To the apprehension of infantine humanity everything is a god.
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The appeal called up for some reason her most infantine manner.
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With infantine facility we believed in the words of the matron.
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But listen and I'll expound in words suitable to your infantine understanding.
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We cannot, of course, convey the slightest idea of the infantine Eskimo lisp.
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Lucy had not liked Ratia so little since the days of her infantine tyranny.
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Abbot, I think, gave me credit for being a sort of infantine Guy Fawkes.
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Even when we have relinquished this infantine period, we are seldom left destitute of religious instruction.
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Okiok was gazing at him, however, with an air of the most infantine simplicity and deference.
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The infantine appeal to their common sympathies, at once restored cheerfulness to the conversation, and harmony to the company.
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If she before, by her infantine caresses, had gained his affection, now that the woman began to appear, she was still more attaching as a companion.
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He, meanwhile, extended his plump hand as he had seen his father and mother do, and watched the waving of the insect's wings with infantine delight.
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She knew her baby through his manly stature and mature features, less from his likeness to his father than from certain uneffaced traces of infantine form and expression.
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And as the omnibus drove off I saw Peggy with the infantine procession at her tail, marching with great dignity towards the stall of a neighbouring lollipop-woman.
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God knows how infantine the memory may have been, that was awakened within me by the sound of my mother's voice in the old parlour, when I set foot in the hall.
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William Simmonds Chatterley (21 March 1787 – 1822) was an English actor. Chatterley as Justice Woodcock in "Love in a Village" His father, originally a surgical instrument maker in Cannon Street filled subsequently a post in connection with Drury Lane Theatre, at which house Chatterley made his appearance in infantine parts. He is said to have played in his third year the King of the Fairies in the 'Jubilee,' and Cupid in 'Arthur and Emmeline,' a piece which records show to have been played at Drury Lane on 5 November 1789. When, in 1791, the Drury Lane company migrated to the King's Theatre (Opera House) in the Haymarket, Chatterley accompanied it, but played no character sufficiently important to have his name mentioned.
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