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"inauthenticity" Definitions
  1. the fact of not being what somebody claims it is or not possible to believe or rely on

156 Sentences With "inauthenticity"

How to use inauthenticity in a sentence? Find typical usage patterns (collocations)/phrases/context for "inauthenticity" and check conjugation/comparative form for "inauthenticity". Mastering all the usages of "inauthenticity" from sentence examples published by news publications.

Such charges of inauthenticity abound, and they may sound familiar.
And that inauthenticity is one of its most charming features.
The group's academic pedigree was seen as a mark of inauthenticity.
I always say that I can sniff out inauthenticity from a mile away.
Ingrid Goes West presents Instagram as a venue for inauthenticity, which it certainly is.
They really do strike a balance between inauthenticity and authenticity via all their stuff.
"I think the only thing authentic about being from Toronto is inauthenticity," Schwartz says.
The fury directed at Cummins is also fueled in part by her perceived racial inauthenticity.
The researchers also found that recalling one's inauthenticity led to a desire for self-cleansing.
"Our focus is inauthenticity," replied Sandberg when asked if Facebook differentiates between foreign or domestic influence.
Many of those supporters want nothing to do with Clinton, who reeks of bureaucracy and inauthenticity.
But social awareness shares another characteristic with sex: the slightest hint of inauthenticity spoils the act entirely.
They are a taste of inauthenticity, perhaps, a heretical sham — lame supermarket Tex-Mex food, a whitewashed charade.
In an age when social media increasingly is blamed for generating envy and inauthenticity, Vine was about pure entertainment.
Part of it is the generic loathing of inauthenticity that bedevils many leaders — like Hillary Clinton or Jeb Bush.
The ring of inauthenticity was partly because Romney was wedded to free market doctrines that did not scream compassion.
The fake release was written in stilted and grammatically incorrect English, but that clue to its inauthenticity disappeared when translated.
She could have defeated him without the fade to the left that brought cries of inauthenticity and underscored her weaknesses.
Ocasio-Cortez, thus far, has largely been able to avoid the contentions of inauthenticity creeping their way into the mainstream.
It's -- look, there are politicians who are either rendering their inauthenticity in real enough time to appear authentic, and then there are politicians who render their inauthenticity through -- it's like when your computer -- you want to play -- if you have a MAC and you want to play a Microsoft game on it... AXELROD: Yes, yes.
Otherwise, the voice she helps them develop online won't feel authentic — and fans can sniff out inauthenticity from a mile away.
The obvious inauthenticity of focus-group-tested spin commentary does more to turn people off to politics than to engage them.
There have been arguments about the inauthenticity of celebrity weddings since at least the era of old Hollywood and Elizabeth Taylor.
It's this vulnerability on a platform that's more-often-than-not replete with inauthenticity and polished veneers that makes it so striking. 
And again, that ends up being a much less controversial decision because you're doing it upstream based on the basis of inauthenticity.
Her history was stolen from her; she doesn't know where her family came from, and the purposeful inauthenticity made that very statement.
It's hard to buy the idea that she suffered disproportionately from charges of untrustworthiness or inauthenticity simply because she was a woman.
White America, white people, lived in a profound form of what Sartre called "bad faith" — a state of inauthenticity and self-deception.
Somewhat sheepish, he quickly labeled this foray "plastic soul," a pejorative designation meant, in part perhaps, to insulate him from charges of inauthenticity.
"Coffee still thinks that mass appeal is a sign of selling out and inauthenticity, but everybody wears Levi's," he said of the culture.
We have a lot of cisgendered female fans and I think the inauthenticity and the hyper-femininity is part of why it's so celebrated.
But when that inauthenticity began to trickle into her everyday life, affecting her relationships and her sense of self, she knew something had to change.
Frankel's confrontations on the second season, with new castmate and former model Kelly Bensimon, set the standard for Frankel's masterwork exposing inauthenticity on the show.
EDT  Amazon refutes Fakespot's data, saying that Fakespot does not have access to the backend information that Amazon does, so they cannot accurately assess inauthenticity.
But as in real life, improving one's reputation is a lengthy process, and any attempt to speed up that process results in a counterproductive inauthenticity.
After she wrapped "12 Years a Slave," newly facing the prospect of a public life, the inauthenticity of her voice became a source of anxiety.
"Loose lips suck dicks" is the core message that comes across here, with an idea of mistrust and the inauthenticity of certain social interactions scattered throughout.
This is a stark contrast to Ghost in the Shell, for example, which received criticism for inauthenticity beyond the cardinal sin of whitewashing its source material.
Pay attention to Amy Besa, the owner of Purple Yam in Brooklyn, who moved me when speaking about how deviating from tradition doesn't equate with inauthenticity.
Unlike other members of Congress, Talan said, Ocasio-Cortez doesn't have to try to be authentic—the telltale sign, in his opinion, of inauthenticity—she just is.
Ever the opportunist, daddy decides to give a music journalist the full tale of his orphan beginnings, flipping complaints of inauthenticity upside down in a single move.
Post-"Royals" Lorde and post-"Bangerz" Miley Cyrus both made similar comments about inauthenticity in hip-hop, all while lifting aesthetics and sonic styles from the genre.
She chose extreme examples of counter-cultural appropriation gone awry, citing Oberlin students apologizing for the inauthenticity of sushi in their cafeteria as being insensitive to Japanese people.
The "Cancer Andy" saga, as it came to be known, became a symbol for all the viewers who complained about the inauthenticity of Denino's friendship with his community.
You might think that all the attention to the humanness of fakery — to the regularity and reliability of surface-level inauthenticity — would make everyone seem shallow and false.
But while I can't imagine myself being a robot in the sense of having a hidden purpose, there is a greater anxiety here, which is the fear of inauthenticity.
These fakes are becoming increasingly advanced and unless the customer has the gold properly tested, they may be unaware of its inauthenticity until they try to sell it on.
" In such moments, he notes, she resorts to "the kinds of canned lines that are deadly at a time when voters are intolerant of anything that smacks of inauthenticity.
There was, to name one thing, the food fight: students had noted the inauthenticity of food at the school's Afrikan Heritage House, and followed up with an on-site protest.
