Luckily, the aluminum core of the gramophone record "acts as a heat sink if the record catches fire," one archiving expert says.
|
|
Sometimes having a nap in an Automat, listening to a scratchy gramophone record all dewy-eyed as if it were the Philharmonic.
|
|
Why is Caruso seen as pioneering the gramophone record and not Nellie Melba, who instead gave her name to a dish of peaches and cream?
|
|
Jaunty early 1900s Latvian marches from the National Library of Latvia may flow into a staticky German opera gramophone record from Deutsche Digitale Bibliothek; a twangy Irish folk song from the Comhaltas Traditional Music Archive might follow an 1894 audio cylinder of Danish folk songs from the Statsbiblioteket, and can suddenly be succeeded by a raucous live 1990 performance by the Grateful Dead from the Netherlands Institute for Sound and Vision.
|
|
A worker at a gramophone record factory surprisingly creates a hit song, "Leaning on a Lamp-post".
|
|
The ambitious female chief executive of a gramophone record company, slowly finds herself falling in love with the company's head of production.
|
|
She used to sing duets with her husband also. Her first gramophone record, containing two Tagore Songs, "Ke Bosile Aji" and "Hridayo Basona Purno Holo", was released in 1940. Her second gramophone record, containing two other Tagore Songs, "E Parabase Rabe Ke" and "Jodi E Amaro Hridayo Duaro", was released in 1950. These four songs made her very popular in those days.
|
|
Just before the release was made visible on Amazon.com, an executive of Germany's Warner Music Group told the German radio station Radio NRW that there would be limited gramophone record pressings of the recordings made for the market. On 13 November 2015, the following packages were released: Double DVD with double CD, gramophone record, double CD, DVD, Blu- ray disc and a triple vinyl release with included DVD.
|
|
Krössing made a number of recordings of opera arias between 1906 and 1907 on the Gramophone record. He recorded selections from Les Huguenots, Eugene Onegin, and The Bartered Bride.
|
|
"Wochenend und Sonnenschein" was first performed by the popular German sextet, the Comedian Harmonists, who recorded the song on 22 August 1930 on 78 rpm gramophone record. The recording is available on CD.
|
|
He discovers that these responses are on a gramophone record that was planted by his fiancée, Marie, who also had a pact with Mr. Thirteen to show Terry that anything that appears to be supernatural has a rational explanation.
|
|
At Bert's writing desk is a gramophone record, and a photograph of Paulina. Next to the wall is Bert's half-broken electric bass. On the floor are Phantom comic books, and two eyes watch out of a rat hole.
|
|
An advertisement for the Columbia Grafonola This is a list of phonograph manufacturers. The phonograph, in its later forms also called a gramophone, record player or turntable, is a device introduced in 1877 for the mechanical recording and reproduction of sound.
|
|
In addition to its commercial success, Kalidas was a major breakthrough for Rajalakshmi's career, and made her a bankable singing star. Because no print, gramophone record, or songbook of the film is known to survive, it is a lost film.
|
|
The song was also recorded by the Columbia Stellar Quartette in December 1919 and released by the Columbia Graphophone Company as a 10-inch 78 rpm gramophone record in 1920."Nellie Dean". Columbia Stellar Quartet. The Virtual Gramophone, Library and Archives Canada.
|
|
Arnold Golembo founded the Gramophone Record Company (G.R.C.) in Johannesburg in 1939. GRC obtained the South African franchise for the Capitol Records label in 1946 (later moved to EMI Brigadiers), and the franchise for CBS in 1956. In 1985, G.R.C. was incorporated into Gallo Africa.
|
|
Around 23:00, the Emperor, with help from an NHK recording crew, made a gramophone record of himself reading it.Hasegawa, 244. The record was given to court chamberlain Yoshihiro Tokugawa, who hid it in a locker in the office of Empress Kōjun's secretary.Hoyt, 409.
|
|
"Rock on bones" Gramophone record (USSR, 1950-s). Gallery "Vinzavod", Moscow Ribs (, translit. ryobra), also known as music on ribs (), jazz on bones (), bones or bone music (roentgenizdat) are improvised gramophone recordings made from X-ray films. Mostly made through the 1950s and 1960s,Raleigh, Donald j.
|
|
He put a lot of effort and came out with a gramophone record of ghazals in his voice. On one side of the record, he dubbed Bahadur Shah Zafar's ghazals and on the other side, Ghalib's ghazals. Unfortunately, the Indian public was reluctant to buy them.
|
|
Firoza Begum first sang in All India Radio while studying in sixth grade. She met the national poet Kazi Nazrul Islam at the age of 10. She became a student of him. In 1942, she recorded her first Islamic song by the gramophone record company HMV in 78 rpm disk format.
|
|
Bandyopadhyay started his acting career as a stand-up comedian in Dhaka. He performed at office parties and then moved on to larger venues. In 1943, he released his first major comic gramophone record Dhakar Gadoane. Its success prompted him to release a new record every year during Durga Puja.
|
|
His "gramophone record" was the first disc record to be offered to the public. They were five inches (12.7 cm) in diameter and recorded on one side only. Seven-inch (17.5 cm) records followed in 1895. Also in 1895 Berliner replaced the hard rubber used to make the discs with a shellac compound.
|
|
Released in 1980, the 24-page Star Wars: The Empire Strikes Back read-along book was accompanied by a rpm 7-inch gramophone record. Each page of the book contained a cropped frame from the film with an abridged and condensed version of the story. The record was produced by Buena Vista Records.
|
|
Earlier titled Pyar Ki Duniya, the film also won a special award from the Society for Prevention of Cruelty to Animals (SPCA) for lyricist Anand Bakshi. Its music on HMV (as Saregama was known then) won a Silver Disc for its sales, making it the first-ever Indian gramophone record to do so.
|
|
Rating the CD three-and-a-half stars out of five, AllMusic reviewer William Ruhlmann comments that while the music is "not great writing" it remains "perfectly adequate, if not inspired." Earlier releases include a 45 rpm gramophone record, Title Theme from the ATV Series Joe 90, which also featured various incidental music.
|
|
Imperial label of the red type used in the early 1930s. This particular issue is an example of a record pressed for export, in this case to Sweden. Imperial Records, the second United Kingdom-based label of that name, went into business in 1920. It was owned by the Crystalate Gramophone Record Manufacturing Company Ltd.
|
|
Gramophone record of the song Danchhi ya alu by Madan Krishna Shrestha. Bhrigu Ram Shrestha is one of the well known names in modern music Apart from traditional music, there also exists popular music. One of them being Rajamati. Maestro Seturam Shrestha recorded the song first on a gramophone disc in Kolkata in 1908.
|
|
Busoni's output on gramophone record as a pianist was very limited, and many of his original recordings were destroyed when the Columbia Records factory burned down. Busoni mentions recording the Gounod-Liszt Faust Waltz in a letter to his wife in 1919. This recording was never released. He never recorded any of his own works.
|
|
90 Miller recorded the song in 1936 which was released on an HMV 10-inch gramophone record.‘’Mary from the Dairy’’ &: ‘’The Woman Improver’’: HMV BD385 (Dec 1936) He recorded it again in March 1954 on the Philips label.‘’Mary from the Dairy’’ & ‘’Voulez Vous Promenade?’’: Philips PB236 (Mar 1954) The sheet music was published in 1950.
|
|
Eugene Coffin, for example, made recordings on wax cylinders (1895–1896) and Jean Moermans on gramophone record in Washington D.C. (1897). In 1881, the first American minstrel show was staged in Belgium.The first country in Europe that received the American "Minstrel Troupes" was England in 1870. It was followed, over the years, by similar shows and performances.
|
|
The Earth Chorus was a song sung by many singers in 1987 celebrating the 20th anniversary of TVB who dominated the TV music market in Hong Kong, and raised funds for The Community Chest of Hong Kong. It was published in Gramophone record and cassette tape. It won TVB's 1987 Jade Solid Gold Best Ten Music Awards Presentation.
|
|
The kit states that Raj uses many "sayings" that "usually strike a point with his co- conspirators." Raj also owns an "extensive and dusty hi-fi" gramophone record collection. The Hollywood Reporter reviewer Ray Richmond described Raj as "wise and neurotic." He is very organized with his blankets with days Mondays- Fridays as revealed in "Lights Out".
|
|
The title was released via the Old Sock studio album on March 12, 2013. Both the single and album versions of the song were released under Polydor Records for worldwide territories. The single was released as a digital download edition and as a limited twelve inch maxi vinyl single. The gramophone record pressings were limited to 2500 copies worldwide.
