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9 Sentences With "having significance"

How to use having significance in a sentence? Find typical usage patterns (collocations)/phrases/context for "having significance" and check conjugation/comparative form for "having significance". Mastering all the usages of "having significance" from sentence examples published by news publications.

Until then, downside targets should take another 3-5 trading days with the 2722-35 [range] having significance for S&P.
As well as having significance in terms of internal politics at a club, posts in fan forums can often end up having major legal ramifications.
Nolka bridge is connecting the approach road of Bangabandhu Bridge having significance among the whole Sirajganj District.
An additional District Court expansion project is scheduled for 1997. On July 12, 1985, the building was listed in the National Register of Historic Places as part of the Downtown South Bend Historic Multiple Resources Area. The building was cited as having significance in the area of architecture and government/politics. On October 23, 1992, the building was renamed for Judge Robert A. Grant.
While the paper has been commercialized in San Pablito, it has not lost its ritual character here or in other areas such as Texcatepec and Chicontepec, where it is still made for ritual purposes. In these communities, the making and ritual use of paper is similar. Figures are cut from light or dark paper, which each figure and each color having significance. There are two types of paper.
It is one of the major Gothic buildings in Sydney and even though small in comparison to many cathedrals is well executed showing the hand of Blacket. It has strong visual qualities within the Sydney Square precinct. The building has a very fine interior and houses a collection of furniture, fixtures and fittings that date from the time of construction. With the exception of several smaller additions identified as not having significance the buildings form a unified complex which, even though sited on a restricted site provide a group envisaged by Blacket.
Looking Horse, Chief Arvol (March 13, 2003) "Looking Horse Proclamation on the Protection of Ceremonies" at Indian Country Today Media Network Many Native American cultures still practice these ceremonies. According to oral traditions, and as demonstrated by pre-contact pipes held in museums and tribal and private holdings, some ceremonial pipes are adorned with feathers, fur, animal or human hair, beadwork, quills, carvings or other items having significance for the owner. Other pipes are very simple. Many are not kept by an individual, but are instead held collectively by a medicine society or similar indigenous ceremonial organization.
Among the censuses of the 18th century was the special Census of 1778, imposed by the governor of the time, D. Juan de Torrezar Diaz Pimienta – later Viceroy of New Granada – by order of the Marquis of Ensenada, Minister of Finance – so that he would be provided numbers for his Catastro tax project, which imposed a universal property tax he believed would contribute to the economy while at the same time increasing royal revenues dramatically. The Census of 1778, besides having significance for economic history, required each house to be described in detail and its occupants enumerated, making the census an important toolThis is used today by restoration architects in Cartagena's city center. The original of the census is preserved in the Museum of History of the city while a copy rests in the Archivo de Indias in Seville The census revealed what Ensenada had hoped. However, his enemies in the court convinced King Charles III to oppose the tax plan.
Museums that have collected Fields' work include the Heard Museum in McKinney, Texas, the National Cowboy and Western Heritage Museum in Oklahoma City, Oklahoma, the Museum of Art and Design in New York City, the Museum of the American Indian at the Smithsonian Institution, and Crystal Bridges Museum of American Art in Bentonville, Arkansas. Her work has been included in exhibitions such as Atlatl's Who Stole the Tepee at the National Museum of the American Indian, Legacy of the Generations: American Indian Women Potters at the National Museum of Women in the Arts, Fluent Generations: The Art of Anita, Tom and Yatika Fields at the Sam Noble Museum, and Hearts of Our People: Native Women Artists, a traveling 2019-2020 exhibition at Minneapolis Institute of Art, Minneapolis, MN, Frist Art Museum, Nashville, TN, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C., and Philbrook Museum of Art, Tulsa, OK. In 2019, Fields participated in an exhibition project called "Voices from the Drum" where 19 drums were dispersed to accomplished Osage artists. Each artist created a design to be displayed on the drum. The drums, having significance in Osage culture, were created by hand by Rock Pipestem.

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