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58 Sentences With "hardbacks"

How to use hardbacks in a sentence? Find typical usage patterns (collocations)/phrases/context for "hardbacks" and check conjugation/comparative form for "hardbacks". Mastering all the usages of "hardbacks" from sentence examples published by news publications.

Churchman's Hardbacks show where he began to stop looking and start riffing.
Though the book has long been out of print, original hardbacks sell for hundreds of dollars online.
One afternoon I picked up one of the dollar hardbacks I bought solely for its poetic title.
But other categories are narrower: selling hardbacks and brewing coffee require two separate licences, effectively making bookshops with cafés illegal.
The books are all new release hardbacks and are cheaper through Book of the Month than buying from a bookstore.
That one was about the size of a couple hardbacks stacked up, and Iris is more like a really thick sandwich.
Instead, it's a mystery series that'll feel pretty familiar to anyone who's a fan of airport gift-store hardbacks and James Patterson.
Book pundits all over the web are blaming Amazon for its habit of aggressively pricing hardbacks and paperbacks after losing control of ebook pricing.
The shop now also sells hardbacks, but it stays true to its roots with plenty of uncommon tomes and a hearty selection of Australian fiction and nonfiction.
I started buying secondhand hardbacks when I was a student, and so I have all the classics in hardback, and even a couple of inherited first editions.
This technique is prominent in the Hardbacks, a 2010 series of oil-on-wood book covers, the selection of which can be read as a bibliography of sorts.
Revenue is down in ebooks because Amazon, using their mercantile might, has been aggressively selling paperbacks and hardbacks after publishers took away their power to control ebook pricing.
Soft-covered books are preferred to hardbacks (which are more difficult to get into prisons), and when it comes to anything small-press or handmade — comic books, zines — staples are a no-go.
I explored every day, gazing up to Beaux Arts cornices, perusing antiquarian hardbacks at the Bouquinistes along the Seine, enjoying obscure film retrospectives (Joseph Losey, Jon Cassavetes) at the cinema on Rue de Christine.
The south side of West 23th Street crowded the window to his right; on his left, a bookcase supported one shelf of shoes and two of political hardbacks, plus big-idea best sellers and Vintage Classics with lined spines.
On top of buying a book (the shop is well-known for autographed hardbacks and first editions bound in leather with decorative William Morris endpapers), bibliophiles can sign on for Hatchards's monthly subscription service which can be delivered anywhere in the world.
Among the foxed hardbacks still standing sentry in my sons' abandoned childhood bedroom are "The Gashlycrumb Tinies" by Edward Gorey (1963), "Strega Nona" by Tomie dePaola (1975), the "George and Martha" series by James Marshall (1972 to 1988) and several by Maurice Sendak, including "Where the Wild Things Are" (19403) and "In the Night Kitchen" (1970).
Sewn and notch bound books can be bound as either hardbacks or paperbacks.
The series has been collected into a series of trade paperbacks and deluxe hardbacks.
Hardbacks are either published under the Doubleday or the Bantam Press imprint, whereas paperbacks are published under the Black Swan, Bantam or Corgi imprint.
The series proved so successful for publisher Hachette Partworks that they launched a second series of 130 fortnightly graphic novel hardbacks entitled Marvel's Mightiest Heroes Graphic Novel Collection and a third (non-Marvel) series of 90 fortnightly graphic novel hardbacks entitled Judge Dredd: The Mega Collection, a fourth series of 100 fortnightly graphic novel hardbacks called Transformers: The Definitive G1 Collection (featuring Generation One strips from Marvel US and UK, Dreamwave and IDW) and a fifth series of 80 fortnightly graphic novel hardbacks entitled 2000 AD: The Ultimate Collection. It also inspired a similar partwork line from DC Comics and Eaglemoss Collections, the DC Comics Graphic Novel Collection and one featuring Star Trek comics from the sixties up until modern comics called Star Trek Graphic Novel Collection, and at the end of 2017 an even newer collection also by Eaglemoss DC Comics – The Legend Of Batman In February 2016, it was announced that the collection would be re-released with alternative numbering.
The hardback usually continues to be sold in parallel, to those consumers and libraries that have a strong preference for hardbacks. The skimming policy also affect the customer through the relative higher price of the product or services. This policy deals with the cross demand in the com-petite market.
Unlike most venues, where space is everything, the tiny Aquarium is crammed with art. Stacks of novels and a cardboard box stuffed with rubber- stamp prints like afterthoughts, crowd a plinth. On the walls, woodcuttings jostle oils. Shelves carry poetry, mignon hand-painted hardbacks and seven- inch vinyl, little painted hessian squares and yet more rubber-stampings.