|
|
A 1930s portable wind-up gramophone from EMI (His Master's Voice) Berliner's lateral disc record was the ancestor of the 78 rpm, 45 rpm, 33⅓ rpm, and all other analogue disc records popular for use in sound recording. See gramophone record. The 1920s brought improved radio technology. Radio sales increased, bringing many phonograph dealers to near financial ruin.
|
|
His rendition was recorded on June 4, 1913. It was released on Columbia A-1374 and was an international hit. In Britain, Columbia had to order 25,000 copies from the U.S. to satisfy unprecedented demand for a gramophone record."Behind the Needle V - Looking Over Forty Years of the Gramophone" by Herbert C. Ridout in The Gramophone, Nov.
|
|
Its contents: a large pavilion, football and cricket pitches, tennis courts, bowling green, putting green and children's play areas. Part is now a managed local nature reserve. The biggest local employer in the twentieth century was the Decca gramophone record company. In 1929 this was making up to 60,000 records a day at its factory in Burlington Road, New Malden.
|
|
The release features a high-definition picture and 5.1 surround sound. On 31 August 2015 it was announced that a DVD, Blu-ray, compact disc and gramophone record version of the recordings would be released on 13 November 2015 through Eagle Rock Entertainment. A DVD and three vinyl record package was made available through pre-order via Amazon.com on 16 September 2015.
|
|
The Official Vinyl Albums Chart is a weekly record chart compiled by the Official Charts Company (OCC) on behalf of the music industry in the United Kingdom. It lists the 40 most popular albums in the gramophone record (or "vinyl") format. This is a list of the albums which have been number one on the Official Vinyl Albums Chart in the 2020s.
|
|
The Official Vinyl Singles Chart is a weekly record chart compiled by the Official Charts Company (OCC) on behalf of the music industry in the United Kingdom. It lists the 40 most popular singles in the gramophone record (or "vinyl") format. This is a list of the singles which have been number one on the Official Vinyl Singles Chart in the 2020s.
|
|
D.T. mentioned that Mohammed Gauss played foot below at midnight as playing a Gramophone record player and he wrote suitable Sinhala words for those melodies. He wrote his first lyrics for "Shanthame Rathreey" Chandra kanthi de Aloke. He had a feeling about night and he tried describe the calmness and aesthetic of night. The film was released on 9 April 1947.
|
|
In December 1904, Østbye was the first to make a gramophone record. The record was "Parodi paa Terje Vigen". (Actually, Edvard Grieg 1843–1907, was the first Norwegian to make gramophone records, he did nine records in Paris during the spring 1903.) The Norwegian recording sessions were held at the Grand Hotel, Kristiania. Østbye recorded several cylinders and gramophone records.
|
|
Mimosa was a 1920s United Kingdom record label which issued small (5½ - 6 inch) gramophone records aimed primarily at children. Mimosa began in 1921 with a series of 5½ inch records. This continued until 1926 when a separate series of 6 inch records became available; the label was discontinued in 1930. The label was owned by The Crystalate Gramophone Record Manufacturing Company Ltd.
|
|
The first "Sun Records" in Europe were single-sided disc records put out by The Crystalate Gramophone Record Manufacturing Company Ltd. of Tonbridge, Kent, England, from about 1905 to 1910. (The same company would later produce records under the name Imperial Records). A nearly contemporaneous label was produced in the United States by the Leeds & Catlin company, about 1905–1907.
|
|
That year, the gramophone record March on the Drina with the famous photography on the front cover. His comrades-in-arms immediately recognized him and Kostadinka Matić from Niš, who knew Matić, bought the record and sent it by mail to Kaletinac, to his address. That is when Dragutin recognized the photography and remembered that there was a photographer that he thought died.
|
|
Lucasfilm adapted the story for a children's book-and-record set. Released in 1983, the 24-page Star Wars: Return of the Jedi read-along book was accompanied by a 33⅓ rpm gramophone record. Each page of the book contained a cropped frame from the film with an abridged and condensed version of the story. The record was produced by Buena Vista Records.
|
|
The company also published several LGBT books and homoerotic graphics. The company also produced the first gramophone record with homosexual themes, including Bubi laß uns Freunde sein by Bruno Balz and Erwin Neuber. Other magazines published include Insel, Magazin der Einsamen (1926–1931), and Das dritte Geschlecht (four editions: 1930/1931). He also started the lesbian magazine Die Freundin, Wochenschrift für ideale Frauenfreundschaft.
|
|
Zohar is an album by the Mystic Fugu Orchestra (John Zorn (as Rav Tzizit) and Yamataka Eye (as Rav Yechida) who perform a range of music inspired by historical recordings of ancient Judaica.Tzadik catalogue To simulate the "antiquity" of these recordings, a heavy layer of surface noise was overlaid on the music to represent the playing quality of a 78 rpm gramophone record.
|
|
In November 1959 the group agreed to send a £1 affiliation fee to the International Humanist and Ethical Union. The group began to organise various social events including theatre visits, and social evenings with games, films, prizes and gramophone record recitals. In 1970, the Tyneside Humanist Society were holding meetings at The Friends’ Meeting House in Jesmond, Newcastle upon Tyne.
|
|
The music was composed by Pyotr Bulakhov (Петр Булахов), and the lyrics written by student Vladimir Chuyevsky (Владимир Чуевский). However, the romance did not become popular until the eve of World War I when singer Vladimir Sabinin re-arranged it. The breakthrough came in 1915 when Sabinin's gramophone record appeared. During the Soviet years, the romance was labelled a 'white one' and obliterated for a while.
|
|
The Official Vinyl Singles Chart is a weekly record chart compiled by the Official Charts Company (OCC) on behalf of the music industry in the United Kingdom since April 2015. It lists the 40 most popular singles in the gramophone record (or "vinyl") format. This is a list of the singles which reached number one on the Official Vinyl Singles Chart in the 2010s.
|
|
Label of 5½ inch Kiddyphone record Kiddyphone was a 1920s United Kingdom record label which issued small-sized gramophone records aimed at young children. The label was owned by the Crystalate Gramophone Record Manufacturing Company Ltd., which also manufactured Imperial records. Some Kiddyphone releases were edited versions of recordings already issued on the Imperial label - this was also the case with Kiddyphone's sister label Mimosa.
|
|
In 1969, Farhad sang "Marde Tanha" ("A Lonely Man") for the movie Reza Motori (Reza, the Biker). The song was composed by Esfandyar Monfaredzadeh and the lyrics were written by Shahyar Ghanbari. After the release of the movie, the song was released on gramophone record and Farhad became a well-known singer. Farhad only sang songs which had a message and he believed in their messages.
|
|
Emile Berliner (May 20, 1851 – August 3, 1929), originally Emil Berliner, was a German-American inventor. He is best known for inventing the vertical-cut flat disc record (called a "gramophone record" in British and American English) used with a phonograph. He founded the United States Gramophone Company in 1894,Library of Congress. "Emile Berliner and the Birth of the Recording Industry: The Gramophone".
|
|
The earlier word is disk, which came into the English language in the middle of the 17th century. In the 19th century, disk became the conventional spelling for audio recordings made on a flat plate, such as the gramophone record. Early BBC technicians differentiated between disks (in-house transcription records) and discs (the colloquial term for commercial gramophone records, or what the BBC dubbed CGRs).
|
|
His records sold poorly and he faded into obscurity. His life story after his recording career ended is shrouded in mystery. Given their rarity and the length of time that has passed since they were made, an original Hawkins gramophone record in used condition is worth somewhere between $500 and $1,500. All of Hawkins's known work has been compiled on an album released by Document Records.
|
|
The Official Vinyl Albums Chart is a weekly record chart compiled by the Official Charts Company (OCC) on behalf of the music industry in the United Kingdom since April 2015. It lists the 40 most popular albums in the gramophone record (or "vinyl") format. This is a list of the albums which reached number one on the Official Vinyl Albums Chart in the 2010s.
|
|
"Give Me Strength" is a blues pop song, written and recorded by the British rock musician Eric Clapton for his 1974 hit studio album 461 Ocean Boulevard under RSO Records. However, the song gained more popularity, when the record company released the song as the B-side to Clapton's number-one single "I Shot the Sheriff", before the studio effort was released. It was released as a seven-inch gramophone record.
|
|
Alan Grace, THIS IS THE BRITISH FORCES NETWORK, pg. 112 Hollingdale had presented a show on CNBC in 1962, and may have been Britain's first ever pirate radio disc jockey. He joined the Presentation team at the BBC, on the BBC Light Programme in 1964, introducing concerts and gramophone record shows as well as reading news bulletins. Hollingdale announced the death of Sir Winston Churchill on 24 January 1965.
