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16 Sentences With "illustrating with"

How to use illustrating with in a sentence? Find typical usage patterns (collocations)/phrases/context for "illustrating with" and check conjugation/comparative form for "illustrating with". Mastering all the usages of "illustrating with" from sentence examples published by news publications.

The process derives from illustrating with pencil and then applying saturation and hue with Photoshop.
After illustrating with his performance that the joint was enabling him to fire on all cylinders, Nadal said he was now fit enough to practise in the way he wanted.
And one of Arnold's greatest accomplishments in American Honey is in illustrating, with a loose and comfortable storytelling style, how these misfits build a form of easy intimacy without really opening up to each other, or getting attached.
His Tatra landscape paintings are characterised with idealism. He also painted religious paintings and had been illustrating with Juliusz Kossak.
He is also illustrating with original artworks the French edition of Mongoose Publishing's Lone Wolf RPG. Chalk was one of the illustrators of The Secret History of Giants (2008), by Ari Berk.
It was a collection of authenticated documents, depositions, eye-witness accounts, and Ministerial summaries, describing and illustrating with photographs, the Nazi crimes against the Polish nation and War crimes in occupied Poland during World War II, committed in a mere two years, including massacres, tortures, expulsions, forced colonization, persecution, destruction of culture, and humiliation of a nation.
Linda Waugh extended this to oppositions like male/female, white/black, sighted/blind, hearing/deaf, heterosexual/homosexual, right/left, fertility/barrenness, clothed/nude, and spoken language/written language.Waugh, Linda "Marked and Unmarked: A Choice Between Unequals in Semiotic Structure". Semiotica; 38: 299–318, 1982 Battistella expanded this with the demonstration of how cultures align markedness values to create cohesive symbol systems, illustrating with examples based on Rodney Needham's work.Battistella, Edwin Markedness, 1990, pp. 188–189.
In 1848 he interrupted his studies and participated as a courier, distributing leaflets for the Partito d'Azione, in the democratic anti-Austrian movement during the revolutionary years of 1848–49. However, his family prevented him from joining the army. In 1850 he resumed his studies at the Accademia in Florence. He made it a habit to note all his observations in small notebooks that he always kept with him, illustrating with innumerable sketches.
Bokelmann is best known for sharing the illustrating with her cousin by marriage, Auriol Batten, of 'Wild Flowers of the Eastern Cape Province' (1966) and 'Flowering Plants of the Tsitsikama Forest and Coastal National Park' (1967). 'Botanical Exploration of Southern Africa' - Gunn & Codd (AA Balkema, 1981) Work on the latter book resulted in a close friendship with co-author Marjorie Courtenay- Latimer, who had retired to a farm in the Tsitsikama and had become interested in botany.
Flashpoint: The LA Penca Bombing is written by Joyce Brabner, as told to her by Christic Institute clients Martha Honey and Tony Avirgan. It deals with the La Penca bombing which happened during the civil war in Nicaragua in 1984. Credits for “Flashpoint” list Jonathan Marshall on the introduction, Joyce Brabner writing, and Thomas Yeates illustrating, with letters by Bill Pearson and painting by Sam Parsons. Martha Honey and Tony Avirgan are credited with having told the story to Joyce Brabner.
Upon returning to Ontario, she was commissioned to paint a mural for the new dining hall at the University of Western Ontario. Along with commissioned portraits, her early works included illustrating, with wood engravings, two books by her brother William Kilbourn, The Firebrand (1956); The Elements Combined (1960); and Farley Mowat's, The Desperate People (1959). Kilbourn worked actively in wood engraving from the 1960s to the 1980s. In addition to her book-sized wood engravings, Kilbourn used larger than normal wood blocks to engrave both landscape and figure compositions for individual prints.
Such a laudable voyage grows under an amalgam of knowledge seeking to expand the meaning of entanglement and adventure, illustrating -with all of the rigor- the foundations of humanistic culture. Its argument chooses Lisbon as a scenario that took in the nobility, the clergy and the new trade guilds. As protagonists, a ship-owner, certain Count lovers of arts and sciences and a young man, heir of the knowledge and instructions of an enigmatic abbot, librarian of the Counts' palace in whose halls are gathered the cream of Lisbon society." Ten years afterwards, Ladevéze published in Amazon "Sphera Nostra.
Although various other research supports the use of SMS language, the popular notion that text messaging is damaging to the linguistic development of young people persists and many view it as a corruption of the standard form of language. Welsh journalist and television reporter John Humphrys has criticized SMS language as "wrecking our language". The author cites ambiguity as one problem posed, illustrating with examples such as "lol", which may either be interpreted to mean "laughing out loud", "lots of love", and "little old lady" depending on the context in which it is being used. Ambiguous words and statements have always been present within languages.
Vess' work can also be seen in the two Shakespeare adaptations in the pages of The Sandman, the first of which (pre-Vertigo) won the comic and duo the World Fantasy Award for Best Short Story, and the last of which was also the final (75th) issue of the series. Vess also contributed a story to the Fables OGN 1001 Nights of Snowfall, illustrated a Books of Magic cover and produced an issue of The Dreaming (2000). Sean Phillips earliest American comics work was in the pages of pre-Vertigo Hellblazer, and in May 1993 he became one of the early Vertigo artists by illustrating (with assists from Paul Peart and Sean Harrison Scoffield) the entire 16-issue run of Kid Eternity (1993–4).
Marcus Osterwalder, Dictionnaire des illustrateurs 1890-1945, 1992, p.321. He is often listed as Adrien Drian or Étienne Drian, but both are incorrect: the name Drian stands alone, like Erté. Chimot drew from the wide range of artists from round the world who had settled in Paris in the 1920s : William Walcot was an English artist born in Odessa to a Russian mother; Edgar Chahine and Tigrat Polane were both Armenian émigrés; Tsuguharu Foujita, known to his Montmartre friends as Léonard, was the artist who more than any other infused Japanese art with a modern Western sensibility. Édouard Chimot himself was the most prolific supplier of original prints to Les Éditions d’Art Devambez, illustrating with etchings Les Chansons du Bilitis, Les Poésies de Méléagre, Les Belles de Nuit, La Femme et le Pantin, and Verlaine's Parallèlement.
The Black Book is a collection of authenticated documents, depositions, eye-witness accounts, and Ministerial summaries, describing and illustrating with photographs, the Nazi crimes against the Polish nation and War crimes in occupied Poland during World War II committed in mere two years: including massacres, tortures, expulsions, forced colonization, persecution, destruction of culture, and humiliation of a nation. The book is a sequel to The German Invasion of Poland compiled by the Polish government-in-exile and published in 1940, sometimes considered as the first volume of this publication series. The original volume deals with the war crimes of the September 1939 invasion of Poland. The Black Book by G.P. Putnam's Sons of New York (or the 'second volume' of The Black Book of Poland) was published in London by Hutchinson under a different title: The German New Order in Poland, with only 585 pages and 61 plates.

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