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123 Sentences With "hear it for"

How to use hear it for in a sentence? Find typical usage patterns (collocations)/phrases/context for "hear it for" and check conjugation/comparative form for "hear it for". Mastering all the usages of "hear it for" from sentence examples published by news publications.

Let's hear it for all the fit dads out there.
Let's hear it for "Deadpool 2," arriving on May 18!
You just want to hear it for me to repeat it?
You can hear it for yourself at the 10 second mark.
So let's hear it for 21 Savage and Kid Cudi too.
Let's hear it for the true winner of E3 2016: self-improvement.
Let's hear it for the class of 2016 — or what's left of it.
"Let's hear it for our champion," the governor's aide shouted at one point.
Or maybe it's just so radical you have to hear it for yourself.
Let's hear it for Barry Jenkins, making the most of a dismal awards season!
You can listen to the clips here if you need to hear it for yourself.
Listen to an extended clip, captured by The Sun's Howell Davies, and hear it for yourself.
"First time you hear it for what it is, is about 10 years later," Urban joked.
" He added, "First time you hear it for what it is, is about 10 years later.
Let's hear it for Bucknell, who became the 19th FCS team to reach 600 total wins.
Bradner also posted audio of the moment, in case you want to hear it for yourself.
Trying to explain this one won't do it justice ... ya really just gotta hear it for yourself.
So let's hear it for the freshmen Furies in all their abrasive, ambitious, in-your-face glory.
You've heard it before, and you'll probably hear it for years to come: This stuff is a winner.
Let's hear it for our winner of Best Performance by an Actress in a Motion Picture – Drama, Frances McDormand!
Let's hear it for the actor Sandra Bullock called "the Ryan Reynolds of his generation" (according to Ryan Reynolds)!
Let's hear it for Dara Khosrowshahi, the Uber chief executive, who has dropped out of that now obscene extravaganza.
Read what the band have to say about the track below, and scroll down to hear it for yourself:
Every time you hear it for the rest of your life you have to do it — it becomes this reflex.
"Let's hear it for caffeine," she wrote on an early morning photo of herself with boyfriend Joel Schiffman, tweeted Thursday.
One time he started a show by saying, "Let's hear it for Cole!" and got the audience to clap for me.
I think I've explained it to him: The people who make and distribute this podcast so you can hear it for free.
The responses on social media have been primarily very positive: "Let's hear it for the curvy, sexy, sporty women," one Instagram user wrote.
However, there's Black Friday pricing of $199 currently in effect, so it may be worth braving the crowds to hear it for yourself.
" When discussing the process of creating music, Urban says that when he creates something, "I can only hear it for what it isn't.
Finally, an announcer bellowed "Let's hear it for the king!" and Trump, wearing red boxing gloves and a robe, burst through a paper screen.
Let's hear it for the red, white, and booze: Will & Grace is celebrating this Independence Day with a new promo for the upcoming series revival.
I was planning to phone down to the front desk to complain when the noise stopped, but I did hear it for nearly two hours.
It was a bit of a shock to hear it for the first time after this extreme change, but we all came to love it.
Related: Rick and Morty's Bonkers New Trailer Will Blitz Your Chitz Let's Hear It for Clouds Gamers Designed This Stunning Claymation Video Game Entirely By Hand
Let's hear it for the brave folks who know they're going to hear "I don't get it" all night on Halloween and still wear their obscure costume.
I don't hear it for what it is… in my head, it's fully formed, so once it's out I'm listening to anything that doesn't match what's in.
" An ode to Deniece Williams was up next, as Jenner and her pals gave a rousing performance of the singer's 1984 classic "Let's Hear It for the Boy.
When the theme from the movie "Rocky" blared from the loudspeakers, an announcer declared, "Let's hear it for the king!" and Trump burst through a large paper screen.
A group of young men with learning difficulties are having a whale of a time singing lustily along to "Let's Hear It for the Boy" by Deniece Williams.
A written description scarcely does it justice, which is why you should pick up a pair of TREBLAB Z2 Wireless Noise-Cancelling Headphones to hear it for yourself.
They could agree to hear it for next term, which would mean at least four justices might think that they have the votes for a broader First Amendment decision.
Blessedly, few people died (let's hear it for building codes and evacuation orders) and it will take more than a Category 4 to snuff the spirit of the Conchs.
I'm hoping that it will offer some clues as to where jazz is headed these days — and maybe even encourage you to go out and hear it for yourself.