|
|
Planetarian Analog Collector's Edition is an EP to be released on a gramophone record for the Planetarian visual novel and anime adaptations. A crowdfunding campaign for the record ran from May 22 to June 25, 2017, and it reached its goal of ¥1 million in under 12 hours. The campaign ultimately raised ¥3,393,500. It will be released in September 2017 by Key Sounds Label bearing the catalog number KSLA-0142.
|
|
Crystalate Rex Record label Rex Records was a United Kingdom-based record label founded in 1933 by the Crystalate Gramophone Record Manufacturing Company, also the parent of British Imperial Records. Rex released their first discs in September 1933, with the initial release bearing a catalogue number of 8000 or 8001.78rpmcommunity.com The 78rpm Community:Rex New Releases, July 1934. The company was taken over by Decca Records in March 1937.
|
|
A rare gramophone record (made in England) of her glorious voice rendering this song is said to be in V. Sundaram's private possession. MLV's school education was in Madras, in a convent, where all was set to pursue a medical career until the great Carnatic musician G. N. Balasubramaniam came into her life. He became her guru. In her own words: My parents had rendered yeomen service to Carnatic music.
|
|
Gramophone record of 1934. Sam Browne sings Stars fell on Alabama accompanied by Bert Ambrose and his orchestra. Born in London, England, Sam Browne's first recording was made with the Jack Hylton band on 23 August 1928, "That's My Weakness Now", issued on HMV B5520. The band at that time included Jack Jackson (trumpet), Lew Davis and Leo Vauchant (trombone), Chappie D'Amato, E.O. Pogson, Billy Ternent (reeds) and Hugo Rignold (vn).
|
|
The same year, as the club's honorary secretary, at a meeting of the Division Three (North) committee he seconded a motion to introduce divisions Three and Four of the football league. In 1947 he bought Norman Bank, a large house in Idle, to convert into a hostel for single City players needing accommodation. He also commissioned a City gramophone record, Hello Chorus. He resigned from the City board in March 1948.
|
|
Neither the transition to independent customers (SNC Records, Moroz Records and other record companies), nor the release of cassettes with recordings helped. In 1992, the plant was on the verge of stopping with an annual output of about 10 million pieces. The last batch of records and cassettes was released in 1997. In 2002, the decision of the Moscow Region Arbitration Court, the Aprelevka gramophone record plant was declared bankrupt.
|
|
In 2005 the Orchestra initiated the jazz festival named "The Jazz Birthday" which is still traditionally organized on 26 February. On this day in 1917, the first gramophone record with the jazz sound was published.Blic/Proslava 94. rođendana džeza počinje u četvrtak By the end of 2007, the role of art director was inherited by Vladimir Rackovic, the banjo player, singer, arranger and music producer of the Orchestra.
|
|
"Elizabeth Jane Howard obituary", The Guardian. Tamasin and Martin had also started dating. Tamasin and her brother, Daniel, and their mother, Jill Balcon, stayed at the house for five weeks, until Cecil died on 22 May. Jane wrote: "Nobody was better at getting the utmost pleasure from the simplest things as Cecil: a bunch of flowers, a toasted bun, a gramophone record ... a piece of cherry cake, a new thriller ..."Howard 2011, p. 384.
|
|
There Is a Party is the second studio album released by the Swiss singer- songwriter DJ BoBo. It was released on 21 October 1994 through the Fresh Music, Metrovynil as well as EAMS Lesser record labels on compact disc, 12-inch gramophone record and music cassette formats. The album, which belongs to the musical genre of electronic music was later re-released in 1995 via BMG Records and enjoyed massive commercial success worldwide.
|
|
As one Maraneri is adjacent to this village it is called as Palamarnery in the meaning as "Old One" Several musicians hailed from this village. Direct disciples of Thyagarja the saint Composer of Thiruvaiyaru hailed from Palamarneri. Violinist Subramania Iyer, Sangeetha Kalanidhi Swaminatha Iyer also hailed from this place. N. Kesi, a Flautist of repute, who was the youngest musician of her days to cut a gramophone record (when gramophones were hand wound for playing).
|
|
"Old Bill Jones" is a ragtime popular song published in 1897 with words and music credited to Lew Sully, published by Howley Haveland & Co., New York. The song has similarities to older folk songs such as Old Dan Tucker. Arthur Collins recorded it on phonograph cylinder in 1898 and on gramophone record in 1900 and again for Victor Records in 1903. The song became part of the old time country music repertory.
|
|
The score, which uses string and brass orchestra, was composed by Dinesh Subasinghe. The theme song "Mandho Kawdho" was very popular among children in Sri Lanka in 2007-2009.. It was sung by Madhawa Senivirathan and the Dee R Cee members vocal group. To conjure up the time period of the plot (the 1940s), Subasinghe used a digital effect which recreated the sound of an old gramophone record in some parts of the score.
|
|
The composer of the song, Adam Skryabin, went abroad to evade the persecution and was given trial in absentia. After a long time, the song was allowed by the Soviet government to be performed publicly. The first public performance of this song was in the Victory Day celebration in the Yakut ASSR in 1945, from a gramophone record. The song was proposed to become the anthem of the Sakha Republic in 1990.
|
|
The last gramophone record with Johnny Bode as a singer was recorded in 1942. The life of Johnny Bode is one of the most amazing in the history of Swedish music. Over and over again, when his career was demolished, he was able to rise and build a new career, only to ruin it himself shortly after. For the most part, Bode lived far more extravagantly than he was able to afford.
|
|
It reached number 73 in the UK Singles Chart, and spent just one week in the listing. The B-side of the gramophone record was "Bend Your Ear"; penned by Mayo and the band's lead vocalist, Lee Brilleaux (now deceased). The joint recording was engineered by Dick Plant and John McGowan at the DJM Studios. The picture sleeve shown is of the German release, which was the only issue with a picture sleeve.
|
|
The song was released as a commercial single only in Germany, simply to promote U2's appearance at the Loreley Festival in 1983. The single was released on a 7-inch gramophone record with a B-side of the album version of "Two Hearts Beat as One". Since its live debut on 26 February 1983, in Dundee, "40" has been a staple of U2's live concerts, having been performed almost 400 times.
|
|
Welles's main contribution as producer was the opening sequence in which the assassin listens to an old gramophone record while loading his gun. Welles said that at the time he thought he was the first to come up with a scene before the titles begin. He later learned that Lewis Milestone had done it in Of Mice and Men, a film Welles hadn't seen. Modern filmographies acknowledge Welles's contributions as director, producer and screenwriter.
|
|
The song became a hit after Gramophone India brought out a gramophone record of Buyao's songs in 1967. Bhembre submitted that the copyright to the lyrics vested with him and Shrushti Vision had sought his consent to use the song. Buyao claimed that even though Gramophone India released Buyao's songs in 1967, the copyright to their tunes and musical composition is with him. According to the law, a copyright expires 50 years after its registration.
|
|
In 1955 the three Drischners moved to Goslar, the partner town of Brieg. In 1956, the City of Goslar honored Max Drischner with the award of the City Culture Prize. In the nearby church of the Grauhof Monastery, he took over organ demonstrations, organ concerts and organ ceremonies at the Brieger gatherings ("Brieger Treffen"). It was here as well that he made numerous audio recordings - for a gramophone record and for audiotape letters to friends and relatives.
|
|
The arrival of sound in South Indian cinema, with the release of Kalidas, triggered a migration of theatre artists into cinema. Kalidas was the only South Indian film to be produced and released in 1931. No print or gramophone record of the film is known to survive, making it a lost film. The Indian Express stated in 2014 that the film had "turned to dust" long before the National Film Archive of India was established in 1964.
|
|
That, and the increasing sophistication of the gramophone record market, led to its demise. Its facilities were subsequently used by, among others, Kraft Foods and Wall's, a meat processor and ice cream manufacturer. Only one of the Aeolian Company's striking Edwardian buildings remains. Designed by notable English architect Walter Cave, Benlow Works (post-World War II owner Benny Lowenthal renamed the factory after himself) on Silverdale Road is a four-storey structure with Diocletian windows on the top floor.
|
|
Thanks to saves by goalkeeper Jos de Feyter, IJsselmeervogels reached the semi-finals. Singer Peter Koelewijn of 'Peter en zijn Rockets' composed a gramophone record for IJsselmeervogels, sung by the players: Vogels van het IJsselmeer (Birds of the IJsselmeer) "Alle Vogels vliegen" ("All Birds fly"). This victory is considered the high point in club history and was celebrated in the village. In the semi finals, in the Deventer Adelaarshorst, FC Twente proved far too strong, winning 6–0.
|
|
The singers' normal use of the pipe is to play the initial key note or tonic of the piece to be sung. Less frequently the pipe will be used to play the first sung note of the song, especially where the song begins in unison or with a solo. In Ethnomusicology, recording a short beep with pitch pipe in ethnographic recordings can be used in playback to determine the playback speed of the Gramophone record or Phonograph cylinder.