Perma-Bound is a division and registered trademark of Hertzberg-New Method, Inc. Perma-Bound rebinds books for libraries and schools, and turns paperbacks into hardbacks. Hertzberg-New Method Bindery opened in its current location in South Jacksonville, Illinois on June 17, 1954. In the mid-1960s Hertzberg-New Method began a division of reinforced paperback books that were called Perma-Bound Books.
They are selected with care to provide reliable books for education and recreation. Each has been printed from new plates and bound in boards with special wear-resistant finish. The initial format only lasted three years, with Doubleday switching to the standard paperback appearance in 1951, as indicated by Hyde Park Books' breakdown of the numbering sequence: :The binding influenced editorial decisions. There was no sense publishing a durable book that no one had reason to keep, so the first titles were Best- Loved Poems, How to Write Letters, Best Quotations for All Occasions and other reference-style works. The numbering sequence: P1-P92, hardbacks; there was no P93; P94-P97, hardbacks; P98, paper; P99-P101, hard; P102 on were all paperback. Plus, P5, P7, P25, P65, P89 were re-issued as paperback without being re-numbered.
Oxford English Dictionary, 2nd ed.: Codex: "a manuscript volume" A codex much like the modern book is bound by stacking the pages and securing one set of edges in a form analogous to modern bookbinding by a variety of methods over the centuries. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings.
Shock SuspenStories has been reprinted numerous times over the years. Ballantine Books reprinted selected stories in a series of paperback EC anthologies in 1964–1966. The magazine was fully reprinted in a series of three black-and-white hardbacks by publisher Russ Cochran as part of The Complete EC Library in 1981. Between September 1992 and December 1996, Cochran (in association with Gemstone Publishing) reprinted the full 18 individual issues.
Tales from the Crypt has been reprinted on numerous occasions. Ballantine Books reprinted selected Crypt stories in a series of paperback EC anthologies in 1964-66. The magazine was fully collected in a series of five black-and-white hardbacks by publisher Russ Cochran as part of The Complete EC Library in 1979. Cochran (in association with Gladstone Publishing and solo) reprinted a handful of single color issues in 1990/91.
Crime SuspenStories has been reprinted numerous times over the years. Ballantine Books reprinted selected stories in a series of paperback EC anthologies in 1964-66. The magazine was fully reprinted in a series of five black-and-white hardbacks by publisher Russ Cochran as part of The Complete EC Library in 1983. Between November 1992 and May 1999, Cochran (in association with Gemstone Publishing) reprinted the full 27 individual issues.
The Haunt of Fear has been reprinted on numerous occasions. Ballantine Books reprinted selected Haunt stories in a series of paperback EC anthologies in 1964-66. The magazine was fully collected in a series of five black-and-white hardbacks by publisher Russ Cochran as part of The Complete EC Library in 1985. In 1990/91, Cochran (in association with Gladstone Publishing and solo) reprinted a handful of color issues.
The series won the 2007 British Book Design and Production Award for "brand or series identity", and in 2008 the official website was launched, with features including the latest news, a members only area with access to exclusive content and downloads, and a forum. In around 1990, Bloomsbury produced a series of facsimile editions, as hardbacks with new dustjacket designs, and with all plates in black and white, including those which were originally in colour.
The Rottingdean windmill was the inspiration for the trademark (logo) for the publishing house of Heinemann. It was designed by Sir William Nicholson, a Rottingdean resident, and on older Heinemann hardbacks you will see it engraved on the back board of the book. Although Rottingdean Mill was Nicholson's inspiration, he actually traced an older Dutch post-mill as his final design. Updated versions of the windmill are still used for Heinemann publications.
Sachin Tendulkar’s autobiography Playing It My Way published by Hachette India was released on Nov 6, 2014 and broke all records for an adult hardback across both fiction and non-fiction categories with 1,50,290 copies confirmed on order subscriptions. The book’s orders, on day one, already saw it pulling ahead of both pre-order and lifetime sales of the world’s top adult hardbacks. It was entered in the Limca Book of Records for 2016.
East Coast Comix reprinted issue #26 in the early 1970s. The magazine was fully collected in a series of five black-and-white hardbacks by Cochran as part of The Complete EC Library in the early 1980s. Cochran also reprinted the title in a standard comic book format (out of sequence) during the early 1990s in association with Gladstone Publishing. Cochran eventually reprinted the run in proper sequence during the later 1990s with Gemstone Publishing.