I wanted to hear it for myself, and I also wondered whether any of its messages seeped through her rounded belly, her skin, and all the muscle membranes, to me.
"Our jury has eyes and ears and has heard this before, so I don't know why they feel they need to hear it for the fourth and fifth time," he said.
I get to the dealership and get my garage door opener, let my service manager know about the sound, and we drive around the block so he can hear it for himself.
THE CLOSER And finally … Let's hear it for the humble slingshot, an ancient weapon newly resurrected to tackle a decades-old hazard known as "monkey menace" at the Taj Mahal in India.
We're told Clemson heard the constant media talk about Bama being the greatest college football team ever ... and had to hear it for months while they quietly ran through their season, undefeated.
She rocked out to the song Diane Warren wrote for Let Girls Learn — "Let's Hear It for the Girls" — on James Corden's carpool karaoke, which boosted sales by a stunning 1,562 percent.
"There's such a gray area of what went down, who made complaints and all that, so I'm really looking forward to everyone being able to see and hear it for themselves," he said.
Between this and opening up iOS betas to the public, it's as if someone at Apple said "Maybe… maybe we don't have to be quite so secretive…" Want to hear it for yourself?
Facebook breaks down the subtitles snippet by snippet, allowing you to review the suggestion, play back that segment to hear it for yourself, and edit the captions for accuracy before saving them to the video.
When you hear it for the first time, it can be jarring — the bar that typically ends with P seems to stop short at N, and the timing and rhyming are thrown into disarray after that.
Furthermore, Morning Consult's online polling methodology actually included an embed of the audio from the tape itself — so any voters who hadn't yet heard Trump saying "grab them by the pussy" could hear it for themselves.
When you hear it for the first time, it'll feel like the floor under you has collapsed, and that's half the fun with the music Koze makes: you never know where it's going to take you.
In the coming week, there are two opportunities to hear it for yourself, and of the two, I'd pick this one, which pairs Schoenberg's String Quartet No. 4 with the String Quartet No. 1 from Brahms.
I only got to hear it for a brief time, due to CES rules about blasting party music (which, fair enough), but even at less than half volume it was able to push more than enough sound to clearly cut through the noisy convention hall.
But the truth is, you really just have to hear it for yourself—especially now that Grayceon have finally returned with their fourth album, IV. "Unlike our previous albums, IV took us almost five years to make and in many ways is our love child," Jackie Perez Gratz told Noisey.
Let's Hear It for the Average Child The Black Characters I Wish I Saw More Of There Are Better Ways to Do College The Problem With 'Sharenting' How High School Ruined Leisure My Father, Out to Sea 'We Either Buy Insulin or We Die' The Anti-College Is on the Rise Roads, Smoke and Microsavings We Read 150 Privacy Policies.
Keys has been, for the most part, fairly quiet over the last few years—although it's still impossible to go for too long in New York City without her reminder to hear it for the city on "Empire State of Mind"—but now she's readying her return, via an as-yet-unnamed album to be released this summer and a first single, "In Common," out today.
A tenth studio album, Let's Hear It for the Dogs, was released in April 2015.
Let's Hear It for Love is the eighth studio album from American singer Benny Mardones. It was released in 2006 by Warrior Records and produced by Jim Ervin.
The album was produced by Dave Eringa who produced The Proclaimers' previous album Let's Hear It for the Dogs, and was likewise recorded in Wales at Rockfield Studios.
Vereen's solo of "Clap Hands! Here Comes Charlie" precedes "Let's Hear It for Me", which is the album's closing track and an updated version of the Funny Girl original "Don't Rain on My Parade".
Meanwhile, Louis Prima was so angered at not being considered for a role that he personally paid the recording expenses for the subsequent album, Let's "Hear" it For Robin Hood, which he sold to Disneyland Records.
Like the original film, the 2011 version also features "Bang Your Head (Metal Health)" by the heavy metal band Quiet Riot and the original "Let's Hear It for the Boy", which are not on the soundtrack album.
He went on to release "Let's Hear it for Loneliness", "Lonesome Is a Cowboy" and "I Can Give You Love". In 1978, "Things I'd Do For You" soared to #18 on the Billboard country chart.Profile, musicvf.com; accessed May 1, 2014.
The official fight song of The University of New Orleans is "Let's Hear It For UNO". The song was adopted after a competition in 1981. The winner was Lois Ostrolenk. Before this, the melody from William Tell Overture was used.
