"The roof is what individualizes the house," Mr. Wiehle said.
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Is it possible to define digital versions of communication that individualizes them?
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Here, for instance, he individualizes his subject, seeking to reveal his personality and idiosyncrasies.
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The state cannot solve the problem because the state is the problem, so it pathologizes and individualizes.
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It individualizes the many who make up the vast continent, and brings into focus differences and similarities from city to city, Africa and beyond.
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Because women in visual art have often been portrayed through a sexualized, standardized, and male gaze, there can be a particular potency in work that individualizes the female body.
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This essay, though, gives so much ground to a practice that Williams claims not to support, and radically individualizes a systemic issue to the detriment of those who crunch and who do not have a complicated relationship with it.
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A vibrant, appealing screen presence, Nyong'o brings a tremendous range and depth of feeling to both characters, who she individualizes with such clarity and lapidary detail that they aren't just distinct beings; they feel as if they were being inhabited by different actors.
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I want to acknowledge that and I think it's really normal for people to feel that and my data supports that, but I also want to suggest that there's a meaning that could be a catch that individualizes digital messages too, and I would say the notion of inside jokes could be relevant.
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Writing throughout the Cold War, Sexton was keenly aware of the economic importance of American housewives in the 1960s. "Her Kind" concludes with an "[un]ashamed" (20) confession of suicide-desire that individualizes death against a twentieth-century backdrop of genocide and survival anxiety.
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A music video for the song was released on April 30, 2018. The song's music video shifts the group away from the uniform-inspired, synchronized looks of their previous conceptual eras, and instead individualizes each of the six members. The music video was directed by Eddie Yoo-jeong Ko of Lumpens.
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He is the Self-determining > Creator. He has willed and chosen to live as Self-Conscious Life. . . . When > one individualizes within the Absolute, All-Pervading Life he chooses of his > own free will to become an intensified individual focus of Self-Conscious > Intelligence. He is the conscious director of his future activities.
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Most life is in the form of a Hyperpersonal Aggregate; an amalgam of individuals of all kinds. The aggregate re-individualizes John Bulero again, to help them solve the problem of how Macrolife can survive beyond the death of the Universe. Eventually, they discover many Macrolife survivors from many previous cycles of the universe, who help them to conquer time itself.
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Thus, in six days, Eccky develops from a cooing baby into an eighteen-year-old young adult with its own character. Every Eccky is unique at birth, and the way in which the users raise their Eccky further individualizes Eccky's demeanor and characteristics. On the sixth day, or upon turning 18, Eccky leaves the house to venture off into the wide world, and the game ends. Eccky played principally via the Eccky website and MSN Messenger, though also via mobile phone.
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Jay L. Garfield states that Mulamadhyamikakarika uses the causal relation to understand the nature of reality, and of our relation to it. This attempt is similar to the use of causation by Hume, Kant, and Schopenhauer as they present their arguments. Nagarjuna uses causation to present his arguments on how one individualizes objects, orders one's experience of the world, and understands agency in the world. The concept of pratītyasamutpāda has also been compared to Western metaphysics, the study of reality.
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This givs the Highland Lute a national and universal dimension. The verse with which the poem was built is the quadruple of popular poetry of the historical epic of the north. Fishta manages to bring in this verse with dozens of characters, each of them completely individualized, with unique traits that cannot be removed from the reader's memory. He also individualizes dozens of battles, and scenes, painted with its own special colors to be distinguished from the myriad surrounding it.
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Ascended Master Saint Germain, believed by those adherent to the Ascended Master Teachings to have previously been embodied as Plato, Proclus, Roger Bacon, Francis Bacon, and numerous others, was quoted as saying: > "When one individualizes within the Absolute, All-Pervading Life, he chooses > of his own free will to become an intensified individual focus of Self- > Conscious Intelligence. He is the conscious director of his future > activities. Thus, having once made his choice, he is the only one who can > fulfill that Destiny — which is not inflexible circumstance but a definitely > designed Plan of Perfection." King, Godfre Ray.
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Psuko Shel Yom became part of the Israeli Folklore and is mentioned in Israeli media outlets, in many broad related issues, ranging from serious news matters to comedy style issues. In many people's views, the regular broadcasting of the midnight segment individualizes the broadcasting of the Hebrew public channel 1, and provides a unique Jewish spiciness. It reminds people of the term "Daf Yomi" ("[the] daily page", a daily regimen undertaken to study the Babylonian Talmud), and grants a drop of Judaism to the broad Israeli public, especially the secular one, becoming part of the Jewish heritage. The midnight short segment has also taken a hit from critics.
