The battle music of Pokémon orchestral in composition, yet unorthodox instrumentally.
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On at least one cut, the Beatles are not heard at all instrumentally.
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The challenge of that movement is that instrumentally, you're extended all the time.
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That's fine and instrumentally is going to be helpful in all sorts of circumstances.
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Instrumentally, there's a nice build here, as the song swells to a rhythmic hook.
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Many of these artists, like this Documenta as a whole, use art instrumentally, sociologically, to political ends.
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The conservative nationalism that succeeded Bush's idealism often treats Christianity instrumentally and forges its own alliances with persecutors.
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When you play without the vocal, you tend to play to the tempo that's cool to play instrumentally.
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A thick institution is not one that people use instrumentally, to get a degree or to earn a salary.
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It's a marked contrast to Hand Habits, through which Duffy carves out space for more personal expression, both instrumentally and lyrically.
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There are many personality types, but the main two are people who are emotionally involved and people who are instrumentally involved.
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Since klezmer music, as Mr. Statman explained, is "really Hasidic vocal music played instrumentally," Rabbi Shenker's tunes also influenced klezmer performers.
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To me, that record is the right combination of big, simple songs with added elements of weirdness, both lyrically and instrumentally.
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Voting, after all, isn't really an instrumentally rational thing to do — the odds that your vote will be decisive are miniscule.
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When people consider the totality of an artist's career, they often think of the new things they do, whether lyrically or instrumentally.
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Every instrumental flaw you might have comes into a glaring light, and, of course, it demands everything of you emotionally, cerebrally, instrumentally.
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Instrumentally, the intricate 10-song tracklist is subtly diverse, weaving through a patchwork of London musical trends but firmly cementing its sound in the present.
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The follow-up, 1971's Tarkus, "solidified their popularity and distinctive sound -- instrumentally complicated yet sonically cohesive prog-rock mixing classical structures, improvisational jazz and electronics," according to Billboard.
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Miles gave me the song instrumentally and I thought it was amazing; it had such a weird, sad-but-happy quality to it and that's my favorite feeling in music.
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From the intro's four-count of the hi-hat, a simple cue otherwise, before exploding into a weaving guitar solo, "God Knows" is, instrumentally, pure joy distilled into several minutes.
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The snippet opens with just a hint of Romy Madley Croft's recognizable-anywhere vocals, and instrumentally it's as sweeping and atmospheric as anything we've heard previously from the London group.
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Curricula are constructed and classes are designed to get students to explore, non-instrumentally, the world of knowledge and to reflect on their goals and ambitions in an informed way.
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Check "Yosoiki" for dance-rock that isn't cheesy and actually limber, while "Sukima" rides a sunny soft-rock strut that sounds like if Toto (yes, Toto) were even more instrumentally adept.
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They were written in sort of a similar way [to Swearin's music], but the one major difference is that I arranged them instrumentally, which is something I didn't do in Swearin'.
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Du Yun , Kate Soper , and Ashley Fure , the Pulitzer finalists in 22006—I served on the jury—make use, variously, of punk-rock vocals, instrumentally embroidered philosophical lectures, and architectural soundscapes.
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An instrumentally fluent texture record serving an articulately sung melody record, led to its sweetly clamorous fate by Dischord art-pop hand Chad Clark, whose last album came out in 2004.
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"Ghost Town," from producer Benny Blanco, comes in sounding instrumentally the most like a fully actualized song on Ye, but the lyrics are just a mumble jumble, with no meaning or chorus halfway mumbled into a mic.
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I know when I had recorded Juarez, there were certain things I heard other instruments on it but I couldn't afford to pay for the musicians at the time and to develop any of those songs instrumentally.
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But if we only live to experience more things, we miss the fact that certain things are inherently valuable and meaningful, not only instrumentally, not only in order to achieve something else, but in and of themselves.
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Instrumentally, Emily's D+Evolution rides a rich, organic jazz groove unlike any other; defined by Spalding's bass and Matthew Stevens's jangly, dissonant guitar, it's always shifting, crunching, changing angles, refracting shades of kaleidoscopic light through different colors, shapes, dimensions.
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It sees Hus on more commanding form than we've heard before—he sounds comfortable and relaxed, riding a slightly slower, funkier (in the purest sense of the word), and more instrumentally rich beat than he's done previously, and it's definitely a look that suits him.
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Some other stipulations in the bill: All students at public and private schools would be required to memorize the anthemIt should be played in accordance with its original composition, a 2/4 time signature when played instrumentally and a 4/4 time signature when sang.
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This show in Greenpoint, Brooklyn, brings together two songwriters with vivid voices: The Bronx native Alynda Segarra leads Hurray for the Riff Raff, who released an expansive folk-rock concept album last year, and Katie Crutchfield creates instrumentally stormy, emotionally precise rock with Waxahatchee.
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But, perhaps more importantly, I learnt that through building the kinds of physique that society regards as unfeminine, these women began to use their bodies instrumentally and as an active extension of their own will, rather that existing solely to serve the male gaze.
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" The spokeswoman admitted that while the City of Gdańsk is the "main organizer" of the museum, despite providing "a subsidy almost two times lower than the ministry," she claims that the ECS "should not — and cannot — be used instrumentally for day-to-day political and party activities.
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David Greenberg, one of the lead researchers and a psychologist at Cambridge, tells CNN that people who are more analytical may view music as a sort of "puzzle" for them to figure out, which could be why they preferred artists with more instrumentally complex music, like Rage Against The Machine or Metallica.
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More exclusively electronic and less instrumentally varied than his previous work, dominated by woozy waves of synthesizer and his own chirpy, pitch-corrected vocals, this music shares a style not just with the impractical shit sold in Hiper Asia but with a lot of avant-garde Spanish-language rock and/or electronica: it's colorful, jumpy, fragmented, a little garish, and also pinched, narrow, perversely difficult.
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In "A Time to Build," one of the few mildly optimistic political books to come out in this winter of depressing ones, the conservative scholar (and editor of National Affairs) Yuval Levin argues for just such a comprehensive recommitment to American institutions — families and churches, academia and government — as an alternative to the current tendency to use them instrumentally, as a platform for partisan ambitions and personal desires.
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Although the song has lyrics, it is frequently performed instrumentally.
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The gusle instrumentally accompanies heroic songs (epic poetry) in the Balkans.
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All song lyrics written by Antonio Palermo and instrumentally composed by Scott Carstairs.
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Instrumentally, singer/keyboardist Mike Pinder, in addition to the Mellotron, used a similar keyboard device called the Chamberlin.
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Instrumentally, these bands can be considered as trios. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist (especially a pianist) plays.
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Enoch Train was formed in 1997 after Clive Romney was challenged by Jeff Simpson, president of Excel Entertainment, to play hymns, instrumentally, in a new way.
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Since 'wants' are shaped by social conditions, they must be judged instrumentally; they arise in problematic situations when habitual patterns of behavior fail to maintain instrumental correlations.
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This thrust earthquake occurred on a shallow and north-dipping fault and, at the time, it was the largest instrumentally recorded event in the Los Muertos Trough.
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Lineage Book: National Society of the Daughters of the American Revolution. Washington, DC, 1899, Vol. 8, p. 295. Major General Schuyler served instrumentally in the Burgoyne Campaign (1777).
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No major earthquakes have been recorded instrumentally along this fault zone. Paleoseismological studies using trenching have determined that 2-3 large earthquakes have occurred in the last 2-3000 years.
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Google Book Search. Retrieved on March 20, 2010. Lawrence Tibbett recorded the song on October 9, 1935. It was cut from his film Metropolitan but performed instrumentally behind the credits.
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Cher performed this version on her Heart of Stone Tour and on Living Proof: The Farewell Tour, and it was played instrumentally on the Dressed to Kill Tour in 2014.
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But applying means-end reasoning to control spirits and inanimate objects contaminates human knowledge. A rain-dance mistakenly thought to work instrumentally becomes a prescribed ritual action proclaimed to be permanently legitimate regardless of actual consequences. Instrumentally-ineffective means became prescribed value-rational ends-in-themselves. Similar contamination occurs in modern societies when instrumental actions that actually "work" temporarily become accepted as intrinsically efficient, converting context-dependent action-as-means into permanently legitimate action-as-end.
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The group self- proclaimed to be followers of Ali Shariati, however, according to Ronen Cohen, the claim was used instrumentally to look more "prestigious" and allow them to develop their combined ideology.
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Initially only playing instrumentally, he later began singing as well. Since, he has performed around the world as his authentic and unusual lyric and voice have garnered him international attention and acclaim.
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The band played the song instrumentally to pre- recorded vocals of the late Chester Bennington, taken from the band's show at the Hollywood Bowl in 2014 as part of the Carnivores Tour.
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The stage directions call also for occasional ghostly sighs that seemingly emanate from the castle itself when some of the doors are opened. Productions implement these in different ways, sometimes instrumentally, sometimes vocally.
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"Rocky Road to Dublin" is a 19th-century Irish song about a man's experiences as he travels to Liverpool in England from his home in Tuam in Ireland. It is often performed instrumentally.
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The album is instrumentally focused, and is a departure from Cave's band-oriented compositions. Cave's unusual vocal performances on the "Rider" trilogy of songs brings a particularly haunting and uneasy tone to the album.
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In 1992, contemporary jazz musician Everette Harp covered the song from his self-titled debut album Everette Harp. In 1994, Booker T. & the M.G.s covered the song instrumentally on their album That's the Way It Should Be. In 2001, Ashanti covered the chorus on the Big Pun album Endangered Species. Destiny's Child sang the song live as a tribute to Jackson during MTV's MTV Icon special during the same year. In 2002, smooth jazz guitarist Norman Brown covered the song instrumentally on his album Just Chillin'.
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The music of Palestine () is one of many regional subgenres of Arabic music. While it shares much in common with Arabic music, both structurally and instrumentally, there are musical forms and subject matter that are distinctively Palestinian.
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Tools of various kinds epitomize the kind of objects that subjects value instrumentally; themselves and certain other human beings epitomize the kind of objects that human subjects value intrinsically. Neither kind of valuing is normally done irrationally. A rational person does not typically value a speck of dust instrumentally; nor does a rational person typically value a plastic cup intrinsically. One values various things as tools for various reasons: drills because by their means one can make neat holes; screwdrivers because by their means one can set screws.
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The recordings had an added sense of accessibility that served as a contrast to their more complex takes on themes in the group's previous compositions. Instrumentally, the band still utilized exotic instruments derived from eastern and African influences that were most evident on the album's two longest tracks. Complexity, too, highlighted the instrumentals though the multi-tracking was not as heavily employed or necessary as on past efforts. With McKechnie and Simpson sharing larger roles in the band, they too were performing, instrumentally, along with their backing vocals duties.
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11-13, Nov. 8, 2012. While in office, Myers became NAFEO's second leader, working instrumentally to stabilize its finances and counsel current leaders of the represented black colleges. During this period, the organization oversaw 117 black colleges and universities.
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Those instrumentally involved were William Dickson and Herbert W. Peeler, both of Pambrun, and Charles Williamson of Glen Bain. The focus of the school was to train workers for vocational and non-vocational Evangelical ministry in Western Canada and overseas.
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Rousseau in The New Heloise suggests that the attempt to master instrumentally one's affective life always results in a weakening and eventually the fragmentation of one's identity, even if the emotion work is performed at the demand of ethical principles.
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She also includes cross rhythms.Agay, Art of Teaching Piano, pp. 361–362. Zaimont writes that her melodies are more instrumentally inspired than vocally inspired. This instrumental emphasis includes aspects of asymmetrical lines, octave displacement, as well as a more linear approach.
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It is followed by another aria on poetry, which simultaneously quotes the hymn tune instrumentally. The last movement combines elements of a chorale fantasia on the third stanza of the hymn, with vivid counterpoint of "Hallelujah" which closes the psalm.
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Inglewood Daily News, March 22, 1963. Accordingly, Stewart and Bringas needed to be backed instrumentally by studio musicians. These musicians, including guitarist Glen Campbell, drummer Hal Blaine, and bassist Ray Pohlman, and other prominent instrumentalists, were known as the Wrecking Crew.
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All major normative ethical theories identify something as being intrinsically valuable. For instance, for an virtue ethicist, eudaimonia (human flourishing, sometimes translated as "happiness") has intrinsic value, whereas things that bring you happiness (such as having a family) may be merely instrumentally valuable. Similarly, consequentialists may identify pleasure, the lack of pain, and/or the fulfillment of one's preferences as having intrinsic value, making actions that produce them merely instrumentally value. On the other hand, proponents of deontological ethics argue that morally right actions (namely, those which respect our moral duty to others) are always intrinsically valuable, regardless of their consequences.
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Just one month later, she followed this with two "greatest hits" albums. The first, "Flammable Tapes", contains 22 tracks previously released between 1997 and 2008. The companion album, "Instrumentally Flammable", consists of previously unreleased demos, rare edits, instrumentals and a cappella tracks.
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George Martin Instrumentally Salutes The Beatle Girls is a 1966 album by George Martin & His Orchestra. It is the third of a series of albums by Martin featuring instrumental arrangements of Beatle songs. The album was issued on CD by One Way Records.
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"Got to Go" is a classic early 2000s boy band ballad. "Sometimes Love Just Ain't Enough" is a laid-back melodic ballad, drawing comparisons to early material from the Backstreet Boys. "Lines and Circles" is a heavy instrumentally-lead electro-pop ballad.
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"Loving You Is Sweeter Than Ever" is a 1966 song written by Ivy Jo Hunter and Stevie Wonder and performed by the Four Tops, on the Motown label. In addition to co-writing the song, Wonder also instrumentally contributed drums to the track.
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"Feel the Same Way I Do" was described as a track similar to soul songs by American group The Supremes instrumentally complete with "exotic" strings. Jess Harvell from Pitchfork Media felt its sound was suitable for Mariah Carey's The Emancipation of Mimi (2005).
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Beyond the Land Ethic: More Essays in Environmental Philosophy. Albany: State University of New York Press. . In short, Callicott claims, there would be no value without valuers. These objects, however, are valued by subjects in two fundamentally different ways: instrumentally and intrinsically.
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A live version was played in the end credits to The Sopranos episode "Eloise". The song was also featured in the film Striptease. The video for "Little Bird" does not appear on the video album for Diva but is heard instrumentally over the end credits.
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The Jota is played instrumentally, danced, and sung. Other genres of traditional Aragonese music include albadas and rondas. Some of the most notable Spain cupletistas were born in Aragon in the first decades of the 20th century. Raquel Meller became a major international star.
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It is instrumentally complete with a piano and strings. Throughout the pop-R&B; ballad, Knowles sings in a lower register with an operatic soprano. Lyrically, it speaks about being surrounded by friends but still feeling alone. Critical reception towards the song was mixed.
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"Amapola" was originally composed with Spanish lyrics and performed instrumentally. In the early 1940s "Amapola" was given English lyrics by Albert Gamse. The song was then recorded by a number of artists. Jimmy Dorsey recorded a version which hit #1 on the Billboard charts.
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The first chemlab release showcases a much more industrial sound, with far less guitar used and more unorganised and chaotic noises instrumentally. Small audio parts of this release can be heard on the next album, which seem to be largely recycled for usage on the suture instrumentals.
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In her review for NPR, Sarah Bardeen found that "Above all, we fall for the music. Compared to many of their contemporaries, the Gits were instrumentally brilliant, playing fast, tight, classic punk rock which took a radical left turn when Zapata added her voice to the mix".
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The song also incorporates pop rock influences. Instrumentally, "Shadowland" makes use of synthesizer strings. NewsOK's Brandy McDonnell described the ballad as an "understated ode". Described by Thesauro Cultural of The Cult as an "evocative ballad", the song begins with an African-language chant reading "Fatshe leso lea halalela".
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Soldiers believe “injustice and insecurity” are mitigating factors for radicalization. Prominent feelings that they have a duty to fight against injustices. Soldiers are motivated by a sense that they can instrumentally affect positive change. Followers desire a sense of group dependence and attachment to overcome feelings of being an outsider.
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Philosophic value may be split into instrumental value and intrinsic values. An instrumental value is worth having as a means towards getting something else that is good (e.g., a radio is instrumentally good in order to hear music). An intrinsically valuable thing is worth for itself, not as a means to something else.
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A drastic change from her previous single, "Senkō" takes on a much darker tone than the up-tempo "Flower". Lyrically, the song is about the sorrows and inward struggles of a woman who is by herself. Instrumentally, the song uses heavy guitars to help in the overall dark tone the song takes.
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It is a "calm" dance-pop and synthpop song, and incorporates instrumentation of a synthesizer and keyboards. Writing for Land of Rising, Alex Shenmue commented that its "mellow mood will be there for most of the track’s length, replacing the more instrumentally complex parts and offering a calmer and slightly melancholic feeling, [...]".
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Their album Brighten & Break, produced by Charlie Smith of Throw Me the Statue, was released in 2012 on Tapete Records. Morgan Henderson of Fleet Foxes contributed instrumentally to both recordings. The group signed to German label Tapete Records in the Spring of 2012. In September 2013, they performed on the SoFar Sounds show in Seattle.
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Dimensional People is eleventh studio album by German electronica group Mouse on Mars. The 2018 album aims to be one orchestra piece letting musicians express freely instrumentally or vocally and features more than 50 collaborators including Justin Vernon of Bon Iver, The National's Aaron and Bryce Dessner, Spank Rock and Zach Condon of Beirut.
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Sujecheon is a Korean court music composition in four movements dating to the mid-7th century Baekje era. It is the most representative piece in the jeongak repertoire. It is performed by an ensemble composed primarily of wind instruments, including the piri and daegeum. It originally had a vocal part, but today is performed instrumentally.
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"Natural kind" is a label to which scholars have assigned incompatible meanings. Some treat it as a classification identifying some structure of truth and reality that exists whether or not humans recognize it. Others treat it as a human classification of knowings that work instrumentally. Every "kind" is a generalization grouping certain characteristic traits.
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Kanan Devi (22 April 1916 – 17 July 1992) was an Indian actress and singer. She was among the early singing stars of Indian cinema, and is credited popularly as the first star of Bengali cinema. Her singing style, usually in rapid tempo, was used instrumentally in some of the biggest hits of New Theatres, Kolkata.
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A Choral Christmas is an album by German cross-cultural new-age band Cusco. It was released in 1995. The album was produced in collaboration with the Munich Opera Choir. The tracks feature a fusion of slow vocal melodies with music of late Middle Ages and Renaissance, and instrumentally reflect on their previous Concierto de Aranjuez album from 1986.
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" The lead vocals are split between Saunders and Garcia. On The Best Of Website, Barry Small wrote, "There are many solid moments on this release, though none better than the lovely blues inspired riffs that Garcia lays out on "Lonely Avenue". I generally prefer the cover versions to the original Merl compositions. John Lennon's song "Imagine" is done instrumentally.
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The phrase "No Blood, No Foul" is commonly used in Streetball. Streetball is a version of Basketball played in the streets. It typically has fewer rules, no referee, and is generally rougher than basketball. "Within the context of sport, aggressive acts are often viewed as instrumentally useful to the initiator and are consequently likely to be valued".
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"The Electric Spanking of War Babies" is the title track from the last album recorded by the American funk band Funkadelic. The song was released as a single in 1981 by Warner Bros. Records. Instrumentally the track was constructed by co-writer Walter Morrison. It charted on the Billboard R&B; chart, peaking at number 60.
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In wayang, these are based on the melodic structure of solo songs performed by the dhalang, such as suluk or ada-ada. When gamelan is played independently of wayang, pathetan are played instrumentally by the soft elaborating instruments—rebab, gender, gambang, and suling—at the beginning or conclusion of pieces, following the contour of the associated vocal melody.
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Instrumentally, the song is guitar-driven and features the mandolin. The lyrics remind the listener to continue going forward even if it is painful. The song has been seen as symbol of the band's faith. The title track, "Toil", is an acoustic protest song that was compared by one reviewer to the Bruce Springsteen album Wrecking Ball.
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They prefer to speak of "relevant" and "interesting" kinds rather than eternal "natural" kinds. They may be called social constructivists whose kinds are human products. Chang's conclusions that natural kinds are human-created and instrumentally useful would appear to put him in this group. Other philosophers, including Quine, examine the role of kinds in scientific inference.
