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27 Sentences With "insatiability"

How to use insatiability in a sentence? Find typical usage patterns (collocations)/phrases/context for "insatiability" and check conjugation/comparative form for "insatiability". Mastering all the usages of "insatiability" from sentence examples published by news publications.

Costco fuels my insatiability and cultivates curiosity within me at a cellular level.
The Pting's rampant insatiability was something that struck a chord with some on Twitter.
This standout from their polarizing fifth LP is no different, indicting media saturation and our pepertual insatiability.
That is testament to the work he has done, as much as the insatiability of his players.
Gathering in a theater to watch a grinning Mr. Bowers, now 95, wax nostalgic about Cole Porter's insatiability may be another.
We developed, as grown men, a wondrous insatiability when we discovered that some parts of America serve up dinner-sized portions of winglets.
After an epiphany in which he saw people as "hungry ghosts" -- Buddhist beings whose swollen bellies and pencil-thin necks symbolize the insatiability of desire -- Glassman vowed to serve them.
Judging from what's being shown at MoMA, there's an insatiability to Alassane's films: he pirouettes from magic-lantern féticheur to withering social critic to deadpan documentarian, abounding all the while in feats of material innovation.
But even when Hitler's insatiability became obvious, the right response for the British and the French wasn't necessarily obvious still: "It was a dilemma between honor and the horrors of a war that they were by no means certain they could win."
Inspired by the artist's discovery of a dead catfish under a bridge in Basel — a creature associated in the popular imagination with insatiability and voracious growth — the work features a catfish cast in bronze, elevated on a pillar and bathed in a steady supply of municipal water.
The film starred Cezary Pazura in three different roles (Zypcio's Father, his seducer Tengier and his commander Kocmoluchowicz). Insatiability premiered at the Berlin International Film Festival in 2004 (in the official section: Panorama Special), where it received excellent reviews. In Los Angeles, the Screen Actors Guild of America awarded Grodecki the SAG Best Indie Director Award for Insatiability (2004).
East and West become one, in faceless misery fueled by sexual instincts.Pietro Marchesani, Witkacy – mit „żółtego niebezpieczeństwa”. Dekada Literacka Magazine, 1992, nr 22 (58) Witkiewicz's Insatiability combines chaotic action with deep philosophical and political discussion, and predicts many of the events and political outcomes of the subsequent years, specifically, the invasion of Poland, the postwar foreign domination as well as the totalitarian mind control exerted, first by the Germans, and then by the Soviet Union on Polish life and art.David A. Goldfarb, "Masochism and Catastrophe in Insatiability" Published in The Polish Review, 37:2 (1992), 217–27.
Insatiability () is a speculative fiction novel by the Polish writer, dramatist, philosopher, painter and photographer, Stanisław Ignacy Witkiewicz (Witkacy). Nienasycenie was written in 1927 and first published in 1930. It is his third novel, considered by many to be his best. It consists of two parts: Przebudzenie (Awakening) and Obłęd (The madness).
Czesław Miłosz frames the first chapter of his book The Captive Mind around a discussion of Insatiability, specifically the "Murti-Bing pill," which allows artists to contentedly conform to the demands of the equivalent of Socialist Realism. The novel was translated into English in 1977 by University of Toronto professor of Polish and Russian literature Louis Iribarne and published by Northwestern University Press.
He also varied the spelling of his name, signing himself Witkac, Witkatze, Witkacjusz, Vitkacius and Vitecasse — the last being French for "breaks quickly". In the late 1920s he turned to novel- writing, writing two works, Farewell to Autumn and Insatiability. The latter, his major work, encompasses geopolitics, psychoactive drugs, and philosophy. In 1935 he was awarded the Golden Laurel of the Polish Academy of Literature for his novels.
Wiktor Grodecki (born 25 February 1960 in Warsaw) is a Polish film director, screenwriter and producer known for Mandragora (five main prizes at Geneva "Stars Of Tomorrow" film festival in Switzerland in 1997 and Audience Choice Award at Palm Springs Intl Film Fest, USA 1998 as well as Insatiability - an adaptation of the novel by Witkacy which was awarded Best Indie Director prize by SAG in USA in 2004.
In 1997, he made Mandragora, which is a dramatic story about a young man exploring the world of prostitution, drugs and AIDS. The film won many awards and was seen by Václav Havel, who wrote a letter to congratulate Grodecki personally. The letter from Havel praising Grodecki was published by the Czech newspaper Mlada Fronta Dnes. In 2004 Grodecki filmed Insatiability based on the novel by St.I.Witkiewicz (Witkacy).
The Captive Mind begins with a discussion of the dystopian novel Insatiability by Stanisław Ignacy Witkiewicz. In the novel, a new Mongol Empire conquers Poland and introduces Murti-Bing pills as a cure for independent thought. At first, Murti-Bing pills create widespread content and blind obedience, but ultimately lead those taking them to develop split personalities. Milosz then compares Murti-Bing pills with the intellectually deadening effects of Marxism-Leninism in the USSR and the Soviet Bloc.
The earliest references to PGAD may be Greek descriptions of hypersexuality (previously known as "satyriasis" and "nymphomania"), which confused persistent genital arousal with sexual insatiability. While PGAD involves the absence of sexual desire, hypersexuality is characterized as heightened sexual desire. The term persistent sexual arousal syndrome was coined by researchers Leiblum and Nathan in 2001. In 2006, Leiblum renamed the condition to "persistent genital arousal disorder" to indicate that genital arousal sensations are different from those that result from true sexual arousal.