|
|
The Buma Association was set up by Dutch music authors and publishers in 1913, one year after the Dutch Copyright Act :nl:Auteursrecht, on the Dutch version of Wikipedia. was passed. In 1936, with the arrival of the gramophone record, the replication of music multiplied. Realising its impact, the members of the Buma Association created the Stemra Foundation, which focuses on the replication of recorded works of music, ranging from LPs to CDs to Internet and mobile phones.
|
|
In 1902, a request to record the ceremony on a gramophone record was rejected, but Sir Benjamin Stone photographed the procession into the abbey. Nine years later, at the coronation of George V, Stone was allowed to photograph the recognition, the presentation of the swords, and the homage.Strong, p. 433. The coronation of George VI in 1937 was broadcast on radio by the British Broadcasting Corporation (BBC), and parts of the service were filmed and shown in cinemas.
|
|
James Edward Wilbur (1898-1968) was a British bandleader and prolifically recorded musician identified with and influential in the era of Big Band and British dance band music. See also the London Band photograph (accessed 2011-04-04). Wilbur was born as Wilbur Blinco in 1898 at Leamington Spa. He became recording director for Dominion Records in 1928, but left Dominion shortly before its demise and became recording manager for the Crystalate Gramophone Record Manuracturing Company.
|
|
Sieveking not only returned to produce the production in an attempt to assure as much authenticity as possible, but he was also able to provide the original artwork used in the play which was used again, and the very same 78-rpm gramophone record which had provided the music in 1930, which was also re-used. The 1967 production survives in Elliott's hands, and a small segment was seen in the 1985 Granada documentary series Television, a history of the medium.
|
|
Beaver's musical career began when he appeared on his father's television show in Atlanta, Georgia, when he was five years old and he sang "River of Memory". His only hit "I Got a Rocket in My Pocket" is now a collector's item. It is listed in several record collector's price guides, including Jerry Osborne's Rockin' Records and L.R. Docks Record Collectors Price Guide. An original copy of the gramophone record is now worth between $35 and $50, depending on condition.
|
|
Applied to music, it gives the sound of an antique acoustic gramophone record player. It has been used in radio advertisements and popular music to give retro and often humorous effects. A recorded voice or music can be processed to give it a "megaphone" sound effect without using an actual megaphone, by audio recording decks and software. In recording software like Logic Pro and Pro Tools, selecting certain filters and settings will produce an artificial sound almost indistinguishable from an electric megaphone.
|
|
In 1988, the Compact Disc surpassed the gramophone record in popularity. Vinyl records experienced a sudden decline in popularity between 1988 and 1991,Sources vary on the actual dates. when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular titles. First, the distributors began charging retailers more for new product if they returned unsold vinyl, and then they stopped providing any credit at all for returns.
|
|
Her recording of Grieg songs won the 1993 Gramophone Record of the Year, the first time in the award's history that it had gone to a song recording. In 2001, she released her album with Elvis Costello, For the Stars, for which she won an Edison Award. She was awarded the Grammy Award for Best Classical Vocal Solo in 2015 for her album of French songs, Douce France. She is a regular recital and recording partner with Swedish pianist Bengt Forsberg.
|
|
Inventors Hall of Fame , E. Berliner, filed June 1877, issued November 1891 Berliner subsequently moved to Boston in 1877 and worked for Bell Telephone until 1883, when he returned to Washington and established himself as a private researcher. Emile Berliner became a United States citizen in 1881. Berliner also invented what was probably the first radial aircraft engine (1908), a helicopter (1919), and acoustical tiles (1920s). 1897 Berliner Gramophone record In 1886 Berliner began experimenting with methods of sound recording.
|
|
Dave Thompson from AllMusic wrote, that the song "sets the scene, a sultry post-blues number infused with just enough of Titiyo's trademark dance sensibility to mask (but never bury) the distinctly PJ Harvey-esque feel of the song itself". Mila Kravchuk from Ukrainian music website @music noted: "We fell in love with this sluggish blues melody, stretching like a molasses, with equal, rhythmic stresses. [...] It's as if this tune was brought from the old gramophone record by Robert Johnson".
|
|
Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD.Dean Biron, Writing and Music: Album Liner Notes, Portal: International Journal of Multidisciplinary Studies (Vol 8, No 1), 2011.
|
|
1 One of the earliest companies to help MI9 with the printing of the silk maps had been John Waddington & Co. of Leeds. They also held the licence in the UK of the US board game, Monopoly. Hence they were able to start manufacturing the boards with items secreted in them. Using Monopoly as a host carrier also enabled actual currency to be hidden within the Monopoly money. MI9 approached EMI, the gramophone record company, who according to HuttonHutton pp.
|
|
The promotional video for the song shows the band playing in a living room that looks to have been badly scorched and burned. A long haired, unshaven man covered in dirt breaks through the floorboards and picks up a Gramophone record and plays it on a turntable. A gathering of dancing people then appear around the band, and the aforementioned man begins to trash the room. As the video ends the man sits down in his armchair and the record stops playing.
|
|
Slowhand at 70 – Live at the Royal Albert Hall is a November 2015 album by Eric Clapton recorded live at the Royal Albert Hall on 21 May 2015 during his "70th Birthday Celebration" tour. A film of the concert was released on 14 September 2015 via cinema broadcasting in various territories. The cinema release included a report on Clapton's history at the Royal Albert Hall. A DVD, Blu-ray, compact disc and gramophone record release of the performance was released on 13 November 2015.
|
|
With Soepratman's consent, Yo created a copy of the song on a gramophone record overseas to obtain the best sound quality with the intention of bringing the copy back to Indonesia. However, before Yo was able to do so, Dutch colonial authorities had imposed a ban on the song. Yo was unable to bring the original back but was able to bring home a copy. According to Yo, Soepratman had also given him the rights to sell record copies of "Indonesia Raya" through his store Toko Populair.
|
|
The Northern soul scene had taken a firm hold in the nightclubs of the mid 1970s in the United Kingdom where rare American soul music recordings were played. Parrish's recording of "I'm On My Way" came to the attention of Russ Winstanley, a disc jockey at the Wigan Casino. He began playing the gramophone record and it soon became one of the more popular records at the venue. It was re-released in 1975 on the UK Records label, and sold around 200,000 copies.
|
|
Indolenda and Adolf appear on a balcony on the square swearing their love and dance a tango to a gramophone record. Juste is saved from his rejection by the fairy who reminds him of the remaining wish: Juste wishes to be loved. A hunchbacked vagrant (the formerly rich Eblouie Barbichette) falls in love with him, but becomes so possessive that finally she beats out of jealousy. The expiring Juste murmurs how hard his life is as a cuckoo cry (of the fairy) marks his end.
|
|
Gallo Record Company is the largest (and oldest independent) record label in South Africa. It is based in Johannesburg, South Africa, and is owned by Tiso Blackstar Group (formerly Johnnic Communications, Avusa & Times Media Group). The current Gallo Record Company is a hybrid of two rival South African record labels between the 1940s and 1980s: the original Gallo Africa (1926–85) and G.R.C. (Gramophone Record Company, 1939–85). In 1985 Gallo Africa acquired G.R.C.; as a result, Gallo Africa became known as Gallo-GRC.
|
|
In 1910, Jamil Amirov was invited to a "Gramophone" company in Riga with a group of musicians. Here he recorded a number of mugham and folk songs to gramophone record. Mashadi Jamil has played an important role in the development of theatrical art by working comprehensively in many fields of Azerbaijani music. While he was in Shusha and Ganja, he had successfully performed the roles of "Majnun", "Zayd", "Karam", "Rza bey" and others in the opera and operettas of Uzeyir Hajibeyov, and had conducted the theater orchestras.
|
|
The name "Sindy" was chosen after a street poll where young girls were shown a photo of the doll and asked to choose their favourite name from a list of four. The most popular choice was "Cindy", and the spelling was made more distinctive for trademarking. The Sindy doll was launched in September 1963, and London retailers were sent a promotional 45rpm gramophone record to introduce the doll, which included Pedigree's marketing text below. > Sindy is the free, swinging girl that every little girl longs to be.
|
|
Arvato Entertainment, formerly Sonopress, is the CD and DVD replication business of Bertelsmann. Founded in 1958 to supply gramophone record for Bertelsmann's music club and music label businesses, Sonopress became the world's second biggest replicator of optical discs (CDs and DVDs). Much of that growth was overseen by long term CEO Uwe Swientek, who was at the company's helm for almost 30 years. Sonopress has factories and sales offices on all five continents, and predominantly serves customers in the music, software, and video game industry.
