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8 Sentences With "having the air of"

How to use having the air of in a sentence? Find typical usage patterns (collocations)/phrases/context for "having the air of" and check conjugation/comparative form for "having the air of". Mastering all the usages of "having the air of" from sentence examples published by news publications.

It's not hard to imagine Bourdain laughing, possibly in a Vietnamese phở shack, if someone told him he was going to be remembered for having the air of someone possessing gargantuan reproductive organs.
Victor Serge remembered him as having "the air of a slightly fastidious schoolmaster amidst his world-wide assortment of trade union militants whose political horizons did not extend very far beyond their own working-class districts at home". He also held ex officio positions on the Central Council of the Russian trade unions and the executive of Comintern.
Henri Desgrange was born into a comfortably prosperous middle-class family living in Paris. His twin brother, Georges Desgrange, was later described as having "the air of a defrocked monk" and as "totally devoid of all ambition".Goddet, Jacques (1991) L'Équipée Belle, Robert Laffont, France Desgrange worked as a clerk at the Depeux-Dumesnil law office near the Place de Clichy in Paris and may have qualified as a lawyer.The first edition of L'Auto described Henri Desgrange as "a former advocate at the Court of Appeal".
Pale-faced and a chain- smoker, Dyer typically confronted his daily hangovers by drinking again. His compact and athletic build belied a docile and inwardly tortured personality, although the art critic Michael Peppiatt describes him as having the air of a man who could "land a decisive punch". Their behaviours eventually overwhelmed their affair, and by 1970 Bacon was merely providing Dyer with enough money to stay more or less permanently drunk. As Bacon's work moved from the extreme subject matter of his early paintings to portraits of friends in the mid-1960s, Dyer became a dominating presence.
The newspaper and magazine articles of the late 1980s tended to emphasize the secretive nature of the organization describing them as "guerrilla hut- builders", a "secret society of sorts", and having "the air of a fraternity prank". This image of secrecy was in fact an integral component of the organization for the first couple years. One Mad Houser explained in a newspaper article, "secrecy was necessary […] to avoid arrest and prevent the Georgia Department of Transportation […] from tearing them down". In July 1988, they participated in a demonstration for the homeless at the Democratic National Convention.
Many called repeatedly; one banker made 20 visits, paying the admission fee on each occasion. During this period of English history no real stigma was attached to obesity, and Lambert was generally considered a wonder to be marvelled at, rather than a freak to be gawped or sneered at. His business venture was immediately successful, drawing around 400 paying visitors per day. His home was described as having the air of a fashionable resort, rather than that of an exhibition, and he was pleased to find that his customers generally treated him with courtesy, and not simply as a spectacle.
" In the "I have given suck" speech, he thought Faucit "poured out" the speech in a way that recalled the "scold at the door of a gin-shop." Faucit, he believed, was "too essentially feminine, too exclusively gifted with the art of expressing all that is most beautiful and graceful in womanhood, to succeed in inspiring anything like awe and terror." He thought her talents more congenial to the second phase of the character, and found her "admirably good" in the banquet scene. Her sleepwalking scene, however, was described as having "the air of a too well- studied dramatic recitation.
In 1970 Danish-born Marianne Baillieu (1939–2012) set up business importing artworks for sale. With her husband, solicitor and businessman Ian Baillieu, they purchased a small retail property in Ross Street, Toorak, which they renovated to open Realities gallery there in April 1971. The Bulletin magazine described the gallery in up-market Toorak Village as having "the air of a sparkling white eggshell with almost every surface glazed white, including the floor which means the public must put on Abominable Snowman socks to be able to walk on it." In October 1974 the gallery presented old master drawings, watercolours and prints rarely seen for sale in Australia.

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