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The dance has been generally done to Ray Anthony's big band recording of the song with this name. It was a vocal hit in 1952, and instrumentally re-recorded c. 1958. The song has been re-recorded by others, including musical updates of the style, for example, a salsa version. Duke Ellington recorded "Bunny Hop Mambo" in 1954.
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African American folk music in the area has roots in slavery and emancipation. "Sacred music, both a Capella and instrumentally accompanied, is at the heart of the tradition. Early spirituals framed Christian beliefs within native practices and were heavily influenced by the music and rhythms of Africa." Spirituals are prominent, and often use a call and response pattern.
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Another common formation is a vocalist, electric guitarist, bass guitarist, and a drummer (e.g. Van Halen, the Who, Queen, Red Hot Chili Peppers, Led Zeppelin, and Blur). Instrumentally, these bands can be considered as trios. In some rock bands, keyboardists are used in place of bass, performing with a guitarist, singer, and drummer, for instance the Doors and Joywave.
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The album is full of classical-based and warm melodies, orchestrated with Yamaha CS-80 sounds. "Hymne", "L'Enfant", "Mouettes" and "Irlande" build on fairly simple themes that are developed instrumentally. "Rêve" is, indeed, as the title suggests, a dreamy calm piece with the hint of jazz in the climax. "Chromatique" has a chromatic instrumental line with chords on an acoustic guitar.
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The 1994 Bolivia earthquake occurred on the Nazca Plate; this had a magnitude of 8.2 M_w, which at that time was the strongest instrumentally recorded earthquake occurring deeper than 300 km. Aside from the Juan Fernández Islands, this area has very few other islands that are affected by the earthquakes that are a result of complicated movements at these junctions.
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Instrumentally, the track relies on drum percussion and piano. "Talking to the Moon" received mixed reviews from music critics. Some praised its slow pace and lyrics, while others criticized its overwhelming production. The song was announced as a single only in Brazil, on April 12, 2011, through Warner Music Brasil, following its appearance on the soundtrack of the Brazilian telenovela Insensato Coração (2011).
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Instrumentally Yours is a studio album released by guitarist Grady Martin in 1965 on Decca LP record DL 74610 (stereo) and DL 4610 (mono). The album was also issued, in truncated format, on a 7-inch "Little LP" mini-album for Seeburg jukeboxes. Included is a version of "El Paso", for which Martin had provided distinctive guitar for Marty Robbins' hit.
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In 1969, the vocal group the Blossoms covered the tune with Righteous Brothers member Bill Medley producing. In 1972, the reggae artist Paddy Corea covered the tune instrumentally for the UK label Trojan Records. The song is available on the 1995 cover-compilation Keep on Running. In 1973, Doc Severinsen recorded an instrumental version of this song on his Trumpets & Crumpets & Things album.
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In 1999, Dotson released his first solo album Your Favorite Record on his own label called Franklin Castle Recordings. He performed nearly everything on the album, both instrumentally and vocally. He has since released four more albums: Let Yourself Be Happy (2001), Triangle (2006), Attractive Singles (2008), and Reheat & Serve (2008). A new single "A Girl That I Like" was released in 2011.
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The song is instrumentally composed in 4/4 standard time and in the key of E minor. The verse plays twice before the bridge, as well as the chorus. During the bridge, Frusciante plays sparsely in a reggae style, only strumming on the up-beat. Following the bridge, Frusciante utilizes a fuzz (Big Muff Pi by Electro Harmonix) in his solo.
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In a press statement, Bridgers expounded upon the song's meaning: Producer Tony Berg suggested she speed up the song's tempo, creating a brighter, more upbeat tone. Bridgers agreed, growing "sick" of recording slower ballads. "Kyoto" is instrumentally dense, incorporating twelve-string guitar, synthesizers, Autoharp, and mellotron. Bright Eyes' Nathaniel Walcott also contributes horns, while Jenny Lee Lindberg of Warpaint adds vocals.
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Chapter 1 was entitled "How to Do Things with Principles"; the first sentence: "What are principles for?" Translating into Weber's labels, Nozick was proposing to explain how principles—universal propositions connecting unconditional ends to conditional means—work instrumentally to identify conditionally-efficient-but- unconditionally-want-satisfying means. These connections eliminate the distinction between instrumental and value rationality. Principles that are legitimate also "work".
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Principles "work" by coordinating actions that become legitimate as their success becomes recognized. Individuals are free to apply principles they find work for them, and to behave accordingly. Chapter 1 explained four ways that individuals use principles to coordinate group behavior instrumentally. Nozick then moved on to explain that instrumental rationality—finally using Weber's label—cannot shape workable and just institutions by itself.
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"Trouble" is an uptempo electropop and dance-pop which incorporates elements of EDM and lasts for a duration of two minutes and 32 seconds. It features a repetitive, shout-along chorus, energetic high jinks and robust rapping. Instrumentally, the song consists of electronica and brass. The song's sticky hook is drawingly delivered around riotous and energetic vocals sung in an aggressive manner.
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The Seven Wonders of the World is a studio album by progressive rock artist and keyboardist Rick Wakeman, released in 1995.Rick Wakeman's Website DiscographyProgarchives.com Reviews The album explores instrumentally the themes of each of the Seven Ancient Wonders of the World. Each track is introduced by Garfield Morgan, giving a short biography of each wonder before the instrumental track begins.
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Edited by Leander E. Keck, volume 1, page 909. Nashville: Abingdon Press, 1994. . The 19th century German commentator Franz Delitzsch interpreted this to mean that the priests would be characterized by conduct that accorded with God's will, and that the priests would not merely bring about salvation instrumentally, but personally possess it and proclaim it in their whole outward appearance.Carl Friedrich Keil and Franz Delitzsch.
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"Let Her Go" is driven by a chorus which is repeated five times throughout the song. The second half of the final chorus is performed a cappella. Including acoustic guitar and vocals from Rosenberg, backing vocals, piano, drums, bass, and strings, the song is instrumentally diverse. The song is performed in the key of G major, played with a capo on the seventh fret of the guitar.
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The song was released with three B-sides: "D'Yer Wanna Be a Spaceman?" (first appearing on the Live Recordings demo tape), sung by Noel Gallagher, which is instrumentally similar to "Married with Children" from Definitely Maybe and features nostalgic lyrics and two-part backing vocals by Liam; "Alive", a rough demo of an early rocker, and a live version of "Bring It on Down".
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James Weldon Johnson said that this "playing- singing-dancing orchestra" was "the first modern jazz band ever heard on a New York stage". Instrumentally, the ensemble contained saxophones, brass, banjos, guitars, mandolins, piano and drums. Later in 1905, they played Paris, London, and other major European cities. Jordan composed "Rise and Shine", "Oh, Liza Lady", "Goin' To Exit", and "Dixie Land" for this group.
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Upon release of the EP, James explained his songwriting; "I tend to only focus on the melodies and whatever happens instrumentally is just what feels right. I also don't come in with words already written, I like to form lyrics, let them be informed by the vibe of the music." James will promote the album in the United States throughout August and September 2016.
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Seismotectonics is the study of the relationship between the earthquakes, active tectonics and individual faults of a region. It seeks to understand which faults are responsible for seismic activity in an area by analysing a combination of regional tectonics, recent instrumentally recorded events, accounts of historical earthquakes and geomorphological evidence. This information can then be used to quantify the seismic hazard of an area.
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An example of a power trio is Motörhead, which consisted of a bassist, guitarist and drummer, with Lemmy, the bass guitarist, singing lead vocals simultaneously while he played bass. Although four-piece bands such as The Who or Led Zeppelin may function instrumentally as a power trio, with three instrumentalists and a lead singer, or front man, these bands are not usually considered as power trios.
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According to the sheet music published at Musicnotes.com by EMI Music Publishing, "Radio" is an uptempo song set in common time, written in the key of D major. It follows the chord progression of Bm–G–D–A/C and Beyoncé's vocals span from the note of A3 to E5. Built on a bouncy beat, "Radio" is instrumentally complete with a Roland TR-808 drum,Hoard, Christian.
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The upper school's music program includes a concert band and a jazz ensemble instrumentally. Hamden Hall's theater program has been based in the Taylor Fine Arts Center since its construction in the late 1980s. The Michael and Mary Jane Smith stage, named after Hamden Hall's long-standing theater faculty, has presented numerous productions. The stage was dedicated in 2015 on the occasion of the Smiths' retirement.
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By Thea Detiger. She received $100,000 for the role. The impressionistic paintings featured in the film were actually the work of John Bratby, a member of the English provincial realist artist group known as the Kitchen Sink school, founded by Bratby in the late 1950s. The series’ theme song, performed instrumentally for the series, was later released by Greek singer Nana Mouskouri, titled "Only Love".
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Two, its just nice to see some experimentation done. Hearing Aeon was like a slap in my face of what Crystal Lake could achieve. I was beyond pleased, and as a vocalist who primarily is involved in deathcore/slam, hearing Ryo's range blossom even more and branching into high screams and gutturals was insane. Not to mention, instrumentally as a whole, that track blew me away.
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"No One to Depend On" is a song by Latin rock band Santana, from their 1971 album, Santana III. It is the second track on the first side of the LP album and was released as its second single. It was written by Mike Carabello, Coke Escovedo, and Gregg Rolie. The song is very instrumentally based, with numerous bass and guitar riffs and a long instrumental introduction.
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The melodic songs feature unconventional chord progressions, and often abandon the traditional "verse" and "chorus" structure. The album has been noted for its lack of distinct hooks, and its tendency to limit "casual consumption". Instrumentally, it incorporates vintage synthesisers and keyboards reminiscent of space age pop. Keyboards used on the album include organs, pianos, harpsichords and the dolceola, as well as the Orchestron, Farfisa and RMI Rocksichord.
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"Jumanji" is a song recorded by American hip hop artist Azealia Banks for her debut mixtape, Fantasea (2012). The song was released as a free promotional single, available for digital download and streaming via Banks's SoundCloud, on May 11, 2012. "Jumanji" is composed as a tropical track with musical influences including kuduro, dancehall, and calypso music. Instrumentally, the song features a trumpet, a timpani, a harp, and calypso steel drums.
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"On My Own" is a down to midtempo electronic trip hop song, which incorporates elements of dubstep, R&B;, 1990s pop and dance. It features a stealthily ingratiating chorus and a defining breakdown. Instrumentally, the song consists of atmospheric drum and bass and gently skittering percussion which gives way to a deep and broad sound. The song's hook is confidently delivered around Yasmin's breathy vocals sung in a throwing-like manner.
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For humans in society, the bulk of individual actions are habitual "ways of acting," like driving a car. Every action is embedded in biological and cultural environments, which humans continuously reshape instrumentally to promote developmental patterns of behavior: efficient driving adapts constantly to road conditions. Dewey had argued before Habermas that correlated action depends on communication. But communication is not a separate form of action preceding and enabling instrumental action.
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The 1881 Nicobar Islands earthquake occurred at about 07:49 local time (01:49 UTC) on 31 December, with an epicentre beneath Car Nicobar. It occurred as two separate ruptures, the largest of which had an estimated magnitude of 7.9 on the moment magnitude scale and triggered a tsunami that was observed around the Bay of Bengal. It is probably the earliest earthquake for which rupture parameters have been estimated instrumentally.
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Murtagh (2003) investigated retention and attrition of L2-Irish in Ireland with second level school students. At Time 1, she found that most participants were motivated instrumentally, yet the immersion students were most likely to be motivated integratively and they had the most positive attitudes towards learning Irish. Immersion school students were also more likely to have opportunities to use Irish outside the classroom/school environment. Self- reports correlated with ability.
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East Side Militia showcases the bands further progression past the widespread use of metal guitars from the last release. The release also leans more towards an electronica and Industrial style, with more distortion instrumentally and vocally, including softer melodic parts in the compositions. The song "Jesus Christ Pornostar", a riff on Andrew Lloyd Webber's play of the approximate same name, is an innuendic poke at the Christian religion.
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Therefore, their donation helped reduce these negative feelings according to the model. Besides the disaster mentioned above, there are also daily examples. When a person sitting in a bus witnesses a pregnant woman or an old person standing, negative affect will be induced on the witness. Giving seat to the persons in need can instrumentally restore the bystander's mood as helping contains a rewarding component for most socialized people.
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"I Care" is an R&B; power ballad. According to Cameron Adams of the Herald Sun, the song contains elements of futuristic soul music and rock music. It is built on a hand-clapped rhythm, various melodies, pulsating as well as palpitating beats and a lone synth note underneath. "I Care" is instrumentally complete with screeching guitars, synthesizers, a thrashing drum machine, dense percussion instrument, and a piano.
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Joel wrote and originally performed the song in the key of C major. It has a waltz time signature and begins with a jazzy piano solo before moving into its piano and harmonica introduction. The verses and the chorus feature a descending walking bassline in C that ends with a D – G turnaround. Instrumentally, Joel's 1973 version features piano, harmonica, bass guitar, acoustic guitar, accordion, mandolin, and drums.
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Chamber Orchestra, which premiered in March 2014. The set will consist solely of instrumentally performed Apocalyptica songs, especially arranged for the band and the 25-piece orchestra. Their eighth studio album, titled Shadowmaker, with Franky Perez singing on all vocal tracks, was released through Better Noise imprint of Eleven Seven Music on April 17, 2015. They also released a collaborative single with Vamps titled "Sin in Justice" on November 20.
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The singer of a pirekua, a pirériecha, may be male or female, solo or accompanied, and pirekua may be performed instrumentally. Pirériechas act as social mediators and "express sentiments and communicate events of importance to the Purépecha communities."[1] ;Nayarit: is recognized for Huichol music, the most notable band being El Venado Azul. Nayarit Huichol bands often play traditional ranchero and corrido songs with unique homemade violins and guitars.
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Discreetness can be established by distinguishing between instrumental value and intrinsic values by giving value intrinsic and extrinsic properties. First introduced by Plato in the "Republic": an instrumental value is worth having as a means towards getting something else that is good (e.g., a radio is instrumentally good in order to hear music). An intrinsically valuable thing is worth having for itself, not as a means to something else.
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After working together in the noise rock band Leitoh Lychee, Miho Hatori and Yuka Honda formed Cibo Matto in 1994 with Honda as the instrumentalist and Hatori as the vocalist (although occasionally Honda sang and Hatori contributed instrumentally). In 1995, Cibo Matto released a self titled EP on El Diablo Records. The EP caught the attention of Warner Bros. Records, which signed Cibo Matto later in the year.
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From the time he was 10 years old, Thornton has been in bands. His first performance was on drums at a school PTA meeting where his band played "The Ballad of The Green Berets" instrumentally. Several bands followed, with Thornton's first recording experience coming at Widget Sound in Muscle Shoals, Alabama in 1974. Later in the 1970s, Thornton was the drummer of a blues rock band named Tres Hombres.
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Musically, "Art Deco" employs a trap beat, and varying influences of jazz, trip hop, and hip hop. According to Lucas Villa of AXS, the song also features a noir aesthetic, as well as a "lady-sings-the-blues" aesthetic. Instrumentally, the song features synths, a saxophone, and percussion. Music critics generally gave "Art Deco" mixed reviews, with particular praise being directed at the song's diverse production, but criticism being placed on the song's lyrics.
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Two verses of the "Virgin Islands March" played instrumentally without the introductory section. The song was composed by Sam Williams and U.S. Virgin Island native Alton Adams in the 1920s. It served as an unofficial regional anthem of the U.S. Virgin Islands until 1963 when it was officially recognized by Legislative Act. The song itself is a brisk martial march, consisting of an introductory instrumental section followed by a very cheerful melody.
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One of the reasons often given for opposing any form of cultural imperialism, voluntary or otherwise, is the preservation of cultural diversity, a goal seen by some as analogous to the preservation of ecological diversity. Proponents of this idea argue either that such diversity is valuable in itself, to preserve human historical heritage and knowledge, or instrumentally valuable because it makes available more ways of solving problems and responding to catastrophes, natural or otherwise.
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Songs are heavily keyboard based when uptempo songs are taken on and string oriented on the ballads, which tend to be more effective than the rockers. Somehow, the wilder material seems a bit strained and contrived while the slower tunes work both vocally and instrumentally. Strongest lead vocals come from Chuck Negron, who appears most at home with both ballads and rockers. Nothing overly original here, but the group has never claimed that skill.
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In the final verse, d'Astier expresses his hope and confidence that Resistance will not be futile; "" (English: "The wind blows on the graves") evoking a cleansing wind and "" (English: "Freedom will return / We will be forgotten / We will go into the shadows") expressing the confidence that the actions of the mostly anonymous Resistance will have their desired effect. Marly performed her song self-accompanied by guitar, and introduced each verse instrumentally while whistling the melody.
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554–6 The completed portions include a four-part setting of the chorale tune in the chorus "There Shall a Star from Jacob Shine Forth." Hugo Distler treated the tune both instrumentally as well as vocally, with an a cappella arrangement for four voices. Mauricio Kagel quoted the stanza "Zwingt die Saiten in Cythara" in his oratorio Sankt-Bach-Passion telling Bach's life, composed for the tricentenary of Bach's birth in 1985.
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"Selah" is a song by American rapper Kanye West from his ninth studio album, Jesus Is King (2019). The song contains additional vocals from Ant Clemons, Bongo ByTheWay, and the Sunday Service Choir. West co-wrote it with 11 others, while Jeffrey LaValley received songwriting credit due to the song sampling a rendition of the New Jerusalem Choir's work. It is a hip hop and gospel song, which instrumentally relies on military drums.
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Corazones is the twenty-eighth studio album by Omar Rodríguez-López as a solo artist, released on 29 July 2016. It is his second release in the 12 album series initiated by Ipecac Recordings. The song "Sea is Rising" made its first studio appearance on 2013's Unicorn Skeleton Mask, while the song was actually debuted instrumentally on the Omar Rodriguez Lopez Group 2010 tour. "Running Away" was uploaded in advance as the album's single.
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Encapsulated Micron Aerosol Agents (EMMA). Halon Alternatives Technical Conference, 1993. NIST. May 11–13, 1993, pp 421–435 In 1994, Charis Economides, an ecopreneur, recognising the potential for a viable environmentally friendly fire suppression system set out to establish the technology across Europe.Understanding the Green Entrepreneur He sought the help of Industrial Chemical Engineer, Dr Gian Guido Gianfilippi De Parenti, who instrumentally expanded the Research and Development of the potassium based technology.
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The cause of the crash is still a source of controversy in the Philippines. Colonel Jacinto Ligot was the chief of the Philippine Air Force rescue team, which faced difficulties due to the deep ravines and dense vegetation on the slopes of the mountain. The pilots were flying visually, not instrumentally, when the plane vanished from radar. While the skies were clear at the airport, the mountains may have been covered by fog.
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"The Film Business in the United States and Britain during the 1930s" by John Sedgwick and Michael Pokorny, The Economic History ReviewNew Series, Vol. 58, No. 1 (Feb., 2005), pp.97 Ten numbers from the stage score are actually sung, with four others heard only as background music, and a tiny, almost unrecognizable fragment of the song "I Might Fall Back on You" is heard instrumentally at the beginning of the New Year's Eve sequence.
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Harry Witchel and colleagues named the inhibitory phenomenon as NIMI, and demonstrated that the visual aspect of the human-computer interaction task was the most powerful contributor to the inhibitory effect on movement. They also demonstrated that, during individual human computer interaction in instrumentally identical reading comprehension tasks, interest itself was sufficient to diminish movement. This was reflected in experiments by Patrick Healy and colleagues in a seated audience at a dance performance.
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For the most part, they lack surprises as well as creative and innovative moments." Laut.de journalist Katja Scherle declared the album a "girl power collage of the last fifteen years", and compared the sound on Destiny with the Spice Girls and Destiny's Child. She noted that "the new pieces are lush and instrumentally rich [and] feature the No Angels-typical big chorus [..] Whether this is too much of the glitter produced, depends on the personal pathos preference.
