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14 Sentences With "interrelates"

How to use interrelates in a sentence? Find typical usage patterns (collocations)/phrases/context for "interrelates" and check conjugation/comparative form for "interrelates". Mastering all the usages of "interrelates" from sentence examples published by news publications.

Moving into the second gallery that contains very large portraits, the concept of aura interrelates the works on view.
In 2014 Cappos developed PolyPasswordHasher, a secure scheme that interrelates stored password data, forcing hackers to crack passwords in sets. By making it significantly harder for attackers to figure out the necessary threshold of passwords needed to gain access, PolyPasswordHasher-enabled databases become very difficult to breach. PPH is currently used in several projects, including the Seattle Clearinghouse and BioBank. Implementations are available for seven languages, including Java, Python, C, and Ruby.
Dnieper-Donets pottery was initially pointed based, but in later phases flat-based wares emerge. Their pottery is completely different from those made by the nearby Cucuteni–Trypillia culture. The importance of pottery appears to have increased throughout the existence of the Dnieper- Donets culture, which implies a more sedentary lifestyle. The early use of typical point base pottery interrelates with other Mesolithic cultures that are peripheral to the expanse of the Neolithic farmer cultures.
The artist improvises within a structure that interrelates with the raga being played and within the talam preferred in the compositions. In mridangam, kanjira, or ghatam, the percussion is limited to physical characteristics of their structure and construction: the resonance of skin over jackfruit wood, clay shells, or clay pots. The human voice has a direct and dramatic way of expressing the percussive aspects in music directly. Trichy Shri R Thayumanavar gave a rebirth to konnakol.
Therefore, the term semiotics of dress can be further referred to as a non-linguistic semiotic resource which interrelates with facial expressions, gestures and body semiotics in an effort to develop and communicate meaning. People develop meaning of signs and signals based on an individual and personal ideology. It is important to note that clothing and fashion, by definition, are not the same. While clothing is defined as "any covering of the human body", fashion is defined as the style of dress accepted by members of a society as being appropriate for specific times and occasions.
As Vitruvius defined the concept in the first chapters of the treatise, he mentioned the three prerequisites of architecture are firmness (firmitas), commodity (utilitas), and delight (venustas), which require the architects to be equipped with a varied kind of learning and knowledge of many branches. Moreover, Vitruvius identified the "Six Principles of Design" as order (ordinatio), arrangement (dispositio), proportion (eurythmia), symmetry (symmetria), propriety (decor) and economy (distributio). Among the six principles, proportion interrelates and supports all the other factors in geometrical forms and arithmetical ratios. The word symmetria, usually translated to "symmetry" in modern renderings, in ancient times meant something more closely related to "mathematical harmony" and measurable proportions.
Thus, the philosopher's connection between the soul and body is explained almost entirely by his understanding of perception; in this way, bodily perception interrelates with the immaterial human intellect. In sense perception, the perceiver senses the form of the object; first, by perceiving features of the object by our external senses. This sensory information is supplied to the internal senses, which merge all the pieces into a whole, unified conscious experience. This process of perception and abstraction is the nexus of the soul and body, for the material body may only perceive material objects, while the immaterial soul may only receive the immaterial, universal forms.
Piaget's views of moral development were elaborated by Kohlberg into a stage theory of moral development. There is evidence that the moral reasoning described in stage theories is not sufficient to account for moral behavior. For example, other factors such as modeling (as described by the social cognitive theory of morality) are required to explain bullying. Rudolf Steiner's model of child development interrelates physical, emotional, cognitive, and moral developmentWoods, Ashley and Woods, Steiner Schools in England, University of West of England, Bristol: Research Report RR645, section 1.5, "Findings from the survey and case studies" in developmental stages similar to those later described by Piaget.
While the Hasidic texts offer many analogies of how Seder Hishtalshelus exists within a person, such as the one given above, they also emphasize that these are only analogies and the analogue is nothing like the analogies. These analogies are meant only to give a glimpse into Seder Hishtalshelus in a way that we are familiar with, but the true analogue deals with how God interrelates with our world. Much like a house, God desires a "dwelling place" in this world. This means He desired that his Essence be revealed through the medium of this world much like a person might wish his own essence to be revealed through the medium of his house.