The official fight song of The University of New Orleans is "Let's hear it for UNO." The song was adopted after a competition in 1981. The winner was Lois Ostrolenk. Before this, the melody from William Tell Overture was used.
On 10 May 2009, Hart wrote a humorous piece for the New Zealand Herald entitled "That Guy: Let's hear it for the Maori sasquatch". The piece provoked outrage in the cryptozoological community for the representations of individuals at the conference, as well as its overall tone.
Retrieved August 17, 2015Studzinski, John. "Let's Hear it for the Arts Mentors". Huffington Post. March 30, 2012. From 2002–2007, the foundation also provided start-up loans and support for young people wishing to set up creative enterprises, via a five-year partnership with the Prince's Trust.
The documentary focuses on the stories of new citizens across every US state. The film, Ravosa's national television debut, included a clip of him singing and playing "It's a Whole Other Country, Texas Is" and others singing a segment of his song "Let's Hear it for America".
Leverton continues to play with Caravan and with The Blue Devils in Kent. He also plays bass with Rocky and the Natives alongside Andy Newmark (drums), Chris Godden (guitar), Malcolm Barnard (vocals) and Geoffrey Richardson (violin) and produced their debut album Let’s Hear it for the Old Guys in 2013.
Barrows, Cliff (compiler). Billy Graham Crusade Songs. Minneapolis: Billy Graham Evangelistic Association, 1957. Hymn No. 70. In 1986, pop singer Deniece Williams, who had had a No. 1 hit the previous year with "Let's Hear It for the Boy", released an album of gospel songs, titled So Glad I Know.
Paul Bernard du Feu (September 1935 – January 1, 2013) was a Welsh builder, painter, author and model. He is best known for his marriages to the feminist Germaine Greer and then to the poet Maya Angelou. He published the memoir Let's Hear it for the Long-legged Women in 1973.
I went, 'If I'm going to sing this fucking song, we're gonna do it properly.' So we hired 12 snow cannons. When we started the song, you couldn't hear it for the noise of the crowd, and we let go with the machines. We put three feet of artificial snow in the stalls.
The guy comes to see Sunanda, and Kokila comes down dressed as her. Janki sees but keeps quiet. Sameer, Rohit, Mahesh, Payal, and Janki are trying to get their parents to tell them what they are planning because they want to hear it for themselves. Indira tells Sameer, and his trust is broken.
"Let's Hear it for New Trier". Town and Country Monthly, p. 147. Life also recognized New Trier as one of the best high schools in America with cover stories in 1950 and 1998. In the class of 2017, 23 students were National Merit finalists, 27 were National Merit semifinalists, 71 received letters of commendation and 442 were Illinois State Scholars.
It will be like Moomba with a message. > Whenever a natural disaster happens, musicians are the first to put their > hand up and offer support. Now it's time for the public, who get music free > online and hear it for free on the radio wherever they go, to give support > back to the music they love so much. The record industry is already falling > apart, from illegal downloads.
Whitburn, Joel (1996). The Billboard Book of Top 40 Hits, 6th Edition (Billboard Publications) An alternate version of the song with a slightly different musical arrangement, which has never been released, is used in the film. The other hits from this soundtrack include "Footloose" by Kenny Loggins and "Let's Hear It for the Boy" by Deniece Williams, both of which went to No. 1 on the pop chart.
He hugged guitarist Trey Anastasio and kissed him on the cheek. He made three laps around the stage before finally being run down by security. Anastasio proceeded by saying, "Let's hear it for the naked guy, pick him up, that took a lot of balls." Later on, the lyrics of "Ya Mar" stated "he was a naked pa", and "Run like an Antelope" was changed to "Run like a Naked Guy, out of control".
Other record labels on the Adult Pop Power Players list included Columbia, Epic, Universal, Island Def Jam, Warner Bros, Atlantic, Capitol, Interscope, and Lava. The first single from Untucked was the pop ballad "I Know You By Heart", which featured Benny Mardones, best known for his 1980's hit single "Into The Night". Later in 2006, Carlson would perform the duet "This Time" with Mardones' for his 2006 album Let's Hear It for Love.
Reactions by the media to the ad itself were mixed. Yasmin Alibhai-Brown of The Independent supported the piece, saying: "I know seeing her heroine Keira Knightley being knocked about by her lover will shake and wake my daughter up to this crime. Nothing I can say will have the same impact."Alibhai-Brown, Yasmin; "Let's hear it for our luvvies when they do such good", The Independent, April 6, 2009. Retrieved September 9, 2009.