Because the content of the bogus calls was factually correct, their inauthenticity hardly seems consequential, especially given how long the buyer took to make an offer and close on the property.
The contrast between the RNC and DNC was reality versus a false reality, authenticity versus inauthenticity, and truth versus naïveté Kayleigh McEnany is a CNN commentator and supporter of Donald Trump.
Regarding inauthenticity, possibly never before in the history of presidential politics have so many members of one party refused to publicly tell the truth about what they believe about their candidate.
His other books include "Saving the Text: Literature, Derrida, Philosophy" (1981); "Minor Prophecies: The Literary Essay in the Culture Wars" (1991); and "Scars of the Spirit: The Struggle Against Inauthenticity" (2002).
We are at the point now that we mourn the loss of even those places, which years ago may have spurred debates about inauthenticity and fears of dull professional-class invasion.
There will be less alienation and inauthenticity (as Marx believed, too); other than that, we can't really imagine a post-meritocratic world, because the élite has made its own values everyone's.
It doesn't just highlight inauthenticity and a lack of creativity, either — it can effect fashion brands from a business and branding standpoint, which is something that, frankly, we're just not here for.
Following the plagiarism scandal surrounding his stepmother's convention address, Eric Trump looked to erase any notion of inauthenticity as it pertains to the words he'll offer from the Quicken Loans Arena stage.
Fans and outside observers can't understand why 'hood rappers' don't have the consistency or focus of output of their mainstream counterparts, but will then chastise any perceived inauthenticity in the same acts.
This Catch-22 leads so many women running for office into thinking they need to edit or change who they are -- which may actually present the most perilous political risk of all: inauthenticity.
The Supreme Court denied the census addition, which I did not expect because the reason for their refusal, on the basis of inauthenticity, seems less precedented than a more substantial reason like constitutionality.
The Supreme Court denied the census addition, which I did not expect because the reason for their refusal, on the basis of inauthenticity, seems less precedented than a more substantial reason like constitutionality.
All the attacks — her alleged inauthenticity and untrustworthiness, her connection to her husband's sexual misdeeds, her fealty to Wall Street, her sloppy paperwork (from Travelgate to emails) — have been made, again and again.
During the previous decade, what Starr called "skinny guys who didn't look like athletes" were being hired for football or basketball scenes, and casting directors had noticed that the inauthenticity grated on the audience.
Some of the Twitter accounts retweeted by the president bore common signs of inauthenticity: a recent creation date, a name that included a series of random numbers, a feed that mainly retweeted others' content.
In a public medium like social media, inauthenticity - helping only for your own gains, saying the '"right" thing even if you don't believe it, and being dishonest in your interactions - will catch up with you.
Systrom in particular had been a big proponent of reducing envy and inauthenticity on social media, which was part of the impetus for launching Instagram Stories, where users could share unpolished looks at their lives.
The lawsuit contends that the company's rights have been violated by some of the new work and that the artist's legacy and market values are threatened by what is described as its inauthenticity and proliferation.
In an America currently obsessed with the inauthenticity of politicians—and pretty much everything else—Trump was the last authentic man, unafraid to say what he believed, even if it sounded harsh or insulting or terrifying.
Conversations like these are a regular part of my job and usually focus on the quantifiable aspects of social media manipulation campaigns—volume of posts, follower count, common keywords, signs of inauthenticity, that sort of thing.
"Try as they might to throw people off the scent, the DNC and its media pals are creating the stench of inauthenticity at exactly the moment when some blazing truths should be shining through," she added.
"I come from real life where nothing is all butter," he'd explained, describing the thought process of his most recent music, the challenges of inauthenticity, of fame, of projecting a sense of success all the time.
The irony is that especially in our come-as-you-are times when formality is associated with inauthenticity (something Mitt Romney was hobbled by), this aspect of Trump-talk has much to do with his appeal.
By now, thanks to the work of musicians like Robert Glasper and Esperanza Spalding, it's harder to argue that fusing jazz with pop and funk is inherently some kind of artistic compromise, or that synthesizers connote inauthenticity.
"Improvements in the tech will make it even more difficult to convince others of its inauthenticity," Carrie Goldberg, the founder of law firm C.A. Goldberg, PLLC, and a board member at the Cyber Civil Rights Initiative, told Refinery29.
Facebook said it would go after amplifier accounts based on behavioral analysis that shows signs of inauthenticity, such as sudden bursts of activity or repeated posting of the same material, without regard to the politics of the content.
It's less than real to witness the reunion of mother and daughter, because we're keenly aware of the story line's inauthenticity, and it's less than wrenching when Maeve discovers that the girl recognizes a mother that isn't Maeve.
Saagar Enjeti explains the inauthenticity of Kirsten GillibrandKirsten GillibrandPavlich: Candidates pushing the gun 'buyback' lie Democrats to duke it out for top climate candidate title Gillibrand commits to raising 'at least' million to elect women candidates in 2020 MORE's political career.
This version of bad faith falls somewhere among a lawyer's claim of intentional dishonesty (This contract was entered into in bad faith), Sartre's critique of inauthenticity (Do you even believe what you're saying?) and a broad, satisfying, barbed insult (You!
It's not so much that elements of the underinternet—the no-chill persistence and exclamatory inauthenticity and general honking artlessness—are with us up here as it is that we are surrounded by and daily move through smoother and more sophisticated versions of it.
Nightcap: The latest news and political buzz from CNN Politics | Sign up "When you're in public service, you're first lady, the president and you're interacting with the world, people can smell inauthenticity," Obama told Oprah Winfrey during a summit on women's issues in June.
Sailer himself does not attempt to trick his viewer, at times highlighting details of these villages that reveal their inauthenticity — peeling corners of a building's "facade," for instance, or the stands that prop up a row of fake Swedish houses, like a theater set.
In a review for The Nation, James Agee characterized "The Southerner" as "one of the most sensitive and beautiful American-made pictures I have seen," but he also called the film out for its inauthenticity — more in sorrow than anger, since he was a Southerner himself.