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Johann Ernst Bach composed a sacred cantata. Johann Sebastian Bach used the hymn in his cantatas and notably to conclude his St John Passion. In 1724, he used stanza 3, "" (Ah Lord, let thine own angels dear), in the first version of the work, and returned to it in the fourth and last version. In , composed in 1726 for St. Michael's Day, he quotes the melody instrumentally in the central tenor aria, played by the trumpet.
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The song's lyrics are based on "Let the Good Times Roll", the 1946 jump blues hit by Louis Jordan and his Tympany Five. However, instrumentally, it is a showcase for guitar playing. Music writer John Perry compares it to Freddie King instrumentals, such as "Hide Away" and "The Stumble". He adds that it is performed in the "guitar-friendly key of E ... specifically designed to cram as many hot licks as possible into a single number".
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The 1787 New Spain earthquake, also known as the San Sixto earthquake, occurred on 28 March at 11:30 local time (17:30 UTC). It caused a large tsunami that affected the coast of the Puebla Intendancy (includes the current state of Guerrero) and the Oaxaca Intendancy (currently Oaxaca) in Southwestern New Spain (in currently boundary of Mexico). With an estimated magnitude of 8.6 on the moment magnitude scale, it was more powerful than any instrumentally recorded Mexican earthquake.
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Brendan Veevers of Renowned for Sound gave the track 5/5 and stated, "'You Set Fire to My Life' is a mid-tempo ballad on a mission to pull at your heartstrings. The track is made up of a gentle and instrumentally minimalistic verse and an up beat but sentimentally exquisite chorus that does a fantastic job at getting engrained into your head almost instantaneously." A review from Smooth FM said the song embodies "the spirit of the record".
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USGS ShakeMap for the event The event was a first in several classifications. It was the first instrumentally located earthquake in the southern Arabian Peninsula since 1959 and the first shock that resulted in fatalities since 1941. The earthquake was also the first in the area to be detected teleseismically on the Worldwide Standard Seismograph Network and the Global Digital Seismograph Network. Because the shock occurred from the Red Sea Rift, it was described by Langer et al.
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Alan Brackett, regarding their extended tracks, said it was "something we enjoyed a lot and I wish we had done it more at the recording sessions". Many of the tracks include complex instrumental sections. Instrumentally, their sound was more experimental as the band included additional sound effects and distorted guitar solos, signatured by the chord stops and starts. Barbara Robison was limited to backing vocals on several tracks, and shared the singing duty with Al Brackett.
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The title sequence features I.M. Weasel constantly saying his catchphrase "I am Weasel!" and I.R. Baboon doing his trademarked victory dance. The series ending credits were only created in 1999, with the separation; it credits all involved in the three years of production and the theme song is played instrumentally in a pop rock style, with additional arrangement.I Am Weasel ending credits. The theme song was composed by Bill Fulton, written by Richard Pursel, and sung by April March.
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Devon became a vocalist for the Tito Burns jazz band and developed the skill for scat singing. She sang ballads and her voice was occasionally used instrumentally alongside the trumpet and saxes in arrangements. On occasion, Burns and Devon sang together as a duo in the manner created by the American husband and wife duo Jackie Cain and Roy Kral. Her songs for Decca Records were Be Bop Spoken Here, a duet with Burns, and I'm Forever Blowing Bubbles.
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The album has received mixed reviews: many critics appreciated that the band tried to explore different sounds, with rap metal and pop influences. The album has been described as "metalcore with some neat, modern, urban twists", "a sense of harmonious chaos" and "utterly devastating and instrumentally definitive". Some reviews instead highlighted the lack of originality and depth of the lyrics, resulting in a "poorly orchestrated" album, that could have used more creativity to differentiate themselves from other bands.
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The underpeople go knowingly to their deaths professing their love and asserting that they too are people to the humans they meet along the way. Soldiers eventually arrive and end the revolution by killing all the underpeople, with the sole exception of D'joan. One of the Ladies of the Instrumentally on the scene chooses to put D'joan on trial, remarkable since underpeople did not have any such right. D'joan is sentenced to be burned to death.
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Instrumentally, the album demonstrated the shift to a more pop-oriented and organic sound. DeYoung predominantly used a Fender Rhodes electric piano on over half of the tracks, and the group used real horns and strings on the album on several tracks. While commercially successful, Cornerstone brought to light the first fragmenting of the group's collective artistic vision. These divisions would continue to deepen, ultimately leading to Styx's dissolution following the release of the 1983 album, Kilroy Was Here.
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To guard against contamination of instrumental value by judging means and ends independently, Foster revised his definition to embrace both. Instrumental value is the criterion of judgment which seeks instrumentally-efficient means that "work" to achieve developmentally- continuous ends. This definition stresses the condition that instrumental success is never short term; it must not lead down a dead-end street. The same point is made by the currently popular concern for sustainability—a synonym for instrumental value.
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Kerr performed cover versions of Baker's songs and added lyrics to some of his instrumental tracks. In 2005 Kerr released Cloudburst to critical acclaim. Kerr took an instrumental approach adding lyrics to songs which were originally written instrumentally. In 2007 Kerr asked Swedish piano star Jan Lundgren to work with her on her album Déjà vu. This album also featured US singer/songwriter Bob Dorough, Kerr and Dorough duetted on his Bebop classic “Up jumped a Bird”.
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The 1991 Uttarkashi earthquake (also known as the Garhwal earthquake) occurred at with a moment magnitude of 6.8 and a maximum Mercalli intensity of IX (Violent). This thrust event was instrumentally recorded and occurred along the Main Central Thrust in the Uttarkashi and Gharwal regions of the Indian state of Uttarakhand (then still part of Uttar Pradesh). High intensity shaking resulted in the deaths of at least 768 people and the destruction of thousands of homes.
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In West African music, it is typical to convert drum rhythms into vocal melodies; common rhythmic patterns are assigned specific syllabic translations. However, this theory fails to account for the existence—even in the earliest recorded examples of scatting—of free improvisation by the vocalist. It is therefore more likely that scat singing evolved independently in the United States. Others have proposed that scat singing arose from jazz musicians' practice of formulating riffs vocally before performing them instrumentally.
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Sergio Mihanovich (Buenos Aires, May 8, 1937 - May 7, 2012) was an Argentine jazz pianist, singer and composer. He is the uncle of Argentine singer and actress Sandra Mihanovich. His best known composition is "Sometime Ago", which has been recorded instrumentally by Cannonball Adderley, Bill Evans, Art Farmer, Stan Getz, Joe Pass, George Shearing, Clark Terry, and numerous others. There are also vocal versions by singers including June Christy, Mark Murphy, Roseanna Vitro, Norma Winstone, and Irene Kral.
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When the song began, one of the band's lead singers (usually Babbitt) sang the title phrase, and then the first verse or two of the song was performed instrumentally before the lyrics resumed. Several of his recordings spawned catch phrases, such as "Praise the Lord and Pass the Ammunition". His group had a major hit with the novelty tune, "Three Little Fishes". It sold over one million copies, and was awarded a gold disc by the RIAA.
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Instrumentally, the music is dominated by David Sinclair's keyboard solos, and side two is taken up by a 22-minute suite of songs, "Nine Feet Underground". The cover features a Tolkien-influenced painting. The album was critically well received but was not a chart success, which led to frustration within the band and David Sinclair's departure. Nevertheless, it has remained in print and sold steadily, and been recommended by critics as a good introduction to the Canterbury Scene genre.
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It entitles every human to be treated as a value rational end in himself, never to be used as means to ends pursued by others. Nozick's statement of this utilitarian principle invalidated Rawls's justice as fair redistribution by definition. The behavior Rawls identified as the epitome of justice violates the right Nozick believed was the epitome of justice—a rational paradox. Rawls's institution destroys individual freedom to enjoy just deserts of pursuing one's ends with instrumentally chosen means.
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"Radio" is a song by American recording artist Beyoncé taken from her third studio album, I Am… Sasha Fierce (2008). The up-tempo electropop/dance-pop song was composed by Beyoncé, Rico Love, Anton Bakholdin and Jim Jonsin. Composed in the key of D major and built essentially on bouncy beat, "Radio" also displays influences of the 1980s synthpop, Europop, and house. It is instrumentally complete with a Roland TR-808 drum, bass instruments, and synthesizers.
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The Fair Labor Standards Act was originally drafted in 1932 by Senator Hugo Black, whose proposal to require employers to adopt a thirty- hour workweek met fierce resistance. In 1938, a revised version of Black's proposal was passed. The revised version was instrumentally supported by a number of notable people, including Frances Perkins, Clara Mortenson Beyer from the Bureau of Labor Standards within the United States Department of Labor, as well as Congresswoman Mary T. Norton.Ware, Susan. (2004).
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Musically, "Lift Off" is a pop song which uses baroque strings. It contains a chorus sung by Beyoncé, while other verses are sung by West and Jay-Z in a rap style. Instrumentally, the song is completed with synthesizers, martial drums and horns. "Lift Off" received mixed to positive reviews from music critics who generally highlighted the song and praised its hook as well as Beyoncés vocals, though some criticized the vocals by West and Jay-Z.
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Benjamin Robert "Ben" Moody (born January 22, 1981) is an American musician, singer, composer, record producer, and actor. He is best known as co-founder, lead guitarist, and co-songwriter of rock band Evanescence from its inception in 1995 to his departure in October 2003. Since leaving Evanescence, Moody has collaborated with an array of performers vocally, instrumentally, and as a writer. He is currently a member of The Halo Method and We Are the Fallen.
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The 1975 Morris earthquake occurred in western Minnesota on July 9 at 14:54:15 UTC, or 9:54 a.m. The strongest instrumentally recorded rupture in the history of the state, it registered at magnitude 4.6 Mn and had a maximum Mercalli intensity of VI (Strong). It was the first earthquake to be recorded on any seismic instrument in the state since 1917. Tremors were felt over much of Minnesota, northern Iowa, and the eastern Dakotas.
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Among the Legendary personalities, Kanan Devi (22 April 1916 – 17 July 1992) an Indian actress and singer lived in Bansdroni. She was among the early singing stars of Indian cinema and is credited popularly as the first star of Bengali cinema. Her singing style, usually in rapid tempo, was used instrumentally in some of the biggest hits of New Theatres, Kolkata. Legendary Lyricist: Shri Shibdas Banerjee also lived in Bansdroni, he composed songs for Bharat Ratna Lata Mangeshkar, Bharat Ratna Bhupen Hazarika.
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The arrangements, in their beginning stages, are simpler instrumentally compared to the band's complex, final product. The lyrics and rhythm also differ, most obviously on "The Mad Hatter's Song" and "Blues for the Muse". The demos were mainly solo efforts by Heron and Williamson as their contributions were relative to whoever composed the track. Of the seven tracks that do not appear on the second album, "Iron Stone" is the only one to appear on any studio album by the band.
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The Disney Song Encyclopedia author Thomas S. Hischak described Menken's melody as "flowing", while BuzzFeed's Aylin Zafar wrote that the song is "Tender and warm". Writing for the Chicago Tribune, Gene Siskel described Lansbury's voice, which spans two octaves from F3 to B♭5, as "richly textured". Meanwhile, Michael Cheang of The Star and Bill Gibron of PopMatters wrote that Lansbury performed using a "fragile" "calm, motherly" tone. Instrumentally, "Beauty and the Beast" features several chord changes, woodwinds, and violins.
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Carey had strong feelings about the song, as she wrote it about her relationship with Luis Miguel. The song was compared instrumentally to "My All" from Butterfly, which features traces of Latin and guitar instrumentation. In the lyrics, the protagonist asks her lover if he will still love her and come back to her "after tonight." Carey's cover of the Phil Collins song "Against All Odds (Take a Look at Me Now)" was originally intended to be a solo ballad.
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A odisseia de Fausto Fawcett Pagode group Grupo Raça also made a guest appearance on the track "Pagode da Lourinha". More elaborate, experimental and instrumentally diverse than Fawcett's two previous albums, he describes it as a "samba-funk revue" based on his two books Santa Clara Poltergeist (1990) and Básico Instinto (1992).Last.fm – Fausto Fawcett After the album's release Fawcett continued to tour around Brazil with Falange Moulin Rouge until he decided to stop making albums to dedicate himself to his literary career.
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This understanding of value can be traced back to Plato in the Republic. The value of the object can be understood in two ways, intrinsically or instrumentally. Intrinsic value values the object as an ends in itself, meaning that the object has value purely because it is that object. Meanwhile instrumental value is based on the objects use as a means to perform an end, meaning the object's value is based on how useful it is to obtain something further.
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In the fourth quarter each team would trade touchdowns for a final score of 38–14. Vad Lee threw four touchdowns and one interception seen as a stellar passing performance from a Georgia Tech quarterback due to the emphasis on the triple option on offense. To go along with the passing game Georgia Tech averaged 5.7 yards per run weakening the Duke defense instrumentally. With the win Georgia Tech went to 2–0 for the season and 1–0 in conference play.
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Didone Abbandonata - Piano Sonata in G, Op. 50, No.3 is the final sonata composed by Muzio Clementi in 1821. It was titled after Metastasio's often-set opera libretto of the same name, and Clementi seeks to tell the tragic story of Virgil's heroine instrumentally. It is the only example of such a programmatic piece in the composer's oeuvre.Maurice Hinson, Wesley Roberts Guide to the Pianist's Repertoire, Fourth Edition 2013 0253010233- Page 272 Sonata g op.50/3 “didone abbandonata” ca.
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In PopLine, Alex Alves commented: "Get a funky carioca singer who has been to MC of Hurricane 2000, add an avalanche of references on the Beyoncé line and end with an attitude immersion inspired by the Pussycat Dolls. greatest promises of national pop music in 2013." Some instrumental elements of the song were compared to the instrumental of the single" Pon De Floor "of the Major Lazer project, instrumentally that was reportedly used on the single "Run The World (Girls)" by Beyoncé.
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Carl participated in the sessions more than anyone else in the band with the exception of Brian. He, Dennis, and Jardine also contributed instrumentally to some of the tracking sessions. It is often suggested that Mike Love, in particular, was responsible for the project's collapse. Love dismissed such claims as hyperbole and said that his vocal opposition to Wilson's drug suppliers was what spurred the accusation that he, as well as other members of the band and Wilson's family, sabotaged the project.
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As she climbs a ladder to get into the building, the police finally catch up with her and tell her to come down. Millie slips, falls off the ladder, and dies when she hits the ground. Another hip-hop duo Company Flow reiterated this song instrumentally to make "Suzy Pulled A Pistol on Henry" on their second and last album Little Johnny from the Hospitul: Breaks & Instrumentals Vol.1. In "Keepin' the Faith", the music video shows a Huey Duck plush from DuckTales.
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The area between Greenland and Baffin Island is one of the most seismically active regions in eastern Canada. It was not known as a seismic zone until November 20, 1933, when an earthquake with a surface wave magnitude of 7.3 occurred beneath Baffin Bay. This is the largest instrumentally recorded earthquake to have occurred along the passive margin of North America and possibly the largest passive-margin earthquake worldwide. Coincidentally, it is also the largest north of the Arctic Circle.
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"If It's Over" is a downtempo ballad, which incorporates several genres and influences into its sound and instrumentation. Of them are R&B;, soul and jazz, as well as drawing inspiration from 1950s and 1960s music and style. The song was written by Carey and Carole King, with both helming the song's production as well. Instrumentally, "If It's Over" features several musical melodies including baritone, tenor, alto and soprano saxophone notes, as well as the piano, trumpet, horn and bass.
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Joe reasons this so housing blocks will be able to accommodate twice as many people. Rutherford and Collins singled out "Get 'Em Out by Friday" as one of the early Genesis songs that suffered from Gabriel's dense lyrics which made the track busy and crowded. Collins reasoned this as a downfall to the band's typical method of song writing whereby a track recorded instrumentally with the vocals written and recorded afterwards. Nevertheless, Rutherford considered the lyrics to be among Gabriel's best.
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John P. Kee was born on June 4, 1962 Durham, North Carolina. At an early age he began developing his musical talent both instrumentally and vocally. He attended the North Carolina School of the Arts in Winston-Salem and at 14, he and his brothers, Wayne and Al, moved to California, where he began attending the Yuba College Conservatory School of Music in Marysville, California. During this time, he began playing with various groups such as Cameo and Donald Byrd and the Blackbyrds.
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The group were predominantly album-oriented, but Hastings believes the group recorded enough straightforward pop that could have been hit singles if the record company had taken sufficient interest. Instrumentally, David Sinclair's fuzztone Hammond organ sound is a key ingredient of the early Caravan albums, and his playing is the dominant instrument on them. His musical palette subsequently expanded to include synthesizers. Jimmy Hastings' woodwind playing and orchestral arrangements have also been a regular feature in the band's music since its inception.
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The alternative country band Old 97's covered the song, changing the time signature from 3/4 to 4/4. Their cover appears on Hit by a Train: The Best of Old 97's as well as the King of the Hill original TV soundtrack. Grady Martin released an instrumental version in 1965 on his Instrumentally Yours album. El Paso has also been recorded by Max Stalling, Michael Martin Murphey, Tom Russell, The Mills Brothers, and Jason and the Scorchers.
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In general, women value affectively oriented communication skills more than men, and men value instrumentally oriented communication skills more than women, although the effect size for these differences are generally small. Self-disclosure is also very important when it comes to a close dating relationship between men and women. Successful communication in relationships is one of the greatest difficulties most couples are forced to overcome. Men in relationships with women may practice self-disclosure more often than their female partner.
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In 1975, Rice recorded his first solo album Mr. Poverty on the King Bluegrass label. Starting in 1979, Rice retired from music for several years. Rice's next solo album Hurricanes and Daydreams (1985) was followed by Time Machine (1987). Recorded in 1989 and released in 1990, Artesia found Rice helped out instrumentally by Rickie Simpkins (vocals, fiddle), Clay Jones, Tony Rice, Wyatt Rice (guitar), Steve Wilson (resonator guitar), Sammy Shelor (banjo), Jon Carroll (piano), Ronnie Simpkins (bass), and Robbie Magruder (drums).
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"I Was Here" is a downtempo R&B; ballad that is instrumentally based on synthesizers undercurrent, indie rock guitars, musical keyboards and big drums provided by Tedder and Kutzle. The sound of the song's recurring hook uses a combination of a xylophone and a piano. According to the sheet music published by Alfred Music Publishing at the website Musicnotes.com, "I Was Here" is written in the key of E minor with a time signature and has a tempo of 37 beats per minute.
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The three pieces are: ; Präludium (Prelude) :An instrumentally colourful, impressionistic prelude. After a murmuring introduction, an evocative, wide-ranging theme is stated by bassoons and violins, and then fully developed. ; Reigen (Round Dance) :Replete with both waltz music and Ländler music, this piece demonstrates an inherent eclecticism that, as in many of Berg's works, permitted a synthesis of old and new, classical and popular, often infused with grotesquerie. ; Marsch (March) :A sizable and highly imaginative march, notable for its element of chaos and its extremes of orchestration.
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In 1999, when Judge Jules and Darren Tate launched their collaboration named Angelic, Jules was already a successful club and radio DJ. For Darren Tate, the project was the beginning of his musical career. Jules' wife Amanda was featured as a singer in the project. The debut single "It's My Turn" was successful, reaching number 11 and remaining on the UK Singles Chart for 10 weeks. Instrumentally, the track was based on their previously-issued remix of "Change" by Sunscreem, slightly shortened and with new lyrics.
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"Love on Top"s retro elements are further illustrated by its use of finger snaps, a "distorted" bass groove, and a melding of horns as well as sweet backing harmonies, especially in the bridge and the chorus of the song. It is instrumentally complete with a thumping bassline, synthesizers, tribal drums, an electric piano, a guitar, a peppy saxophone, and some backing vocals. Rich Juzwiak of The Village Voice compared "Love on Top" to Raydio's "You Can't Change That" (1979) and New Edition's "Mr. Telephone Man" (1984).
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Afterwards, the song continues to play instrumentally as Belle and the Beast retire to the balcony for a romantic candlelit dinner. Believed to be the "centerpiece that brings Beauty and her Beast together," the sequence offers an insight into both characters' psyches. From the Beast's perspective, it is the moment he realizes that he wants to confess his true feelings for Belle to her and "decides he wants to tell Belle he is in love with her". Meanwhile, Belle begins to fall in love with her captor.