In terms of the longevity of their smoking decisions, it has been seen that individuals' smoking habits are affected, in the short-term sense, when they are exposed to mortality salience that interrelates with their own self-esteem. Moreover, people who viewed social exclusion prompts were more likely to quit smoking in the long run than those who were simply shown health-effects of smoking. More specifically, it was demonstrated that when individuals had high levels of self-esteem they were more likely to quit smoking following the social pressure messages, rather than the health risk messages. In this specific instance, terror management, and specifically mortality salience is showing how people are more motivated by the social pressures and consequences in their environment, rather than consequences relating to their health.
In effect, differences in methods mostly act upon the fluctuating balance of the most recent cycle (and are almost the same for balances carried over from cycle to cycle. Banks and consumers are aware of transaction costs, and banks actually receive income in the form of per-transaction payments from the merchants, besides gaining a new loan, which is more business for the bank. Therefore, the interest charged in the most recent cycle interrelates with other incomes and benefits to the cardholder and bank, such as transaction cost, transaction fees to the bank, marketing costs for gaining each new loan (which is like a sale for the bank) and marketing costs for overall cardholder perception, which can increase market share. Therefore, the rate charged on the most recent cycle is largely a matter of marketing preference based upon cardholder perceptions, rather than a matter of maximizing the rate.
One of his most celebrated works is A Million Wild Acres of which Tom Griffiths (emeritus professor of history at the Australian National University) wrote: > "(Les) Murray considered A Million Wild Acres to be like an extended, > crafted campfire yarn in which everyone has the dignity of a name, and in > which the animals and plants have equal status with humans in the making of > history: “It is not purely human history, but ecological history he gives > us… one which interrelates the human and non-human dimensions so > intimately.” Murray compared its discursive and laconic tone to the > Icelandic sagas. Through his democratic recognition of all life, Rolls > enchanted the forest and presented us with a speaking land, a sentient > country raucous with sound." Rolls' papers and sound recordings, including an interview with Hazel de Berg, are held by the National Library of Australia.
Prior to the 2007 release of Michael Tolliver Lives, Maupin had been quoted on his website as saying that another Tales of the City novel was unlikely. Although Maupin originally stated that this novel was "NOT a sequel to Tales [of the City] and it's certainly not Book 7 in the series," he later conceded that "I've stopped denying that this is book seven in Tales of the City, as it clearly is ... I suppose I didn't want people to be thrown by the change in the format, as this is a first person novel unlike the third person format of the Tales of the City books and it's about one character who interrelates with other characters. Having said that, it is still very much a continuation of the saga and I think I realised it was very much time for me to come back to this territory." The novel is written from the first-person perspective of Tales character Michael 'Mouse' Tolliver, now in his fifties and living as an HIV-positive man.
They outline a "materialist psychiatry" modeled on the unconscious in its relationship with its productive processes built on the concept of desiring-production (which interrelates "desiring machines" and a "body without organs"), offer a critique of Sigmund Freud's psychoanalysis that focuses on its theory of the Oedipus complex, and repurpose Karl Marx's materialist account of the history of society's modes of production as a development through "primitive, despotic and capitalist" societies which ultimately oedipalizes. They also detail their different organisations of production, "inscription" (an act inflicted on all social bodies which corresponds to Marx's "distribution" and "exchange") and consumption, and they develop a critical practice that they called schizoanalysis which the book proposes. Other thinkers the authors draw on and criticize include Baruch Spinoza, Immanuel Kant, Charles Fourier, Friedrich Nietzsche, Charles Sanders Peirce, Carl Jung, Melanie Klein, Karl Jaspers, Lewis Mumford, Karl August Wittfogel, Wilhelm Reich, Georges Bataille, Louis Hjelmslev, Jacques Lacan, Gregory Bateson, Pierre Klossowski, Claude Lévi- Strauss, Jacques Monod, Louis Althusser, Victor Turner, Jean Oury, Jean- François Lyotard, Michel Foucault, Frantz Fanon, R. D. Laing, David Cooper, and Pierre Clastres.Deleuze and Guattari (1980, 423–427).

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