And that, perhaps, is the core appeal of The Circle: In an era when wholesome memes are possibly starting to strain, The Circle allows for a mix of strategy and sincerity — of genuine connectivity that might stem from inauthenticity, but is no less the real for it.
I can hardly gag the dry bites down my sad esophagus, and I don't hear much of the conversation over my furious internal monologue, which is mostly about whether the Trumpish authenticity of cheating would be canceled out by the inauthenticity of drinking a beer on the Trump Diet.
But where "Hillary" stands out is how it finds in Clinton's early years the foreshadowing of all the attacks she would face in 2008 and 2016 — not just flat-out sexism, but the charges of inauthenticity that connected to her learned defense mechanisms against being too much herself.
When given the opportunity to fill out an optional 15-minute survey to assist the researchers, a third of those who remembered past instances of inauthenticity did so; only 17 percent of those who had written about a time they felt true to themselves agreed to help out.
The work of immigrants — in food as in the arts — has always been dogged by accusations of impurity and inauthenticity, suggesting that there is one standard, preserved in amber, for what a dish should be or what a writer or artist with roots in another country should have to say.
Krystal talks about the media's inauthenticity with their coverage of Andrew YangAndrew YangHillicon Valley: Lawmakers unleash on Zuckerberg | House passes third election interference bill | Online extremism legislation advances in House | Google claims quantum computing breakthrough Krystal Ball: 'Friendship debate question wasn't entirely useless' All-female panel to moderate November Democratic primary debate MORE.
Now, I can't verify the authenticity or inauthenticity of all those four-star and five-star reviews praising Gather's ease of on-boarding and how insightful it is to have an app that lets you meet up with friends (as though the same app idea hasn't launched and failed throughout the years, over and over).
Though they feel tinny in the film's mix (presumably to slightly eyebrow-raisingly suggest the inauthenticity of Ally's pop career compared with the rich country rock tracks created during her early relationship with Jackson), on the soundtrack album with full-length edits, these songs, any of which could've showed up on The Fame, are just as accomplished as the more traditionally instrumental songs.
Thanks to the instantly flirty state of their union, topics spanned the inauthenticity of unconditional love, the grotesque fun house of the American presidential race and the danger of self-censorship — which both of them are determined to avoid: Handler on "Chelsea," her "60 Minutes"-style docu-series and talk show, which premieres on Netflix next month, and Wieseltier in the new essay-driven magazine he's founding with Laurene Powell Jobs, the widow of Steve Jobs.
The 2016 presidential election leaves Americans with a dismal choice between Donald TrumpDonald John TrumpTrump pushes back on recent polling data, says internal numbers are 'strongest we've had so far' Illinois state lawmaker apologizes for photos depicting mock assassination of Trump Scaramucci assembling team of former Cabinet members to speak out against Trump MORE's degrading bombast and Hillary ClintonHillary Diane Rodham ClintonTop Sanders adviser: Warren isn't competing for 'same pool of voters' Anti-Trump vets join Steyer group in pressing Democrats to impeach Trump Republicans plot comeback in New Jersey MORE's scandal-prone inauthenticity.
Zuckermann also defends some aspects of inauthenticity as the necessary consequence of their being designed to be affordable and constructible by amateurs.
Whatever group one belongs to, one belongs to it as an individual, and this individuality is not quenchable, except through death, or inauthenticity.
As in several other short stories, Borges illustrates the difficulty in understanding and describing reality. The story relies on issues of deceit, self-deception and inauthenticity to illustrate this.
181 193). New York: McGraw-Hill Others believed that authentic leadership is actually more about how the leaders define their own role within an organization.Seeman, M. (1966). Status and identity: The problem of inauthenticity.
Skousen, R. (2010). "The Book of Mormon: The earliest text" Appendix:Significant Textual Changes. New Haven: Yale University Press. page 739 Despite the many scholarly claims of its inauthenticity, adherents have repeatedly defended the book.
The popular music industry in Singapore advocates that the western music is superior to the local music in Singapore.Fu, L. (2015). Popular music in Singapore: cultural interactions and the “Inauthenticity” of Singaporean music. In SHS Web of Conferences (Vol.
There are instances of individuals misidentifying people not known to them, however, they still held an affective importance, such as celebrities or politicians. The explanations for the inauthenticity of the misidentified people are associated with the individual experiencing the delusions’ cultural background.
The term cod reggae is popularly used to describe reggae done by non-Caribbean (often white) people, often in a disparaging manner because of perceived inauthenticity. It has been applied to music by many artists, such asThe Police, 10cc, Boy George, Suzi Quatro and Razorlight.
Computer Gaming World in 1994 stated that "Hornet feels great", praising the game's authenticity but wondering if some inauthenticity with the autopilot and instruments would have made it easier to fly for beginners. The magazine concluded that "F/A-18 Hornet provides an eye-opening and eminently flyable simulation".
Laroui presents this argument, then mocks it and penetrates it, taking the discussion through various points of view: positive, negative, neutral, other. "If a Maghribi were to rewrite the history of France and England from the point of view of the Celts, stressing their negativity and inauthenticity... ." Laroui, Ibid., p. 101.
Marian apparitions are reported supernatural appearances by Mary, the mother of Jesus. Below is a list of alleged events surrounding notable Marian apparitions, which have either been approved by a major Christian church, or which retain a significant following despite the absence of official approval or despite an official determination of inauthenticity.
As early as 1928, Ioannis Sykutris argued that the speech is genuine. Robert Clavaud, the editor of the Budé edition of the Funeral Speech, argued that evidence of its inauthenticity is lacking, while N.W. and N.J. DeWitt, in the Loeb edition, leave the verdict open. More recently, Frangeskou has come down in favour of authenticity.
The sitcom was under fire for its lack of authenticity to the Latino culture. This was attributed to the producers and the writers of the show being white, although the main cast were Hispanic. Critics of the show believed that this inauthenticity resulted in a lack of humor among audiences.Reyes, Luis, and Peter Rubie.