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This album is instrumentally focused, and is a departure from Cave's band-oriented compositions. All tracks are directly reproduced from the musical interludes in the film, and feature little alteration from the film score. Many songs on the album are slow-tempo and ballad-like, and the violin work of Warren Ellis becomes the central voice of the album for much of the time. Cave's unusual vocal performances on the "Rider" trilogy of songs brings a particularly haunting and uneasy tone to the album.
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Many of the claims of religions are not easily verifiable in the day-to-day world. There are many competing religious theories about the origins of life, reincarnation, and paradise, but mistaken beliefs about these rarely impose real world costs upon the believers themselves. Thus, it may be instrumentally rational to be epistemically irrational about these matters. In other words, when forming or updating their religious beliefs, people may tend to relax their intellectual standards for the sake of driving popular support towards their beliefs.
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Chuck Taylor from Billboard described the song as a "atmospheric gem" and said it is "terrifically quirky, with a more or less spoken verse accompanied by a chorale of dreamy background vocals, catcalls, and eerie sounds both sung and spoken and coming at you from all sides." He noted further that "there's a hook there, too, as rich and textured as any more clearly defined pop offering. Instrumentally, you couldn't ask for more, with trancy to fi production". He also complimented it as "glorious and deliciously creative".
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The album opens with an a cappella piece called "Peace – A Beginning", which is reprised instrumentally in the middle of the album and vocally again at the end. The strongly jazz fusion-influenced "Pictures of a City" was originally performed live, often extended to over ten minutes and was called "A Man, a City". An example of such a performance can be found on the live compilation album Epitaph. The longest track on the album is a chaotic instrumental piece called "The Devil’s Triangle".
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Some of his chansons were doubtless designed to be performed instrumentally. That Petrucci published many of them without text is strong evidence of this; additionally, some of the pieces (for example, the fanfare-like Vive le roy) contain writing more idiomatic for instruments than voices. Josquin's most famous chansons circulated widely in Europe. Some of the better known include his lament on the death of Ockeghem, Nymphes des bois/Requiem aeternam; Mille regretz (the attribution of which has recently been questioned);Litterick, in Sherr, pp.
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Only movements 4 and 6 are free poetry, with the hymn tune sounding again instrumentally during movement 6. Due to its text structure, the Bach scholar Christoph Wolff dates the work to around 1710. The oldest (and also the only) manuscript was written in 1762, after Bach's death. The provenance of the cantata is disputed: some suggest that it may not be a Bach work because of its "unpretentious" nature and the lack of authoritative original music, or perhaps it was a transposition of an earlier work.
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"Justice as fairness" and "Entitlement theory" are "not only non-consequentialist but they also seem to leave little room for taking substantive note of consequences in modifying or qualifying the rights covered by these principles." He proposed new terms for Weber's two kinds of rationality, relating them to specific flaws he found in the reasoning of Rawls and Nozick. He labeled their instrumental rationality "transcendental institutionalism" and "arrangement-focused" analysis, prescribing fact-free patterns of coordinated behavior assumed to be instrumentally efficient without conditions.
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It is not unlikely that, in order to complete these tasks, Judith would have had her own court personnel. This was not an uncommon phenomenon, it having existed according to sources since the time of the Merovingians. Having her own administration was not only instrumentally important in ensuring a smooth running of the court and the daily affairs of the palace, but also a political necessity. The King and Queen were technically seen as a single entity, as is the case in the Capitulare de villis.
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The Beach Boys version consists of an elaborate collection of vocal and instrumental tracks comparable to the group's earlier compositions "Good Vibrations" and "Heroes and Villains". It includes a melody line played instrumentally without sung lyrics, a bass line bearing resemblance to the Smile sessions version of "Wind Chimes", plus several sections of chorus and a vocal middle section. It was recorded throughout 1967 and 1968, well after the sessions for Smile ended. On February 11, 1980, overdubs were attempted on the original late 1960s recordings.
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"Desolate July" was written after David Z., a bass player who died in an automobile accident involving former Portnoy band Adrenaline Mob's touring bus. David was also a member of Soto's solo band and both performed together on Trans-Siberian Orchestra. The title of the track refers to the fact that every July, Soto and other people that were close to David feel a sense of emptiness, since that's the month in which he died. Instrumentally speaking, Portnoy consider it equivalent to "Alive", from the previous album.
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TeRra Han plays 'Young San Hue Sang' (2CD) is TeRra Han's court kayageum full version series No.3. Young San Hue Sang (영산회상: 靈山會相) is a Korean court music repertoire originated from Buddhist music. The piece told the Buddha's sermon in Mount Gridhakuta(Youngsan), India, according to Lotus Sutra. After a long period, the piece is now performed instrumentally, TeRra Han plays Young San Hue Sang for solo kayageum in both of two versions, E flat Geomyeon-jo and E flat Pyeong-jo.
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Laïs' career started in 1994, when Jorunn and Annelies, together with Soetkin Collier (who later became a vocalist with the Belgian folk music group Urban Trad), performed a song at a folk festival in Gooik, near Brussels. Nathalie joined the group somewhat later. They had their breakthrough after their appearance at Folk Dranouter, near Ypres, in 1996."Gems from Antwerp": Interview with Hélène Rammant for fRoots Their debut CD album, sung a capella as well as accompanied instrumentally by the folk rock band Kadril, was released in 1998.
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Tyler James Hilton (born November 22, 1983) is an American singer-songwriter and actor. Hilton began his professional career in music in 2000. Rolling Stone magazine compared him to his contemporary, Howie Day, while others have compared Hilton to Elton John, both vocally and instrumentally. Since the release of his debut album, Hilton has ventured into acting, guest starring on The CW's One Tree Hill as the talented but somewhat arrogant Chris Keller, and playing the role of Elvis Presley in the Johnny Cash biopic Walk the Line.
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As the last chord fades, a verse begins in time, based on the A and D blues scales, with Lennon singing "I want you / I want you so bad ..." The two blues verses alternate, before the reappearance of the E7(9) chord, and McCartney playing a notably aggressive bass riff. This would function, throughout the song, as a transition to the main theme. The main theme repeats with Lennon singing "She's so heavy", with a long sustain on the last word. The second set of verses are rendered instrumentally with lead guitar.
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Windsor Airlift brings a mixture of guitar, bass, piano, electronic keyboard, synthesizers, and drums. Since the band is instrumentally-based, they have no vocals (though some of their songs do have snippets from movies or famous speeches). This has given the band their signature, as they play with their backs turned to the audience in an attempt to take the attention off themselves and onto the music. When Windsor Airlift first started and was originally a punk-pop band, they were influenced by Christian bands such as Relient K, Philmore, and Ace Troubleshooter.
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The age of the Crusaders was at the same time period of birth and full flourishing of European poetry and music, embodied in the works of French troubadours and trouvères, German Minnesangers, and English minstrels. Important for the time of the Crusades is also manuscript Codex Buranus. The repertoire of medieval instrumental and dance music is mainly represented by the works of anonymous or little known 13th century authors. Already at the times of the crusaders, highly popular songs sung without words, or performed exclusively instrumentally, were named estampies.
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Its lyrics detail a playboy who is willing to break every woman's heart regardless of their feelings. Instrumentally, the track relies on finger snaps, police sirens, hand claps and raspy guitar lines. It received mixed reviews from music critics, who considered it one of the standouts in the album, but criticized its lyrical content. "Runaway Baby" debuted and peaked at number 19 on the UK Singles Chart, after The X Factor performance and it peaked at number 35 and 50 in New Zealand and on Billboard Hot 100, respectively.
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"Stone Free" is a song written by Jimi Hendrix and the second song recorded by the Jimi Hendrix Experience. It has been described as a "counterculture anthem, with its lyrics praising the footloose and fancy-free life", which reflected Hendrix's restless lifestyle. Instrumentally, the song has a strong rhythmic drive provided by drummer Mitch Mitchell with harmonic support by bassist Noel Redding. "Stone Free" was issued on December 16, 1966, as the B-side of the Experience's first UK single "Hey Joe" and later included on the Smash Hits compilation album.
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Elected in 1959, Las Vegas mayor Oran K. Gragson began advocating for regional street and planning initiatives in the growing Las Vegas Valley. In the early 1960s, Gragson had become instrumentally involved in planning what was then referred to as the "West Fremont Expressway". By 1968, the expressway was beginning to take shape, beginning at Las Vegas Boulevard downtown, interchanging with Interstate 15 and spurring west towards Rancho Drive. Northbound US 95 between Beatty and Scotty's Junction The Las Vegas Expressway was slowly constructed over the next decade, reaching west to Rainbow Boulevard by 1978.
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The brass group contains four or five trombones (sackbuts), three trumpets and two cornetts. The continuo forces include two harpsichords (duoi gravicembani), a double harp (arpa doppia), two or three chitarroni, two pipe organs (organi di legno), three bass viola da gamba, and a regal or small reed organ. Outside of these groupings are two recorders (flautini alla vigesima secunda), and possibly one or more citterns—unlisted by Monteverdi, but included in instructions relating to the end of act 4. Instrumentally, the two worlds represented within the opera are distinctively portrayed.
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Rationality plays a key role in economics and there are several strands to this. Firstly, there is the concept of instrumentality—basically the idea that people and organisations are instrumentally rational—that is, adopt the best actions to achieve their goals. Secondly, there is an axiomatic concept that rationality is a matter of being logically consistent within your preferences and beliefs. Thirdly, people have focused on the accuracy of beliefs and full use of information—in this view, a person who is not rational has beliefs that don't fully use the information they have.
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The official single version of the song includes vocals from American rapper Bun B. The song's development was motivated by the phrase "Check on It" which Beyoncé and her management jokingly used before they decided to turn it into a song. "Check on It" is an R&B; and hip hop song, which is instrumentally complete with a heavy bassline, strings, and wind instrument. Lyrically, it takes place in a club, where Beyoncé is letting the male patrons know that they are welcome to come and look at her body when she is dancing.
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In his biography of the band, Adam Sweeting looked back on Sparkle in the Rain as a "transitional album, a step away from the mesmerizing, instrumentally based travelling music they'd become identified with towards an outsize form of rock. Their new music was harder, heavier, and less subtle. They knew they were moving on towards a new phase, but they hadn't got it quite right yet, which was why Sparkle seemed rooted in the past while straining to see into a future which still wasn't entirely clear."Sweeting (1988), p.
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Some of the original characters from the novel are added, as well as songs such as "The Tavern Song", "Rhythm of the Tambourine," "Flight into Egypt" and "In a Place of Miracles." The musical relies on a series of musical leitmotifs, which are reprised either instrumentally or vocally. Each of the central characters has a theme ("Out There" for Quasimodo, "God Help the Outcasts" for Esmeralda, "Hellfire" for Frollo, and "Rest and Recreation" for Phoebus). "The Bells of Notre Dame" acts as a narrative device to tell parts of the story.
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In addition to performing songs from Wrecking Ball, the album updated many of Harris's career hits, including "Boulder to Birmingham". Also in 1998, she appeared prominently on Willie Nelson's moody, instrumentally sparse Teatro album, produced by Wrecking Ball producer Lanois. During the summer of 1997 and 1998, Harris joined Sarah McLachlan's all-woman musical touring festival, the Lilith Fair, where new artists like Patty Griffin could share new experiences and ideas with seasoned musicians like Harris and Bonnie Raitt. In January 1999, Harris released Trio 2 with Parton and Ronstadt.
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It's the kind of sweatshop beat-making mainstream producers have learned to accept as they cash their cheques. Lyrically, Montana does what any cat on the corner can do: talk slick." Bruce Smith of HipHopDX gave the album two and a half stars out of five, saying "Excuse My French comes off as extremely formulaic. While excessive tales of flossing, the streets, and misogyny are nothing new to Hip Hop, the complete lack of creativity those subjects are executed with on this project, whether it be lyrically or instrumentally, make it a hard listen.
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The music video is written and directed by the band's frequent music video director Tim Pope. It consists of the band all inside a wardrobe on the edge of a cliff at Beachy Head. Following the musical scheme of the song, which builds up instrumentally, all the band members are inside the wardrobe, but not playing instruments. Boris Williams is clapping to the beat, keyboardist Lol Tolhurst is playing a very small, handheld keyboard, and Porl Thompson on the top shelf is plucking a comb to represent the short high sounds in the song.
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The band brings in so many strong performances, both vocally and instrumentally, throughout a lot of the heavy and energetic metal tunes that fill up the well-written graves of this new release. For the most part, I thought the songs on What the Dead Men Say were interesting to listen to, full of gusto, heart and riffs. And now I can't wait to dive into the rest of their discography!" Louder Sound gave the album a positive review and stated: "The Sin and the Sentence got Trivium back on the horse.
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In southern cumbia, however, the accordion is replaced by piano or organ, and the pace is faster and more elaborated both harmonically and instrumentally than in the original cumbia. Notable artists of this style include names such as Los Sonnors, Socios del Ritmo, and Chico Che. Other subgenres of Mexican cumbia include Cumbia Mariachi, Cumbia Andina Mexicana, and Cumbia Sonidera. The Orchestral Cumbia is another variant represented by big orchestras, like Pablo Beltrán Ruiz, Orquesta Tampico, Orquesta Coatzacoalcos, Roy Luis among others, that popularized many cumbias with full big band sound.
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Instrumentally it consists of silky synthesizers "slink[ing] and slurp[ing]" throughout, creating a seductive feel as stated by Dimitri Ehlrich of Vibe and writers of Billboard magazine. As the song progresses, it builds to a symphonic crescendo. Lyrically, "Cater 2 U" talks about females wanting to submissevely serve their male love interests and take care of them as they admire their hard work and are inspired by them. The trio further sings about the men of their lives and the way in which they will take care of them.
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"Part II (On the Run)" is a smooth slow-tempo electro-R&B; love ballad which is equipped with a steamy, retro and retro-futuristic groove that creates an acute level of moody texture. It is instrumentally complete with keyboards and drums. Jon Pareles, a writer of The New York Times noted that it was the closest song to pop music on Magna Carta Holy Grail. Pareles further noted that Timbaland's production sets aside his usual brittle tones to hint at the keyboard confections of 1980's Lionel Richie and Don Henley.
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Prior to becoming lieutenant governor, O’Neill served as a member of the Massachusetts House of Representatives from 1973 to 1974. From 1975 to 1983, O'Neill served as Lieutenant Governor of the Commonwealth of Massachusetts. During his term of office, O'Neill created and administered the Office of Federal-State Relations in Boston and Washington, D.C.. During this time he also served on the U.S. State Department Ambassadorial Screening Committee. O'Neill is known for his work on behalf of the Big Dig, a project with which his father was instrumentally involved.
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The album tells the story of an investigation surrounding the death of a man named Adam who was murdered in his Harlem loft apartment. During a recent interview in regards to the album's concept 88' stated: The story is told instrumentally, while the featured artists help get the story across. 88' has described that his inspiration for the project derived from the thought, "What gives me pleasure?" Aside from tracks, the album's investigative story is told through visual means, particularly DCN 27 News pieces that were distributed on multiple video-sharing sites.
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How Big, How Blue, How Beautiful is the third studio album by English indie rock band Florence and the Machine. It was released on 29 May 2015, by Island Records. After returning from her year-long hiatus from music, lead vocalist Florence Welch returned to configure How Big, How Blue, How Beautiful, recording material that dealt with personal conflicts and struggles. In comparison to their last two studio albums, the album is much more refined and stripped-down instrumentally, and incorporates a mixture of musical influences such as folk, blues and gospel.
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Grady Martin released an instrumental version in 1965 on his Instrumentally Yours album. Isannide and H. Ithier composed a new French lyric for the song; the French version, C'est Joli la Mer, was recorded by several artists, such as Nana Mouskouri; as well Finnish singer Carola Standertskjöld recorded it (with some changes to the lyrics) for the soundtrack of the film The Cold Old Days in 1965.Lumilinna (1965) (TV) International Movie Data Base The movie won the Golden Rose of the Montreaux Film Festival.The Rose d'Or Festival.
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The Beach Boys first recorded the song at World Pacific Studios on February 8, 1962 in what was the band's second ever recording session. However, the recordings from that session, engineered by Hite Morgan, would ultimately remain unreleased until the late sixties. The only difference instrumentally on this early version as opposed to the officially released version was the presence of Al Jardine on guitar instead of David Marks. The instrumental track as well as the vocals for the officially released version were recorded at Western Recorders on April 19, 1962.
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"" (a) is expressed in free polyphony embedded in the instrumental music, then repeated together with "" (b) in free polyphony with canonic imitation on two themes, with the instruments playing mostly colla parte, then a and b are repeated within a part of the sinfonia, which is continued instrumentally. In the following second section, "" (c) is the theme of a choral fugue, "" (d) is the countersubject. The instruments play colla parte first, then add motifs from the sinfonia. In the third concluding section the complete text is repeated within a part of the sinfonia.
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In the US, the term "rhumba" (anglicised version of rumba), began to be used during the 1920s to refer to ballroom music with Afro-Cuban music themes, particularly in the context of big band music. This music was mostly inspired by son cubano, while being rhythmically and instrumentally unrelated to Cuban rumba. By the 1930s, with the release of "The Peanut Vendor", the genre had become highly-successful and well-defined. The rhumba dance that developed on the East Coast of the United States was based on the bolero-son.
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Hartelius further suggests that Wikipedia's dialogic construction of expertise illustrates both the instrumental and the constitutive dimensions of rhetoric; instrumentally as it challenges traditional encyclopedias and constitutively as a function of its knowledge production. Going over the historical development of the encyclopedic project, Hartelius argues that changes in traditional encyclopedias have led to changes in traditional expertise. Wikipedia's use of hyperlinks to connect one topic to another depends on, and develops, electronic interactivity meaning that Wikipedia's way of knowing is dialogic. Dialogic expertise then, emerges from multiple interactions between utterances within the discourse community.
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Recent scholarship found that Bach possibly chose to set a stanza from Heermann's "Meinen Jesum lass ich nicht" instead, in a tune he used instrumentally in movement 5, which would match the continuo part. Bach led the first performance on 24 November 1715. It was the first cantata performed after a period of mourning for Prince Johann Ernst from August to November. No account is extant of a later performance in Leipzig, but the Bach scholar Christoph Wolff writes: "it seems safe to assume that it was [revived]".
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Similarity is immediately definable in terms of kind; for things are similar when they are two of a kind." Quine posited an intuitive human capacity to recognize criteria for judging degrees of similarity among objects, an "innate flair for natural kinds.” These criteria work instrumentally when applied inductively: "... why does our innate subjective spacing [classification] of [existential] qualities accord so well with the functionally relevant [universal] groupings in nature as to make our inductions tend to come out right?" He admitted that generalizing after observing a few similarities is scientifically and logically unjustified.
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An aftershock is a smaller earthquake that follows a larger earthquake, in the same area of the main shock, caused as the displaced crust adjusts to the effects of the main shock. Large earthquakes can have hundreds to thousands of instrumentally detectable aftershocks, which steadily decrease in magnitude and frequency according to known laws. In some earthquakes the main rupture happens in two or more steps, resulting in multiple main shocks. These are known as doublet earthquakes, and in general can be distinguished from aftershocks in having similar magnitudes and nearly identical seismic waveforms.
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Lifeson during the 2010–2011 Time Machine Tour, Ahoy, Rotterdam, the Netherlands (27 May 2011) Lifeson's neighbour John Rutsey began experimenting on a rented drum kit. In 1963, Lifeson and Rutsey formed The Projection, which eventually became Rush in August 1968 following the recruitment of original bassist and vocalist Jeff Jones. Geddy Lee, a high school friend of Lifeson, assumed this role soon after. Instrumentally, Lifeson is renowned for his signature riffing, electronic effects and processing, unorthodox chord structures, and the copious arsenal of equipment he has used over the years.
