I've heard it for many, many years and I love it.
|
|
On Monday, a wider audience heard it for the first time.
|
|
As a black player, we've heard it for many years about walking off.
|
|
We've heard it for years, America's tax code is unfair, outdated and complicated.
|
|
Ever since we heard it for the first time in 1977, we've been wondering what that history looked like.
|
|
I haven't heard it for myself, though, so it's possible this is the exception to that rule (although it doesn't seem too likely).
|
|
"Cruel Intentions" was released as a single a few months ago, but I heard it for the first time as part of JMSN's new LP It is.
|
|
What you'll know Dennis Edwards for is an unforgettable noise that's rumbled through pop culture ever since the world heard it for the first time in 1984.
|
|
The news was welcomed by excited screams from the audience, while the cast, including Oscar-winner Eddie Redmayne, looked surprised as they heard it for the first time.
|
|
And I remember all too clearly how I was convinced that this had to be the best song in the world, when I heard it for the first time back in 2004.
|
|
I mean, I've heard it for a really long time that I was never going to make it, that I wasn't going to be able to break through or do this or do that.
|
|
And once I heard it for myself, it was confirmed what I feared the most, that Donald Trump is a con and has been masquerading as someone who is actually open to engaging with diverse communities.
|
|
He has not seen or heard it for four or five years and has been searching for it in anticipation of Scully's retirement Sunday after 21961 seasons as the voice of the Dodgers, in Brooklyn and Los Angeles.
|
|
And it's not just Brooks, but also some people I know and worked with in D.C. I've heard it for years, that we are small-minded and focused on small, irrelevant issues like the weather (which our livelihoods depend on) and daily family responsibilities.
|
|
Mikey Day had pitched doing a Dead Poets Society type sketch the week before, and when I heard it, for some reason I immediately thought that one kid should stand and have his head chopped off by a fan and blood should spray everywhere.
|
|
In a way, "Deep Inside" is sort of the thinking man's "Show Me Love" except every DJ set in the world ever would be improved ten fold by the DJ playing "Show Me Love" and the only DJs who still play "Deep Inside" heard it for the first time three months ago.
|
|
As conservative pollster Frank Luntz once famously said: You say it again, and you say it again, and you say it again, and you say it again, and you say it again, and then again and again and again and again, and about the time that you're absolutely sick of saying it is about the time that your target audience has heard it for the first time.
|
|
Very quickly I realized, I would go and I'd perform and then if I was performing songs that people had heard on the internet, they would just sing along or something, but if I performed a song they hadn't heard, they would laugh because they heard it for the first time, so I pretty quickly realized like, okay, YouTube has to just kind of be a way for me to promote my live shows, just because that's what I liked.
|
|
So...I thought, 'God, somebody could die from this!' ...so we recorded the record and released it. And then my mother heard it for the first time.
|
|
They took the same version as he recorded on YouTube sitting by the Dal Lake and added their own magic underneath. When Ali heard it for the first time at the screening of the film he was floored.
|
|
Ray Barber (January 8, 1923 – June 30, 2009), born Michael Joseph Barbetta, was an American singer in the early 1950s. He recorded with Mercury Records. He had a hit overseas in the UK entitled "Mary Rose". He was recording the song "Because Of You" when a young Tony Bennett was in the studio and heard it for the first time.
|
|
He also stood in for Shaun Tilley on his programme "I Haven't Heard It For Ages" (2pm4pm) on Sundays on KCFM 2008/9. From February 2009 to September 2009 Stewart presented on Saturday and Sunday mornings between 9am and noon on Internet radio station Wight FM (this was voicetracked). Stewart also stood in for Shaun Tilley on the networked show The Retro Chart Years for a week in August 2009 and again in 2010.
|
|
In 1965, Horowitz ended his retirement and began performing again. He soon brought back his Carmen Variations and the public heard it for the first time in nearly 20 years. Though this version contained some of the changes made in 1957, it had been restored to its usual encore form with little change from the 1947 version. Horowitz performed the piece at his famous television concert in 1968 on CBS, with some minor changes from the 1967 version, mostly alterations to the coda.
|
|
The track was released as the second single from the parent album on May 6, 1998 in the United States. Curtiss was not aware of the fact that Madonna had recorded "Sepheryn" as "Ray of Light" and heard it for the first time being played on the radio. He "couldn't believe it" and was initially a bit annoyed, but became pleased with what Madonna had done with his original composition. He was also satisfied with the 15% royalties he received as songwriter credit.
|
|
Filan said that when the band heard it for the first time, they felt it was definitely gonna be the first single from the album. In an interview, Kian said that the song was about a person who wants to go back to their soulmate whom they have been away from each other for a long time.Westlife Interview Voxpop 2001 "World of Our Own" was released on 18 February 2002 as the second single from this album. The band described it as a real 'poppy' song.