Kirby, D. (2012) in "Handbook of Hyper-real Religions", Lieden: Brill.Tremlett, P. (2013), "The problem with the jargon of inauthenticity: Towards a materialist repositioning of the analysis of postmodern religion". Culture and Religion. critique Possamai’s thinking about the authenticity of such religions. They argue that Possamai’s concept suggests that these religions are less than ‘real’ in comparison to other religious forms.
In other words, nice guys want approval, but don't think they deserve it. This creates internal frustration, since nice guys never try to obtain what they want in life. In addition, the nice guy's desire to obtain approval from everyone (especially women), often causes him to actually behave in very un-nice ways. This includes dishonesty (about themselves), passive- aggressive behavior, and inauthenticity.
As of 2015, more than 35,000 schools use Flocabulary products in the classroom. Flocabulary has been praised by rapper Snoop Dogg, United Nations Secretary General Ban Ki-moon, and historian Howard Zinn, and the company's products have been generally well received by educators and the press. However, the project has been criticized for perceived cultural inauthenticity and politically charged material in some song lyrics.
According to John Linnell, the song's disjointed lyrics recount a warped memory of the 1960s. The song comments on a contemporary "sixties revival", which Linnell perceived as a "one-dimensional caricature" of the decade. In a nod to this inauthenticity, the lyrics are intentionally misleading, and do not accurately represent the events that they reference. Two Prince songs—"Purple Rain" and "Raspberry Beret"—also served as sources of inspiration for "Purple Toupee".
In view of the skepticism produced in the mid-twentieth century by form criticism concerning the historical reliability of the gospels, the burden shifted in historical Jesus studies from attempting to identify an authentic life of Jesus to attempting to prove authenticity. The criteria developed within this framework, therefore, are tools that provide arguments solely for authenticity, not inauthenticity. In 1901, the application of criteria of authenticity began with dissimilarity. It was often applied unevenly with a preconceived goal.
One example is Muhammad's alleged letter to the Christians of Najran, which first came to light in 878 in a monastery in Iraq and whose text is preserved in the Chronicle of Seert. At the beginning of the 20th century, Bernhard Moritz, in his seminal work, concluded from his analysis of the document, that: "The impossibility of finding this document to be authentic is clearly evident. The date, style and content all prove the inauthenticity."Moritz, Bernhard. (1918).
The Codex Fuldensis includes a prologue to the Catholic Epistles referring to the comma (beginning with the words 'Non ita ordo est apud Graecos'). It presents itself as a letter of Jerome to Eustochium, but is the work of an unknown imitator, likely from the late 5th century. Its inauthenticity is stressed by the omission of the passage from the manuscript's own text of 1 John, but it demonstrates that some theologians of the fifth century felt it should be included.
Wolfgang Schmieder followed Dörffel's and Kretzschmar's judgements about the inauthenticity of the work in his 1950 first edition of the Bach-Werke-Verzeichnis (BWV), where it is classified as No. 167 in the third Anhang, that is the Annex of spurious works, hence its full BWV number: BWV Anh. III 167\. In his 1990 second edition of the BWV, Schmieder kept the work listed in Anh. III. According to Schmieder the work is attributed to Johann Ludwig Bach or Antonio Lotti.
In view of the skepticism produced in the mid-twentieth century by form criticism concerning the historical reliability of the gospels, the burden shifted in historical Jesus studies from attempting to identify an authentic life of Jesus to attempting to prove authenticity. The criteria developed within this framework, therefore, are tools that provide arguments solely for authenticity, not inauthenticity. By 1987, D.Polkow lists 25 separate criteria being used by scholars to test for historical authenticity including the criterion of "historical plausibility".
Michigan State Law Review, 2006, p. 48. Also available at Washburn Law, p. 1535. the book has been hailed as a seminal work in its branch of Islamic historiography, and has been said to have "explod[ed] the academic consensus" that deferred to the traditional Islamic narrative of Islam's origins. The book came under immediate attack from Muslim and non- Muslim scholars alike for its heavy reliance on hostile sources, inauthenticity and superficiality and the authors have later dismissed their revisionist claims.
Mimi is perpetually successful in his performance of these roles, despite the audience's awareness of their inauthenticity that results from a diegetic (narrative) acknowledgement of Mimi's hapless ignorance. This element of critique in the film functions as one example of many of most prevalent themes in Wertmüller's work, as the underlying meaning for much of her work is a desire to deconstruct and subvert the institutions and social ideologies of a capitalist modernity.Bullaro, Grace. Man in Disorder: the Cinema Of Lina Wertmüller in the 1970s.
This may be because the delusions cause individuals to view the misidentified object with suspicion, and they become paranoid about the inauthenticity of the object, leading to an act of presumed preemptive self-defense. Although gender differences in the occurrence of intermetamorphosis are not pronounced, the research demonstrates that a majority (70%) of occurrences with violent behavior involves males. The issue of violent and aggressive behavior within this set of syndromes continues to play an important role in the discussion of criminal responsibility and risk assessment.
Her authenticity contrasts with Rikio's inauthenticity, with the masks he wears as an actor daily and the false public persona and bravado he has carefully cultivated for his fans and the media. In one scene, an aspiring actress ambushes Rikio while he is filming on set. She succeeds in persuading the director of the film to write a role for her into the script. However, her charm wears off on the director as she messes up the part and reveals herself rather unskilled in acting.
Critics have seen Jake as an ambiguous representative of Hemingway manliness. For example, in the bar scene in Paris, Jake is angry at some homosexual men. The critic Ira Elliot suggests that Hemingway viewed homosexuality as an inauthentic way of life, and that he aligns Jake with homosexual men because, like them, Jake does not have sex with women. Jake's anger shows his self-hatred at his inauthenticity and lack of masculinity.Elliot (1995), 80–82 His sense of masculine identity is lost—he is less than a man.
Aja Romano of Vox praised The Circle for embracing inauthenticity as a part of social media and human nature as a whole. She likens The Circle to a microcosm of social media, saying "Instead of treating 'being fake on the internet' as a shocking betrayal, The Circle embraces it as something we all do in big and small ways, often in the service of making friends and fitting in." She also praises the cast. She mentions how the cast shares very personal things frequently, even through the anonymity of The Circle.