Frontline Combat has been reprinted several times in the years since its demise. It was fully reprinted in a series of three black-and-white hardbacks by publisher Russ Cochran as part of The Complete EC Library in 1982. Between August 1995 and February 1999, Cochran (in association with Gemstone Publishing) reprinted the full 15 individual issues. This complete run was later rebound, with covers included, in a series of three softcover EC Annuals.
An assortment of bunkobon in a bookshop In Japan, are small-format paperback books, designed to be affordable and space saving. The great majority of bunkobon are A6 (105×148mm or 4.1"×5.8") in size. They are sometimes illustrated and (like other Japanese paperbacks) usually have a dust wrapper over a plain cover. They are used for similar purposes as Western mass market paperbacks: generally for cheaper editions of books which have already been published as hardbacks.
Maguire and Eunice Dauterman Maguire's collection of books is held at the ANAMED Special Collection Library, at the Koç University Research Center for Anatolian Civilizations, in Istanbul. According to ANAMED, the collection "consists of approximately 1,500 volumes of 20th-century to the present hardbacks, paperbacks, and periodicals pertaining to Byzantine art, culture, and related topics". Photographs by Henry Maguire are held in the Conway Library at the Courtauld Institute of Art. The photographs are currently being digitised as part of the Courtauld Connects project.
The Neverending Hunt, Wildside Press. In the fall of 1977, he arranged with Berkley Medallion to put out three Conan paper- and hardbacks of Conan stories edited by Karl Edward Wagner, the first Conan series without any posthumous revisions and pastiches, which previous collections had in excess. Lord published a few REH collections on his own, such as the periodical The Howard Collector #1–18Lord, Glenn, ed. (1961–1973). The Howard Collector #1-#18; about half reprinted in The Howard Collector, Ace Books (1979).
A series of 160-page Sexton Blake annuals, featuring old stories and new material, began in 1938 and lasted till 1941. Four hardbacks designed for the younger market were published by Dean & Son Ltd during 1968. The third of these, Raffles' Crime in Gibraltar, portrayed Blake contending with A. J. Raffles, E.W. Hornung's amateur cracksman. In 2009, IPC's information manager, David Abbott, signed licenses to publish two Blake omnibus archive editions: The Casebook of Sexton Blake, published by Wordsworth Editions, and Sexton Blake, Detective published by Snowbooks.
On 26 March 2015, Lester and Howell announced via a trailer on Howell's channel that they had co-written a book titled The Amazing Book Is Not on Fire (TABINOF). It was released in the UK on 8 October 2015 and worldwide on 15 October 2015, published by Ebury Press and Random House Children's Books. The book topped the General Hardbacks Sunday Times Bestsellers list having sold 26,745 copies in the UK in the first week of its release. It also became a #1 New York Times Bestseller in the young adult hardcover list.
The copyright page of the second printings of the first UK edition does not have a number line either, but in addition to the 'first published' line quoted above has a second line stating 'Reprinted 2013 (twice)'. (Trade paperback editions and hardbacks share the same imprint page, and this page lists the number of reprints; it is updated each time there is a reprint. In this case, the trade paperback reprinted prior to the hardback.) The reprint also features an amended back cover with additional quotes, while the revised inside flaps now acknowledge Rowling's authorship.
There were also large and small press magazines, some hardbacks, tie-in toys and merchandise, and comics. They occasionally had book signing appearances by famous authors such as Douglas Adams. The location across the street from the Strand Bookstore and less than a mile from Baird Searles' The Science Fiction Shop made the area a mecca for genre fans. An additional New York store opened in the mid-eighties at 227 East 59th Street in Lenox Hill, with a smaller selection. Rising rent led to its closure in the '90s.
On 26 March 2015, Dan and Phil announced via a trailer on Howell's channel that they had co-written a book titled The Amazing Book Is Not On Fire (TABINOF). It was released in the UK on 8 October 2015 and worldwide on 15 October 2015, published by Ebury Press and Random House Children's Books. The book topped the General Hardbacks Sunday Times Bestsellers list having sold 26,745 copies in the UK in the first week of its release. It also became a #1 New York Times Bestseller in the young adult hardcover list.
Over the decade, the website has become an important repository of the author's essays running into thousands. The author follows an innovative publishing model in which he serialises all new content on the website and allows free access, while simultaneously offering hardbacks and paperbacks through publishers. More significantly, the website allows the author to freely engage in discussions with thousands of readers on the axioms that govern his works and thought. In early 2011, the Vishnupuram Ilakkiya Vattam has created an online moderated discussion group for discussing literature, criticism, art and related topics.
