I was reminded of George Stubbs's 18th-century horse paintings, in which all but featureless, flat backgrounds serve to honor the equine subjects' individualities.
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The world challenges include the climate, growing inequality, the aspiration for diversity, the rejection of a "one size fits all" global model, the re-emergence of identities, individualities, the aspiration for a more responsible consumption, the aspiration for a more feminine world.
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She catalogs their individualities in minute detail: Burial 1 was a man between the ages of 21 and 30 who had shin splints and was buried in a shroud; Burial 2 was a man in his early 20s whose limbs were inflamed from hard, repetitive work; Burial 3 participated in a West African puberty ritual; Burial 7 was a child.
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This caused their individualities to resurface over time, which caused Seven to panic due to her relative inexperience with individuality, and created a temporary hive mind between the four of them until they were retrieved by the Borg.
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"He created a Veda (scripture) of his own intention". – Akilam5:571 In common, creation of religions and shaping individualities for them are heavily criticised. The concepts 'God' and 'Religion' are kept poles apart in Akilam, and it seems to maintain an ideology something like 'Accept God; Reject religion' .Arisundara Mani, Akilathirattu Ammanai Parayana Urai p. 470.
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Nahua peoples constitute 47% of the population, 15% are indigenous people (speaking four different languages), other large communities are Mixtec (23%) and Tlapanec (19%), and the balance 4% are Amuzgo. The population increased to 60,000 in the 1990s. The communities, while retaining their individualities, show close linguistic, kinship, and cultural relationships - revealed, for example, when they perform the rituals of patronal feasts.
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When speaking on working with group, Samuels, who previously worked on the Reflection track "Body Rock" stated that the girls knew how to "work among themselves" and made the production process "very easy". In other interviews, he called the group "mature" and that after several years recording music, they are "starting to explore their individualities", which was a goal producing this track.
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The successor to William Osler as Regius Professor at Oxford was Archibald Garrod. Garrod echoed the observations of his Greek counterparts of two millennia ago, ...our chemical individualities are due to our chemical merits as well as our chemical shortcomings; and it is more nearly true to say that the factors which confer upon us our predispositions to and immunities from various mishaps which are spoken of as diseases, are inherent in our very chemical structure; and even in the molecular groupings which confer upon us our individualities, and which went into the making of the chromosomes from which we sprang. Because Garrod practiced in the early 1900s, well before the knowledge of DNA encoding genes that in turn encoded proteins responsible for bodily structure and functions were discovered, it took some time before medicine could fully appreciate the fundamental importance of his concept of diagnosis.
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A Syrian Refugee The second direction digs deeper by focusing on individuals' unique features that distinguish them from the rest. To create his desired artworks in this realm, he uses various framing, cropping and editing techniques to emphasize certain individualities in the photo. He finds hope and peace in the eyes of ordinary people, or within the wrinkles of the old ones. He believes these qualities create the most beautiful portraits.
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This fluctuation was also not due to educational attainment, which only accounted for less than 2% of the variance in well-being for women, and less than 1% of the variance for men. They consider that the individualities measured together with personality tests remain steady throughout an individual’s lifespan. They further believe that human beings may refine their forms or personality but can never change them entirely. Darwin's Theory of Evolution steered naturalists such as George Williams and William Hamilton to the concept of personality evolution.
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In 1975 he was a member of the jury at the 9th Moscow International Film Festival. Deep disclosure of the inner nature of characters, fine understanding of cinematic language and expressive details cab be listed as distinctive features of his work. His films brightly and und unexpectedly opened creative individualities of may actors, such as Iya Savvina, Alexei Batalov, Anatoly Papanov, Oleg Dal, Vladimir Vysotsky, Lyudmila Maksakova, Ada Rogovtseva, Elena Koreneva, Stanislav Sadalskiy. Many times the director's work were honored with various film awards, including Cannes Film Festival.
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Amitābha is also known in Tibet, Mongolia, and other regions where Tibetan Buddhism is practiced. In the Highest Yogatantra of Tibetan Buddhism, Amitābha is considered one of the Five Dhyāni Buddhas (together with , Amoghasiddhi, Ratnasambhava, and Vairocana), who is associated with the western direction and the skandha of ', the aggregate of distinguishing (recognition) and the deep awareness of individualities. His consort is Pāṇḍaravāsinī. His two main disciples (the same number as Gautama Buddha) are the bodhisattvas Vajrapani and Avalokiteśvara, the former to his left and the latter to his right.
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Years after his debut, Key has also ventured into the fashion industry. For instance, he collaborated with designer Ko Taeyong on self- designed sweatshirts depicting his dogs and sold them for charity. In addition, he was also promoted to one of SM Entertainment's fashion directors and has been designing Shinee's concert outfits since 2015. In 2016, Key collaborated with Japanese illustrator Bridge Ship House for Shinee's fifth Korean concert tour titled SHINee World V. Key's primary goal of the costume directing is a well-balanced combination of Shinee’s identity as a group and each member’s individualities.