|
|
A twelve-inch gramophone record Although 7 inches remained the standard size for vinyl singles, 12-inch singles were introduced for use by DJs in discos in the 1970s. The longer playing time of these singles allowed the inclusion of extended dance mixes of tracks. In addition, the larger surface area of the 12-inch discs allowed for wider grooves (larger amplitude) and greater separation between grooves, the latter of which results in less cross-talk. Consequently, they are less susceptible to wear and scratches.
|
|
It was released as a Digipak CD while the band was recording their major label debut album From Under the Cork Tree (2005) for Island Records. The CD is packaged with a bonus DVD, featuring the background of the band, music videos for "Dead on Arrival" and "Grand Theft Autumn/Where Is Your Boy", an acoustic performance and more extras. The CD features a total of five tracks; two new acoustic songs, two acoustic versions, and a cover. The name refers to the B-side of a gramophone record.
|
|
He played small but memorable roles in the films The Twelve Chairs, The Blonde Around the Corner, Autumn Wind, in the television movie Uncle's Dream by Fyodor Dostoyevsky and others. In 1943, Mark Prudkin was one of the supervisors of the Moscow Art Theater – the artistic and director's union, which consisted of five people. In 1987, a gramophone record was released with records of fragments of the best works by Mark Prudkin in recent years in the theater, on television and radio. He lived in Moscow, in Glinischevsky Lane, house 5/7.
|
|
An early interpretation of the idea of archaeoacoustics was that it explored acoustic phenomena encoded in ancient artifacts. For instance, the idea that a pot or vase could be "read" like a gramophone record or phonograph cylinder for messages from the past, sounds encoded into the turning clay as the pot was thrown. There is little evidence to support such ideas, and there are few publications claiming that this is the case. In comparison, the more contemporary approach to the field now has many publications and a growing significance.
|
|
"Will Give Concert by Wireless Telephone", San Jose Mercury Herald, July 21, 1912, page 27. An even more ambitious effort took place in the fall of 1916, after the De Forest Radio Telephone & Telegraph Company began operating an experimental radio station, 2XG, in New York City. Lee de Forest made an arrangement with the Columbia Gramophone record company to broadcast phonograph records from their offices—the phonograph company supplied records in exchange for "announcing the title and 'Columbia Gramophone Company' with each playing".Father of Radio: The Autobiography of Lee de Forest, 1950, page 337.
|
|
The New Orleans Owls in 1922 The New Orleans Owls (active 1922-29) were an early jazz band from New Orleans that descended from The Invincibles String band and recorded 23 sides for Columbia from 1925 to 1927 on 78 rpm Gramophone record. They are reportedly the first group to record by the electric system operating from a mobile recording van. They played principally for the dancers in the ballroom of the Roosevelt Hotel in New Orleans. The replaced Abbie Brunies' Halfway House Orchestra at the Halfway House dancehall in the late 1920s.
|
|
This first concert included music by Obrecht, Ockeghem and Lassus. After the foundation of Gimell Records in 1980, the Tallis Scholars have gone on to fill many gaps in the recording catalogue, making discs devoted to such relatively unknown composers as Obrecht, Ockeghem, Cardoso, White, Clemens, Gombert and Mouton. Since winning the Gramophone Record of the Year Award in 1987, the Tallis Scholars have been recognised as perhaps the world's leading ensemble in interpreting renaissance polyphony. Phillips first met the composer John Tavener in 1977, which led to a lifelong friendship.
|
|
To the honour of Croatian archbishop and martyr Alojzije Stepinac he composed a mass Beata Mariae Virginis. Mixed choir Jadran performed a concert in Rome in 1946 as Concerto di Musiche Nationali Croate, conducted by Horvat who for this occasion harmonised ten folk songs from Bosnia—Dalla fiera Bosnia, and six folk songs from his native Srijem—I souni dell Oriente Croato. That concert received praise by music critics and was taped to a gramophone record. He died in Buenos Aires on March 12, 1985 and was buried there.
|
|
He is Director of the Schola Cantorum at the annual Edington Festival and was made an Associate of the Royal School of Church Music in 2005. In 2007 he was appointed Principal Guest Conductor of the BBC Singers. In 2010 he once again won the Gramophone Award for Early Music and the Gramophone Record of the Year Award. He was appointed to succeed Malcolm Archer as Director of Music at St Paul's Cathedral, London, taking up the post in September 2007, the first non-organist to hold the post since the 12th century.
|
|
From 1967 to 1997 as an editor of the Hungarian Radio he covered the jazz and gramophone record scene. From 1970 he keeps authoring articles on jazz in 50 Hungarian, Austrian, German and Polish journals. He produced 209 jazz, classical and contemporary LP/CD/MC records (contributing as an editor, producer, lyricist, translator, photographer, cover designer, and discographer). From 1985 to 1987 he was an associate of the label Hungaroton Archívum, and from 1987 to 1989 he was the artistic director of Pannonton, the first Hungarian private record label.
|
|
Jaap van Praag began his professional career working in the musical business of his father in Amsterdam, where he was born. Unlike his father, he saw great potential in the gramophone record and started his own business on the Spui downtown, called His Master's Voice. He was forced into hiding due to the persecution of Jews during World War II where he first found refuge staying with the uncle of former Ajax player Wim Schoevaart. Two and a half years later he was hiding over a photo store on the .
|
|
Dial Records label of a 78 rpm gramophone record by the Charlie Parker Septet. "Moose the Mooche" is a bebop composition written by Charlie Parker in 1946. It was written shortly after his friend and longtime musical companion Dizzy Gillespie left him in Los Angeles to return to New York City. Parker had been a long time heroin addict and some historians suggest that the song was named after the drug dealer, Emry "Moose the Mooche" Byrd,Woideck, Carl (1998) Charlie Parker: His Music & Life, pp.124-125.
|
|
Her movie roles included singing parts; the songs she performed were available on gramophone record released by Syrena Record as early as in 1936. Her admirers could hear her not only on Polskie Radio, e.g. from November 1936 she was reading the first serialized novel written for Polish radio, Dni powszednie państwa Kowalskich (The Daily Life of the Kowalskis), released in print in 1938 by Maria Kuncewiczowa), but also by dialing ... the speaking clock number (she was the voice of the improved telephone device launched in Poland, in 1936).
|
|
"Ivor Tiefenbrun, MBE" . Power Lunch Club Linn Products Limited was started by Tiefenbrun in the city's Castlemilk district near Linn Park in 1972 to manufacture a hi-fi turntable, developed from his personal interest in music reproduction, based on contemporary models. His approach was to strive to extract much more information from the long-play gramophone record (otherwise known as the LP), and to make the turntable immune to audio feedback -. He thought that precision engineering of the turntable would prove to be far more important than many other designers believed Hardesty, Richard (2006).
|
|
One innovation was the inclusion of DVD of related material with a compact disc, such as video related to the album or DVD-Audio versions of the same recordings. Some such discs were also released on a two-sided format called DualDisc. Depending on the media used, some releases were double albums in one format and single albums in another. For example, a gramophone record (vinyl LP) consisting of two discs of less than 40 minutes each could be fit onto a single standard-length compact disc (CD).
|
|
Chandrasena established his institute of music in December 1951 and titled it as Chandrasena Sangeethaayathanaya (Chandrasena Institute of Music). This institute turned out be the stepping stone for many musicians in that era and in the subsequent generation. R A Chandrasena provided his expertise, knowledge and mentorship to many artists in a humble and relentless manner during his lifetime. In 1969, Chandrasena launched a gramophone record company by which 45 RPM EP records were issued to the Sri Lankan Sinhala songs market under the labels of RAC and Shrimath.
|
|
Despite not being a single, the song still has a music video. The video features a girl taking a 10-inch Arctic Monkeys gramophone record out of its sleeve and playing it on her gramophone whilst smoking a cigarette. About halfway through the song, the scene switches to a car driving through California at sunset and footage of the band on a beach. As the song reaches its final chorus, the scene changes again to footage of the band recording the song at Sunset Sound Recorders in Hollywood.
|
|
Between 1928-1943 Hruška made several gramophone record recordings of popular music, including a number of recordings with Vlasta Burian. He also had his own program on Czech Radio and sang on a number of complete opera recordings made on the Supraphon label. Hruška made his first movie appearance in the 1913 Czech feature film Prodaná nevěsta. He appeared in seven more Czech feature films during his career: Červená karkulka (1922), Josef Kajetán Tyl (1926), Podskalák (1929), Třetí zvonění (1938), Zvony z rákosu (1951), Anna proletářka (1953), and Dobrodružství na Zlaté zátoce (1955).
