SK: Giannininininina apologizing to Damian for, I don't know, having a feeling, will truly drive me over the edge.
|
|
" Jennings, who labeled his portfolio as balanced, said: "It's about having a feeling, trusting your gut and allowing your money to work for you.
|
|
"I'm having a feeling, actually, for the first time that, I hate to admit, but I kind of feel a little jealous," she says in to the camera.
|
|
Could this group of largely unemployed young men, desensitized to violence and used to having a feeling of power and purpose, pose a threat for the future of the region?
|
|
And we also having a feeling that more women will jump on the pajama suit trend, because when you're as posh as posh, you have some clear power over the masses.
|
|
On the other hand, it would jive with Finn's other clunky open-ended dialogue in the film, where he talks meaningfully about having a "feeling" that a given course of action is correct.
|
|
The "very fact of having a feeling in the presence of another person suggests you can be touched emotionally by friends, family, partners, and even the occasional tragedy or failure," says Harvard Medical School psychologist Craig Malkin.
|
|
In the case of Salvator Mundi, it was being restored by Dianne Dwyer Modestini, a professor of paintings conservation at New York University, in 2007 when she started having a feeling that something was different about this piece.
|
|
Maria responds, "Do you mean literally or figuratively?" She complains of being trapped behind the gate and having "a feeling of restraint and hardship".Austen, Jane. Mansfield Park, ch 10 (Kindle Location 1344-1349).
|
|
"Homemade Dynamite" is a song by New Zealand singer Lorde from her second album, Melodrama (2017). She co-wrote the track with Tove Lo, Jakob Jerlström, Ludvig Söderberg and co-produced it with Frank Dukes and vocal producer Kuk Harrell. Critics described "Homemade Dynamite" as a R&B; and synth-pop song with vocal sound effects, reverberated percussion, a staccato hook, electronic flourishes, synthesizers, and hip hop beats. In the lyrics, Lorde talks about having a feeling of euphoria at a house party with friends.
|
|
Frank overhears a message being left on an answering machine, indicating the apartment is actually borrowed from Rosie's friend. During dinner, Frank asks Rosie why his adult children never talked to him and told him things, when they told their mother everything. She reveals that they were not comfortable opening up to him because he always expected too much of them and he was never a good listener. Frank is not comfortable, having a feeling that all his kids are lying to him and that something is wrong about David.
|
|
Upon its opening in 1951, the L&K-designed; Terrace Theatre received accolades in the press. In an article titled "A Gem of the Lakes", the industry journal BoxOffice described the theatre as having "a feeling of fortress modernism. Blocky lines, broad expanses of large-paned windows and a massive light tower topped by the name sign express strength".The Terrace Theatre, 1951 The architects embraced several popular Midcentury Modern design features such as geometric forms, tilted windows, a striking brick-and-glass tower, and large-scale signage.
|
|
The Supreme Court declared that separate but equal in education was unconstitutional because it resulted in African American children having "a feeling of inferiority as to their status in the community." The Doll Study is cited in the 11th footnote of the Brown decision to provide updated and “ample” psychological support to the Kansas case. The Brown decision quotes that, “segregation of white and colored children in public schools has detrimental effect upon the colored children” and this sense of inferiority “affects the motivation of a child to learn.” The evidence provided by Clark helped end segregation in the public school systems.
|
|
Another thought on the cause of déjà vu is that there is a malfunction in the brain's short- and long-term memory systems where memories become stored in incorrect systems. There are several ways one can recognize familiar experiences – by mentally retrieving memories of a previous experience, or by having a feeling that an experience has occurred when it actually has not. Déjà vu is having that feeling of familiarity in a situation that is completely new. Memory is good at being familiar with objects, however it does not do well with the configuration or organization of objects.
|
|
The latter sank six months earlier and its bullion had either been removed from the ship's strongroom after the hull had been torn open on the rocks of Serpent's Point, or stolen some time before. The Inspector was investigating the matter. Arriving in Cornwall, Raymond settled into Newman's house and the following day went with him to the local pub, The Three Anchors, where he immediately felt suspicious of the landlord, Mr Kelvin, who made meaningful comments about the police and other "foreigners" looking into local matters. The next day, Sunday, saw a storm brewing over the area, and this coincided with Raymond having a feeling of foreboding.
|
|
The songs themselves aren't directly about that at all but I think that having a feeling of being isolated has been an inspiration or a driving force to at least some of the content of these lyrics. And if you think about our songwriting process in general, Isolation Songs is probably the best possible title to characterize that as well. I, for example, have to be completely isolated from the outside world to write riffs, melodies and songs for Ghost Brigade; it just doesn't work any other way. We can't go to our rehearsal room and jam until we come up with something 'pretty cool.