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Beyond the Cayenne Wall is a collection of stories by Shaila Abdullah about Pakistani women struggling to find their individualities despite the barriers imposed by society. Beyond the wall lie women of or from Pakistan, a region of shifting boundaries, who are eternally challenged by the looming traditional wall that separates the acceptable from the sinful. It captures the cultural chasm––and sometimes the collision between the East and the West––as the characters dare to go beyond the wall that divides their traditions and the world outside. The characters draw the reader into their stories through their heartbreaking situations and inspiring decisions.
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The Analytic Aesthetics will base art on the consensus of the "world of art",Arthur Danto,The Artworld (1964) Journal of Philosophy LXI, 571-584, thus accepting that any object whatsoever may be considered as art as long as it is shown in a place provided for this purpose. Thus art no longer offers homogeneity linked to a cultural substratum but a plurality of individualities. It does not unfold in time, its duration often becomes ephemeral. Beauty is considered superfluous, asserting that a work of art does not have to be based on beauty, for it is self-sufficient.
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In general, Christianity is regarded as a religion of servility (rab) and obligation, and obedience to the priests, while Rodnovery is regarded as freedom of choice and faith in Rod, the principle from which everything descends. Pilkington and Popov report the definition given by Koldun—a Rodnover priest from Krasnodar—of Rodnovery not as "religion" at all, but as "faith". In his view, "religions", in the sense of universalist mass-religions, are ideologies which dissolve the many individualities into amorphous throngs, in which the singular individual identity is lost. On the contrary, "faiths", like Rodnovery, are true knowledge (znat' pravdu), which has to be acquired by the individuals through conscious effort.
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Following Napoleon's rule, the triptych dissolved itself, as none believed it possible to conciliate individual liberty and equality of rights with equality of results and fraternity. The idea of individual sovereignty and of natural rights possessed by man before being united in the collectivity contradicted the possibility of establishing a transparent and fraternal community. Liberals accepted liberty and equality, defining the latter as equality of rights and ignoring fraternity. Early socialists rejected an independent conception of liberty, opposed to the social, and also despised equality, as they considered, as Fourier, that one had only to orchestrate individual discordances, to harmonize them, or they believed, as Saint-Simon, that equality contradicted equity by a brutal levelling of individualities.
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Around the same time in New York, Michael Corris joined, followed by Paula Ramsden, Mayo Thompson, Christine Kozlov, Preston Heller, Andrew Menard and Kathryn Bigelow. The name "Art & Language" remained precarious due to the various interpretations of both the many pieces of art and the purpose of the group. Its significance, or instrumentality, varied from person to person, alliance to alliance, discourse to discourse, and from those in New York who produced The Fox (1974–1976), for example, to those engaged in music projects and those who continued the Journal's edition. There was disagreement among members, and by 1976, there was a growing sense of divide that eventually led to competing individualities and varied concerns.
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The All About Jazz review by John Sharpe says that "this is long-form improvisation, where the group navigates towards a satisfactory ending, guided by an innate sense of structure, outstanding instrumental prowess and keen appreciation of each others' contribution."Sharpe, John. Live at JazzFestival Saalfelden 2011 review at All About Jazz The Down Beat review by Alain Drouot states "Four individualities, each capable of steering the music in one direction or shaping the music, an intuitive sense of placement, and a clear focus that prevents the band from getting carried away are enough to explain why Planetary Unknown is one of the strongest free-jazz units at the moment."Drouot, Alain.
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The Cappadocian Fathers described the Trinity as three individualities in one indivisible being, asserting that Christian community is an analogy: that the social trinitarianism is—in Eastern Orthodox terminology—an "icon" or sign of God's love. Such a conception refutes the adoptionism which some attribute to the Anomoeans (an "Arian" sect) and other anti-trinitarians, which reduce the conception of the unity of God in Christ to a purely ethical concept, strictly comparable to a human relationship between two (or three) individuals. In contrast, the basis for human relationship pointed to by the Cappadocian Fathers is within God as such, not in God in relation to another that is not God.Against Eunomius , esp.
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B. Morphological character of the kingdom of protists. Ba. Character of the protist Individualities. The essential tectological character of protists lies in the very incomplete formation and differentiation of individuality generally, however particularly of those of the second order, the organs. Very many protists never rise above the morphological level of individuals of the first order or plastids.) Haeckel promoted and popularised Charles Darwin's work in Germany and developed the influential but no longer widely held recapitulation theory ("ontogeny recapitulates phylogeny") claiming that an individual organism's biological development, or ontogeny, parallels and summarises its species' evolutionary development, or phylogeny. The published artwork of Haeckel includes over 100 detailed, multi-colour illustrations of animals and sea creatures, collected in his Kunstformen der Natur ("Art Forms of Nature").