|
|
U.S. Lyric label Lyric Records was a record label based in the United States from about 1917 to 1921. The parent company of Lyric Records was initially listed on the label as the Lyraphone Company of America, New York City, although actually headquartered in Newark, New Jersey. Later labels reflected the actual location. The label artwork featured a drawing of a white cat (perhaps inspired by the dog Nipper of the Victor Talking Machine Company's His Master's Voice logo) seated on a gramophone record, with the legend "Never Scratches".
|
|
But inside the cabin, they find themselves in danger: two of them fiddle with a kettle of hot water and get hurt. One of them gets hurt when trying to operate a gramophone record, one wants to touch pepper but sneezes every time he gets near it, one fiddles with a gun and accidentally gets his beak stuck in it, though he later gets it freed. Eventually, a penguin from the group plays with matchsticks and in the process, fire is accidentally created. The fire comes to life and attacks him.
|
|
Despite its numerous problems, the DP had a reputation as a relatively effective light support weapon. It was nicknamed the "Record player" (proigryvatel') by Red Army troops because the disc-shaped pan magazine resembled a gramophone record and its top cover revolved while the weapon was fired. Many were captured by the Finnish army in the Winter War and the Continuation War and partially replaced the Lahti-Saloranta M/26. The DP received the nickname Emma in Finnish service after a popular waltz, again due to the magazine's resemblance to a record player.
|
|
Herbert Currington Ridout (1881 – 11 October 1948) was a British journalist, editor, and short story writer. He was head of publicity for the British branch of Columbia Records, wrote for The Gramophone, and claimed to have invented the idea of gramophone record sleeve notes. He is credited on the label of a number of recordings held by archives but his exact involvement in their creation is unclear. His series of articles for The Gramophone titled "Behind the Needle" (1940–43), has become a primary source for the early history of recorded music in Britain.
|
|
Initially, the song was released in an instrumental version performed by the Orchester of Jozef Vobruba on the vinyl sampler set OPUS Club '02 followed by the gramophone record of the most Slovak popular songs of 1978 entitled OPUS '78. After re-releasing the singer's debut album Dievča do dažďa (1979) on CD in 2003, the song was for the first time available also in a digital format. While in the country of its origin the single was released with Pavol Hammel's song "Podnájom," in Poland on Tonpress "Zažni" by M.Žbirka featured on B-side.
|
|
Gramophone record of Ambrose at the Embassy Club in 1934 In 1933, Ambrose was asked to accept a cut in pay at the May Fair; refusing, he went back to the Embassy Club, and after three years there (and a national tour), he rejected American offers and returned to the May Fair in 1936. He then went into partnership with Jack Harris, an American bandleader, and in 1937 they bought a club together, Ciro's Club. For a period of three months, they employed Art Tatum. Ambrose and Harris alternated performances at Ciro's until a disagreement led to the rupture of their partnership.
|
|
In the spring of 1984, RCA announced it was discontinuing player production, but continuing the production of videodiscs until 1986, losing an estimated $600 million in the process. RCA had initially intended to release the SKT425 CED player with their high end Dimensia system in late 1984, but cancelled CED player production prior to the Dimensia system's release. The format was commonly known as "videodisc", leading to much confusion with the contemporaneous LaserDisc format. LaserDiscs are read optically with a laser beam, whereas CED discs are read physically with a stylus (similar to a conventional gramophone record).
|
|
Recordings released by Chandos have won many awards including "Gramophone Record of the Year" for Vaughan Williams's A London Symphony with the London Symphony Orchestra, and "Gramophone Choral Recording of the Year" for Hummel Masses. Chandos recordings have received five Grammy Awards: "Best Opera Recording" in 1997 for Britten's Peter Grimes and in 2008 for Engelbert Humperdinck's Hansel and Gretel, "Best Engineered Classical Album" in 2008 for Gretchaninov's "Passion Week" and in 2013 for "Life and Breath" by the Kansas City Chorale, and "Best Choral Performance" for "Life and Breath."Stott M. Colchester. Grammy win for classical music record label Chandos.
|
|
Shortly before their debut single, "You Wouldn't Listen", was released, the label found out that James had been using the name first, so they were forced to change it. In 1968, Shondell became a songwriter for Acuff-Rose Music in Nashville, Tennessee, and the first recording artist for TRX Records, a branch of Hickory Records, for whom Shondell recorded some gramophone record discs until 1969, when he went into the music publishing field. In October 1969, Shondell was appointed as Assistant Regional Director for ASCAP's Southern Regional Office in Nashville. In 2001, Shondell still performed at shows and other events.
|
|
Each discusses the impossibility of Gil's relationship with Adriana, and as artists, what work of art from each could come of the romance. Gil suggests the plot of the film The Exterminating Angel to Buñuel, which he doesn't understand. Inez and her parents are traveling to Mont Saint Michel while Gil meets Gabrielle, an antique dealer and fellow admirer of the Lost Generation. He buys a Cole Porter gramophone record from her, and later finds Adriana's diary from the 1920s at a book stall by the Seine, which reveals that she was in love with him.
|
|
The preserved Bell and Tainter records are of both the lateral cut and the Edison-style hill-and-dale (up-and-down) styles. Edison for many years used the "hill-and-dale" method on both his cylinders and Diamond Disc records, and Emile Berliner is credited with the invention of the lateral cut, acid-etched Gramophone record in 1887. The Volta associates, however, had been experimenting with both formats and directions of groove modulation as early as 1881. The basic distinction between the Edison's first phonograph patent and the Bell and Tainter patent of 1886 was the method of recording.
|
|
Whereas Berliner's zinc masters were easily electroplated to facilitate the master stampers, Johnson's wax discs were not. Johnson contacted C. K. Haddon, an associate from his J. Lodge and Son days who had access to electroplating machinery. Johnson provided Haddon with a fragment of a Gramophone disc, ostensibly to obscure the direction of his research. After two years and an investment of $50,000, Johnson was prepared to enter the Gramophone record market in 1900; he incorporated as the Consolidated Talking Machine Company of Philadelphia, and began selling records as well as a variety of Gramophone models under this name.
|
|
Avinash Vyas was born in the Indian state of Gujarat on 21 July 1912 and had his initial music training under Ustad Allauddin Khan. His career started with HMV for their Young India label where he cut his first gramophone record in 1940 and debuted as a film music composer in with the Gujarati film, Mahasati Ansuya in 1943, partnering the renowned musician, Ustad Alla Rakha. Two more films were released the next year, Krishna Bhakta Bodana and Laheri Badmash but both were not successful. His first major hit came in 1948 with Gunsundari, a bilingual in Gujarati and Hindi.
|
|
One of the companies in which the party had invested was even engaged in producing gramophone records, an investment which the party leadership would later deride as crazy, because it was obvious that the gramophone record industry would be destroyed by the rapidly emerging world of Radio broadcasting. There were naturally calls on party funds. During König 's time as party treasurer there were unplanned additional expenses in connection with the start-up costs for the party news-sheet "Sichel und Hammer" (which was relaunched in 1925 as the Arbeiter-Illustrierte-Zeitung ("Workers' Illustrated Newspaper")).Kurt Koszyk: Deutsche Presse 1914–1945.
|
|
In the UK, proprietary use of the name Gramophone continued for another decade until, in a court case, it was adjudged to have become genericized and so could be used freely by competing disc record makers, with the result that in British English a disc record is called a "gramophone record" and "phonograph record" is traditionally assumed to mean a cylinder. Not all cylinder records are alike. They were made of various soft or hard waxy formulations or early plastics, sometimes in unusual sizes; did not all use the same groove pitch; and were not all recorded at the same speed.
|
|
From 1927 to 1956, Gilbert-Jespersen was a member of the Royal Danish Orchestra, a soloist in the wind quintet from 1929, and played in the Danish Quartet from 1935. Simultaneously, Gilbert-Jespersen was a professor at the Royal Danish Academy of Music from 1927 to 1962, where he trained legions of Danish flutists, including , , , and . During his career, he received many honors. He was awarded the Carl Nielsen Prize in 1954, the Danish Gramophone Record Prize in 1955, the Cultural Foundation's Honorary Award in 1958, the Schytte's Honorary Award in 1960, and the Vera and Carl Johan Michaelsen's Honorary Award in 1960.
|
|
These and the other components of the exhibition were in fact a play on the "ɛ:r" sound in air conditionné denoting the concepts of ère (era), aire (area), air (air and tune). Tse was selected for a solo exhibition at the Renaissance Society in 2005 titled, "The Ich-Manifestation".Su-Mei Tse at the Renaissance Society The exhibit contained five video works. Her recent exhibit "Floating Memories" (2009) at the Isabella Stewart Gardner Museum is an installation merging sound, sculpture, and a video projection in which a perpetually revolving gramophone record on an old rug brings back memories of childhood.