"I saw the actual writing, and I can confirm that this is a real diary of a real girl and not just some hoax" – said Svetlana Gannushkina, who is co-founder of the "Civic Assistance", committee member and head of the network "Migration and Law" of the Human Rights Centre "Memorial", to refute claims about inauthenticity of the published material at the book's presentation, according to Russian newspaper "Rossiyskaya Gazeta".Rossiyskaya Gazeta LiveLib.ru has put a book "Ant in a glass jar. Chechen Diaries 1994-2004" in the list "100 best books of all time" based on rating and voting results.
In 2010, Tom Hooker recorded and published on YouTube a press conference-style video in which Hooker, flanked by the co-producer/composer Miki Chieregato, states and demonstrates that he was the vocalist on most of the Den Harrow records, and in which he accuses Zandri of continuing to publicly lip synch to those recordings. He also states that Zandri made threats and insults against Hooker and his family on Facebook for exposing the vocal inauthenticity of the Den Harrow recordings. Hooker asserts that Zandri no longer has permission to publicly lip sync to Den Harrow recordings that use Hooker's voice.
Huckabee and McCain criticized Romney's image as a flip flopper and this label would stick to Romney through the campaign (one that Romney rejected as unfair and inaccurate, except for his acknowledged change of mind on abortion). Romney seemed to approach the campaign as a management consulting exercise, and showed a lack of personal warmth and political feel; journalist Evan Thomas wrote that Romney "came off as a phony, even when he was perfectly sincere."Thomas, "A Long Time Coming", p. 45. The fervor with which Romney adopted his new stances and attitudes contributed to the perception of inauthenticity that hampered the campaign.
The Chumscrubber (German: Glück in kleinen Dosen) is a 2005 American-German comedy-drama film, directed by Arie Posin, starring an ensemble cast led by Jamie Bell. The plot, written by Posin and Zac Stanford, focuses on the chain of events that follow the suicide of a teenage drug dealer in an idealistic but superficial town. Some of the themes addressed in the film are the lack of communication between teenagers and their parents and the inauthenticity of suburbia. The titular Chumscrubber is a character in a fictional video game that represents the town and its inhabitants.
The story takes place in an unnamed college town during Franny's weekend visit to her boyfriend Lane. Disenchanted with the selfishness and inauthenticity she perceives all around her, she aims to escape it through spiritual means. Zooey is set shortly after "Franny" in the Glass family apartment in New York City's Upper East Side. While actor Zooey's younger sister Franny suffers a spiritual and existential breakdown in their parents' Manhattan living room, leaving their mother Bessie deeply concerned, Zooey comes to Franny's aid, offering what she thinks is brotherly love, understanding, and words of sage advice.
He suggested that this was a literary and apologetic device by which early Christians could explain away the absence of any clear claim to be the Messiah. According to Wrede, the solution devised by the author of the Mark Gospel was to imply that Jesus kept his messiahship secret to his inner group of supporters. He also wrote a crucial study of the Second Epistle to the Thessalonians, which argued for its inauthenticity. In his work on Paul, Paulus, he argued that without Paul, Christianity would have basically become just another backwater Jewish sect that would have had little influence in later religious development.
The Erotic Essay () was one of the two surviving epideictic speeches (along with the Funeral Oration) attributed to the Athenian statesman and orator Demosthenes. Ian Worthington dates the speech to between the late 350s BC and 335 BC. Though part of the Demosthenic corpus, the Erotic Essay is not generally believed to be an authentic work of Demosthenes, and its real author is unknown. However, Robert Clavaud has argued that there are no strong arguments for the inauthenticity of the epideictic speeches, against almost unanimous scholarly consensus to the contrary. Friedrich Blass believes that it belongs to a member of a school of Isocrates.
2014 anti-hipster sticker in Dresden, Germany. Christian Lorentzen of Time Out New York argues that "hipsterism fetishizes the authentic" elements of all of the "fringe movements of the postwar era—Beat, hippie, punk, even grunge", and draws on the "cultural stores of every unmelted ethnicity" and "gay style", and then "regurgitates it with a winking inauthenticity". He claims that this group of "18-to-34-year-olds", who are mostly white, "have defanged, skinned and consumed" all of these influences. Lorentzen says hipsters, "in their present undead incarnation", are "essentially people who think of themselves as being cooler than America", also referring to them as "the assassins of cool".
It's just like having a ringside seat at > the war with nothing going to happen to you.qtd. in Balassi (1990), 127 He demonstrated what he considered the purity in the culture of bullfighting—called afición—and presented it as an authentic way of life, contrasted against the inauthenticity of the Parisian bohemians.Müller (2010), 31–32 To be accepted as an aficionado was rare for a non-Spaniard; Jake goes through a difficult process to gain acceptance by the "fellowship of afición."Kinnamon (2002), 128 The Hemingway scholar Allen Josephs thinks the novel is centered on the corrida (the bullfighting), and how each character reacts to it.
" More positive, Entertainment Weekly called the film "a charmer," articulating that "the supporting cast (Julie Walters, Maggie Smith, James Cromwell) is top-drawer; and Anne Hathaway, with her coltish beauty and frank demeanor, is a welcome Jane." Critics lauded Hathaway and McAvoy for the chemistry between their characters, finding that it lent authenticity to the love story between Austen and Lefroy. While Hathaway was admired for her performance by some critics, some reviews negatively focused on her nationality as well as the inauthenticity of her accent. James McAvoy defended the decision of casting Hathaway by stating that a director should, "find the right actor…and [she] is undoubtedly brilliant.
In 2007, Soul Company released the album Official Bootleg Vol. 2. It spoke out on a number of social issues in South Korea, with Kebee describing the stress of college entrance exams in his song "Epilogue to Senior Year" (고 3 후기, "Go 3 Hugi"), while Loquence, D.C., and Planet Black discussed difficulties and disappointments they faced in reintegrating into society after returning from mandatory military service in their song "Army Reserve" (예비역, "Yebiyeok"). P&Q; on the tracks "I'll be watchin' you" (지켜볼게, "Jikyeobolge") and Kebee in "Oh Right!" (아 맞다, "A Matda") also criticised the perceived inauthenticity of mainstream hip hop in South Korea, attacking some unnamed targets as "hip hop cosplayers".