Craig McCracken and Lauren Faust in 2003 Faust is married to Craig McCracken, creator of The Powerpuff Girls, Foster's Home for Imaginary Friends, and Wander Over Yonder.Liz Ohanesian "Lauren Faust: Let's Hear It for the Girls" , L.A. Weekly People 2012 issue, May 17, 2012 They met while they were working on the third season of The Powerpuff Girls. Faust has worked with her husband on all of his shows. She considers herself a lifelong feminist.
Rusty comes to his defense, saying that he might not be perfect, but she loves him anyway ("Let's Hear it for the Boy"). During Rusty's song, Ren tries to teach Willard to dance, who after much initial stumbling and apprehension whips off an amazing dance combination, much to Rusty's surprise. Chuck Cranston then shows up at the Moores' home. When he tells them that Ariel is not where they think she is, Vi and Shaw becomes very worried.
Erin Strecker and Margaret Lyons of Entertainment Weekly described the track as "carefree" and "blissful[ly] innocent", and CBC.ca called it "campy". Spin and Mark Graham of VH1 both compared "Let's Go to the Mall" to the bubblegum pop tracks of Debbie Gibson and Tiffany. Meanwhile, the song reminded Miss Alli of Television Without Pity of Deniece Williams' "Let's Hear It for the Boy", and Boston Heralds Mark Perigard felt it was "Canada's answer to Debbie Boone".
Black Rod then strikes the door three times with the staff, and is then admitted and issues the summons of the monarch to attend. From 1980 until October 2019, Dennis Skinner, the former Labour MP from Bolsover, made a quip after Black Rod's summons. This ritual also happens whenever the Lords have a commission to be read and Black Rod summons MPs to hear it. For example, on Tuesday 17 December 2019 this ritual happened twice.
When I came to California, I did not know that the Boston men > [Americans] had taken the country from the Spaniards [Mexicans]. I am glad > to hear it; for I have always been friendly to the Boston men, and have been > kind to those who have passed through my territories. It must be plain to > you that we did not set out on a hostile expedition against your countrymen. Relations between the settlement and the visiting Plateau natives were then repaired.
Ray earned her Actors' Equity Association card while performing the role of Rusty and singing "Let's Hear It For the Boy" in the musical Footloose. She played the role of Nemo in Robert and Kristin Lopez's Finding Nemo: The Musical at Orlando's Disney World. Ray played the character Olive Ostrovsky in the national tour of The 25th Annual Putnam County Spelling Bee. She joined the Broadway cast of Hair in its final year as Crissy, and sang the song "Frank Mills".
Staller has recorded several songs, mostly from live performances, with explicit lyrics being sung to a children's melody. Her most famous song is "", a song entirely dedicated to il cazzo, which means "the dick" in Italian. Because of its extensive use of profanity, the song could not be released in Italy, but became a hit in other countries, especially in France. The song gained considerable popularity in the internet era, when many Italian speakers were able to hear it for the first time.
Her first album "Lets Hear it for Pizza" was released in 1996 on the Scottish label "Sticky Music" followed by "Burn the Black Suit" released on her own "Hear This! Records" label. This album went double platinum in Ireland, and was voted one of the top 100 Irish albums of all time by HotPress Magazine readers. In 2004, Turner released "Season of the Hurricane" which went gold in Ireland, followed by a live album "Juliet Turner Live from the Spirit Store" in 2006.
Born in Melbourne, Oakley was educated at Christian Brothers College, St Kilda, and the University of Melbourne. He was a secondary school teacher in Victoria from 1955 to 1962, and also lectured in humanities at RMIT University in 1963. He worked as an advertising copywriter and for the Department of Overseas Trade before his first novel, A Wild Ass of a Man, was published in 1967. He was joint winner of the Captain Cook Bicentenary Literary Award for his 1971 novel Let's Hear it for Prendergast.
Retrieved on July 13, 2019 In October 1998, Francis starred in the Broadway production of Footloose. Playing the role of "Rusty", Francis performed lead vocals on "Somebody's Eyes" and "Let's Hear It for the Boy" while also sharing lead vocals on "Holding Out for a Hero" and "Footloose (Finale)". The songs were released on the Footloose the Musical (1998 Original Broadway Cast) in 1999. In 2000, she made a guest appearance as "Val" in two episodes of the American crime drama television series Third Watch.