|
|
When the guests sit down to dinner, they notice the centrepiece, ten abstract art deco figurines of jade, supposedly representing ten soldiers arranged in a circle. Afterward, Mr. Rogers puts on a gramophone record, from which a voice accuses everyone present of a murder. Shortly after this, one of the party dies from poisoning, and then more and more people are murdered, all in methods synonymous with a poem affixed to the back of each bedroom door. With each death, the murderer removes a figurine from the centerpiece to coincide with the rhyme's sinister disappearance of each "little soldier boy".
|
|
The album sold 16,000 copies the day of its release. Square Enix released selections from the soundtrack on two gramophone record albums in 2010: W/F: Music from Final Fantasy XIII and W/F: Music from Final Fantasy XIII Gentle Reveries. An album of arranged pieces from the soundtrack, Final Fantasy XIII Original Soundtrack -PLUS-, was also released by Square Enix in 2010, as was an album of piano arrangements. For Life Music published a single of the theme song for the Japanese version of the game, "Kimi ga Iru Kara" (君がいるから, "Because You're Here"), in 2009.
|
|
I Still Do was announced on 18 February 2016. The pre-order sale The album is available as a digital download, on gramophone record (two vinyl discs, each with three songs per side and played at 45RPM for better audio) and on compact disc. There is also a limited edition vacuum tube shaped USB and CD release in a denim box with bonus materials. The bonuses include two exclusive tracks "Lonesome" and "Freight Train" plus 45 minutes of video featuring intimate interviews, behind the scenes clips of recording sessions, live performances and more, and 10 behind the scenes polaroid photo prints.
|
|
Nash was born in the South London district of Deptford on 14 June 1894, the son of William Nash, master builder, and his wife, Harriet Emma née Carr.Baker, Anne Pimlott, "Nash, (William) Heddle (1894–1961)", Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 9 October 2010 The family was musical, and listening at home to a gramophone record by Enrico Caruso prompted Nash to apply for a scholarship at the Blackheath Conservatoire of Music.Meadmore, W. S. "Heddle Nash", The Gramophone, April 1937, p. 5, accessed 9 October 2010 He was accepted, but a week later World War I broke out.
|
|
In audio, "fidelity" denotes how accurately a copy reproduces its source. In the 1950s, the terms "high fidelity" or "hi- fi" were popularized for equipment and recordings which exhibited more accurate sound reproduction. For example, a worn gramophone record will have a lower fidelity than one in good condition, and a recording made by a low budget record company in the early 20th century is likely to have significantly less audio fidelity than a good modern recording. Similarly in electronics, fidelity refers to the correspondence of the output signal to the input signal, rather than sound quality, as in the popular internet connection technology "Wi-Fi".
|
|
In Volume II of its Supplement (1976) and hence in the 1989 Second Edition, the Oxford English Dictionary provided a 1909 citation for the use of "jazz" on a gramophone record of "Uncle Josh in Society." Researcher David Shulman demonstrated in 1989 that this attestation was an error based on a later version of the recording; the 1909 recording does not use the word "jazz". Editors acknowledged the error, and the revised entry of "jazz" in OED Online changed the date of this quotation with a note about mistake. But many secondary sources continue to show 1909 as the earliest known example of the word based on the OED's original entry.
|
|
Baloo only once mentioned any family, in reference to a gramophone record that had belonged to his father. The name "Baloo" comes from the Hindi word for bear: bhālū (, pronounced ). Gilbert replaced Phil Harris, who had originally been hired to reprise his role from The Jungle Book. At 85 years old, Harris had lost some of his comic timing, and producers concluded he would not be able to handle the load of a 65-episode series at his age and condition, nor were they in the position to chauffeur him to and from his home in Palm Springs, California, a two-hour trip in each direction, for each session.
|
|
Calcutta In the later part of the eighteenth century and towards the early and mid-nineteenth century, when music of different 'Gharanas' were gradually assimilating around the khyal style, the dhrupad style continued flourishing among the musicians of Bishnupur. In 1921 when Prince Edward came to visit India, six artists of various gharanas were chosen to perform six Ragas for six Seasons. Three of them were from Bishnupur Gharana: Gopeswar Bandyopadhyay, Satyakinkar Bandyopadhyay and Kshetra Mohan Goswami. First maiden Gramophone record in Khayal in 1902 " Tara Parameshwari " by Lal Chand Baral, who learnt under Ramprassanna Bandyopadhyay (Vide Sangeet Chandrika) published by Gramophone Concert and Nicole.
|
|
1810–1900), one of the key ways that new compositions became known to the public was by the sales of sheet music, which amateur music lovers would perform at home on their piano or other instruments. In the 19th century, new instruments such as saxophones, euphoniums, Wagner tubas, and cornets were added to the orchestra. Around the turn of the 20th century, with the invention and popularization of the gramophone record (commercialized in 1892), and radio broadcasting (starting on a commercial basis ca. 1919-1920), there was a vast increase in music listening, and it was easier to distribute music to a wider public.
|
|
Similarly in the United Kingdom, the compact disc surpassed the gramophone record in popularity in the late 1980s. This started a gradual decline in vinyl record sales throughout the 1990s. Sales of vinyl LP records in the UK increased every year between 2007 and 2014 In December 2011, BBC Radio 6 Music began an occasional Vinyl Revival series in which Peter Paphides met musicians who revealed, and played selections from, their vinyl record collections. In November 2014, it was reported that over one million vinyl records had been sold in the UK since the beginning of the year. Sales had not reached this level since 1996.
|
|
Audio restoration is the process of removing imperfections (such as hiss, impulse noise, crackle, wow and flutter, background noise, and mains hum) from sound recordings. Audio restoration can be performed directly on the recording medium (for example, washing a gramophone record with a cleansing solution), or on a digital representation of the recording using a computer (such as an AIFF or WAV file). Record restoration is a particular form of audio restoration that seeks to repair the sound of damaged gramophone records. Modern audio restoration techniques are usually performed by digitizing an audio source from analog media, such as lacquer recordings, optical sources and magnetic tape.
|
|
Special guests on the Live in San Diego release include guitarists J. J. Cale, Robert Cray, Doyle Bramhall II and Derek Trucks. The live album marks Clapton's second collaboration with Cale after The Road to Escondido was released on 7 November 2006. Also, the album features the first new live music from Clapton and Cray following Clapton's 1991 live double album 24 Nights. The album, which is available on compact disc, on gramophone record and as a digital download, was recorded on 15 March 2007 at the Ipayone Center in San Diego during the "Doyle & Derek World Tour" and features a total of 16 tracks.
|
|
Enter Suicidal Angels is the second EP by the Swedish melodic death metal band Dark Tranquillity. It was recorded during the sessions for The Mind's IEncyclopaedia Metallum - Dark Tranquillity - Enter Suicidal Angels and it was also released as bonus tracks of the reissue of The Mind's I. Another reissue of the EP was released in October 2010 as a Gramophone record. In terms of the standard issue of this album, this is the only Dark Tranquillity release that Martin Henriksson does not have a writing credit. The song "Zodijackyl Light" was also included on The Mind's I. The song "Archetype" is in the vein of industrial and techno.
|
|
In April 1904 Pike made his first recording: "Take a Pair of Sparkling Eyes" (from Gilbert and Sullivan's The Gondoliers) for the Gramophone & Typewriter Company (G&T;); it was released as a gramophone record (disc) in August of that year. From 1906 many of his recordings were released on the Gramophone Company's Zonophone label but he also released on Columbia, Ariel and Duophone. In addition, he recorded 2-minute Edison cylinders in 1907 starting with "When the Berry's on the Holly", 4-minute Edison cylinders 1908–1910 starting with "Always", Sterling cylinders c. 1907 and Pathé discs in 1908 starting with "I'll Sing Thee Songs of Araby".
|
|
A number of these songs were featured on the BBC radio programmes As I Roved Out and Music on the Hearth and were released on the cassette You Rambling Boys of Pleasure; also as the gramophone record 12T269 by Topic Records, 1975. One of his best known pieces was "Dobbin's Flowery Vale", which was adapted for the flute by Frankie Kennedy. Steeleye Span used their version of his recording of "The Weaver" (Roud 17771) as the introduction and ending of their song "The Weaver and the Factory Maid" on the album Parcel of Rogues. He sang the song "The Beggerman" to the same tune.
|
|
An LP record on a phonograph Technological developments in the early 20th century led to sweeping changes in the way recorded music was made and sold. Prior to the LP, the standard medium for recorded music had been the 78 rpm gramophone record, made from shellac and featuring a three-to-five minute capacity per side. The capacity limitations placed constraints on the composing processes of recording artists, while the fragility of shellac prompted the packaging of these records in empty booklets resembling photo albums, with typically brown-colored wrapping paper as covers. The introduction of polyvinyl chloride in record production led to vinyl records, which played with less noise and more durability.
