Obsessively checking your portfolio and following market movements may cause you to trade hyperactively and overreact to the news of the day.
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A dumb phone also lasts for a week at a time, because it's not hyperactively communicating with every email, messaging, or cloud storage service I'm signed up for.
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There, comedian Larry David unveiled his now-iconic impersonation of a rumpled Sanders, while comedian Kate McKinnon has won raves for her portrayal of a hyperactively self-aware Clinton.
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If most current rappers tap into a relatively engaged 18-30 demographic, then Jake Paul and other YouTubers likely have total mastery over a 12-18 group that's hyperactively, passionately online.
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He hyperactively talks through his solutions to Long Beach's race wars and emissions problems (they're related), and considers the way that more Whole Foods stores for his area's gay community might bring about a lasting peace.
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Bush's role in the novels is that of Hornblower's best friend and second-in-command. He is characterized chiefly by his loyalty, his patience, good nature, and stolid matter-of-fact outlook. Although Hornblower genuinely cares for Bush, he sometimes frustrates and hurts him through harsh criticism. Hornblower, although a brilliant strategist, is a painfully self-conscious and hyperactively introspective man who tries desperately to conceal from the world what he perceives as "weaknesses".
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On review aggregator Rotten Tomatoes, the film has an approval rating of 66% based on 138 reviews and has an average rating of 6.08/10. The website's critical consensus reads, "Colorful animation and a charming cast help Storks achieve a limited liftoff, but scattershot gags and a confused, hyperactively unspooled plot keep it from truly soaring." On Metacritic, the film has a score of 56 out of 100 based on 31 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.
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Raphael Wiggins said of their success with the album: D'wayne Wiggins cited Sons of Soul as his favorite album with the group. Vibe and the Philadelphia Daily News also viewed it as the group's best album; the latter wrote that "it may be the project that got the public's ears ready for all the similarly soulful artists yet to come." AllMusic editor Stephen Thomas Erlewine felt that they "received their greatest chart success, without compromising their music", which "was still the finely crafted, highly eclectic and funky pop-soul that distinguished their first two albums," but with improved songwriting and playing. Rickey Wright of the Washington City Paper regarded the album as a "hyperactively brilliant" showcase for "deeply resourceful songwriters who kept up with their audience", adding that "hardly anything in '90s R&B; has touched it".
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", introducing "a mid-album interlude of mid-[19]80s pop", as stated by Andy Gill of The Independent as well as Hamish MacBain of NME. Rich Juzwiak noted that Beyoncé "ecstatically and hyperactively" changes keys four times during the song. As stated by Scott Shetler of PopCrush, she constantly sings praises of her love interest in the first verse where she also seemingly sends him subtle digs as he did not give her his full attention in the past, this being illustrated in lyrics such as, "after fighting through my fears [...] finally you've put me first." The chorus, complemented with sweet backing harmonies, then arrives, with Beyoncé chanting, "Baby it's you, you're the one I love / You're the one I need / You're the only one I see / Come on baby it's you / You're the one that gives your all / You're the one I can always call / When I need you make everything stop / Finally you put my love on top.
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