" The show contained numerous references to Barack Obama, most notably when Kanye West and Estelle finished their song "American Boy" with the US President-elect's face projected onto a giant screen behind them. Jared Leto, Shannon Leto and Tomo Miličević from Thirty Seconds to Mars wore Obama T-shirts, and Jared Leto also asked the crowd to stand in honour of the Democratic senator. Amid cheers, he said: "Liverpool, lets hear it for Barack Obama." Host Katy Perry remarked, "Maybe Europe will love us again now.
Describing something as iconic or as an icon has become very common in the popular media. This has drawn criticism from some. For example, a writer in Liverpool Daily Post calls "iconic" "a word that makes my flesh creep", a word "pressed into service to describe almost anything."Let's hear it for the Queen's English, Liverpool Daily Post Mark Larson of the Christian Examiner labeled "iconic" as an overused word, finding over 18,000 uses of "iconic" in news stories alone, with another 30,000 for "icon".
Darth Vader reveals himself as Michael. Corey wakes in a cold sweat ("Glory of love") Halfway through the school year, a new girl by the name of Eileen Reagan comes to the school. She is taunted by Cyndi for liking the band Air Supply, but is fast friends with Laura and Debbie, who lie about their multiple boyfriends, telling Eileen that they are on "business" in Miami ("Let's Hear It For The Boy"). After class, Mr. Cocker surprises Ms. Brannigan with flowers for their one-year anniversary.
Original songs from various films entered the top 10 throughout the year. These included "Against All Odds (Take a Look at Me Now)" (Against All Odds), "Footloose" & "Let's Hear It for the Boy" (Footloose), "Purple Rain" & "When Doves Cry" (Purple Rain), "I Just Called To Say I Love You" (The Woman In Red), "Ghostbusters" (Ghostbusters), "Love Kills" (Giorgio Moroder Presents Metropolis), "Together in Electric Dreams" (Electric Dreams), "The NeverEnding Story" (The NeverEnding Story), "Sexcrime (Nineteen Eighty-Four)" (Nineteen Eighty-Four) and "We All Stand Together" (Rupert and the Frog Song).
"Footloose" was nominated for a Golden Globe as Best Song; and "Footloose" and "Let's Hear It for the Boy" (co-written with Tom Snow) both received Academy Award nominations (1985). Pitchford received two Grammy nominations: Best Soundtrack Album for a Motion Picture, Television or Other Visual Media, and Best R&B; Song "Dancing in the Sheets." Paramount Pictures's remake of Footloose, which was again based on Pitchford's original screenplay and featured six of his songs, was released in October 2011. Blake Shelton had a hit with his re-recording of the title song.
The band got a break when pop punk icon Ben Weasel of Screeching Weasel became a fan and used his connections to recruit Mass Giorgini of Squirtgun to record the Smoking Popes' first LP, Get Fired. That year also saw the release of one Popes track from the same sessions. "Let's Hear It for Love" appeared on the "It's a Punk Thing... You Wouldn't Understand" compilation on Shakefork Records. For the follow-up to Get Fired the band worked with producer Phil Bonnet, who also produced much of their early material.
In November 2012, Audio Antihero contributed the Hüsker Doo-wop EP to the Hear It for New York pop-up shop. The EP was released to raise money for the Independent Music Community in New York that was affected by Hurricane Sandy and featured rare/exclusive songs from Nosferatu D2, Benjamin Shaw, Jack Hayter, Superman Revenge Squad and Wartgore Hellsnicker. They followed up this charity EP with This Christmas (I Just Want to Be Left Alone), a Christmas single from Benjamin Shaw & Fighting Kites to raise money for Shelter.
Lohr portrayed the Dancing Boy in Deniece Williams' music video for the song "Let's Hear It for the Boy". He is also in the British television advertisement for Carlsberg Beer. Lohr has also appeared in many Sister, Sister episodes, better known as Marlon in his later appearances in the show. Lohr became a recognizable player of the Disney Studios stable, appearing in many of their films, including The Mighty Ducks series and Newsies, He provided the singing voice for Max in A Goofy Movie (filling in for Jason Marsden).
Bonnet had worked with the band since early in their career, engineering and producing their EPs Break Up and 2 as well as Born to Quit. The songs "Let's Hear It for Love" and "Can't Find It" are new recordings of songs from the Get Fired. The Destination Failure version of "Can't Find It" is slower than the original version. "I Know You Love Me" references singer and guitarist Josh Caterer's newfound interest in Christianity, while "You Spoke to Me" refers to Blake Schwarzenbach of Jawbreaker and Jets to Brazil, who the Smoking Popes had toured with.