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Instrumentally, Atomizer is a wailing behemoth of assaultive Roland beats, Steve Albini and Santiago Durango's clanging and whirring guitars, and new member Dave Riley's lumberjack bass." He describes the song "Kerosene" as "undeniably Big Black's brightest/bleakest moment, an epically roaming track that features an instantly memorable guitar intro, completely incapable of being accurately described by vocal imitation or physical gesture. It's also Albini at his most plainspoken and bleak: "Stare at the wall/Stare at each other and wait 'til we die." It's Big Black's "Light My Fire," literally.
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B.B. King's "Rock Me Baby" is based on the 1951 song "Rockin' and Rollin'" by Lil' Son Jackson. King's lyrics are nearly identical to Jackson's, although instrumentally the songs are different: "Rockin' and Rollin'" is a solo piece, with Jackson's vocal and guitar accompaniment, whereas "Rock Me Baby" is an ensemble piece. Muddy Waters' song "Rock Me", recorded in 1956, is also based on Jackson's song. Some of Jackson's lyrics were used, but Waters incorporated a couple of verses from his 1951 song "All Night Long" (that is also based on "Rockin' and Rollin'").
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"It Hurts Me Too" is based on "Things 'Bout Comin' My Way", recorded by Tampa Red in 1931.OKeh Records 1637 The melody lines are nearly identical and instrumentally they are similar, although the latter has an extra bar in the turnaround, giving it nine bars. "Sam Hill from Louisville", one of several pseudonyms of Walter Vinson (or Vincson), recorded "Things 'Bout Coming My Way" in 1931 shortly before Tampa Red.Brunswick Records 7216) Vinson's version is based on his 1930 recording with the Mississippi Sheiks, "Sitting on Top of the World".
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According to Gočeva, the album was meant to incorporate ethno jazz music in addition to the prominent elements of Macedonian folklore. Critics also noted elements of pop and jazz in the songs and viewed the music as an internationalization of the sound of traditional Macedonian folklore. The lyrics cover several themes with the song's motives revolving around the states of happiness, sadness, love and longing of a mature female protagonist. Instrumentally, the songs on Makedonsko Devojče 2 contain the following instruments: clarinet, bass guitar, horn, acoustic guitar, violin, qanun, saxophone and percussion.
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"Dangerously in Love 2" is a song written and produced by Beyoncé Knowles and Errol McCalla, Jr. The ballad was first recorded by Destiny's Child for their third studio album Survivor (2001), under the title "Dangerously in Love". The song later became the title track to Beyoncé's debut album with some minor adjustments instrumentally. "Dangerously in Love 2" is an R&B; and soul ballad, the lyrics of which detail romantic obsession. "Dangerously in Love 2" received generally positive response from music critics, who wrote that the song effectively shows the vocal capabilities of Beyoncé.
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The album had "a more jazz-rock edge" and its single, "Lady Montego" (written by McGuire), was a new version of a song originally performed by Leo de Castro and Friends. According to Juke Magazine, "the single lifted to push the album, 'Lady Montego' ... received three weeks airplay and was then dumped." "Lady Montego" was Ayers Rock's most-aired single in Australia, and Kennedy said: "Without AM radio support you can't sell too well in this country." Juke called their songs "lyrically banal" but said the group compensated with "sheer talent", instrumentally and electronically.
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She later covered it again on The All Time Flop Parade with Bing Crosby and The Andrews Sisters. On April 29, 1953, Garland headlined a Kentucky Derby week appearance in Lexington, Kentucky, named "The Bluegrass Festival" where she sang the song "My Old Kentucky Home", accompanied by a single violin. In 1939, "My Old Kentucky Home" was featured in the film version of Gone With The Wind both instrumentally and with lyrics. In the movie, Prissy, played by Butterfly McQueen, sings the line, "a few more days for to tote the weary load".
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" New Release Tuesday's Mary Burklin said that "although there's not a whole lot of new ground broken lyrically and instrumentally in this album, it's a formula that works. Ashes Remain certainly adds its own unique flavor to the formula, and What I've Become is a solid addition to any collection. One of the elements that sets them apart is their use of intricate, guitar-focused bridges in almost every track. Another element that gives them strength is their ability to meld acoustic and grittier elements flawlessly in the same song.
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Eventually, Bogart concludes gleefully, 'everybody's eating makeup'". "Forgotten Fantazy" deals with how someone's own true personality is removed by another person's vision about what a perfect lover should be: "It's hard for me to know what you need/ I'm your forgotten fantazy." It is instrumentally driven by a restrained synthesizer line that, according to Jeremy Gordon of Pitchfork Media, may have been taken from a loading screen of an old NES game. Bogart described the lyrical content in a magazine interview: "When it comes down to it, Forgotten Fantazy is a song about S&M.
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The song was referenced in Keri Hilson's song "Knock You Down" by guest rapper Kanye West and also in "Pray" by Jay-Z. A sequel of sorts was created by Macy Gray for her album The Id in form of "Hey Young World (Part 2)." It was sampled by TLC for their single "Creep" and by Queen Latifah for her single Just Another Day.... The song was also covered instrumentally by jazz trumpeter Wallace Roney on his album Mystikal (2005).the song was also covered on Fashawns debut album (Boy meets world).
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But his original distinction survives as the core of modern explanations of rational social action: instrumental means are thought to be value-free conditionally- efficient tools, and value-rational ends are thought to be fact-free unconditionally-legitimate rules. As Weber studied human action in religious, governmental, and economic settings, he found peoples' reasoning evolving and often contaminating itself by converting conditional means into unconditional ends. Pre-modern peoples impute to animate and inanimate objects alike the free-will and purpose they find in human action—a belief called animism. They use instrumentally efficient means to control non-human wills.
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When Lason was signed to MCA Nashville in 2002, he caught the attention of record producer Mark Wright, who was impressed with the range of material that Lawson had shown on his demo tape. Wright, then, decided to give Lawson "the freedom to experiment" in the studio, and the resulting album featured experimental instrumentation, such as on "This Old Heart", where Chris Thile of Nickel Creek played mandolin. Thile's mandolin was recorded through an amplifier, giving what Wright described as a "real crunchy sound, very different". Other songs on the album were described as "instrumentally driven".
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These two plate boundaries give rise to two contrasting tectonic styles, extension on east–west trending fault zones with strike-slip tectonics on SW-NE trending fault zones throughout west and central Greece, Peloponnese and the northern Aegean and contractional in the southern Aegean, continuing around to the Ionian islands. The south Aegean is the location of the volcanic arc and is characterised by extension. To the east of Crete along the Hellenic Arc, strike-slip tectonics with some extension become important. The strongest earthquakes historically are those associated with the Hellenic Arc, although none larger than about 7.2 have been observed instrumentally.
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Summer Days (And Summer Nights!!) includes Bruce Johnston's first appearance on a Beach Boys album. As Brian Wilson's stage replacement, he was not yet considered an "official" member, but Wilson appreciated Johnston's skills enough to have him contribute vocally and instrumentally on the album. Johnston would often accompany the group on photo shoots, but he was prohibited from having those pictures published on album covers due to a preexisting contract with Columbia Records. Consequently, his image would not appear on the jacket of a Beach Boys' album until he was pictured on the back cover of Pet Sounds in 1966.
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Bring Your Nothing has received mostly positive ratings and reviews from the Christian music critics. At Alpha Omega News, Ken Wiegman wrote that he "was impressed with what seems like a new direction instrumentally for the songwriting duo". Daniel Edgeman of Christian Music Review called the release a "great blend of message and music" that is "very simple, smooth and very powerful", and found that "Shane and Shane bring way more than nothing!" Writing for Christian Music Zine, Joshua Andre felt that the album "does not disappoint" and noted that the release "will change you life" because it is a "gem".
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Mily Balakirev at the time he taught "The Five."Balakirev became important in the history of Russian music through both his works and his leadership. More so than Glinka, he helped set the course for Russian orchestral music and Russian lyrical song during the second half of the 19th century. While he learned from Glinka certain methods of treating Russian folk song instrumentally, a bright, transparent orchestral technique (something he also learned from the works of Hector Berlioz) and many elements of his basic style, he developed and expanded upon what he had learned, fusing it satisfactorily with then-advanced Romantic compositional techniques.
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"American Homestead, Winter", lithograph by Currier and Ives, 1867. The song's lyrics refer to a "picture print by Currier and Ives," whose lithographs were popular in the 19th century. "Sleigh Ride" performed instrumentally by the United States Navy Band in December 2012 Leroy Anderson's own 1950 recording of "Sleigh Ride" on Decca 9-16000 (45 rpm) and 16000 (78 rpm) reached Cashbox magazine's bestsellers chart when re- released in 1952. The main melody of "Sleigh Ride" was used (with no credit for Anderson) as the main theme of Victor Young's score for the 1949 western Streets of Laredo.
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And we were like 'Oh this is it'." In production terms, "Right There" has a 1990s R&B; throwback style sound that is instrumentally supported by stabbing synths, trap-inflected programmed snare drums and a mid-tempo beat that runs trought a groove. Grande introduces the song using her higher vocal register while a distorted bass voice appears singing the hook while Grande harmonizes around. Sean then half-rapped his verse, "OK, this, this, this for my number one girl who got the top spot title/ Spent in the bathroom walked out looking like a model.
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The lyrics of the song at this point were quite different from the ones that were to become "Sheep". "Raving and Drooling" was originally a more jam-based song. While the basic motif was already in place—a held note from the vocalist (Waters) being crossfaded into the same note on a synthesizer, with various inhuman effects applied—Waters had yet to write anything for the sections repeating F♯7 and A7 (such as "You better watch out! There may be dogs about", and so on), and so these sections, while clearly part of the song structure, were rendered instrumentally.
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The station, using the moniker "WVNJoy", focused on serving northern New Jersey rather than New York City. It featured an instrumentally based easy listening format (also known as beautiful music or, more commonly, "elevator music") consisting of instrumental versions of familiar songs with several soft vocal hits added per hour. In 1980, when WRVR changed from jazz to country music, WVNJ began playing jazz music after 8 PM. Its slogan was "WVNJoy's beautiful music by day, jazz by night". In May 1983, plans were made for 100.3 FM to be purchased by Cleveland-based Malrite Communications.
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Many consider the Sabri Brothers instrumentally more adventurous, than Nusrat Fateh Ali Khan. Aziz Mian mastered in presenting intoxication as closeness to God, and said more than 3,000 couplets in that metaphor, and even Nusrat Fateh Ali Khan was a perfectionist in discussing the beauty of the Creator of feminine attractiveness. although The Sabri Brothers even though recited many famous couplets and poetries in presenting intoxication and closeness to God as a part of Sufi culture. They mostly focused on Hamd (Praise of God), Naat (Praising of the Holy Prophet), and Manqabat (Praising of Holy People And Saints).
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Wally de Backer and Kris Schroeder met in March 2002, in Melbourne, at the going- away party of engineer/producer Chris O'Ryan. The pair jammed instrumentally alongside several others at that party, and took notice of one another. Subsequently, they became acquainted, and learned of their shared love for the rock and roll music of the 1950s and 60s, particularly that of the Beatles. Schroeder invited De Backer to join him in a musical group - "At the time, I was playing a gig down in Frankston, and I needed someone to come and join me on another instrument", Schroeder said in 2003.
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The 1982 North Yemen earthquake hit near the city of Dhamar, North Yemen (now part of Yemen) on December 13. Measuring 6.2 on the moment magnitude scale, with a maximum perceived intensity of VIII (Severe) on the Mercalli intensity scale, as many as 2,800 people were killed and another 1,500 injured. The shock occurred within several hundred kilometers of a plate boundary in a geologically complex region that includes active volcanoes and seafloor spreading ridges. Yemen has a history of destructive earthquakes, though this was the first instrumentally recorded event to be detected on global seismograph networks.
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The high school has produced many musicians who have gone on to recording contracts and positions in orchestras and choir groups. Instrumentally, the school places students in marching band, concert band, symphonic band, jazz ensemble and wind ensemble. Additionally, Under the direction of Tim Stodd, the school's Winter Drum Line is a member of the New York State Percussion Circuit, and competes at membership tournaments throughout Western New York, including a competition hosted each winter at Hilton High School. The Drumline has won the NYS championship competition 13 times consecutively, with their most recent victory in 2013.
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As a solo artist, Loyde issued "Do You Believe in Magic?" in December and followed with the critically acclaimed and instrumentally based album Obsecration in May 1976. Loyde formed Southern Electric with former band mates, Fordham and Miglans, joined by John Dey on keyboards, Mándu on vocals and James Thompson on drums (ex-Billy Thorpe & the Aztecs). Loyde had written a science-fiction novel, Beyond Morgia: The Labyrinths of Klimster, for a proposed film. In June 1976, he recorded an accompanying concept soundtrack album, mixed and engineered by Tony Cohen, with Southern Electric over the course of a weekend.
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The theology of Huldrych Zwingli, a Protestant Reformer of Switzerland, is commonly associated with memorialism. Zwingli, who was a former Roman Catholic priest, affirmed that Christ is truly (though not naturally) present to the believer in the sacrament or amid a Christian congregation that remembers with strong intensity the events of the Last Supper through the power of God. However, the sacrament - for Zwingli - is not used instrumentally to communicate with Christ, as John Calvin taught. Zwingli argued that the Eucharist is more about the presence of Christ in the minds of people instead of his presence in the elements.
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It was written by Klaus alone, but the B-side, "Koksknödel", was composed instrumentally by Thomas (and is similar in sound to "Für Mich") with lyrics written by Klaus. This was to be the brothers' final collaboration until 1998's Goldregen, as Thomas finally left the group in late 1983. The songs written for the proposed fourth album, including a reworked version of "Ich Liebe Dich", were to be included on Klaus's debut solo album Néondian. The acrimony of the split was reflected in a series of legal battles fought between band members until a settlement was finally reached in 1997.
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"Rather Die Young" is a song recorded by American singer Beyoncé for her fourth studio album, 4 (2011). Composed by Beyoncé, Jeff Bhasker, Luke Steele, the song's development was motivated by the fact that Beyoncé wanted a song that would help people through both their painful and happy moments. "Rather Die Young" is an R&B-soul; power ballad that is instrumentally complete with synthesizers, a piano, a strummy guitar, and heavy drums, which were inspired by the work of the American band Earth, Wind & Fire. Lyrically, the song talks about the inability to fight what the heart wants.
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Red Hot Chili Peppers is a four-part band with a lead vocalist, guitarist, bassist, and drummer lineup. The four-piece band is the most common configuration in rock and pop music. Another common formation was a vocalist, electric guitarist, bass guitarist, and a drummer (e.g. the Who, the Monkees, Led Zeppelin, Queen, Ramones, Sex Pistols, Red Hot Chili Peppers, R.E.M., Blur, the Smiths, Echo and the Bunnymen, the Stone Roses, Creed, Black Sabbath, Van Halen, Rage Against the Machine, Gym Class Heroes, the Stooges, Joy Division, and U2.) Instrumentally, these bands can be considered as trios.
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The song has had many revisions after its first appearance and has become a jazz standard,Just You, Just Me at jazzstandards.com - retrieved on 21 May 2009 having been recorded instrumentally by Red Norvo, Stan Tracey, Oscar Peterson and Lester Young, Buddy Rich, Artie Shaw, Les Paul, Benny Carter, Buddy Bregman, Tex Beneke, Coleman Hawkins, Harry James, Erroll Garner, Benny Goodman, Earl Hines, Joe Pass, Buddy Tate and Abdullah Ibrahim, Les Brown, Bill Coleman and Duke Ellington. Thelonious Monk's 1948 composition, "Evidence", is a contrafact of "Just You, Just Me".Gabriel Solis: Monk's Music: Thelonious Monk and Jazz History in the Making.
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A cappella music was originally used in religious music, especially church music as well as anasheed and zemirot. Gregorian chant is an example of a cappella singing, as is the majority of secular vocal music from the Renaissance. The madrigal, up until its development in the early Baroque into an instrumentally-accompanied form, is also usually in a cappella form. The Psalms note that some early songs were accompanied by string instruments, though Jewish and Early Christian music was largely a cappella; the use of instruments has subsequently increased within both of these religions as well as in Islam.
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"Blow" is a five-minute and nine-second disco-influenced, R&B;, funk, retro-soul song with an electro-funk groove and a jazz-influenced opening. Critics also found elements of "chilly" neo-disco in the groove with Rolling Stone writer Rob Sheffield further noting that it created an "air of melancholy". Instrumentally it is complete with a heavy bass, sparse piano chords and guitars altogether creating a blipping, marching and parping beat. Kevin Fallon from The Daily Beast described the song's production as "so bouncy it's almost coyish and flirty" and added that it was a counterbalance to the "raunchy" lyrics.
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The Hangman's Beautiful Daughter is the third album by the Scottish psychedelic folk group, The Incredible String Band (ISB), and was released in March 1968 on Elektra Records (see 1968 in music). It saw the band continuing its development of the elements of psychedelic folk and enlarging on past themes, a process they had begun on their previous album, The 5000 Spirits or the Layers of the Onion. Instrumentally, it was the ISB's most complex and experimental album to date, featuring a wide array of exotic instruments. In addition, the album captured the band utilising multi-tracks and overdubbing.
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Bruce Eder AllMusic reviewer Bruce Eder stated: "Nine songs recorded double-quick in one session, with Lowell Fulson on lead guitar on most of it. The rare embellishment on a Hooker release makes for unusually complex and rewarding listening, instrumentally speaking, beneath Hooker's ominous vocals. The textures here are very crisp and vivid, with a crunchiness that should make this an LP of choice for Hooker's rock fans, much more so than, say, the Canned Heat collaborations ... The uncredited band that shows up on some of these cuts is loose enough to follow Hooker, and he and Fulson play like one person".
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I'm good now, and sorry I'm not sorry that you may not be loving where your life is at the moment." The title track is a gospel-influenced song described as a "booming ballad" by Fuse's Jeff Benjamin. It is instrumentally complete with horns, percussive drums, handclaps and wah-wah guitar lines. Lovato explained to Billboard that "Tell Me You Love Me" is about "the vulnerability of coming out of a very serious relationship and having a tough time with it," and further commented that lines as "You ain't nobody 'til you got somebody," "calls out a big misconception.
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Pekol is also conductor of the Lakeland Community Concert Band and part-time conductor of the Rhinelander Community Band. He also performs vocally and instrumentally in numerous professional and community groups. A published composer and arranger, Pekol has written for many different types of groups, including band and orchestra, as well as arrangements for Jazz, Dixieland and dance bands. While growing up in Wausau, he was educated in the Wausau School system and began his performing career as a piano player with the "Swingin' Scots", a middle school Dixieland band under the direction of John Muir Middle School band director Raymond "Bud" Rozelle.
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With this album, Loftus noted that the band "matured into a more grandiose version" of New Found Glory. Kaj Roth of Melodic magazine mentioned how the group mixed emo and pop punk on Based on a True Story, comparing it to "having Armor For Sleep and Autopilot Off making a record together". Roth thought the album contained "some truly great stuff, a few ok songs and unfortunately 2-3 fillers," suggesting the band should have made an EP instead of an album. Punknews.org reviewer Meg Reinecker noted how the group had used the preceding three years to mature "both vocally and instrumentally".
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Dances were choreographed by Michael Kidd, who had also staged the dances for the Broadway production. At Samuel Goldwyn and Joseph L. Mankiewicz's request, Frank Loesser wrote three new songs for the film: "Pet Me Poppa", "(Your Eyes Are the Eyes of) A Woman in Love", and "Adelaide", the last written specifically for Sinatra. Five songs in the stage musical were omitted from the movie: "A Bushel and a Peck", "My Time of Day", "I've Never Been in Love Before" (although portions of these three songs are heard instrumentally as background music), "More I Cannot Wish You" and "Marry the Man Today".
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Rooted in modern post- bop, Jim Gailloreto has been active on the Chicago jazz and creative music scene since the 1980s. A prolific composer and arranger he has six recordings as a leader to his credit with three instrumentally diverse groups, and has recorded as a sideman with several notable artists and record labels. Chicagojazz.com describes Gailloreto's compositions as "genre bending". On his Jazzformation and The Insider recordings, Gailloreto's tenor saxophone is heard with a more conventional small jazz ensemble of guitar, piano, bass, and drums while his Jazz String Quintet recordings feature his soprano sax improvisations backed by a string quintet.