Non-fiction illustrated titles are the most design intensive books, requiring extensive use of images and illustrations, captions, typography and a deep involvement and consideration of the reader experience. The activities of typesetting, page layout, the production of negatives, plates from the negatives and, for hardbacks, the preparation of brasses for the spine legend and Imprint are now all computerized. Prepress computerization evolved mainly in about the last twenty years of the 20th century. If the work is to be distributed electronically, the final files are saved in formats appropriate to the target operating systems of the hardware used for reading.
Upon purchasing the rights to the works of C. S. Lewis, Fount was established as Collins's religion imprint. Collins ultimately became a diverse and prolific company, publishing a wide range of titles, including many aimed at a juvenile audience, such as the books of Dr. Seuss (in the Commonwealth) and Racey Helps in the 1950s. By the late 1970s, Collins was also responsible for publishing the long-running American Children's Hardy Boys and Nancy Drew series in the United Kingdom. These were firstly published in a series of digest size hardbacks akin to their American style.
Hiro Arikawa won the tenth annual Dengeki Novel Prize for new writers for Shio no Machi: Wish on My Precious in 2003, and the book was published the following year. It was praised for its love story between a heroine and hero divided by age and social status, and for its depiction of military structures. Although she is a light novelist, her books from her second work onwards have been published as hardbacks alongside more literary works with Arikawa receiving special treatment in this respect from her publisher, MediaWorks. Shio no Machi was also later published in hardback.
The Nancy Drew Mystery Series was published in a series of hardbacks and paperbacks in the UK, starting in 1971 and 1973. The British publisher was Collins Publishing, and its paperback imprint Armada Books (which also published the Hardy Boys and Three Investigators, among other series'). When the Nancy Drew series was published in England, the order was changed significantly and the titles' numbering was revised from the American standard.NancyDrewWorld UK - Picture Covers & Paperbacks. Accessed April 3, 2008 Thus, the original fifty-six American Grosset & Dunlap-published titles become the first fifty UK titles, with #57-78 being published as #51-72.
But rather than waiting for months for a printer to make a bound book, Rice University Press's digital files were instead run through Connexions, an open-source e-publishing platform. The technology offered authors a way to use multimedia—audio files, live hyperlinks or moving images—to craft dynamic scholarly arguments, and to publish on-demand original works in fields of study that were increasingly constrained by print publishing. Users of Rice University Press titles were able to view the content online for free, or order printed books in every style from softbound black-and-white on inexpensive paper to leather-bound, full-color hardbacks on high-gloss paper.
Business practices by publishers and booksellers also differentiate mass-market paperbacks from hardbacks. When booksellers note that particular books are not selling, they may return them to the publisher for a refund or credit on future orders. However, in the case of mass-market paperbacks, this return usually means stripping the front cover, and returning only the cover for credit, while the remainder of the book is "pulped" (recycled). The copyright page often carries a warning that anyone who buys a book missing its front cover should assume that the publisher has received no payment and the author has received no royalties for that copy.
It is the first of three books to be set in the Outer Hebrides, an archipelago off the North West coast of Scotland. The Blackhouse was chosen for the Richard & Judy Book Club autumn 2011 list. The second book in the trilogy, The Lewis Man, was published in January 2012, and spent 18 weeks in the UK hardbacks best sellers' list. It has won two French literature awards, the Prix des Lecteurs at Le Havre's Ancres Noires Festival, 2012 and the Prix des Lecteurs du Télégramme, readers prize of France's Le Télégramme newspaper; the 10,000 euro award was presented to May at a ceremony in Brest in May 2012.
Bantam was looking forward to seeing the tie-ins boost sales further, and Martin's British publisher Harper Voyager expected readers to rediscover their other epic fantasy literature. With a reported 4.5 million copies of the first four volumes in print in early 2011, the four volumes re-appeared on the paperback fiction bestseller lists in the second quarter of 2011. At its point of publication in July 2011, A Dance with Dragons was in its sixth print with more than 650,000 hardbacks in print. It also had the highest single and first-day sales of any new fiction title published in 2011 at that point, with 170,000 hardcovers, 110,000 e-books, and 18,000 audio books reportedly sold on the first day.
