appearance in Paris in 1970 followed by Issey Miyake in 1973, Hanae Mori in 1977, Yohji Yamamoto and Rei Kawakubo of Comme des Garçons in 1981. Japan is gradually becoming a country that is a genuine force in the field of fashion. Today's Japanese fashion contributes both to the aesthetics of fashion as well as to how business is made in this industry. Japanese street fashion does not come from the famous professional Japanese designers, but is led by high school girls who have become extremely influential in controlling fashion trends.
Japanese street fashion refers to a number of styles of contemporary modern clothing in Japan. Created from a mix of both local and foreign fashion brands, Japanese street fashions tend to have their own distinctive style, with some considered to be extreme and avant-garde, with similarities to the haute couture styles seen on European catwalks. Though extremely popular in the 1990s and early 2000s, many trends experienced a downturn in popularity in the later 2000s and onwards; the rise and fall of many of these trends had been chronicled by since 1997 in the fashion magazine Fruits, which was a notable magazine for the promotion of street fashion in Japan.
A woman wearing gyaru fashion in 2007 Gyaru is a description of either sex, but mostly women, who follow a type of Japanese street fashion with many subcategories, many types of which originated in the 1970s."The History of the Gyaru – Part One" NéoJaponisme. Retrieved February 28, 2012 It is a fashion that is considered as not conforming to, and rebelling against, the Japanese standards of its society, at the time when women were expected to be housewives, and fit Asian beauty standards of pale skin and dark hair. For women this fashion was for them to be more racy and freewheeling, with some feeling it caused a ruckus, juvenile delinquency and frivolousness.
Streetwear style is generally accepted to have been born out of the New York City hip hop culture of the late 1970s and early 1980s, with elements of the Los Angeles surf culture. Early streetwear in the 1970s and 1980s also took inspiration from hip hop, the DIY aesthetic of punk, Japanese street fashion, new wave, heavy metal, and co-opting established legacy sportswear and workwear fashion brands such as Schott NYC, Dr. Martens, Kangol, Fila and Adidas. In the late 1980s, surfboard designer Shawn Stussy began selling printed T-shirts featuring the same trademark signature he placed on his custom surfboards. Initially selling the items from his own car, Stussy expanded sales to boutiques once popularity increased.
Foxes has said that her fashion sense has been influenced by fellow singer Cyndi Lauper and characters in films such as Empire Records (1995) and Romy and Michele's High School Reunion (1997), as well as by grunge fashions and Japanese street fashion. In 2014, ASOS.com declared Foxes "a total fashun muse" and praised her bangs as "great for hairspiration", while Elle referred to the singer as a "fashion maven" and invited her to perform for their ELLE Sessions series. Foxes is signed to the modelling agency Premier Models, has appeared in shoots for Vogue and Nylon magazines, and has been dressed for various red carpet events by Mark Fast, Markus Lupfer and Miu Miu.
The first three ambassadors of cuteness were model Misako Aoki, who represents the Lolita style of frills- and-lace, Yu Kimura who represents the Harajuku style, and Shizuka Fujioka who represents the school-uniform-styled fashion. Another way that Japan tries to popularize Japanese street fashion and Lolita is by organizing the international Harajuku walk in Japan, this should caused that other foreign countries would organize a similar walk. Possible reasons for the popularity of Lolita fashion outside of Japan are a big growth in the interest of Japanese culture and use of the internet as a place to share information, leading to an increase in worldwide shopping, and the opportunity of enthusiastic foreign Lolitas to purchase fashion. The origin of the Japanese influences can be found in the late nineties, in which cultural goods such as Hello Kitty, Pokémon, and translated mangas appeared in the west.
Since 2000, the Eurovision Song Contest, an annually televised competition of song performers from different countries, has shown an increased element of camp—since the contest has shown an increasing attraction within the gay communities—in their stage performances, especially during the televised finale, which is screened live across Europe. As it is a visual show, many Eurovision performances attempt to attract the attention of the voters through means other than the music, which sometimes leads to bizarre onstage gimmicks, and what some critics have called "the Eurovision kitsch drive", with almost cartoonish novelty acts performing. Japanese street fashion is known for its mix-match of different styles and genres, and there is no single sought-after brand that can consistently appeal to all fashion groups, the huge demand created by the fashion-conscious population is fed and supported by Japan's vibrant fashion industry. Issey Miyake, Yohji Yamamoto and Comme des Garçons are often said to be the three cornerstone brands of Japanese fashion.
During this time Japan went through an economic depression, leading to an increase in alternative youth and fashion cultures such as gyaru, otaku, visual kei, and lolita, as well as visualkei inspired clothing such as Mori, Fairy Kei and Decora The lolita style spread quickly from the Kansai region and finally reached Tokyo, partly due to the economic difficulties there was a big growth in the cuteness and youth cultures that originated in the seventies. In the late nineties, the Jingu Bashi (also called the Harajuku Bridge) became known as meeting place for youth who wore lolita and other alternative fashion, and lolita became more popular causing a spurt of lolita Fashion selling warehouses. Important magazines that contributed to the spread of the fashion style were the Gothic & Lolita Bible (2001), a spin-off of the popular Japanese fashion magazine ' (1998), and FRUiTS (1997). It was around this time when interest and awareness of Lolita Fashion began entering countries outside of Japan, with The Gothic & Lolita Bible being translated into English, distributed outside of Japan through the publisher Tokyopop, and FRUits publishing an English picture book of the Japanese Street Fashion in 2001.

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