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Last judgement. Mixed media on canvas, 40 x 50 cm, 2017 From 2015 on, Froehlich has gradually begun to change his focus from crowds to the human being in all their various individualities, with the Renaissance as his gateway to the subject, having concentrated mainly on sketching over a period of two years. The artist has, for example, used a pre-existing drawing or art work which he has magnified, while often focussing on amplifying a specific detail . This has given his compositions an amplitude and a liberty which bring them into line with the spirit of our times, using a multitude of techniques: pencil, charcoal, water colour, collage, acrylics and even encaustic painting, a very ancient technique using beeswax.
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For the motive which may be said to be its cause lies in the person himself, and the identification of the self with such a motive is a self-determination, which is at once both rational and free. The "freedom of man" is constituted, not by a supposed ability to do anything he may choose, but in the power to identify himself with that true good that reason reveals to him as his true good. This good consists in the realisation of personal character; hence the final good, i.e. the moral ideal, as a whole, can be realised only in some society of persons who, while remaining ends to themselves in the sense that their individuality is not lost but rendered more perfect, find this perfection attainable only when the separate individualities are integrated as part of a social whole.
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Alberini (1966) The free market would give way to a specialisation of the countries in their areas of comparative advantage, resulting in the common improvement. The interpretation that the revisionists make of this posture in terms of direct personal interest -- the illustrated bourgeois was at the same time holder of the porteño commercial capital, that directly benefited from the importation of goods; in several cases the visible hand of consuls and delegates of British business collaborated with the invisible one in the market, establishing treaties and offering support to elements politically more favouring the commercial interest of Her Majesty of the United Kingdom --results in a true view, though naif. The Marxist interpretations--that even though centred in explaining the logic of the event that took place rather than the individualities, haven't ignored this criterionChávez (1961), p. 70ss; Peña (1968), p.
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They included vagrants, adventurers and other reform-minded enthusiasts. In the words of Owen's son David Dale Owen, they attracted "a heterogeneous collection of Radicals", "enthusiastic devotees to principle," and "honest latitudinarians, and lazy theorists," with "a sprinkling of unprincipled sharpers thrown in." Josiah Warren, a participant at New Harmony, asserted that it was doomed to failure for lack of individual sovereignty and personal property. In describing the community, Warren explained: "We had a world in miniature – we had enacted the French revolution over again with despairing hearts instead of corpses as a result.... It appeared that it was nature's own inherent law of diversity that had conquered us... our 'united interests' were directly at war with the individualities of persons and circumstances and the instinct of self- preservation...."Warren, Periodical Letter II (1856) Warren's observations on the reasons for the community's failure led to the development of American individualist anarchism, of which he was its original theorist.
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Croxall's poetry is largely the output of a single decade at the tail end of a period when writing (with astute dedications) was one avenue to political advancement. Contemporary judgements of his writing summed it up as such. His poetry only began to be reassessed at a period when critics turned their attention to examining contrary currents within the 'Augustan age'. In examining the poetry of the period for evidence of trends leading towards the Romantic movement, the scholar William Lyon Phelps groups such authors as Croxall, Lady Winchilsea and Allan Ramsay as 'currents flowing in a direction opposite to the general stream; individualities who were really out of sympathy with the Augustans, but who were overpowered by the prevailing fashion partly because the fashion was so strong, partly because no one of them had sufficient force publicly to throw off the shackles'.William Lyon Phelps: THE BEGINNINGS OF THE ENGLISH ROMANTIC MOVEMENT: A STUDY IN EIGHTEENTH CENTURY LITERATURE, Boston, 1893, p.
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Assigning a "fixed solitary goal" to achieve, the essayist asserts that women were marginalized within the four walls of the home in an attempt to nurture their "innate gentleness... motherhood" and womanhood, which only stimulated the emergence of a dilemmatic predicament before them- as to where does their work-zone lie, "within the home or beyond". However, with "the current of time", Varma proposes, the birth of rebellion took place that made the male lot work according to logic and reason, and synthesized co-ordination, between the home and beyond, amongst the 'second sex', relegating the age-old thought- "It should be so because it has always been so."\- to the background. Proposing, before women, to assume the role of the British writer, Aphra Behn (that is, to earn through writing, or working in the field of literature), Varma highlights that progression of feeble individualities is practically possible only through the determination of the position of man, which would leave, both woman and man, in a state to be addressed either as "progressive individuals or mere automatons". 6\.
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Karl Marx, in a section of his Grundrisse that came to be known as the "Fragment on Machines",The section known as the "Fragment on Machines" can be read online here. argued that the transition to a post- capitalist society combined with advances in automation would allow for significant reductions in labor needed to produce necessary goods, eventually reaching a point where all people would have significant amounts of leisure time to pursue science, the arts, and creative activities; a state some commentators later labeled as "post-scarcity". Marx argued that capitalism—the dynamic of economic growth based on capital accumulation—depends on exploiting the surplus labor of workers, but a post-capitalist society would allow for: > The free development of individualities, and hence not the reduction of > necessary labour time so as to posit surplus labour, but rather the general > reduction of the necessary labour of society to a minimum, which then > corresponds to the artistic, scientific etc. development of the individuals > in the time set free, and with the means created, for all of them.
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