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As a critic of Cartesian subjectivity, Heidegger sought to ground human subjectivity in death as that certainty which individualizes and authenticates our being. As he wrote in 1927: > This certainty, that "I myself am in that I will die," is the basic > certainty of Dasein itself. It is a genuine statement of Dasein, while > cogito sum is only the semblance of such a statement. If such pointed > formulations mean anything at all, then the appropriate statement pertaining > to Dasein in its being would have to be sum moribundus [I am in dying], > moribundus not as someone gravely ill or wounded, but insofar as I am, I am > moribundus.
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The Alexandrists were a school of Renaissance philosophers who, in the great controversy on the subject of personal immortality, adopted the explanation of the De Anima given by Alexander of Aphrodisias. According to the orthodox Thomism of the Catholic Church, Aristotle rightly regarded reason as a facility of the individual soul. Against this, the Averroists, led by Agostino Nifo, introduced the modifying theory that universal reason in a sense individualizes itself in each soul and then absorbs the active reason into itself again. These two theories respectively evolved the doctrine of individual and universal immortality, or the absorption of the individual into the eternal One.
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Reviewing Bowers' book The Culture of Denial: Why the Environmental Movement Needs a Strategy for Reforming Universities and Public Schools,Bowers, Chet (1997). The Culture of Denial: Why the Environmental Movement Needs a Strategy for Reforming Universities and Public Schools, State University of New York Press, Eric Shibuya wrote: Bowers argued that no one can exist independent of social and ecological relationships, and that the concept of personal autonomy has been championed at the expense of the environment for personal and corporate gain. Rolf Jucker, in his book Do We Know What We Are Doing, said: "Bowers points out that autonomy is an ideological construct of Western thinkers who did (and still do) not understand how thinking always reproduces even as it individualizes the taken- for-granted cultural patterns of thinking."Jucker, Rolf (2014).
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Students of Ascended Master Teachings organizations (also known as Ascended Master Activities) believe that the Presence of Life—God—individualizes as "Mighty I AM Presences", which then incarnate in lower-dimensional subtle and gross bodies throughout the created universes. They believe that their Teachings have been given to humanity by the Ascended Masters. Ascended Masters are believed to be individuals who have lived in physical bodies, acquired the Wisdom and Mastery needed to become Immortal and Free of the cycles of "re-embodiment" and karma, and have attained their "Ascension" (the Sixth Initiation). They consider the Ascension to be the complete permanent union of the raised and purified outer self with their Mighty "I AM" Presence—that True Identity that is the unique Individualization of Almighty God residing in each person.
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In all of this development there had to be close attention to detail; it is the detail which eventually individualizes people. Later in his life, Foucault explained that his work was less about analyzing power as a phenomenon than about trying to characterize the different ways in which contemporary society has expressed the use of power to "objectivise subjects." These have taken three broad forms: one involving scientific authority to classify and 'order' knowledge about human populations; the second has been to categorize and 'normalise' human subjects (by identifying madness, illness, physical features, and so on); and the third relates to the manner in which the impulse to fashion sexual identities and train one's own body to engage in routines and practices ends up reproducing certain patterns within a given society.
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In Bădărău's view, the main characteristics setting Ion Creangă's account apart from its sources of inspiration is its treatment of the other characters: "With Creangă, the characters are no longer symbolic, abstract (as they are in popular fairy tales), but display a psychological, peasant-like [...] individuality, within a framework that blends the supernatural and the real". He sees this as being especially true for the prince's "five fabulous friends" (Ochilă, Setilă, Gerilă, Flămânzilă, Păsări-Lăţi-Lungilă), whose choice of names, "defining the character trait which individualizes them", is "a particularity of Creangă's fairy tale [Bădărău's italics]". Braga underlines the serendipitous nature of these characters' presence within the story, which he also believes is relevant for Holy Sunday and Harap Alb's horse: "[they all] are nothing but 'helpers', with more or less unnatural powers, they appear to us as forces whose exercise is invoked by the very development of the 'ordeal'". In Vernică's interpretation, they may also represent anthropomorphized manifestations of the hero's own "energies", which he is supposed to be putting to use.
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