Satiation experiments in rats have revealed that BSR does not produce satiety. Olds demonstrated that this lack of satiation associated with BSR allows animals to self-stimulate to sheer exhaustion and that satiation is dependent on the location of the electrical stimulation. In a 48-hour satiation test, rats with hypothalamic electrodes self-stimulated to exhaustion and showed no intrinsic satiation tendencies, whereas telencephalic electrodes showed radical slowing of self-stimulation after 4 to 8 hours. The insatiability of BSR is closely related to the strength of drive.
They moved to Mammoth Lakes, California to train, where Mahon later became a coach for Team Running USA, now known as the Mammoth Track Club. American marathon record holder and 2004 Olympic Bronze medalist Deena Kastor says this about Mahon: > I owe the longevity of my career to him being so knowledgeable and for > reinventing training and therapy to keep me healthy. One of Terrence's > greatest strengths is his insatiability to learn, not just about coaching, > but life. He is full of so much knowledge and keeps reading great books and > visiting with other brilliant people to continue growing.
While there are obvious homoerotic implications to this dialogue, its presence in the play shows how the exchange created by merchants helps to sustain society. In addition to exchange, another economic element that serves as a metaphor in the play is excess, which is most strongly exhibited through passion. While Barnwell begins by following calm commerce, a passionate lust replaces it with the theft from Thorowgood and murder of Barnwell's uncle. Hynes describes that the most dangerous thing about passion is its insatiability, because "erotic love, unlike trade, includes no machinery of impulse and abatement, no way of rationally regulating itself".
He called the seat of heritability the idioplasma, and argued, with a military metaphor, that a more complex, complicatedly ordered idioplasma would usually defeat a simpler rival.Horn, "Nietzsche's Interpretation of his Sources", 265–66. In other words, he is also arguing for internal evolution, similar to Roux, except emphasizing complexity as the main factor instead of strength. Thus, Dumont's pleasure in the expansion of power, Roux's internal struggle, Nägeli's drive towards complexity, and Rolph's principle of insatiability and assimilation are fused together into the biological side of Nietzsche's theory of will to power, which is developed in a number of places in his published writings.
In the sagas, Gunnhild is most often depicted in a negative light, and depicted as a figure known for her "power and cruelty, admired for her beauty and generosity, and feared for her magic, cunning, sexual insatiability, and her goading", according to Jenny Jochens. Her parentage was altered from Danish royalty to a farmer in Hålogaland in northern Norway, this made her native to a land neighboring Finnmark, and her tutelage in the magic arts by Finnish wizards became more plausible. This contrivance, Jones has argued, was the Icelandic saga-maker's attempt to mitigate the "defeats and expulsions of his own heroic ancestors" by ascribing magical abilities to the queen. 121–22.
M.C., L.L. Cool J, and Whodini, the Fat Boys were the finest that hip-hop's "Second Generation" (as it was called) had to offer." The review declared it to be an "excellent debut album" which was "humorous, wildly entertaining, and unapologetically funky" and that the album was "a true hip-hop classic." Robert Christgau gave the album A-, saying "...These prize porkers parody insatiability--long after the break of dawn (long after you're limp, Dick), they'll still be stuffing it. They won't ever be great rappers technically, though Prince Markie Dee has the poise and clarity to get close and the bass-kazoo hums and belchlike aspirations of the Human Beat Box show rhythmic instinct and sonic imagination.
At the Paris Salon of 1839, Wiertz showed not only his Patrocles, but also three other works: Madame Laetitia Bonaparte sur son lit de mort ("Madame Laetitia Bonaparte on her deathbed"), La Fable des trois souhaits—Insatiabilité humaine ("The fable of the three wishes—Human insatiability") and Le Christ au tombeau ("Christ entombed"). Badly hung and lit, his entry elicited indifference on the part of the public, and provoked sarcasm among the critics. This second humiliation led to a profound rancour against art critics and against Paris, as expressed in his virulent pamphlet Bruxelles capitale, Paris province. In 1844, Wiertz painted a second version of his Patrocles on an even bigger scale than the first (the 1836 version measures 3.85m by 7.03m; the 1844 version 5.20m by 8.52).
Unger opens the book by describing the four incurable defects of human life: death, groundlessness, insatiability, and belittlement. The major world religious traditions, although having certain elements in common, have differed in how they have dealt with these four defects of human life. Unger describes three “moments” in the evolution of religious belief: a first moment, when human life was so precarious that the flaws of existence did not occupy a central place in human consciousness; a second moment, when humans had achieved some degree of freedom from dependence on nature, allowing high culture to emerge and address the basic flaws of existence, which were now at the center of human consciousness. A hallmark of this second moment of religious belief was the common feature of religion in assuring believers that everything is alright.

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