Condello formed a group called Hub Kapp and the Wheels, fronted by comedian Pat McMahon, that played garage rock although their act was mainly a spoof of both the Beatles and Elvis Presley. The group's hits “Work, Work”, “Let’s Really Hear It For Hub Kapp” and others made them known in Hollywood and they appeared on The Steve Allen Show and the That Regis Philbin Show. Capitol Records signed them as a rock band, possibly ignoring the spoof element of the act. Hub Kapp and the Wheels were to prove an influence on teenager Vincent Furnier, who later became known as Alice Cooper.
Laws produced and sang on Debra Laws' 1981 album Very Special. He later played saxophone on Ramsey Lewis' 1983 album Les Fleurs, Sister Sledge's 1983 LP Bet Cha Say That to All the Girls, Deniece Williams 1984 album Let's Hear It For The Boy and Jeff Lorber's 1984 LP In the Heat of the Night. Laws also performed on Alphonse Mouzon's 1985 album The Sky Is the Limit and 1988 LP Early Spring. He later guested on Howard Hewett's 1988 LP Forever and Ever, Norman Brown's 1992 album Just Between Us and Earth, Wind & Fire's 1993 LP Millennium.
"Boy finds his kindred spirits", The Province, p. B19.Kosloski, Kirsten (November 4, 2004). "Let's hear it for the Boy: Whitehorse wonder kid Stephen Kozmeniuk dispels the myth of the rock star ", Fast Forward Weekly. Retrieved June 9, 2010. In 2002, The Globe and Mail described Boy's music as "art rock with a Brit twist, combined with an ultracool, laid-back attitude".Gill, Alexandra (May 13, 2002). "West Coast buzz bands: Boy", The Globe and Mail, p. R3. Boy toured nationally in support of its self-titled release in 2003, opening for artists such as Sam Roberts, 54-40 and Broken Social Scene.
The title You've Come a Long Way, Baby was derived from a marketing slogan for Virginia Slims cigarettes. The previously released "The Rockafeller Skank" single liner notes revealed that a once tentative title for the album had been Let's Hear It for the Little Guy. Conceived by Red Design, the album's primary cover art features an obese young man dressed in a T-shirt bearing the words "I'm #1 so why try harder" while holding a cigarette in his left hand. The original photograph was taken at the 1983 Fat People's Festival in Danville, Virginia and provided by the Rex Features photo library.
At the age of 8 she entered the Enfield Borough Talent Competition with a song by Denise Williams called Let's Hear It For The Boy which resulted in her gaining second place in the competition. Not wanting her to give up her sister encouraged her to enter the following year where she sang The Greatest Love of All by George Benson made popular by Whitney Houston gaining first place and awarded the Aunty G cup. In her mid- twenties, she toured with the Lighthouse Family and the late Lynden David Hall. Later, she met Marie Carter and formed a group with two other female singers called Redeemed.
Under the Statutory Declarations Act 1835,Statutory Declarations Act 1835 Extent England, Wales, Scotland, Northern Ireland a declaration can be made before anyone who is authorised by law to hear it (for example, a solicitor or legal executive),section 12(1)(f) and Schedule 2 Legal Services Act 2007. See also: Institute of Paralegals or before any justice of the peace. In addition, officers of the armed services with the equivalent rank of major and above, and British diplomatic and consular officers in post abroad, may authenticate a statutory declaration.Passport policy - Statutory Declarations The person who hears the declaration need not enquire into the truth of it.
I'm So Proud was also nominated for a Grammy in the Best R&B; Vocal Performance, Female category. During 1984 Williams released her follow up album Let's Hear It for the Boy. The title track reached No. 1 on the Billboard Hot 100 and was featured on the soundtrack to Footloose. She later guested on Johnny Mathis' 1984 album A Special Part of Me, Stevie Wonder's 1985 LP, In Square Circle and James Taylor's 1985 album That's Why I'm Here. Although Williams had recorded one inspirational song on almost each of her mainstream albums, it was in 1980 that her musical career path began to change favoring Gospel music.
The LinnDrum is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined. Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as Frankie Goes to Hollywood's "Relax", a-Ha's "Take On Me", Harold Faltermeyer's "Axel F", Tears for Fears' "Shout", Deniece Williams's "Let's Hear it for the Boy", and Madonna's "Lucky Star".