Mickey appears in one New Series Adventures novel alongside the Doctor and Rose, Winner Takes All (2005), and two Tenth Doctor novels, The Stone Rose and The Feast of the Drowned. These novels are set before Mickey joins the Doctor and Rose as traveling companion in the episode "School Reunion". Mickey features as the centric character in the short story "Taking Mickey" from the Doctor Who Files series of hardbacks from BBC Children's Books. In Gareth Roberts' Doctor Who Magazine comic book story "The Lodger", the Tenth Doctor is forced to cohabit with Mickey; this story was later adapted into an Eleventh Doctor (Matt Smith) episode of the same name, with Mickey's role supplanted by that of Craig Owens (James Corden).
With savings and the financial and moral support of his wife Sue, Cozzolino devoted himself to a book project he had conceived as a student; to assemble a visual encyclopaedic survey of Australian historic trademarks.Stuart Sayers, 'Visual puns and buoyant fun.'In The Age, Writers and Readers, March 17, 1979 He trawled state and national library collections and trademark registers to index the symbols of a majority of Australian brands, and with the help of volunteer assistants and a partner in advertising copywriter Fysh Rutherford they produced a design which they planned to self-publish. Only after the team had received viable numbers of pre-orders for hardbacks from mail-outs did Penguin, who had at first rejected the project, make an offer to publish a paperback edition and released Symbols of Australia in 1980, publicising it aggressively.
The Independent said Greene has set himself up as "a modern-day Machiavelli" but that "it is never clear whether he really believes what he writes or whether it is just his shtick, an instrument of his will to shift £20 hardbacks." and concludes "There is something less than adult about it all." Admiral James G. Stavridis said the book had good breadth, but it lacked depth. Leadership theorist and author John Adair said Greene "shows a poor grasp of the subject" and the book is based on the flawed "assumption that the art of military strategy and the art of living are comparable". alternative URL Booklist said the book was repetitive, lacked a sense of humor, and had an annoying "quasi-spiritual tone". NBA player Chris Bosh stated that his favorite book is The 33 Strategies of War.
While Weil's early books and publications primarily explored altered states of consciousness, he has since expanded the scope of his work to encompass healthy lifestyles and health care in general. In the last ten years, Weil has focused much of his work on the health concerns of older people. In his book Healthy Aging, Weil looks at the process of growing older from a physical, social, and cross-cultural perspective, and in his book Why our Health Matters is focused on health care reform. Of his books, several have appeared on various bestseller lists, both as hardbacks and as paperbacks (many appearing so in the 1990s), some of them being Spontaneous Healing (1995; on the NYT list), Eight Weeks to Optimum Health (1997; on the PW and NYT lists), Eating Well for Optimum Health (2000; PW, NYT), The Healthy Kitchen (2002, with chef Rosie Daley; NYT), Healthy Aging (2005; NYT), and Spontaneous Happiness (2011; NYT).
Small sections of the book were downloadable off the internet previous to the release of the first hardback edition of the book, and it is said that these sections "circulated through the underbellies of Los Angeles, Las Vegas, and San Francisco, through strip clubs and recording studios, long before publication"though very few were able to experience the book this way initially. Though the first edition hardbacks, which featured special signed inserts, were initially released on February 29, 2000, Pantheon released the hardback and paperback editions simultaneously on March 7, 2000. The novel went on to win the New York Public Library's Young Lions Fiction Award and gained a considerable cult following. A 2013 New York Times article featured a conversation between Stephen King and his son, Joe Hill, and made reference to the novel: > Joe [Hill] and Stephen [King] were having another typical conversation: > hashing out what novel could be considered the Moby-Dick of horror.
In 1996, Roberts passed the hundred- novel mark with Montana Sky and, in 2012, doubled that with The Witness. In both 1999 and 2000, four of the five novels that USA Today listed as the best- selling romance novels of the year were written by Roberts. Her first appearance on The New York Times Bestseller List came in 1991, and between 1991 and 2001, she had 68 New York Times Bestsellers, counting hardbacks and paperbacks. The New York Times did not review any of those novels.Regis, p 184. In 2001, Roberts had 10 best-selling mass-market paperbacks, according to Publishers Weekly, not counting those books written under the J.D. Robb name. In September 2001, for the first time Roberts took the numbers 1 and 2 spots on the Publishers Weekly bestseller list, as her romance Time and Again was number one, and her J.D. Robb release Seduction in Death was number two. Since 1999, every one of Roberts's novels has been a New York Times bestseller, and 124 of her novels have ranked on the Times bestseller list, including 29 that debuted in the number-one spot.

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