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To minimize image aberrations the angle plane of the glass wedges has to be placed orthogonal to the angle plane of the air-wedge. Because intensity of Fresnel reflections from a glass surface are polarization and angle dependent, it is necessary to keep the air-wedge plane nearly perpendicular to the incident beam (±5deg) to minimize instrumentally induced intensity variation. This is very important when coupling the air-wedge interferometer to imaging optics. The air-wedge interferometer has a very simple design and requiring only 2 standard BK7 glass wedges and 1 mirror holder (Fig.3).
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Fragile received a mostly positive reception upon its release. Billboard magazine selected the album in its "Billboard Pick" feature, describing it as "vibrant, soothing, tumultuous, placid and instrumentally brilliant" and Anderson's vocals "deliciously ingratiating". In his review for Rolling Stone, Richard Cromelin pointed out the album's "gorgeous melodies, intelligent, carefully crafted, constantly surprising arrangements, concise and energetic performances" and "cryptic but evocative lyrics", but pointed out that Yes "tend to succumb to the show-off syndrome. Their music (notably "Cans and Brahms" and "We Have Heaven") often seems designed only to impress and tries too hard to call attention to itself".
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"La Bicicleta" () is a song by Colombian singers Carlos Vives and Shakira from Vives' fifteenth studio album Vives (2017) and is also included as an album track on Shakira's eleventh studio album El Dorado (2017). The song was written by both singers, and produced by Andrés Castro and it marks Shakira's first collaboration with a fellow Colombian artist. "La Bicicleta" was intended to be representative of both singers' homelands musical styles in Colombia. It is a song with a mixture of various musical elements - vallenato, pop and cumbia and instrumentally, it features indigenous Colombian wind instruments and accordions.
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Under the wider new age genre, Australis' music styles include Ambient music, World music, Electronic music, Ethnic music, Symphonic music and Soundtrack. Among other adjectives, his musical signature has been described as melodic, intense, contagious, emotional and meaningful. Australis' style is characterized by very rich instrumentation present even in his most simplistic pieces: very melodic and clearly defined leads built over solid tonal bases (consisting of deep evolving pads or full orchestral arrangements), along with engaging rhythms, often ethnically influenced. Instrumentally, Australis' music uses the expected electronic synthesizers and samplers, bringing unusual and interesting sound effects to blend with the main musical body.
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Instrumentally, several music critics noted calypso steel drums throughout the song. Sarah Pope of NME opined that the song had "ethereal twinkles of a harp". The song also features Banks rapping "lines about media scandals and keeping true to herself" over a beat likened, by critics, to the works of M.I.A. In a review of the song for Spin, music critic Marc Hogan noted the use of "elephantine trumpet blares", a "loudly clanging timpani", and clapping on the track every eighth note. Hogan later categorized "Jumanji", along with Barbadian singer Rihanna's "Birthday Cake", and the Big Sean and Nicki Minaj collaboration, "Dance (A$$)", as "clappers".
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Jackson receiving his honorary doctorate diploma at NTNU, Trondheim in 2017. Left: NTNU's rector Gunnar Bovim Jackson has continued to argue that an open and inclusive study of religions and other worldviews in state funded schools is intrinsic to a broadly based liberal education, while also contributing instrumentally to the personal development of students and to social aims, such as fostering appreciation for the human rights principle freedom of religion and belief.Jackson, R. (2015) «Inclusive Study of Religions and Other Worldviews in Publicly-funded Schools in Democratic Societies». in Kristina Stoeckl and Olivier Roy (eds.) The Future of Religious Education in Europe, pp 7–18.
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Revolucion 13 is the second full-length album by Tribe of Gypsies, a Latin rock band based in the San Fernando Valley, California, USA. It is the first recording with the Native American singer Gregg Analla (ex-Seventh Sign, 9.0) on lead vocals. After the vocalist Dean Ortega left to front his own project, Revolution Child, the remaining members of Tribe Of Gypsies wrote, rehearsed and recorded all of the music for their new album instrumentally, cutting tracks live in the studio with the full band. Months later they were put in touch with the singer Gregg Analla in New Mexico whose band, Seventh Sign, had just broken up.
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Strange Tourist is the debut studio album from The Drones and Tropical Fuck Storm frontman Gareth Liddiard. The album was recorded inside Blackburn Castle in New South Wales over the first half of 2010, and was produced with the help of Burke Reid. Its minimal, "austere" and "meandering" acoustic songs instrumentally consist entirely of Liddiard's guitar-playing, and are topped with his versatile and heavily-accented vocals. Exploring themes such as isolation, jealousy, guilt, colonialism, wartime collaborationism, radicalism and many others, its detailed, narrative-based lyrics have been characterized as "dark and grinding", and are set in various periods of time as well as locations.
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Lead guitarist Josh Farro spoke to the crowd and although their set was cut short, the band played "Misery Business" instrumentally while the crowd sang Williams's vocal parts. The tour, which previously went from September 29 to November 1, 2009, was later officially postponed on October 2, 2009, due to a case of laryngitis for singer Williams. The full tour resumed on October 10, 2009, in Chicago. The band also announced that they would be doing a European tour starting off in Helsinki, Finland, on November 29, 2009, with You Me at Six, Paper Route, and Now, Now Every Children supporting all UK tour dates.
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"Hail, Columbia", preceded by four ruffles and flourishes (as would be played for the U.S. vice president), performed instrumentally by a U.S. Army band Sheet music arrangement "Hail, Columbia" is an American patriotic song that is the ceremonial entrance march of the Vice President of the United States. It was considered one of the unofficial national anthems of the United States until 1931, when "The Star-Spangled Banner" was named as the official national anthem. Columbia is the name for the national personification of the United States which originated during the 18th century. Hail, Columbia is considered an unofficial anthem of the United States.
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The Buttertones released their fourth studio album, Midnight in a Moonless Dream, via Innovative Leisure on 4 May 2018. Recorded at Jazzcats Studio with Gravedigging producer Jonny Bell, the album reflects the band's attempt to craft a darker sound, to experiment vocally and instrumentally, and to step outside the surf rock genre. All songs on the album are sung by Richard Araiza, with the exception of "Don't Cry Alone", which is sung by Dakota Böttcher. The album release was accompanied by an appearance at Coachella Music and Arts Festival, European and North American tours, and the release of a further single, "Madame Supreme", in October 2018.
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Andy Zwerling of Rolling Stone felt that the album was a continuation of Workingman's Dead, though there was more care and contentment in the singing, as well as the instrument playing being rich. Robert Christgau also compared the album to Workingman's Dead, feeling it was "sweeter vocally and more direct instrumentally". The Washington Post writer Tom Zito felt that the album showed "wisdom of age" when compared to their earlier works, while maintaining an "exuberance of youth." Jason Ankeny at AllMusic feels that the album is the Dead's "studio masterpiece", and in comparing it to Workingman's Dead, it is "more representative of the group as a collective unit".
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Fury pressed the single with two different A-side and B-sides: "Kansas City Twist" (Fury 1059) and "My Heart Is Yours" (Fury 1063). It had been three years since Harrison's last chart appearance and the singles failed to reach the charts. In 1969, Harrison reworked the song with the title "Let's Work Together". The two songs use the same melody line and structure, but the lyrics differ: :"Let's Stick Together" :"Let's Work Together" Instrumentally, the 1962 recording is an ensemble piece, while the one in 1969 is a solo performance, with Harrison (credited as the "Wilbert Harrison One Man Band") providing the vocal, harmonica, guitar, and percussion.
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This view may hold the intrinsic values of several life stances as intrinsically valuable. Note the difference between this and regarding several intrinsic values as more or less instrumentally valuable, since intrinsic monistic views also may hold other intrinsic values than their own chosen one as valuable, but then only to the degree other intrinsic values contribute indirectly to their own chosen intrinsic value. The most simple form of intrinsic multism is intrinsic bi-ism (from Latin two), which holds two objects as having intrinsic value, such as happiness and virtue. Humanism is an example of a life stance that accepts that several things have intrinsic value.
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Somerville has written and recorded with bands such as After Forever, Edguy, Kamelot, Epica, Avantasia, and Docker's Guild, and has produced two solo albums. Her solo releases to date are primarily soft and elegant pop rock with some hard rock, folk and soul music influences. Somerville herself wrote and contributed instrumentally to all of the songs on her solo albums, with only one exception, "Out" from the album Windows (written by Sascha Paeth). She collaborated with several of these metal bands alongside producers Sascha Paeth and Michael Rodenberg, which led her to collaborate with multi-instrumentalist Robert Hunecke-Rizzo, co-writing the rock opera Aina.
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The arias contrast, interpreting the text in its affekt and in single phrases. Gardiner notes about the first pair of recitative and aria: In movement 8, the call to wake up is intensified by trumpet signals and fast scales, evoking the Last Judgement. The first motif in movement 10 is sung by the two singers of the duet on the words O Menschenkind ("o child of man") and are repeated instrumentally as a hint of that warning. Both parts of the cantata are concluded by the same four-part chorale setting, asking finally "" (Take me, Jesus, if you will, into the felicity of your tent).
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These moral assumptions were explained using the metaphor of a rhizome, in that they appear at regular intervals from the time of the 1870 Education Act to the present day. The first is the universalist assumption, which is that there are universal truths behind the all of the major world’s religions, and that the study of religion can identify these and present them to pupils. The second is the vicarious assumption, which is the idea that teaching religion, one can build pupils’ world views, and also, therefore, their moral belief structures. The final is the instrumentalist assumption, which posits that through studying religion, pupils instrumentally become more moral over time.
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The Choral Fantasy, Op. 80 (1808), basically a piano concerto movement, brings in a choir and vocal soloists near the end for the climax. The vocal forces sing a theme first played instrumentally, and this theme is reminiscent of the corresponding theme in the Ninth Symphony (for a detailed comparison, see Choral Fantasy). Going further back, an earlier version of the Choral Fantasy theme is found in the song "" (Returned Love) for piano and high voice, which dates from before 1795. According to Robert W. Gutman, Mozart's K. 222 Offertory in D minor, "Misericordias Domini", written in 1775, contains a melody that foreshadows "Ode to Joy".
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Muddy Waters' version also uses Jackson's guitar figure and the starting of the vocal on the IV chord and he interpreted it as an unusual fifteen-bar blues (an uneven number of measures, rather than the traditional twelve bars or somewhat less common eight or sixteen bars). Muddy Waters recorded a second version of "Rock Me" for his 1978 album I'm Ready. Lil' Son Jackson's "Rockin' and Rollin'" was inspired by earlier blues songs. Many songs from the 1920s through the 1940s have some combination of rock, roll, baby, and mama in the title or lyrics, although instrumentally they are different than "Rock Me Baby", "Rock Me", or "Rockin' and Rollin'".
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The song "I Have a Need" was instrumentally written to be included on the Limp Bizkit release The Unquestionable Truth (Part 1), but was cut in order for the EP to remain mostly metal oriented. It features Limp Bizkit's bassist Sam Rivers on the track, and Borland was allowed to use the song for Black Light Burns when the song was turned down for use by Limp Bizkit. The tracks "4 Walls", "Animal" and "The Mark" are used in Season 2 of TV series Burn Notice. The track "Stop a Bullet" is used in the launch trailer for the videogame Ghost Recon: Future Soldier.
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Determining this mean of action is quite hard and even incompatible. Rational orientation is being able to recognize and understand certain mediums under common conditions. According to Weber, heterogeneous actors and groups that are competing, find it hard to settle on a certain medium and understand the common social action; # Instrumental action (also known as value relation, instrumentally rational, goal-instrumental ones, zweckrational): actions which are planned and taken after evaluating the goal in relation to other goals, and after thorough consideration of various means (and consequences) to achieve it. An example would be a high school student preparing for life as a lawyer.
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On the West Coast, especially in California, a different approach lead to a different sound. Dick Griffey and Leon Sylvers III of SOLAR Records, who pioneered their own signature sound, produced Ohio- based group Lakeside's album Rough Riders which already displayed these new trends and, "instrumentally demonstrates economic arrangements (featuring brass, keyboards and guitar)," as noted by Billboard, praising the album. A watershed album of post-disco was Michael Jackson's Off The Wall, produced by Quincy Jones, which helped establish a direction of R&B;/dance music and influenced many young producers who were interested in this kind of new music.The '80s Producers . Danceclassics.net.
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Christopher H. Jasper (born December 30, 1951, Cincinnati, Ohio[ Allmusic biography]) is an American singer, composer, and producer. Jasper is a former member of the Isley Brothers and Isley-Jasper-Isley and is responsible for writing and producing the majority of the Isley Brothers music (1973–1983) and Isley-Jasper-Isley music (1984–1987). He is also a successful solo musician and record producer, recording over 14 of his own solo albums, including 4 urban contemporary gospel albums, all written, produced and performed, both vocally and instrumentally, by Jasper. He also produces artists for his New York City-based record label, Gold City Records.
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' (God's time is the very best time), ', also known as Actus tragicus, is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral. The earliest source for the composition is a copied manuscript dated 1768, therefore the date of the composition is not certain. Research leads to a funeral of a former mayor of Mühlhausen on 16 September 1708. The text is a carefully compiled juxtaposition of biblical texts, three quotations from the Old Testament and four from the New Testament, combined with funeral hymns, of which two are sung and one is quoted instrumentally, and some additions by an anonymous author.
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Academic analysis of tactical voting is based on the rational voter model, derived from rational choice theory. In this model, voters are short- term instrumentally rational. That is, voters are only voting in order to make an impact on one election at a time (not, say, to build the political party for next election); voters have a set of sincere preferences, or utility rankings, by which to rate candidates; voters have some knowledge of each other's preferences; and voters understand how best to use tactical voting to their advantage. The extent to which this model resembles real-life elections is the subject of considerable academic debate.
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According to Duggan, the substrate on which these statements were based was a mixture of "self-interest and fear". It was useful, in fact, to paint the southern territories as corrupt and backward, as this allowed the new government to justify the imposition of its own constitution and laws, administrative practices and men according to the approach of "piemontesizzazione". On the other hand, there was deep concern about the possibility of the spread of riots, which would have fragmented the country again, with unforeseeable consequences. The historian writes that the alleged backwardness of the southern territories was instrumentally used to justify acts of flagrant lawlessness and violence.
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All the fundamental researches of medical documentation, directed towards the study of the spread of comorbidity and influence of its structure, were conducted till the 1990s. The sources of information, used by the researchers and scientists, working on the matter of comorbidity, were case histories, hospital records of patients and other medical documentation, kept by family doctors, insurance companies and even in the archives of patients in old houses. The listed methods of obtaining medical information are mainly based on clinical experience and qualification of the physicians, carrying out clinically, instrumentally and laboratorially confirmed diagnosis. This is why despite their competence, they are highly subjective.
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Guitarist the Edge has also stated he was very pleased with the "New Mix" of the song available on The Best of 1990–2000. "Gone", along with several other tracks from Pop and the band's previous album Zooropa, were remixed and either dubbed "The New Mix" or "Mike Hedges Mix" to help fit in with the more instrumentally-conservative songs of All That You Can't Leave Behind. Some reviews of the Best of compilation, notably Allmusic's review singled out the remixes of Pop songs, calling "none improvements and all undermining the actual career arc of U2 in the '90s." "Gone" was initially considered as a single.
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The second movement, which treats the evening before the sacrifice, is conceived purely instrumentally; this movement is clearly closer to the style of his contemporaries. However, from this movement on, Xenakis would no longer be constrained by serial techniques, and would explore his musical viewpoints and perspectives by using glissandos and discontinuous pitches. The third movement was the result of this change, even though it would still not be considered stochastic music, which Xenakis would explore further in Pithoprakta. However, Xenakis removed completely any trace of serial music and started working to bring his vocal compositions to the same level as that of his instrumental and electroacoustic compositions.
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" Jake Denning, awarding the album a 9.4 out of ten review by AbsolutePunk, says, "Known for their intensity and unwavering vehemence, Found In Far Away Places shows the band exploring brand new territories both instrumentally and lyrically." Giving the album a seven out of ten from Exclaim!, Bradley Zorgdrager, states, "This is the sound of a band breaking out, and they haven't sounded this fresh in over half-a-decade." Awarding the album four stars for AllMusic, James Christopher Monger writes, "That the band never lose themselves in the process of these myriad digressions is impressive to say the least, but what's most notable about Found in Far Away Places is how fluid the ride is.
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Released by Columbia Records, the album was an attempt by the company to cash in on the teen dance craze. Conniff himself never liked this album and felt under pressure by producer and a&r; chief Mitch Miller to record it. He once stated in an interview with German television "We should have burnt the tapes". Miller thought that the "new dance" Bop (which has nothing in common with the jazz style of the same name) was on the way to the top at that time while Conniff was afraid of killing his new sound concept (instrumentally singing voices doubling instruments) which he started off with in the late 1956 by releasing his album 'S Wonderful.
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Conlee playing accordion, with other keyboard instruments nearby The group's songs range from upbeat pop to instrumentally lush ballads, and often employ instruments like the accordion, keyboards, and upright bass. In its lyrics, the band eschews the introspection common to modern rock, instead favoring a storytelling approach, as evidenced in songs such as "My Mother Was a Chinese Trapeze Artist" from the 5 Songs EP and "The Mariner's Revenge Song" on Picaresque. The band's songs convey tales ranging from whimsical ("The Sporting Life", "Apology Song") to epic ("The Tain") to dark ("Odalisque", "The Rake's Song") to political ("16 Military Wives", "Valerie Plame"), and often invoke historical events and themes from around the world ("Yankee Bayonet", "Shankill Butchers").
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Additionally, the band began pre-production for their next album with featured Craig on vocals. In early 2007, drummer Eric Schnee left the group to move back to New Jersey and reform his old band The Binding, while the band confirmed that Craig had "left the band for good" to finish college. Original drummer Corey Barnes rejoined the group at this point and they continued performing and writing as an instrumental act, including becoming one of the few metal bands to play the Omaha Entertainment Awards, where they were nominated for Best Metal/Punk/Hardcore band. With much of their second album written and recorded instrumentally, the band felt that it was still missing something.
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"Part II (On the Run)" is a song recorded by American rapper Jay-Z from his twelfth studio album Magna Carta Holy Grail (2013) featuring American singer and wife Beyoncé. The song was written by Jay-Z, James Fauntleroy, Timbaland, and J-Roc while the production was handled by the latter two. It is viewed as a sequel to Beyoncé and Jay-Z's 2002 collaboration "'03 Bonnie & Clyde", a song which was rumored to be about their relationship. "Part II (On the Run)" is a slow-tempo Electro-R&B; ballad instrumentally complete with synths and drums, and its lyrics refer to a rebellious couple in love and describe their dangerous relationship.
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Live in Heidelberg, Germany 2002 Their debut album Shadow of the Moon was a musical success and featured Ian Anderson of Jethro Tull on flute for the song "Play Minstrel Play". In subsequent albums, particularly Fires at Midnight, there was an increased incorporation of rock guitar into the music, whilst maintaining a folk rock direction. Over time, Night has increasingly participated instrumentally as well as singing the vocals, and is competent in a wide variety of Renaissance instruments. The group performs at Renaissance fairs and Renaissance festivals, as well as in stand-alone concert tours in appropriate venues including 'castle tours' of Europe, where they perform in historic surroundings for an audience dressed largely in period costume.
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Schroeder Op.cit.5 where the latter can be defined as that branch of metaphysics which deals with the final end or purpose of things (the Greek Telos meaning “the end or purpose of an action”).Liddell & Scott Op.cit.118 According to this group of theories things are instrumentally valuable which help to achieve either specific or general ends, and underlying this, Schroeder tells us, is the relation of cause and effect.Schroeder Op.cit.5 Frankena defined instrumental value as that which is good or useful for some purpose and he referred to Aristotle who, besides defining different kinds of cause, defined the good as “that at which all things aim”.Frankena Op.cit.13, p.86; cf.