Kiyoko in 2011 In 2007, Kiyoko was approached by former pop-star Vitamin C to join an all-girl singing and dancing group. She joined Allie Gonino, Tinashe, Kelsey Sanders (later replaced by Lauren Hudson), and Marisol Esparza to form The Stunners. Six months after forming, the group signed with Columbia Records and released a single titled "Bubblegum" to iTunes along with the official video for the single. They also contributed a cover of the song "Let's Hear It for the Boy" to the iCarly soundtrack. In 2009, the group left Columbia Records, signed a production deal with Lionsgate Entertainment, and shot a music video for their promo single "We Got It", which was released on February 22, 2010.
The members of Boy Meets Girl, George Merrill and Shannon Rubicam, wrote and composed a number of songs for other artists. Most famous are their two number one hits written for Whitney Houston, "How Will I Know" and "I Wanna Dance with Somebody (Who Loves Me)". They also wrote the songs "Don't Tell Me We Have Nothing" and "Haunting Me" for Deniece Williams and the song "I Know You By Heart", which was recorded by Dolly Parton and Smokey Robinson for Parton's 1987 Rainbow album, and later covered by Bette Midler for the Beaches soundtrack. The duo also performed backing vocals on Deniece Williams's number one hit, "Let's Hear It for the Boy".
" Between 1951 and 1973 Shawe-Taylor wrote a quarterly retrospect for The Gramophone, under the title of "The gramophone and the voice", and also contributed to other musical publications. He was also an influential presence on the advisory committee of Historic Masters, a vinyl record label set up to produce quality 78 rpm reissues of historic recordings by famous opera singers. He was known for his championship of modern composers. His colleague David Cairns wrote of him, "The familiar repertoire came freshly alive in his hands; and when he wrote about an unfamiliar piece whether by Berio or Britten, Elliott Carter, Ligeti or Tippett he did so in a way that made you long to hear it for yourself.
Two megamixes were added to the album, featuring the Australian cast of the Footloose musical. The original soundtrack contained six Billboard Hot 100 Top 40 hits, three of which reached the Top 10, including two number-one hits, "Footloose" by Kenny Loggins and "Let's Hear It for the Boy" by Deniece Williams, and "Almost Paradise", a duet by Ann Wilson and Mike Reno that reached number seven, plus "Somebody's Eyes" by Karla Bonoff climbed to number sixteen on the Adult Contemporary chart. In 2009, Doveman released a reimagining of the soundtrack album. The original soundtrack for the 2011 remake was released by Atlantic Records and Warner Music Nashville on September 27, 2011.
The supporting video was shot on Whitstable beach by Luke Sewell, director of Channel 4's The Undateables series. Researching the Byrds cover of "Lazy Waters" on Farther Along led to a collaboration with American songwriter Bob Rafkin who joined the band on tour in Kent in 2012. In November 2012 the band released their version of Bob's song "Lazy Waters". In 2012 the band was invited to contribute to the John Lennon tribute album Lennon Bermuda and recorded a version of "Tight A$", a Lennon track from the 1973 album Mind Games. "Oyster Girl" and "Tight A$" both feature on the band's first album Let’s Hear it for the Old Guys (Yard Dog Records, released September 2013) and reviewed in Maverick Magazine for January/February 2014.
New writing success for Salman Rushdie In January 2009, Gluck made a series of contentions on the nature of beer drinkers in the "Word of Mouth" pages of The Guardian, in an article asserting the rising numbers of wine drinkers in Britain, stating that "beer is only drunk by losers and sadsacks, unsexy people who care nothing for their minds or their bodies," and, "are also terrible lovers, awful husbands, and untidy flatmates".Gluck, Malcolm, The Guardian: Word of Mouth (14 January 2009). Join the wine revolution The statements drew prompt responses from beer writers Roger Protz and Melissa Cole,Protz, Roger, The Guardian: Word of Mouth (15 January 2009). Let's hear it for beerCole, Melissa, The Guardian: Word of Mouth (27 January 2009).
There were only five number-one albums in 1984, the fewest in history. Michael Jackson's Thriller, which spent twenty-two weeks in 1983 at number one, stayed an additional fifteen weeks at the top in 1984 and was the best-selling album of the year. Thriller was the only album to be the best-seller of two years (1983–1984) in the United States until 21 by Adele in 2011 and 2012. Footloose, the original soundtrack of the Paramount motion picture, Footloose, which included the two number one hits, "Footloose" by Kenny Loggins and "Let's Hear It for the Boy" by Deniece Williams, spent ten weeks at number one, sold over seven million copies and received a nomination for Best Score Soundtrack Album for a Motion Picture at the 27th Grammy Awards.