|
|
In order to skid her way through school, London has often tried to bribe the teacher (such as handing in a blank report with $100 bills on each page). However, she has been seen putting a little more effort into her school work, and even states in the episode "Sea Monster Mash" that she enjoys having a feeling of accomplishment. London is also slightly smarter than what she was in The Suite Life of Zack & Cody, as seen in multiple episodes (though she still retains the ditzy demeanor). Also despite her frequent attempts to escape the SS Tipton so she can resume her normal free life, London has found ways to adapt on the ship.
|
|
Rapaille posits that sublimated emotional memories occupy a place between each individual's unconscious (Freud) and the collective unconscious of the entire human race (Jung). Rapaille Associates worked on Philip Morris's Archetype Project, an effort to study the emotional reasons why people smoke, presumably so the company could better leverage these emotions in advertising and promotions. Rapaille noted that typically peoples' first experience with smoking involved seeing an admired adult do it, and having a feeling that they were excluded from the activity and strongly wanting to be included. Rapaille ultimately linked smoking with adult initiation rituals, risk taking, bonding with peers and the need for kids to feel like they belong to a group and can partake in an "adult activity".
|
|
Secondary narcissistic supply involves projecting the image that they live a good life (a worthy cause of pride for the narcissist), maintaining a safe existence (financial security, personal acceptability, upward growth), and acquiring companionship. Thus, having a partner, possessing significant property, being creative, operating a company (converted into a pathological narcissistic space), having a feeling of anarchic liberty, being a part of a community or society, having a skilled or other reputation, being prosperous, owning land and displaying one's status signs-all represent secondary narcissistic supply as well. Whatever would be a status symbol in the community of friends of the narcissist and would be considered a secondary source as achievement in that community. Secondary supply is about the overall image that the lives of the narcissist brings to their friends and relatives.
|
|
Duffy has noted that during recording with Booker, "Mercy" "was like this melodic poem in my mind, which I just had to get out, and I knew exactly what I wanted it to sound like". She has also said that they "built the song from the bottom up", also noting that it is "very important that my songs start from an organic source, rather than a drum loop". When asked of the lyrical meaning of the song, Duffy said: > "The lyrics were about having a feeling towards someone, whether it’s a > romantic feeling or just some chemistry that you don’t want, and you > desperately want to be released from that feeling." According to Duffy, "Mercy" is autobiographical and is about "sexual liberty" and "not doing something somebody else wants you to do".
|
|
In 1946 she won the Ballarat Crouch Prize for Painting with her painting Mother and Child and returned to New York to attend the New York School for New Design. In 1954, PIX magazine described her as "having a feeling for colour and design" and had "gay paintings hanging in New York and most National Galleries in Australia". The same year Haxton designed costumes and scenery for the Borovansky Ballet's touring production of Los Tres Diabolos based on Offenbach's opera. When Haxton undertook to create and design both costumes and the theatre sets, she felt "a bit appalled at taking on such a tremendous job - especially as I was preparing for my one-man exhibition at the time", and after ensuring that her ideas were practical, "I set to work and have thoroughly enjoyed doing it".
|
|
The exhibition attracted a mostly bourgeois audience, among which were many foreigners: "[The opening] was attended by the whole Parisian elite as well as a remarkable number of beautiful American women, German Jews and crazy old women from England [...] Never before have so many of the high society stepped on each other's toes [...]." Before the opening, Raymond Cogniat had explicitly announced to the press that there would be an atmosphere of trepidation: "It is an ascension to a mysterious world, where the burlesque has less of a place than trepidation; where the laughing of the visitors covers up their inner unease; where even their anger lays bare their defeat. Surrealism is no game, it is obsession." The effect they hoped for reached only a few visitors; only in rare cases did anyone report having a "feeling of unease, of claustrophobia and the premonition of a terrible calamity", as Marie-Louise Fermet wrote in La Lumière.
|
|
He became the youngest boxer to sign a contract with the promotional house in the 53 years that had passed since its foundation. Inquired about the signing, Arum first emphasized his maturity, intelligence and overall talent, but also expressed his belief that Zayas could be the "first [great] Hispanic heavyweight champion of the world" due to having open growth plates and fairly tall relatives. Despite considering him a "quality young man" and having a feeling that mirrored his assessment of Oscar De La Hoya coming out of the 1992 Summer Olympics about the possibility of becoming "a big superstar", the promoter urged caution since he was a "work in progress" and the company had never handled someone that young. After making the decision to turn professional, he spent several months of inactivity and instead became involved in the training camps of other boxers, such as Ivan Baranchyk, Daniyar Yeluessinov, Ryan Martin, George Kambosos and Amir Imam.
|
|