Its flesh is a barely muted incarnadine, sliced in larger hunks than typically found elsewhere, and beautifully tender.
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The selectiveness also lends status: the attuned eye immediately recognizes a Farrow & Ball red such as Incarnadine or Blazer.
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A body seems to have been dumped and dragged behind a corner, leaving viscous, incarnadine licks of flowers in its wake.
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Fiercest of the dishes is soondubu jjigae, a long-simmered stew incarnadine from chile paste and chile oil, for which peppers are shipped from South Korea.
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Another variation is spicy, the broth turned incarnadine from hot sauce, which proves to be more accent mark than armament, contouring the mouth instead of searing it.
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On top was a sausage, incarnadine, with gaping slits, that would have been too salty if it hadn't also been nearly too sweet — which is to say, just right.
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The mystery is part of the lure: snaking rice noodles and hunks of flank steak turned gloweringly incarnadine by an earthy-sweet sauce, infiltrated by peanuts and as thick as Italian ragù.
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For doro wat, drumsticks are left to loll in a stew of smoky-sweet berbere until they turn incarnadine, then are paired at the last minute with hard-boiled eggs, creamy and meaty at once.
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"When I went to America in 1958 I knew Elizabethan English better than the contemporary idiom — you were lucky if I didn't use 'multitudinous' or 'incarnadine' instead of 'many' or 'red,'" he told The Paris Review.
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Mary Szybist (born 20 September 1970) is an American poet. She won the National Book Award for Poetry for her collection Incarnadine.
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The Worlds Edge Mountains are also home to many great Dragons. Throughout history there have been many dragon nests discovered by miners, and their hoards are of great proportions. Most of the time these dragons are in a deep slumber. Notable dragons include Skaladrak Incarnadine, Mordrak, Fyrskar and Graug the Terrible.
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She presented Solemn Pink and Incarnadine (1996) at the Rencontres choreographiques internationales de Bagnolet in France, winning the Prix d'auteur. She toured Europe from 1997–98, and received a Bessie Award in 1996 for her Two Lies. In 1996 Guerin returned to Australia, and in 2002 she established the Australian dance company Lucy Guerin Inc. In New York her work has been presented at the Baryshnikov Arts Center.
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The Castle Perilous series revolves around Castle Perilous (the name is drawn from the Siege Perilous of Arthurian fable), whose lord is Incarnadine, a sorcerer. 144,000 doors (or "aspects") of the Castle each lead to another parallel universe. Some of these dimensions are magical, while others have little or no magic; one of the latter is Earth. Those who find themselves at the Castle often stay to become residents, and (to their surprise) develop a magical power of their own.
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The Castle Perilous series revolves around Castle Perilous (the name is drawn from the Siege Perilous of Arthurian fable), whose lord is Incarnadine, a sorcerer. 144,000 doors (or "aspects") of the Castle each lead to another parallel universe. Some of these dimensions are magical, while others have little or no magic; one of the latter is Earth. Those who find themselves at the Castle often stay to become residents, and (to their surprise) develop a magical power of their own.
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With Great Power... is a Silver Age superhero tabletop role-playing game by Michael S. Miller, independently published by Incarnadine Press. Its title comes from the oft-repeated line from Spider-Man's debut in Amazing Fantasy #15, "...with great power there must also come -- great responsibility."The Evolution of the Pithy Proverb: "With Great Power Comes Great Responsibility." at Quote/Counterquote. Accessed April 11, 2013 The rules of the game are designed to encourage players to think in terms of what would benefit the story, rather than doing what would benefit the character.
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" Despite noting that "a lot of the concrete associations [MacMillan] tries to get across in the piece didn't ring true" with him, Dobrin concluded, "But music doesn't need, or even always benefit from, a tangible relationship with real life. The pure sonic experience is more than enough reason to justify the investment of mental adrenaline needed to listen." John von Rhein of the Chicago Tribune later described the piece as an "arresting meditation" and wrote, "None of MacMillan's effects come across as meretricious, certainly not the murmurous Babel of mixed choral voices at the beginning or the magical hush of 'unborn' children's voices with solo violin at the end. Those two sections, 'Incarnadine' and 'Living Waters,' frame two darker central tableaux, 'Midwife' and 'Poppies,' that erupt in spasms of orchestral agitation undergirding powerful surges of choral declamation.
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