It is very much a fan's book that attempts to confer the appropriate aesthetic dignity on Bowie's work through a careful analysis of his lyrics and the exploration of themes of inauthenticity, isolation, truth and the longing for love. Memory Theatre (Fitzcarraldo, 2014) Memory Theatre is a semi-fictional autobiographical story about the art of memory inspired by the work of Frances Yates and Adolfo Bioy Casares, but at its core is a concern with memory in relation to Hegel’s Phenomenology of Spirit. It is concerned with the building of a memory theatre, the delusive attempt to control one's relation to mortality and the progressive dismantling of the standard image of the philosopher.
The book was harshly criticized by Sody Lay, co- founder of the Khmer Institute Website, for historical inaccuracies and cultural inauthenticity. Reflecting on this negative review in an article for The Society for the Study of the Multi-Ethnic Literature of the United States, Dr. Bunkong Tuon acknowledged the criticisms of Sody Lay's review, but defended Ung's work. Instead of dismissing Ung's text outright, the article argued that scholars should read First They Killed My Father not to garner historical facts about the Khmer Rouge, but rather to experience its emotional truth and to consider its subjective, narrative gaps and fissures as a signifier of trauma and a testament to the destruction perpetrated by the Khmer Rouge.
"If a Maghribi were to rewrite the history of France and England from the point of view of the Celts, stressing their [Celtic] negativity and inauthenticity, he would be laughed at." Yet European historians write Berber history this way. Laroui (1970, 1977) at 101.Prof. Kenneth Perkins seems to concur here with Laroui; Perkins pointedly faults the seeming preference of earlier French historians for the Berbers over the Arabs, commenting that such an attitude was advanced because a Berber ascendancy in North Africa was then considered good for French colonial interests. Perkins, Tunisia (Boulder: Westview 1986) at 54, n1 (to text at 41), here discussing negative appraisals of the Arab Banu Hilal in the 10th century. Prof.
Turkey's designation of the Nusra Front as a terrorist group since June 2014 was seen as an indication of it giving up on the group. Kemal Kılıçdaroğlu, Leader of the Opposition in Turkey has said that Erdogan and his government have supported terrorism in Syria. In June 2014, İhsan Özkes, a parliamentarian from CHP, stated that a directive had been signed by Turkish Interior Minister Muammer Güler, ordering the provision of support to Al-Nusra against PYD. Güler said this statement false and said that a directive with the letterhead of the Governor's Office of Hatay could not be possibly signed by a minister, which is a direct proof of the document's inauthenticity.
Lina Goldberg has suggested that the publishers were motivated to list the author as "Anonymous" partly to avoid such criticism. Years after its publication, Go Ask Alice continued to receive some good reviews, often in the context of defending the book against censors (see Censorship). In a 1995 Village Voice column for Banned Books Week, Nat Hentoff described it as "an extraordinarily powerful account of what it's actually like to get hooked on drugs" that "doesn't preach". However, starting in the 1990s, the book began to draw criticism for its heavy-handedness, melodramatic style and inauthenticity, in view of the growing consciousness that it was fiction rather than a real teenager's diary (see Authorship and veracity controversies).
To guard against unwittingly buying a forged work of art, sellers and buyers use a certificate of authenticity as documentary proof that an artwork is the genuine creation of the artist identified as the author of the work — yet there is much business in counterfeit certificates of authenticity, which determines the monetary value of a work of art. The inauthenticity of forged painting is discovered with documentary evidence from art history and with forensic evidence gleaned from the techniques of art conservation, such as chronological dating, to establish the authenticity of provenance of paintings by the Old Masters. The potential monetary value represented by a certificate of authenticity can prejudice collectors and art dealers to buy recent-period artworks with determined provenance, sometimes established by the artist.
The Perfectionism Social Disconnection Model (PSDM) is a dynamic-relational model describing perfectionism and its consequences in an interpersonal context. This model asserts that perfectionism, via an interpersonal style characterized by aloofness and inauthenticity, leads to the social disconnection and rejection perfectionists aim to avoid. According to the PSDM, perfectionism develops in an early interpersonal context through asynchrony between child and caregiver, when there is a lack of attunement ("fit") between the temperament of the child and caregiver responses, leading to unfulfilled needs for belonging, acceptance, and self-esteem. This creates a relational schema of others as critical, and rejecting, and an internal model of oneself as defective which makes perfectionists highly sensitive to the potential for judgment and rejection in interpersonal encounters.
Mainstream lesbian pornography is criticized by some members of the lesbian community for its inauthenticity. According to author Elizabeth Whitney, "lesbianism is not acknowledged as legitimate" in lesbian porn due to the prevalence of "heteronormatively feminine women", the experimental nature, and the constant catering to the male gaze, all of which counter real life lesbianism. A study conducted by Valerie Webber found that most actors in lesbian porn consider their own pornographic sex somewhere on a spectrum between real and fake sex, depending on several factors. They were more likely to consider it authentic if there was a real attraction between themselves and the other actor(s) in the scene, and if they felt mutual respect between themselves and the producers.
Ultimately The Black Album became the band's most commercially successful release, going 16x platinum. The differing reaction by fans to the album demonstrates the difficulty in labelling an artist as a "sellout" objectively. "Poseur" is a pejorative term, often used in the punk, heavy metal, hip hop, and goth subcultures, to describe a person who copies the dress, speech, and/or mannerisms of a group or subculture, generally for attaining acceptability within the group or for popularity among various other groups, yet who is deemed not to share or understand the values or philosophy of the subculture. While this perceived inauthenticity is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective.
Before and despite of his inauthenticity, Kalantiao has left an indelible mark in the lives of Filipinos, embracing his character as part of their heritage. Inside the National Museum of the Philippines (formerly the Legislative Building), Kalantiao is portrayed alongside 13 other sculptures of renowned historical lawmakers & legislators of the world on the entablature of the Senate Session Hall, which survived the rampant devastation of the Battle of Manila of February 1945, and has been mostly restored to its pre-War state. In 2003, President Gloria Macapagal Arroyo signed executive order 236, consolidating the current Philippine honours system and, in it, the "Order of Kalantiao" ceased being an honour. However, the Implementing Rules and Regulations of the Executive Order did list the Order of Kalantiaw as one of the Honors of the Philippines.