|
|
Retrieved October 22, 2017. Jean-Michel stated that he produced Cascades based on phenomenology: "This idea of repetition, even if it’s the same chord and you’ve heard it for four minutes, it’s not the same chord even if it’s technically the same, your experience to it is different because your mind went somewhere else and it might be affecting you physiologically or just emotionally; it’s changing and touching upon an almost meditative mood." Some writers stated that they had nostalgic feelings when listening to the EP.Garvey, Meaghan (April 5, 2017). "Classical Beauty: A Conversation With Jean-Michel Blais And CFCF".
|
|
The words of this hymn were written during the time Speratus was imprisoned; the melody is taken from a 15th-century chorale. nur durch die Fürbitte angesehener Magnaten vor dem Feuertode, zu dem er verurtheilt war, gerettet... er in dieser Haft das evangelische Glaubenslied „Es ist das Heil uns kommen her“ gedichtet hat. According to Catherine Winkworth, "Luther himself is said to have given his last coin to a Prussian beggar from whom he heard it for the first time." The 14 stanzas of Speratus's text expound Luther's teaching concerning salvation by faith rather than by doing good works.
|
|
None of them responded, with all but three returning his material. In May 1978, while working in his yard, Selle heard his teenaged next-door neighbor playing the Bee Gees song "How Deep Is Your Love" rather loudly on a cassette player and asked him what the song was, having heard it for the first time. Selle recognized the song as his melody but with different lyrics. After learning it was featured in the movie Saturday Night Fever, Selle examined the cassette jacket for the soundtrack, seeing that the songwriting credit was for the Bee Gees.
|
|
Lennox compared Portner's songwriting to the songwriting of Fleetwood Mac's Lindsey Buckingham. Portner believes they're "one of the greatest ... in terms of older bands or pop bands ... a song like 'That's All for Everyone' is really influential to me. ... It blew me away the first time I heard it." For Centipede Hz (2012), Weltz created an "inspirational mix" of songs which influenced the album's making; the playlist included content by Pink Floyd, Portishead, We the People, Milton Nascimento, Zé Ramalho, Eddie & Ernie, Gandalf, Catherine Ribeiro + Alpes, Silver Apples, Dorothy Ashby, 13th Floor Elevators, Apryl Fool, and others.
|
|
"Too Little Too Late" was one of the first prospective songs from the album that Herbert played for JoJo. The singer claims she wanted to record the song as soon as she heard it for the first time, elaborating, "When my team heard that song, they knew I could hit the sweet spot, musically and in terms of subject matter." According to Vibe, the overall more mature, personal sentiment of the album prompted her to record "Too Little Too Late", having experienced both her first love and first heartbreak since the release of her self-titled debut album. The song was recorded at both Cryptic Studios in Los Angeles, California and Sony Music Studios in New York, New York.
|
|
We do know the work's opening lines, proving it was indeed a continuous work. Aristotle quotes part of the opening line in the Rhetoric to outline the difficulty in punctuating Heraclitus without ambiguity; whether "forever" applied to "being" or to "prove".Rhetoric 3.1407b11 Sextus Empiricus in Against the Mathematicians quotes the whole thing: > Of this Logos being forever do men prove to be uncomprehending, both before > they hear and once they have heard it. For, though all things come to pass > in accordance with this Logos, they are like the unexperienced experiencing > words and deeds such as I explain when I distinguish each thing according to > its nature and show how it is.
|
|
During the V South American Championship of Athletics in 1927, held in the city of Santiago, the head of the Chilean supporters, Osvaldo Paco Vera, guided the shout to encourage the Chilean athletes who disputed the tournament. According to the story of sports journalist Carlos Zeda in Los Sports magazine, the first time in which it was employed was on April 17, as he harangued Manuel Plaza on his last day of participation, when he won. In his book The Memoirs of Mister Huifa (1986), the reporter Renato González narrated that he had heard it for the first time during the participation of the Chilean decathletes Erwin Gevert, Serapio Cabello and Carlos Jahnke. This test of the program finally gave the victory to Chile, so the Ceacheí took importance and was popularized.
|
|
The existence of ancient instruments in museum collections has helped musicologists to understand how the different design, tuning and tone of instruments may have affected earlier performance practice. As well as a research tool, historic instruments have an active role in the practice of historically informed performance. Modern instrumentalists who aim to recreate a historic sound often use modern reproductions of period instruments (and occasionally original instruments) on the basis that this will deliver a musical performance that is thought to be historically faithful to the original work, as the original composer would have heard it. For example, a modern music ensemble staging a performance of music by Johann Sebastian Bach may play reproduction Baroque violins instead of modern instruments in an attempt to create the sound of a 17th-century Baroque orchestra.
|
|