How to use imperceptive in a sentence? Find typical usage patterns (collocations)/phrases/context for "imperceptive" and check conjugation/comparative form for "imperceptive". Mastering all the usages of "imperceptive" from sentence examples published by news publications.
She was flinty in a way that the willfully imperceptive could easily mistake for chipper.
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Last year, the studio advertised the teaser for Ant-Man with a ten-second cut of the footage reduced to an imperceptive scale.
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Growing up, Riley was a misfit and often bullied, the target of what he later called "insidious crap perpetrated by imperceptive emotional retards." As a teenager he was in a car accident that permanently disfigured his face, causing a speech disorder.
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Prior to its creation, Gibbard had viewed his lyricism on earlier works as too obtuse and emulative of R.E.M., who were a big influence. He considered "Epilogue" to be a proper marriage between this imperceptive imagery and storytelling, and a "benchmark" by which later songs would be judged. It has little in common with the predecessor, "Company Calls", besides incorporating unused lyrics meant for the original. This iteration of "Epilogue" was recorded only one day before mastering was set to begin; an alternate edition was later released on The Forbidden Love EP later in 2020.
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The real time that saw Genyornis vanish is still an open question, but this was believed as one of the best documented megafauna extinction in Australia. "Imperceptive overkill"; a scenario where anthropogenic pressures take place; slowly and gradually wiping the megafauna out; has been suggested. On the other hand, there is also compelling evidence to suggest that (contrary to other conclusions) the megafauna lived alongside humans for several thousand years. The question of if (and how) the megafauna died before the arrival of humans is still debated; with some authors maintaining that only a minority of such fauna remained by the time the first humans settled on the mainland.
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It would be > imperceptive, but it would not be impossible. The modulations of irony, the > subtle effects of tone, the humility in which, above all, the style reveals > the man, will be lost on such as prefer vulgar colours, familiar platitudes, > and the techniques of self-advertisement in which modern scholarship can > report such notable advances. But the continued and increasing success of > Europe in the Seventeenth Century and England in the Reign of Charles II > gives good ground for believing that the rare qualities of which his pupils > at Oxford and in America have been the chief beneficiaries have been > recognised and valued by a far wider public. Of the influence exerted by > these books on students of the period there can be no doubt: of their > example there cannot be too many imitators.H. E. Bell and R. L. Ollard, > ‘Preface’, in Bell and Ollard (eds.), Historical Essays 1600-1750 presented > to David Ogg (London: Adam and Charles Black, 1963), p. vii.
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In 1963, H. E. Bell and R. L. Ollard edited Ogg's festschrift and said of Ogg: > Those who have had the privilege of knowing David Ogg as a tutor or a > colleague will not need to be reminded of those qualities of wit and > intellectual elegance, of originality of thought and expression, of common > sense applied in an uncommon way, that characterise his talk as unmistakenly > as his writing. The deceptive ease with which his exact scholarship and wide > erudition have been put at our disposal is no small part of the pleasant > debt we all owe him. > The same holds true for, though in the nature of the case less personally, > for those who know him only through his books. It would be an imperceptive > reader who had failed to notice that in both the fields that Ogg has made > his own, the England of Charles II and the Europe of Louis XIV, he has > challenged both the accepted historiography of the period and the > fashionable portrayal of the two eponymous figures of the age.
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