In the punk and hardcore subcultures, members of the scene are often evaluated in terms of the authenticity of their commitment to the values or philosophies of the scene, which may range from political beliefs to lifestyle practices. In the punk subculture, the epithet poseur (or "poser") is used to describe "a person who habitually pretends to be something [they are] not." The term is used to refer to a person who adopts the dress, speech, and/or mannerisms of a particular subculture, yet who is deemed to not share or understand the values or philosophy of the subculture. While this perceived inauthenticity is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective.
Alexendra Blair from Dancing Astronaut wrote that Cash Cash have "delivered a quality pop music release on which any song could be a confetti-drenched closer" by praising their track production and the appearance of quality collaborators such as Christina Perri and Michael Fitzpatrick of Fitz and The Tantrums. She then criticised Nelly's performance on "Millionaire" by describing it as a "whitewashing of the rapper's sometimes gritty and often wryly wrought vocal style" and felt that "Devil" was "hollow with a sanitized inauthenticity" despite strong verses from B.o.B and Busta Rhymes. AllMusic's Neil Z. Yeung gave the album a 4/5 rating and stated that it was a "celebration of the many facets of dance in the 2010s EDM era, from trap to tropical and everything in between".
He is frequently credited with a surprise attack known as the Haversack Ruse in October 1917; during the Sinai and Palestine Campaign of the First World War, according to his diary, he let a haversack containing false British battle plans fall into Ottoman military hands, thereby bringing about the British victory in the Battle of Beersheba and Gaza. The documents were taken to Kress von Kressenstein, who examined them and doubted their authenticity. According to an account by Turkish Colonel Hussein Husni, Chief of Staff of 7th Army, Meinertzhagen's German-sounding name caused confusion in the German and Turkish staff as to why a British officer would have a German name and added to the suspicion of the inauthenticity of the documents.Garfield, Brian; The Meinertzhagen Mystery, 2007; p.
Citing examples ranging from Playboy Bunny merchandise for women to the moral panic of rainbow parties, Levy argues that American mass culture has framed the game so perversely that young women now strive to be the "hottest" and "sexiest" girl they know rather than the most accomplished. Although raunch culture is focused on the sex appeal of women, it is solely image-based: "It's about inauthenticity and the idea that women should be constantly exploding in little bursts of exhibitionism. It's an idea that female sexuality should be about performance and not about pleasure." Levy argues that in a raunch culture, many women engage in performances of sexuality that are not actual expressions of their sexuality but are designed for the pleasure of the male observer(s) – or appear as though they are trying to be pleasurable sex objects.
Hooker co-wrote and sang lead vocals on the first two Den Harrow albums, and co-wrote many subsequent Den Harrow songs under the name T. Beecher. When Hooker was credited for vocals at all, it was only for background vocals, as it was the producer's intention to have the lip-synching model Stefano Zandri as the public face of the project. In 2010, Tom Hooker recorded and published on YouTube a press conference-style video in which Hooker, flanked by Den Harrow co-producer Miki Chierigato, states and demonstrates that he was the vocalist on most of the Den Harrow records, and in which he accuses Stefano Zandri of continuing to publicly lip synch to those recordings. He also states that Zandri made threats and insults against Hooker and his family on Facebook for exposing the vocal inauthenticity of the Den Harrow recordings.
3 (2010) page 410 ("the description of Mary Magdalene is an important indicator of inauthenticity in this verse"). Verse 9 in Greek does not mention Jesus by name or title, but only says "Having arisen ... he appeared ..." (the KJV's inclusion of the name Jesus was an editorial emendation as indicated by the use of italic typeface) – and, in fact, Jesus is not expressly named until verses 19 and 20 ("the Lord" in both verses); a lengthy use of a pronoun without identification. Additionally, the style and vocabulary of the longer ending appear not to be in the same style as the rest of the Gospel. The Greek text used by the KJV translators is 166 words long, using a vocabulary of (very approximately) 140 words.Using the text in Frederick Henry Ambrose Scrivener, The New Testament in the Original Greek according to the text followed in The Authorised Version (1881, Cambridge, Univ.
Cook and Crone claimed to be able to explain exactly how Islam came into being by the fusion of various near eastern civilizations under Arabic leadership. Later, Michael Cook refrained from this attempt of a detailed reconstruction of Islam's beginnings, and concentrated on Islamic ethics and law. The book had came under immediate attack from Muslim and non- Muslim scholars alike for its heavy reliance on hostile sources, inauthenticity and superficiality and the authors have later dismissed their revisionist claims. Patricia Crone later suggested that the book was “a graduate essay" and "a hypothesis," not "a conclusive finding.” In his work Commanding Right and Forbidding Wrong in Islamic Thought (Cambridge, 2000), Michael Cook, in the chapter on the doctrine of al-Amr bi'l-Maʿrūf wa'l-Nahy ʿan il-Munkar among the Ibāḍīs, makes a comparison between western and eastern Ibāḍism and with the doctrines of the other Islamic sects and schools.
The following year, they set up a broadcasting unit at the Institute of Contemporary Arts from which more than forty assistants generated non-stop "poem-codes" which were transmitted over FM radio in London and by internet to collaborating radio stations around the world. In 2008 a more mechanical version of this piece was displayed at Stockholm's Moderna Museet, in which an aeroplane Black Box transmitter sent out a stream of similar messages. In 2007, after McCarthy and INS Chief Philosopher Simon Critchley had delivered the 'INS Declaration on Inauthenticity' at New York's Drawing Center, the critic Peter Schwenger alleged in Triple Canopy that the two men who appeared in the gallery were not in fact Critchley and McCarthy. Taking his claim as an inspiration, McCarthy and Critchley did indeed replace themselves with actors when delivering the Declaration one year later at Tate Britain.