Remarking on the differences between the recordings, DiGravina notes that the Get Fired version of "Can't Find It" is faster and that "It's hard to say which version of the song is better; this raw, punk sounding recording or the more-produced version which was to come." All nine tracks from Get Fired were reissued on the compilation album 1991–1998 in 1999, the original album having gone out of print. Reviewing the compilation, Ari Wiznitzer remarked that Get Fired demonstrated growth in Josh Caterer's songwriting and guitar playing, citing "Let's Hear It for Love" as an example: "Tracks like these are the Smoking Popes at their best, as Josh Caterer's smooth vocals slide effortlessly over the band's distorted canvas." Several of the songs from Get Fired were covered by other artists for the 2003 Smoking Popes Tribute album.
It went on top charts all over the world, eventually selling more than 17 million albums. Kenny Loggins's single of the title song hit #1 on March 31, 1984, and stayed there for three weeks. Five weeks later (May 26, 1984) Deniece Williams’s "Let’s Hear It for the Boy" went to #1, as well. Four more songs from the soundtrack charted in the Top 40; "Almost Paradise," which reached #7, was co-written with Eric Carmen, and was performed by Mike Reno of Loverboy and Ann Wilson of Heart; "Dancing in the Sheets," which reached #17, was co-written with Bill Wolfer, and was performed by Shalamar; "I’m Free (Heaven Helps the Man)," which reached #22 and, like the film's title track, was co-written with, and performed by, Kenny Loggins; and "Holding Out for a Hero," which reached #34, was co-written with Jim Steinman, and was performed by Bonnie Tyler.
Examples of the added-second chord (notated "add2" or "2" and sometimes "add9") include The Rolling Stones' "You Can't Always Get What You Want", Mr. Mister's "Broken Wings", Don Henley's "The End of the Innocence", The Police's "Every Breath You Take", Cheap Trick's "The Flame", Lionel Richie's "All Night Long (All Night)", Men at Work's "It's a Mistake", DeBarge's "Rhythm of the Night", Starship's "We Built This City", and Deniece Williams' "Let's Hear It for the Boy". Another example is in the verse of The Beatles' "A Hard Day's Night". The jazz rock group Steely Dan popularized a particular voicing of the add2 chord they dubbed the mu chord. Examples of use of the added-fourth chord, which almost always occurs on the fifth scale degree (notated "add4") thus adding, "the stable tonic pitch", include the second chord in the verse of "Runaway Train" and the introduction of The Who's "Baba O'Riley".
Citing even earlier himbo appearances in Seinfeld and Friends, Bans theorizes that the 21st century has spawned a "Golden Age of himbodom", based on a new Hollywood vision of women as "crass sexual aggressors" who "need subjects to crassly sexually aggress".Lauren Bans, "The Rise of the Himbo: Bimbos with Balls," GQ, May 9, 2012 In the chapter "Let's Hear it for the Boy Toy" of their book The Hookup Handbook: A Single Girl's Guide to Living It Up, authors Jessica Rozler and Andrea Lavinthal describe a variety of himbo 'types' such as actors, bartenders, models, and personal trainers, as well as identifying features of different kinds of "Himbo Hookups", including The Beauty and The Beast Complex, the Sugar Mama, and so on.Jessica Rozler, Andrea Lavinthal, The Hookup Handbook: A Single Girl's Guide to Living It Up, Simon and Schuster, Jun 15, 2010 In 2016, Christian Toto criticized the himbo trend as a kind of 'reverse objectification' for men, setting a double standard in which it has become more acceptable for men to be sex objects than women.
In April 2018, Comer began starring in the BBC spy thriller series Killing Eve as Oksana Astankova / Villanelle, a psychopathic Russian assassin who develops a mutual obsession with Eve Polastri (played by Sandra Oh), the MI5 agent tasked with pursuing her. Comer has garnered critical acclaim for her performance on the series, with Jia Tolentino of The New Yorker stating that, in the context of the show's "constant reversals in tone and rhythm", the "ambiguity—and impossibility—of Villanelle's character has worked (through the first season) thanks to Comer's mercurial, unassailable charisma". Due to her character swapping between multiple accents from around the world as part of her various disguises, much attention has been given to Comer's native Scouse accent and the surprise of viewers who hear it for the first time. For her portrayal of Villanelle, Comer has been nominated for two Primetime Emmy Awards for Outstanding Lead Actress in a Drama Series and two British Academy Television Awards for Best Actress, with her winning both in 2019.

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