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The relationship between animal ethics and environmental ethics concerns the differing ethical consideration of individual animals—particularly those living in spaces outside of direct human control—and entities such as species or ecosystems. Generally, animal ethicists place the well-being and interests of sentient individuals at the center of their concern, while environmental ethicists focus on the preservation of biodiversity, populations, ecosystems, species and nature itself. Animal ethicists may also give value to these entities, but only so far as they are instrumentally valuable to sentient individuals. Environmental ethicists consider it justifiable to remove or kill individual animals who threaten the preservation of ecological entities, which is frequently opposed by animal ethicists.
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Sonic Excess in Its Purest Form is the seventh studio album by Crowbar, a New Orleans-based sludge metal band. It was released in 2001. It is the last album to feature guitarist Sammy Duet, and the first and only album to feature bassist Jeff Okoneski and ex-Machine Head drummer Tony Costanza. Sonic Excess in its Purest Form has been considered by most fans and critics to be one of Crowbar's best albums. Robert Davis of Sputnik Music gave the album a 4.5 out of 5 stars, noting "instrumentally the band has never sounded fresher or more alive" and "each and every song on “Sonic excess…” is charged with more melancholy and beautiful solemnity than ever before".
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The Indian Muslims were prominent in the restaurant business, textile trade & Indian food production. They were also instrumentally significant in their contribution to the Islamic fellowship & religious welfare in the state with their Muslim Malay brethren. Many of the present-day Sarawak Indians are from mixed marriages with the Malays, Chinese & other Sarawak native ethnic groups, with many of the younger generation using English, Sarawak Malay or one of the native or Chinese dialects to communicate with everybody else. They have assimilated well within the state's general population as a culturally distinct group in Sarawak that is rather unusual as opposed to the Indian diaspora of Peninsular Malaysia & the Asian region in general.
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Formed in 1964, and motivated by earning a hit record in Michigan, the Quests were composed of Grand Rapids Junior College students Bob Fritzen (lead vocals, rhythm guitar), Joe Suchocki (rhythm guitar), Bob Dengate (bass guitar, vocals), Jim Nixon (keyboards) and Jerry Szyszko (drums). After practice sessions on the college grounds, the band made its debut live performance to a sold-out crowd at a local teen dance club known as the Pit. Fritzen recalled the Quests "were primarily seen as a group that could perform a wide variety of the recent sounds of that time, both instrumentally and vocally". He also credits the Beatles and the Beach Boys for the band's vocal harmonies.
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"Did It On'em" is a hardcore hip hop and post-dubstep song that has instrumentally been described as having a massive, ungainly beat. The lyrics speak of Minaj winning over her competition, by saying she "shitted on 'em" or "pissed on 'em." "Right Thru Me" is styled with pop-rap tones, and has an electronic beat, while being influenced by R&B.; Lyrically, the song describes someone who wonders aloud about how a lover can see the real her.Nicki Minaj, “Right Through Me” MP3 « The FADER Lyrically, "Moment 4 Life", is about a desire to maintain a feeling of accomplishment, as Drake follows behind Minaj and raps the same theme of enjoying the moment.
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In the 1954 film Return to Treasure Island, starring Robert Newton, the song was sung in the opening credits, and instrumentally as the thematic background to the action. In the 1959 television series The Adventures of Long John Silver—again starring Robert Newton—it was, although only in instrumental version, the series' theme song played both at the beginning and the end of each episode. In 1967, writers for the Walt Disney film company found inspiration in "Derelict" for the sea-song "Yo Ho (A Pirate's Life for Me)", which was played in the "Pirates of the Caribbean" theme ride at Disneyland. Astrid Lindgren expanded Stevenson's couplet differently in the script for the 1969 Pippi Longstocking TV series.
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He concluded that the score is "culturally appropriate, instrumentally fascinating ... and has an intelligent thematic architecture that is worthy of overt praise." Reviewing the score for AllMusic, Neil Z. Yeung gave it four out of five stars, calling it "triumphant" and highlighting the moments where the African elements were combined with traditional orchestra and modern hip-hop. Luke Martin of Fortitude Magazine said the score "blows other Marvel soundtracks out of the water", calling it "rich" in African sounds that help it add "gravity to every aspect of the story, rooted in an emotional context." He also highlighted the brass music for royalty as well as the use of modern music in Killmonger's theme.
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Gomułka considered revisionism rather than "Zionism" to be the main "danger". According to historian Dariusz Stola, the first secretary, whose wife was Jewish, harbored no antisemitic prejudices. But he opportunistically and instrumentally allowed and accepted the anti- Jewish initiative of Minister Moczar and the secret services Moczar controlled. The campaign gave Gomułka the tools he needed to combat the intellectual rebellion, prevent it from spreading into the worker masses (by "mobilizing" them and channelling their frustration against the stealth and alien "enemy"), resolve the party rivalries ultimately to his own advantage and stabilize the situation in Poland at the dangerous for the party time of the Prague Spring liberalizing movement in Czechoslovakia.
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Further, horrendous suffering often leads to dehumanization, its victims in truth do not grow spiritually but become vindictive and spiritually worse. This reconciliation of the problem of evil and God, states Creegan, also fails to explain the need or rationale for evil inflicted on animals and resultant animal suffering, because "there is no evidence at all that suffering improves the character of animals, or is evidence of soul-making in them". On a more fundamental level, the soul-making theodicy assumes that the virtues developed through suffering are intrinsically, as opposed to instrumentally, good. The virtues identified as "soul-making" only appear to be valuable in a world where evil and suffering already exist.
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Reviewing the album for Classic Rock magazine, David Stubbs claimed that "BCCIV thrives on the contrasting creativity of the seasoned, soulful ... Hughes and the pyrotechnic, Pageian riffery of co-songwriter Bonamassa". Erlewine outlined that "the group has palpable chemistry and ... they're instrumentally in fine fettle here", while Express & Star writer Leigh Sanders called the album "simply brilliant" and claimed that "There is no filler here. Each track is engaging and masterful as these super musicians combine to show how rock should be done." National Rock Review's Adam Kennedy agreed that "you don't find yourself skipping tracks, there are no fillers, from start to finish you hear a band at the top of their game".
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Crowd performing the U.S. national anthem before a baseball game at Coors Field The song is notoriously difficult for nonprofessionals to sing because of its wide rangea 12th. Humorist Richard Armour referred to the song's difficulty in his book It All Started With Columbus: Professional and amateur singers have been known to forget the words, which is one reason the song is sometimes pre-recorded and lip-synced. Other times the issue is avoided by having the performer(s) play the anthem instrumentally instead of singing it. The pre-recording of the anthem has become standard practice at some ballparks, such as Boston's Fenway Park, according to the SABR publication The Fenway Project.
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However, most religious systems acknowledge an afterlife and improving this is seen as an even more basic good. In many other moral systems, also, remaining on Earth in a state that lacks honor or power over self is less desirable—consider seppuku in bushido, kamikazes or the role of suicide attacks in Jihadi rhetoric. In all these systems, remaining on Earth is perhaps no higher than a third-place value. Radical values environmentalism can be seen as either a very old or a very new view: that the only intrinsically good thing is a flourishing ecosystem; individuals and societies are merely instrumentally valuable, good only as means to having a flourishing ecosystem.
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Musically, "Speak to Me" is a piano ballad instrumentally complete with strings, booming drums and cellos and features lyrics in which the protagonist pleads for love. Upon its release, the song received critical acclaim from music critics most of whom praised its haunting and cinematic sound accompanied by the singer's trademark vocals. A music video for the song for which Lee collaborated with Howell was filmed at the same location as the movie, in Siena. It serves as a backstory to the movie and it features Lee singing the song and playing the piano in a gothic castle setting; shots of her walking at a garden with a boy are present throughout.
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Although Wyman noted some early criticism of their rendition, Janovitz described it as "a fairly faithful version [of the original]". It is performed as a moderately slow (74 bpm) blues in the key of G. Although AllMusic reviewer Matthew Greenwald describes their arrangement as having a straight I-IV-V twelve-bar blues progression, they sometimes vary the changes, but not in the same manner as Howlin' Wolf. Jagger uses the lyrics from the original (omitting Cooke's extra verse), but makes one important change—instead of "I got a little red rooster", he sings "I am the little red rooster", although the later verse reverts to "If you see my little red rooster". Instrumentally, Bill Wyman generally follows Dixon's bass lines.
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The band instrumentally use various synthesisers to produce many of their sounds, during the recording and touring with the album Not Accepted Anywhere the band's former member Alex Pennie used an Alesis Micron and an Alesis Andromeda during live performances, and in addition to this in studio he used a Roland Juno-106. More recently since Pennie's departure new addition Paul Mullen uses a microKORG whilst James Frost continues to use an Alesis Micron, although fewer of the songs on This Is A Fix use a synthesiser as a predominant instrument. The band uses Sennheiser microphones, 'e 945s' for vocals, 'e 906s' for the guitar cabinets and snare drum, the 'e 604s' for toms, and an 'e 901' on the kick drum.
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Also included is a live version of "Islands in the Stream". The U.S. and the UK versions differed slightly in song selection and running time. Included in the UK version were 1993's "Heart Like Mine" and a song Barry and Maurice wrote together with Ronan Keating in 1999 called "Lovers and Friends", backing Keating both vocally and instrumentally while also producing the recording. Another anomaly was the inclusion of the Robin Gibb solo hit "Juliet" from 1983, which was a big hit in many countries, except in the UK and the U.S. By the time Love Songs was released, there had been several Bee Gees compilations on the market as well as their entire back catalog, so this release seemed somewhat redundant.
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Both styles of management are viewed as a negative when taken to an extreme, so it is important for organizations to develop a balance of micro- and macromanagement practices and understand when to apply which. The second interpretation of macromanagement is when an organization views itself as a social institution, orienting its goals and purpose toward serving society. To do this, they align the organization’s values, norms, ethics with those of the society they are immersed in. In 1971, Alan Wells defined a social institution as “patterns of rules, customs, norms, beliefs and roles that are instrumentally related to the needs and purposes of society.” Other examples of social institutions in this respect include government and religious organizations, some more in-line with serving society that others.
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Grohl explained the meaning of the title, stating that it is about "a search for hope in this day and age where you feel as if you're fighting for your life with every passing moment, and everything is on the line." Instrumentally, Rolling Stone described the track as a "raucous yet melodic rocker with colossal guitars and pounding drums that drive forward while lighter, pop- tinged instrumental touches swirl underneath." Many journalists noted the high energy of the song, with Blabbermouth noting its "propulsive melody" with "heartfelt lyrics" and a "rousing chorus", and NME describing it as "blistering" and "euphoric". Team Rock/Classic Rock Magazine described the track as having a huge sound that would go over well in large arenas and music festivals.
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Instrumentally the group was notable for the intricate bouzouki and mandolin counterpoint of Lunny and Irvine, along with O'Flynn's exceptional pipering; Irvine and Moore (who played guitar) were the principal vocalists. Very quickly, Lunny would also develop into their own in- house producer, arranger and musical director: "It very rapidly established itself that the music demanded to be treated on its own terms. It influenced our arrangements. [...] I think it was unfamiliar to people to hear traditional music with a chassis under it and it still sounds like traditional music." Irvine contributed four songs to their first album, Planxty, recorded at the Command Studios in London during early September 1972 and released in early 1973:Planxty, Polydor 2383 186, 1973.
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A lot of crazy stuff happens on the road, and we took our experiences from on and off the stage, and brought them into the studio with us. Life is ridiculous, all our lives, like an amusement park ride. In this case, we picked a funhouse, since those are ridiculous too. And we wanted to expand the range of what we can do instrumentally but still keep it non electric so we added a few more gritty and twangy stringed instruments that were fun to spank, like banjos, resonator guitars and ukuleles, as well as an orchestra of kitchen appliances for some additional percussive bang.” The music video for the first single "Raise The Dead" premiered on American Songwriter on March 8, 2012.
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" Billboard cited "Homecoming" as among West's ten most romantic songs and stated that it is one of the most loving hometown tributes that rap music has to offer. CraveOnline ranked "Homecoming" at the very top of their list of Kanye West's fifteen best songs. When summarizing the composition, it stated, "Even though this storytelling track is very personal, and therefore not directly relatable, Kanye reaches its high point topically and instrumentally, proving his expertise as both a producer and a rapper. Coldplay's singer Chris Martin features on the chorus, but the main star of this track is the piano instrumental ... The love ode to Chicago turns out to be familiar to everyone, regardless of their location, class, gender or whether they've left their first home.
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But it is not characteristic of his other work: for many, it will be the only Browne album they will want to own, just as others always will regard it disdainfully as 'Jackson Browne lite'." Music critic Robert Christgau gave the album a B+ grade: "Jackson sounds relaxed verbally, vocally, even instrumentally... I consider this his most attractive album. But his devotees may consider the self-effacement a deprivation." Blender gave the 2005 reissue a 4 of 5 star rating, stating it "cuts deeper than most road sagas partly because Browne had the brilliant notion of recording on the fly... It also works because he tapped the culture's circa-1977 sense that it was running on empty, feeling like a trashed Holiday Inn room—Empty is about something larger than the misery of room service.
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Rolling Stone Magazine 22 October 2012 Around the time of its release, Rutherford expressed an interest in making another solo album having already gone through the process and said he had gained a lot of self-confidence in his work as a result. In his 2014 biography, Rutherford summarised that Smallcreep's Day is "quite strong instrumentally, but its real value was as a breath of creative fresh air". In a review printed in the August 1980 edition of International Musician & Recording World which featured a cover article on Genesis, reviewer Wolfram Eike summarised the album as "a quiet, melodic piece of work with bombastic synthesizer effects" which did not offer "anything new" due to Rutherford's association with Genesis music. He nonetheless wrote the album "turned out well – something for quiet listening".
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She believed waiting that long was unacceptable for USA Military overseas and made the time in her project scheduling to provide one to one instructions with her own Nikki Hornsby beginning acoustic guitar and vocal method. 2007 for appointments and networking during Grammy week, Hornsby had to take leave to travel alone to Los Angeles, CA but agreed to be back in a few days. She was injured in an international airplane in-flight accident February 8, 2007. She was unable to continue to write, record, or professionally perform her music afterwards and soon returned home to Los Angeles CA as injuries forced her to avoid future live appearances. 2009 CJP-NHRecords released "Just Wait Instrumentally" which is the instrumental version of the "Just Wait" CD released in 2006.
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What distinguishes these two kinds of violence fundamentally is their mode of operation; whereas law-establishing and law-preserving violence operate instrumentally on a continuum of means and ends, wherein the means of physical violence justify the political-juridical ends of the law, the Benjaminian concept of 'divine violence' is unique insofar as it is a bloodless violence 'of pure means' through which the law itself is destroyed. The example Benjamin provides in his essay is that of a General Strike, the latter of which is a key element of Sorel's Reflections on Violence (cited in this essay by Benjamin). The "violence that conserves the law" is roughly equivalent to the state's monopoly of legitimate violence. The "violence that founds the law" is the original violence necessary to the creation of a state.
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Studies on perpetrators of domestic violence find that abusers have high rates of psychopathy, with the prevalence estimated to be at around 15-30%. Furthermore, the commission of domestic violence is correlated with Factor 1 of the PCL-R, which describes the emotional deficits and the callous and exploitative interpersonal style found in psychopathy. The prevalence of psychopathy among domestic abusers indicate that the core characteristics of psychopathy, such as callousness, remorselessness, and a lack of close interpersonal bonds, predispose those with psychopathy to committing domestic abuse, and suggest that the domestic abuses committed by these individuals are callously perpetrated (i.e. instrumentally aggressive) rather than a case of emotional aggression and therefore may not be amenable to the types of psychosocial interventions commonly given to domestic abuse perpetrators.
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The Yammouneh fault in Lebanon The Dead Sea Transform, also known as the Levant Fracture, produces strong but infrequent earthquakes, and all pre- instrumental information regarding the area shows that it was experiencing an inactive period during the twentieth century. Researchers M. Vered and H. L. Striem conducted a study on both the 1927 Jericho earthquake and the January 1837 event, with a close look at damage data to gain a good estimate of Modified Mercalli intensity values. The 1927 event was both macroseismically and instrumentally recorded, and that provided a good opportunity to closely examine the macroseismic and instrumental epicenter location, estimates of its depth, and methods used in the macroseismic investigation. Once validated, the processes of analyzing the macroseismic data were applied to the earlier 1837 event.
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The band recorded their second album, If I Don't Come Home You'll Know I'm Gone in late 2008 and early 2009 in Montreal with producer Howard Bilerman (Arcade Fire, Thee Silver Mt. Zion, Basia Bulat). This record, released on August 25, 2009, saw them push the limits of the folk and country genres that was heard on When Lost at Sea with a more sonic and multi-instrumentally layered aesthetic. They toured extensively throughout 2009 and 2010 in Canada, Europe and the United States in support of their 2009 release If I Don't Come Home You'll Know I'm Gone with Elliott Brood, The Rural Alberta Advantage and Yukon Blonde. On February 28, 2012, the band released its third LP, titled Every Child a Daughter, Every Moon a Sun.
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Thomas opined that "instead of being an annoyingly repetitive conceptual misfire, the identical melodies work in DeMarco's homespun glam thug sonnets in an if-it-ain't-broke kinda way, lending different shades of the same color to their respective songs." However, a new melody is introduced on "She's Really All I Need", a track which was lyrically compared by Loud and Quiet to Pavement. and instrumentally containing wobbly guitar riffs and "beachy" percussion, as well as the absence of DeMarco's distorted vocals. Some say "Moving Like Mike" is about Brooklyn Based Video Editor "Doc" Mike Kutsch, but it is most likely an out-of-key "dork-fest ode" to Michael Jackson that restores the overall vibe of the LP, after the "She's Really All I Need"-induced departure.
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Bibio's sixth studio album – his third studio release on Warp Records – was released on 29 March 2011 in the US and 4 April in the UK. Wilkinson described the album as a "balance of the familiar and the non-familiar". Talking about Mind Bokeh, he said, "I think that when I finished 'Ambivalence Avenue' one thing I wanted to focus on was the use of synthesisers and drum machines more, so it's going to lend itself to an electric sounding album rather than an acoustic album." Instrumentally, it consists of "folding twinkly keyboards, crackly loops, and gently insistent beats" making "tracks that are evocative and detailed enough to reveal more with repeated listens". Bokeh is a photographic term for the blur of the out-of-focus area in an image.
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According to Sputnikmusic's Adam Downer, Television introduced an unprecedented style of rock and roll on Marquee Moon that inaugurated post-punk music, while The Guardian said it scaled "amazing new heights of sophistication and intensity" as a "gorgeous, ringing beacon of post-punk" despite being released several months before the Sex Pistols' Never Mind the Bollocks (1977).; Erlewine, writing for AllMusic, believed the record was innovative for abandoning previous New York punk albums' swing and groove sensibilities in favor of an intellectually stimulating scope that Television achieved instrumentally rather than lyrically. He claimed "it's impossible to imagine post-punk soundscapes" without Marquee Moon. Fletcher argued that the songs' lack of compression, groove, and extra effects provided "a blueprint for a form of chromatic, rather than rhythmic, music that would later come to be called angular".
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Written and produced by Motown's main production team of Holland–Dozier–Holland, the song's fast tempo accompanies a somber lyric which delves into the feelings of depression which can set in after a breakup; instrumentally, this is showcased with a Storm and Stress musical arrangement, in tow with the trend of baroque pop during the mid-1960s. "My World Is Empty Without You" was one of the few songs written by the team for The Supremes to not reach number one, peaking at number five on the US pop chart for two weeks in February 1966 and at number 10 on the R&B; chart; the single failed to chart on the UK Singles Chart. The group performed the song on the CBS hit variety program The Ed Sullivan Show on Sunday, February 20, 1966.
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While Gira sings on the majority of the songs, he enlisted Karen O to assist with singing "Song for a Warrior" because Gira believed that "Since the song is like a country lullaby, I thought it would be appropriate for a female. Chris [Pravdica, Swans' bass player] pointed me to a few of Karen's solo works where she sings in this really gentle, compassionate, soulful way." Former Swans member Jarboe also made an appearance on the album once Gira met her after an Atlanta tour as he needed "some female vocals doing these kind of drone chords." The name of the album and title track came from Swans performing the title track multiple times instrumentally until Gira soon sang, "I see it all, I see it all," which he thought fit the music.