Boyd Tonkin, in his Independent profile on McCarthy, picks up on the notion that literature itself is a series of repetitions and duplications. At least one critic has connected McCarthy's work to "failed transcendence", and McCarthy has used the term failed transcendence in interviews to describe the collapse of the idealist project in philosophy, art and literature. Failed transcendence forms a central tenet of 'The New York Declaration on Inauthenticity', an INS talk delivered in the style of a propaganda statement by McCarthy and the philosopher Simon Critchley in 2007 in the Drawing Center, New York. In a discussion with the artist Margarita Gluzberg, held in 2001 in London's Austrian Cultural Forum, McCarthy cites Georges Bataille's description of matter as "that non-logical difference that represents in relation to the economy of the universe what crime represents in relation to the economy of the law".
In her review of the audiobook for Strange Horizons, Siobhan Carroll called the story "gripping" and found the listening experience evocative of Orson Welles's famous radio narration of The War of the Worlds (broadcast October 30, 1938). Carroll had mixed opinions on the voice acting, commending it as "solid and understated, mercifully free of 'special effects' and 'scenery chewing' overall", but lamenting what she perceived as undue cheeriness on the part of Max Brooks and inauthenticity in Steve Park's Chinese accent. Publishers Weekly also criticized Brooks' narration, but found that the rest of the "all-star cast deliver their parts with such fervor and intensity that listeners cannot help but empathize with these characters". In an article in Slate concerning the mistakes producers make on publishing audiobooks, Nate DiMeo used World War Z as an example of dramatizations whose full casts contributed to making them "great listens" and described the book as a "smarter-than-it-has-any-right-to- be zombie novel".
He added that it could be seen as "a nostalgic, or regressive book, depending on your point of view." The literary critic Tom McCarthy suggested that some of the early scenes of the book "take the form almost of Platonic dialogues, dramatized theoretical discussions about art itself", although later in the book Hergé turns to revealing "the deeper and more essential Platonic truth of art: that it is fake, that its whole currency is fakeness." Discussing the final scene in the book, he opined that it "reads like a snuff movie: not of Tintin, ultimately, but of Hergé". Further, he argued that Tintin and Alph-Art reflected a number of themes that also appear in other Adventures of Tintin; these include the idea of Castafiore bridging the connection between the protagonist and the villains, and the concept of Haddock being confronted "with his own inauthenticity", in this case through purchasing a giant plastic 'H' artwork.
As an example following these lines, for some time scholars debated over whether this passage from the Amores--corroborating, as it does, only the existence of Her. 1–2, 4–7, 10–11, and very possibly of 12, 13,Am. 2.18.38 reads et comes extincto Laodamia viro ("and Laodamia, companion to her deceased husband"), which could refer solely to a subject of the poetry of Macer, who is addressed in Am. 2.18, or could as easily be relating Macer's works to Ovid's own compositions, serving as evidence, therefore, for the authenticity of Her. 13. and 15--could be cited fairly as evidence for the inauthenticity of at least the letters of Briseis (3), Hermione (8), Deianira (9), and Hypermnestra (14), if not also those of Medea (12), Laodamia (13), and Sappho (15).Some critics have argued that the passage in cruces in line 26--together with its partner at line 34 (det votam Phoebo Lesbis amata lyram – "the woman of Lesbos, loved in return, might offer Phoebus the promised lyre")--is in fact an interpolation.
The inauthenticity of the music and the Irish and Scottish elements in it are explained by the fact that slaves were rarely allowed to play native African music and therefore had to adopt and adapt elements of European folk music.. Compounding the problem is the difficulty in ascertaining how much minstrel music was written by black composers, as the custom at the time was to sell all rights to a song to publishers or other performers.. Nevertheless, many troupes claimed to have carried out more serious "fieldwork".. Similar to American people who come from all over the world creating one big 'melting pot,' it is only fitting that some of the first forms of truly American music and drama are composed of elements from many different places. Early blackface songs often consisted of unrelated verses strung together by a common chorus. In this pre-Emmett minstrelsy, the music "jangled the nerves of those who believed in music that was proper, respectable, polished, and harmonic, with recognizable melodies.". It was thus a juxtaposition of "vigorous earth- slapping footwork of black dances … with the Irish lineaments of blackface jigs and reels.".
According to Ana Cristina Mendes (2010), The White Tiger falls prey to "inauthenticity": Adiga a well-read Indian author who writes in English, having been educated at Oxford and Columbia – errs on the side of an unconvincing colloquialism by making his characters speak a language of the Indian underground, which he himself masters only to a certain extent. The novel is described as a first-person bildungsroman and placed within the wider context of contemporary Indian writing in English, as a novel about "the Darkness" (which reminds us of Dickens's London) and a fascinating success story about the overnight rise of one character from rags to riches, but also about India’s development as a global market economy. Mendes (2010) notices in this a certain artificiality, cleverly masked by irony, and remarks the “'cardboard cut-out' title character equipped with an inauthentic voice that ultimately undermines issues of class politics" (p. 277). Pakistani blogger Sarmad Iqbal reviewed Adiga's The White Tiger for International Policy Digest, saying: "This novel in multiple ways was an eye opener for me about the rising India as being a Pakistani I grew up listening to and learning nothing good about India.
Jameson views a number of phenomena as distinguishing postmodernity from modernity. He speaks of "a new kind of superficiality" or "depthlessness" in which models that once explained people and things in terms of an "inside" and an "outside" (such as hermeneutics, the dialectic, Freudian repression, the existentialist distinction between authenticity and inauthenticity, and the semiotic distinction of signifier and signified) have been rejected. Second is a rejection of the modernist "Utopian gesture", evident in Van Gogh, of the transformation through art of misery into beauty whereas in the postmodernism movement the object world has undergone a "fundamental mutation" so that it has "now become a set of texts or simulacra" (Jameson 1993:38). Whereas modernist art sought to redeem and sacralize the world, to give life to world (we might say, following Graff, to give the world back the enchantment that science and the decline of religion had taken away from it), postmodernist art bestows upon the world a "deathly quality… whose glacéd X-ray elegance mortifies the reified eye of the viewer in a way that would seem to have nothing to do with death or the death obsession or the death anxiety on the level of content" (ibid.).

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