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"You Are Love" is a song by Jerome Kern and Oscar Hammerstein II from their classic 1927 musical play Show Boat. It is sung twice in the show - first, by Magnolia Hawks, the heroine, and riverboat gambler Gaylord Ravenal when they agree to marry near the end of Act I, and again in the penultimate scene of Act II by Ravenal when he returns to Magnolia after having deserted her for 23 years. Some productions -- notably the 1936 film version of the show -- shift the song's Act II reprise to the show's final scene. (Both Magnolia and Ravenal sing the reprise in the film.) In the 1951 film version of the musical, the song is sung only once, and reprised instrumentally as background music in the final scene.
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In 1970, Focus reached contact with Hubert Terheggen, director of Radio-Tele-Music Belgium-Holland, a music publishing division of Radio Luxembourg, through connections with Dresden's father. Terheggen enjoyed their music and signed them to his production company, secured deals with music publishers worldwide, and booked studio time for them to record their first album, which took place in January 1970 at Sound Techniques in Chelsea, London during time off from Hair. The result was Focus Plays Focus, better known as its international release title In and Out of Focus, with Terheggen credited as producer and Jerry Boys the engineer. A mix of pop-oriented songs and instrumentals were recorded for the album; van Leer felt the vocals suffered as a result of singing English lyrics with a foreign accent, which inspired the group to become stronger instrumentally.
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"Back to the Shack" received generally positive reviews from contemporary music critics. Carolyn Menyes from Music Times regarded "Back to the Shack" to be instrumentally similar to the band's second album Pinkerton, and stated that the song "features hooks for days, and the turn of events in the chorus is nothing short of a pure earworm." Mike Ayers of The Wall Street Journal described the song as "three minutes of pure Weezer joy", particularly for "its simple, yet heavy riffs and self-deprecating lyrics", while Spin critic Colin Joyce complimented the song for its "anthemic choruses and guitar anti-heroics". HitFix reviewer Dave Lewis called the song "generic rock", although he went on to compliment the middle eight and considered the song as a whole to be "a lot more promising", than their more recent releases.
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The movements of the pendulums has contributed to identify the free oscillations of the Earth, and to show that the secular term tilting of the cave is towards the northwest. The marine tides of the Adriatic have a loading effect in the cave, as have also the underground karstic floods of the river Timavo that disappears at the Škocjan Caves in Slovenia. The Grotta Gigante tiltmeters are the only existing instruments to have recorded four out of five greatest earthquakes in the recent 50 years, which are the earthquakes of Chile 1960 (the greatest earthquake ever instrumentally recorded) and Chile 2010 (the fifth in the scale of recorded worldwide mega-events) the tsunami-generating event of the Sumatra-Andaman islands of 2004 (third greatest event) and the event of Japan 2011 (fourth greatest event), allowing an absolute-amplitude comparison between these events.
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A pinnacle of baroque choral music, (particularly oratorio), may be found in George Frideric Handel's works, notably Messiah and Israel in Egypt. While the modern chorus of hundreds had to await the growth of Choral Societies and his centennial commemoration concert, we find Handel already using a variety of performing forces, from the soloists of the Chandos Anthems to larger groups (whose proportions are still quite different from modern orchestra choruses): Lutheran composers wrote instrumentally accompanied cantatas, often based on chorale tunes. Substantial late 17th-century sacred choral works in the emerging German tradition exist (the cantatas of Dietrich Buxtehude being a prime example), though the Lutheran church cantata did not assume its more codified, recognizable form until the early 18th century. Georg Philipp Telemann (based in Frankfurt) wrote over 1000 cantatas, many of which were engraved and published (e.g.
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Spanning more than in New York, New Jersey, and Pennsylvania, it is perhaps the best known fault zone in the Mid-Atlantic region, and some small earthquakes have been known to occur in its vicinity. Recently, public knowledge about the fault has increased, especially after the 1970s, when the fault's proximity to the Indian Point nuclear plant in New York was noted. Some seismologists have argued that this fault has the potential to produce a major earthquake,Aggarwal, Y.P. and L.R. Sykes (1978), Earthquakes, faults and Nuclear Power Plants in Southern New York and Northern New Jersey, Science, 200, 425–429.Sykes, L.R., J.G. Armbruster, W.Y. Kim, and L. Seeber (2008), Observations and Tectonic Setting of Historic and Instrumentally Located Earthquakes in the Greater New York City–Philadelphia Area, Bulletin of the Seismological Society of America, 98(4), 1696–1719.
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Success of the counter- reformation in Poland can be attributed to the vigorous activities of the Jesuits and other monastical orders, and to the fact that the Polish kings of that period were primarily Catholic, and leaned towards either neutrality or clear support for the counter-reformation policies. Protestantism, too often treated instrumentally by the elites, also failed to find significant followings among the masses of Polish peasantry. Lutheranism remained closely associated with German-speaking burghers, and the mid-17th century wars with Protestant Sweden also contributed to the rejection of Protestant identity by the Polish nobility, as many Protestants allied themselves with the invading Swedes, leading in the aftermath to all Protestants being seen as traitors. Finally, the Protestant sects were numerous and disorganized, lacking internal unity, whereas the Catholic response was much better organized.
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It is based on an earlier composition, Bach's 1733 Mass for the Dresden court, which would, in 1748, become the first part of his monumental Mass in B minor. The first movement (Gloria) is an almost identical copy of the first two movements of the Gloria of the earlier work, while the second and third movements are close parodies of the earlier Gloria's fifth and ninth movements. Parts, for instance, of the fugal section of , taken from the of the 1733 setting, are moved from a purely vocal to an instrumentally accompanied setting. The modifications Bach made to the last two movements of BWV 191, however, were not carried over into the final manuscript compilation of the Mass in B minor, leaving it a matter of speculation whether or not these constitute "improvements" to Bach's original score.
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The first Recorder was Adam Thom, who held the post until 1854, although relieved of most of his duties by his deputy some years before. He was succeeded as President of the Court from 1862 to 1870 by John Black. Baker (1999) uses the Red River Colony, the only non-native settlement on the northwest prairies for most of the 19th century, as a site for critical exploration of the meaning of "law and order" on the Canadian frontier and for an investigation of the sources from which legal history might be rewritten as the history of legal culture. Previous historians have assumed that the Hudson's Bay Company's representatives designed and implemented a local legal system dedicated instrumentally to the protection of the company's fur trade monopoly and, more generally, to strict control of settlement life in the company's interests.
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His own research found the same was true for undetected rapists, with serial rapists accounting for 90% of all campus rapes with an average of six rapes each. Pdf. He found that both undetected and convicted rapists held prejudiced attitudes towards women and a need for dominance. Compared with non-rapists, Lisak found that rapists are measurably more angry at women and more motivated by a desire to dominate and control them, are more impulsive, disinhibited, anti-social and hyper-masculine, and less empathic. Lisak characterized rapists as extremely adept at identifying potential victims and testing their boundaries, and said that they planned their attacks and used sophisticated strategies to isolate and groom victims, used violence instrumentally in order to terrify and coerce, and used psychological weapons against their victims including power, manipulation, control and threats.
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After recording an LP of cover songs, Good Times contains almost all Nelson compositions, including three written with his wife Shirley. It is very ballad heavy, with Jim Worbois of AllMusic noting, “This is kind of an odd record. One side is very sparse instrumentally, while the other side has three different people providing arrangements.” Two older songs, "Permanently Lonely" and "Did I Ever Love You," had been covered previously by Timi Yuro, the latter as a duet with Nelson. Tellingly, one of the two covers songs on the album was “Sweet Memories,” a song composed by Mickey Newbury, a singer-songwriter who, like Nelson, would express dissatisfaction with his debut RCA album Harlequin Melodies and blaze a trail of independent recording in defiance of Nashville that would serve as a template for the Outlaw movement in the seventies.
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Orchestral works, which have gained wider recognition for Marinelli, include the score for the biopic Chapter 27 (2007), using a 60 piece orchestra with the score being similar instrumentally to Tchaikovsky's, Nutcracker Suite. In the Family Way was performed by the Los Angeles Philharmonic Orchestra, featuring the comedy of Julia Sweeney at the Hollywood Bowl on August 25 and 26, 2006. ::Marinelli composed a tone poem, In the Family Way, featuring narration by writer/actress Julia Sweeney, Commissioned by the L.A. Philharmonic, the 22-minute piece, performed for 2 nights with a 90 piece orchestra at the Hollywood Bowl, is based on Sweeny's adoption of a baby from China and her travels as a single parent. :::—"Award Winning Film Composer", Music Connection, by Dan Kimpel, January 1, 2007 At the onset, the combination of musician, arranger, orchestrator and synthesist was in high demand.(p.
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Inspired by Aníbal Troilo, the orchestra evolved instrumentally with tangos such as Arrabal, La beba, Lo que vendrá, Pa'que se acuerden de mí, Para lucirse, Pichuco, Tigre viejo and A Zárate. During these ten years the singers that accompanied the orchestra alternated between Alberto Podestá, Raúl Berón, Roberto Rufino, Julio Sosa, Pablo Moreno, Roberto Florio, Héctor Montes and Luis Correa. After this he set up a duo with Hector Stamponi, whilst at the same time establishing his own orchestra with the pianist Juan Jose Paz, the bandoneonist Julio Ahumada and the singer Alberto Podestá . Lasting less than one year, the orchestra made various recordings starting with La trilla by Eduardo Arolas, and Petit Salón with music by Vicente Demarco and lyrics by Silvio Marinucci, on 3 November 1955 for the recording company RCA Records. Outstanding within Francini’s repertoire were Tema otoñal and his solos in Inspiración and Sensiblero.
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The Bosstones (also known as The Boss-Tones) were an American musical group who performed in the instrumentally-sparse, a cappella-based harmonic style known as Philadelphia doo-wop. The Bosstones apparently released only one record in their history: "Mope-Itty Mope" b/w "Wings of an Angel" in 1959 on the Boss Records label. The record was a not a national or regional hit (although it did manage to scrape into the playlists of a few stations, such as KIMN in Denver in May of that year). "Mope-Itty Mope" would probably have fallen into complete obscurity except for fact that Mexican border blaster XEAK decided to play it in 1961 -- in fact, they played it over and over for 72 straight hours, stunting its new format: "Extra News", the first 24-hour all-news station in Southern California (and one of the first in the United States).
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On the surface it tells of the mournful memory of a friend of Browne's, Adam Saylor, who died in 1968, possibly committing suicide. Wordplay and themes in the lyrics make allusions to mankind and Browne's place in this lost mankind, playing off of the name "Adam" and its religious connotations, and the use of candle as a metaphor for life's journey: "Now the story's told that Adam jumped, but I'm thinking that he fell..." Instrumentally, it contains a soft acoustic guitar part interlaced throughout by a viola line. According to Russell Paris's Jackson Browne website, Saylor was "a friend of Greg Copeland's with whom Jackson and Greg drove to New York in early 1967." Paris had become a staff writer for Elektra Records' publishing company, Nina Music, in addition to reporting on musical events in New York City with his friends Copeland and Saylor.
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David Virgin now lives in Dublin, Ireland and continues to write, record and perform music solo and with his two sons Rohan Healy and Alex "Al Quiff" Healy, of The Dublin City Rounders, in the vintage, western swing and blues act David Virgin & The Stanley Knife Brothers. In November 2013, Virgin released a 23 song best-of album titled "Three Decades of David Virgin" through Beardfire Music and in January 2014 Virgin released solo album "Boots 'N' Tooths". Virgin released an album titled The Beautiful Album in September 2017. The Beautiful Album is a selection of mainly duets by Virgin featuring Leslie Dowdall (of In Tua Nua), Leila Jane, Kate Dineen, Klara McDonnell and Elga Fox. The songs on the album were backed instrumentally by the Dublin City Rounders, Rohan Healy on guitar, Al Quiff on double bass, Adam Byrne on drums and Caoimhe O’Farrell on Irish harp.
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The French lyrics were written by Louis Poterat,Rina Ketty: profile and "J'attendrai" became an instant success. Rina Ketty's version was followed the same year by one of Belgian chanteuse Anne Clercy, and both Tino Rossi and Jean Sablon recorded it in 1939. When France was occupied in 1940, it quickly became the big French war song, with the love song's title being interpreted as meaning waiting for peace and/or liberation. The French version of this Italian song became so well known across Europe that it was often called "J'attendrai" even when recorded instrumentally, such the two versions recorded by Django Reinhardt and Stéphane Grappelli in 1938, or referred to as the original source when sung in other languages, such as Richard Tauber's British "Au revoir" (1945, with lyrics by Bruce Sievier) and Bing Crosby's and Hildegarde's American "I’ll Be Yours" (both 1945 with lyrics by Anna Sosenko).
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The lyrics of the song were unstructured and varied slightly throughout its nine live performances. The theme of the song's lyrics were initially about love; however, they were later based around themes of death. When the band recorded the song for Under the Table and Dreaming in September 1994, lyrics were recorded, but were removed for the album. After the live performances in 1993 and the studio recording in 1994, "#34" had not been played live by the band, except for a small tease at the beginning of a show in 2002. At the beginning of the band's summer tour in June 2005, the song was once teased again at two different shows, and then in July the song was almost completely played, but it was still much shorter than length of entire the song. Finally, on July 9, 2005, "#34" was fully played again live for the first time in over 12 years; however, it was played instrumentally, similar to its version on the album.
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The Declaration was established with the intention of increasing environmental stewardship, awareness and behavior, which paved the way for the rise of modern environmental education. After the 1992 Rio Earth Summit, over 80 National Councils for Sustainable Development in developing countries were created between 1992–1998 to aid in compliance of international sustainability goals and encourage “creative solutions”. In 1993, the Earth Council Alliance released the Treaty on environmental education for sustainable societies and global responsibility, sparking discourse on environmental education. The Treaty, in 65 statements, outlines the role of environmental education in facilitating sustainable development through all aspects of democratized participation and provides a methodology for the Treaty's signatories. It has been instrumentally utilized in expanding the field towards the global South, wherein the discourse of “environmental education for sustainable development” recognizes a need to include human population dynamics in EE and emphasizes “aspects related to contemporary economic realities and by placing greater emphasis on concerns for planetary solidarity”.
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Sticky Fingers is the ninth British and eleventh American studio album by the English rock band the Rolling Stones, released on 23 April 1971. It is the band's first album of the decade and the first release on the band's new label Rolling Stones Records, after having been contracted since 1963 with Decca Records in the UK and London Records in the US. It is Mick Taylor's second full-length appearance on a Rolling Stones album and the second Rolling Stones album not to feature any contributions from guitarist and founder Brian Jones after the live album Get Yer Ya-Ya's Out!. Instrumentally, the album featured a return to basics for the Rolling Stones. Absent was the unusual instrumentation which had been introduced several albums prior, most songs featuring drums, guitar, bass, and percussion as provided by the key members, which at this time were Mick Jagger (lead vocal, various percussion and rhythm guitar), Keith Richards (guitar and backing vocal), Mick Taylor (guitar), Bill Wyman (bass guitar), and Charlie Watts (drums).
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He argues for the phased extinction of carnivorous species using immunocontraceptives or "reprogramming" them using gene editing so that their descendants become herbivores. Pearce lists and argues against a number of justifications for why people think that suffering caused by predation does not matter and should be conserved in its current state, including a "television-based conception of the living world", "[s]elective realism" and "[a]daptive empathy deficits". In 2010, Jeff McMahan published "The Meat Eaters", an op-ed for the New York Times on predation as a moral issue, in which he argued that preventing the massive amounts of suffering and death caused by predation would be a good thing and that the extinction of carnivorous species could be instrumentally good if this could be achieved without inflicting "ecological upheaval involving more harm than would be prevented by the end of predation". McMahan received a number of objections to his arguments and responded to these in another op-ed published in the same year, "Predators: A Response".
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The recording marked a change in direction for the band following the psychedelic pop of their previous two albums, Between the Buttons and Their Satanic Majesties Request. Styles such as roots rock and a return to the blues rock sound that had marked early Stones recordings dominate the record, and the album is among the most instrumentally experimental of the band's career, as they infuse Latin beats and instruments like the claves alongside South Asian sounds from the tanpura, tabla and shehnai and African music-influenced conga rhythms. Beggars Banquet was a top-ten album in many markets, including a number 5 position in the US—where it has been certified platinum—and a number 3 position in the band's native UK. It received a highly favourable response from music critics, who deemed it a return to the band's best sound. While the album lacked a "hit single" at the time of its release, songs such as "Sympathy for the Devil" and "Street Fighting Man" became rock radio staples for decades to come.
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" AllMusic's Jason Birchmeier commended the record's songwriters and producers for crafting a lean track list that offers catchy singles, calling it "an energetic, slick, and stylish album with plenty of subtle sex and overt gloss — everything early-2000s pop listeners demand in their superstars." He concluded that "In short, Sisqó gives you exactly what you want — assuming you liked his debut album — offering a can't-miss collection of should-be hits and even more of his ceaseless crooning." Tom Sinclair of Entertainment Weekly praised the album's mixture of raunchy sex anthems and sensitive love ballads, calling it "a vast improvement over a debut that felt as artistically flimsy as the subject matter of 'Thong Song'." Barry Walters, writing for Rolling Stone, said that despite the commendable efforts of the producers to experiment with R&B; instrumentations, they fall under the weight of studio mixing and Sisqó's shortcomings as a lyricist, calling it "a messy album, one that's instrumentally inventive, melodically underdeveloped, vocally overcooked and lyrically just plain lazy.
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A 2002 landmark study of undetected date rapists in Boston found that compared with non-rapists, rapists are measurably more angry at women and more motivated by a desire to dominate and control them, are more impulsive, disinhibited, antisocial, hypermasculine, and less empathic. The study found the rapists were extremely adept at identifying potential victims and testing their boundaries, and that they planned their attacks and used sophisticated strategies to isolate and groom victims, used violence instrumentally in order to terrify and coerce, and used psychological weapons against their victims including power, manipulation, control and threats. Pdf. Date rapists target vulnerable victims, such as female freshmen who have less experience with drinking and are more likely to take risks, or people who are already intoxicated; they use alcohol as a weapon, as it makes the victim more vulnerable and impairs their credibility with the justice system should they choose to report the rape. American clinical psychologist David Lisak, the study's author and an expert in date rape, says that serial rapists account for ~90% of all campus rapes, with an average of six rapes each.
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The flux of particles must be estimated by calculating production rates of radiocarbon, and then modelling the behaviour of the CO2 once it has entered the carbon cycle; the fraction of the created radiocarbon taken up by trees depends to some extent on that cycle. The energetic particle spectrum of a solar flare varies considerably between events; one with a 'hard' spectrum, with more high-energy protons, will be more efficient at producing a 14C increase. The most powerful flare which also had a hard spectrum that has been observed instrumentally took place in February 1956 (the beginning of nuclear testing obscures any possible effects in the 14C record); it has been estimated that if a single flare were responsible for the AD 774/5 event it would need to be 25-50 times more powerful than this. One active region on the Sun may produce several flares over its lifetime, and the effects of such a sequence would be aggregated over the one-year period covered by a single 14C measurement; however, the total effect would still be ten times greater than anything observed in a similar period in modern times.
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The album was warmly received by the British weekly music papers at the time of its release, Sounds noting that "the band are still capable of making a stir", and Melody Maker that they had "gone part of the way [in rehabilitating themselves]". Critics especially praised Calvert, Sounds stating "Calvert, having adapted to his role as frontman, now pulls out the stops, his poetical- lyrical contributions working particularly well", Melody Maker observing that "the band have developed a real sense of humour" and the album "finds Calvert in very fine form as a lyricist", while the NME assessed it as "sci-fi comic book thrills to the proles, only this time around Bob Calvert's psychotic sense of humour is well to the fore". The critics were less complimentary about the progress in the band's music, with Melody Maker noting that the lyrical improvement "has not been matched instrumentally nor structurally. The only musician of note... is Simon House for his consistently impressive violin passages", while the NME stated that "musically it's all battering ram riffs and monoplane synthesised drones, with Dave Brock occasionally cutting loose on guitar (rather than just providing frenetic rhythm) and Simon House contributing some hypnotic violin solos".
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