|
|
Singles, with rare exceptions, had simple paper covers with no inner cover. A further limitation of the gramophone record is that fidelity steadily declines as playback progresses; there is more vinyl per second available for fine reproduction of high frequencies at the large-diameter beginning of the groove than exist at the smaller-diameters close to the end of the side. At the start of a groove on an LP there are 510 mm of vinyl per second traveling past the stylus while the ending of the groove gives 200–210 mm of vinyl per second — less than half the linear resolution. Distortion towards the end of the side is likely to become more apparent as record wear increases.
|
|
Fonotipia Records, or Dischi Fonotipia, was an Italian gramophone record label established in 1904 with a charter to record the art of leading opera singers and some other celebrity musicians, chiefly violinists. Fonotipia continued to operate into the electrical recording era, which commenced in 1925–26, by which time the company had been absorbed into Odeon records. The records made by Fonotipia are prized by collectors and musicologists for their high technical quality, and for the high artistic merit and interest of much of what was captured for posterity. The Fonotipia catalogues were reconstructed, so far as then possible, by the discophiles J.R. Bennett and James Dennis in 1953, and published in a limited edition.
|
|
In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight compositions per album. The 10-inch and 12-inch LP record (long play), or rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. A single LP record often had the same or similar number of tunes as a typical album of 78s, and it was adopted by the record industry as a standard format for the "album".
|
|
Edison for many years used the "hill-and-dale" method with both cylinder and disc records, and Emile Berliner is credited with the invention of the lateral cut Gramophone record in 1887. The Volta associates had been experimenting with both types as early as 1881, as is shown by the following quotation from Tainter:Tainter, pp. 28-29 The basic distinction between the Edison's first phonograph patent and the Bell and Tainter patent of 1886 was the method of recording. Edison's method was to indent the sound waves on a piece of tin-foil while Bell and Tainter's invention called for cutting or "engraving" the sound waves into an ozokerite wax record with a sharp recording stylus.
|
|
Red Seal record circa 1940 The use of a distinctive red label for premium-priced records made by top-tier artists was a marketing strategy suggested by the Gramophone Company's agent in St. Petersburg, Russia, where the first "Gramophone Record Red Seal" discs were issued in late 1901 or early 1902.Label scans of some of the first Red Seal records, issued in St. Petersburg circa early 1902, showing explicit use of the words "Red Seal". Accessed 9 November 2016. Later in 1902 the practice was adopted by the home office in the United Kingdom, which preferred to refer to the records as "Red Labels", and by its United States affiliate, the Victor Talking Machine Company, in 1903.
|
|
R. Aquila, That old-time rock & roll: a chronicle of an era, 1954–1963 (Chicago: University of Illinois Press, 2000), pp. 4–6.J. M. Salem, The late, great Johnny Ace and the transition from R & B to rock 'n' roll Music in American life (University of Illinois Press, 2001), p. 4. Radio stations that made white and black forms of music available to both groups, the development and spread of the gramophone record, and African-American musical styles such as jazz and swing which were taken up by white musicians, aided this process of "cultural collision".M. T. Bertrand, Race, rock, and Elvis Music in American life (University of Illinois Press, 2000), p. 99.
|
|
His first musical encounter was with Mikis Theodorakis in the summer of 1974, in Paris—their collaboration commenced two years later. In 1974, Vasilis returned to Greece following the fall of the dictatorship and embarked on a professional singing career, singing in clubs, and also recorded a 45 rpm gramophone record. That same year he collaborated on the recording of "Ta Tragoudia tou Dromou" (Road Songs) by Manos Loïzos. In 1975, he recorded "Ta Agrotika" (Rural Songs) by Thomas Bakalako and met with two composers with whom he was going to work closely for many years: Manos Loïzos and Thanos Mikroutsikos, two composers that were bearing a fresh new sound to Greek music.
|
|
The game has sparked the release of a soundtrack album, an arranged album, two gramophone record albums of music from the soundtrack, a piano album, and a single of the game's theme song , sung by Sayuri Sugawara. The international versions of XIII feature the song "My Hands" sung by British singer Leona Lewis from her second album Echo. Uematsu was hired through his "Smile Please" studio to score the original Final Fantasy XIV, the first game in the series in a decade to have a score completely composed by him at release. The theme song Answers was sung by Susan Calloway, with lyrics from game writers Yaeko Sato and Michal- Christopher Koji Fox.
|
|
He has recorded more than 60 CDs, one of his most notable being a set of the four Rachmaninoff piano concertos and the Rhapsody on a Theme of Paganini, recorded during live performances with the Dallas Symphony Orchestra under the baton of then music director Andrew Litton, which have been compared to the recordings by the composer himself. These recordings won him his seventh Gramophone Award as well as the Classical BRIT Critics Award. His recording of the five Saint- Saëns concertos won the Gramophone Record of the Year in 2001 and was later voted the Gold Disc, "winner of winners" in a poll commemorating 30 years of the award. His recording of the Complete Chopin Waltzes, won the Diapason d'Or de l'Année in 2011.
|
|
Selections from the soundtrack have been released on two gramophone record albums, W/F: Music from Final Fantasy XIII and W/F: Music from Final Fantasy XIII Gentle Reveries, both in 2010 by Square Enix. An album of arranged pieces from the soundtrack, Final Fantasy XIII Original Soundtrack -PLUS-, was also released by Square Enix in 2010, as was an album of piano arrangements, Piano Collection Final Fantasy XIII. The theme song for the Japanese version of the game, , was released as a single by For Life Music in 2009. The soundtrack received good reviews from critics, who felt that it was Hamauzu's best work to date and an excellent mix of material and genres which took the series' music in a new direction.
|
|
Columbia's president Edward Wallerstein was instrumental in steering Paley towards the ARC purchase. He set his talents to his goal of hearing an entire movement of a symphony on one side of an album. Ward Botsford writing for the Twenty-Fifth Anniversary Issue of High Fidelity Magazine relates, "He was no inventor—he was simply a man who seized an idea whose time was ripe and begged, ordered, and cajoled a thousand men into bringing into being the now accepted medium of the record business." Despite Wallerstein's stormy tenure, in June 1948, Columbia introduced the Long Playing "microgroove" LP record format (sometimes written "Lp" in early advertisements), which rotated at 33⅓ revolutions per minute, to be the standard for the gramophone record for half a century.
|
|
With her first audio recording of the famous song "Siri Buddhagaya Vihare" with Master in 1938, she captured the hearts of the masses and she shaped her career from that of an actress to that of an actress turned singer. This song was recorded to 78 rpm (gramophone) record label HMV with the number N-9300 and issued in 1939 by the Cargills Ltd, local agents for HMV Her unique voice attracted many music directors, as her singing career moved from the stage to the silver screen. It was also, around this time that her name underwent a change from Daisy Daniels to the well known 'Rukmani Devi'. There are two schools of thinking as to how the name "Rukmani Devi" originated.
|
|
Swing and Dance with Frank Sinatra is the sixth studio album by Frank Sinatra. The tracks were arranged and conducted by George Siravo and his orchestra (except for track four, which was conducted by Hugo Winterhalter). Original Columbia 10-inch 33 1/3-rpm LP and 78-rpm album set released October 16, 1950; the 7-inch 45-rpm EP and EP box sets were released in October 1952. (See Gramophone record for an explanation of these formats.) It would prove to be the final album that Sinatra released under the Columbia label, another three years before he would start recording for Capitol and another year after that before his next album, entitled Songs for Young Lovers, would be released in 1954.
|
|
In 1938 McColvin was appointed as Librarian of the City of Westminster in central London, a position he held until his retirement in 1961. When the Second World War broke out, he spent much time on civil defense duties and was appointed Officer-in-Charge of the City Hall Report Centre in Westminster. After the war he opened a branch library, known as the Central Lending Library, at Charing Cross Road and was one of a group that in 1948 set up the Gramophone Record Library (sometimes referred to as the Central Music Library and now known as the Westminster Music Library),"The Central Music Library", The Musical Times, Vol. 92, No. 1304 (Oct., 1951), pp. 441-449. Retrieved 24 September 2020.
|
|
Facade of Johan Schlüter law firm Johan Schlüter (born 18 June 1944) is a former Danish lawyer who worked with copyright. Schlüter was educated as a Candidate of Law at the University of Copenhagen in 1970. He was a partner in Berning Schlüter Hald (1990-1998), Schlüter & Hald (1998-1999) and Bech-Bruun Dragsted (1999-2002), until in 2002 he established his own law firm, Johan Schlüter Law Firm, which closed in 2015, and was based at Højbro Square. In the 1970s, he became involved as a lawyer for the Danish gramophone record industry, (IFPI Danmark) via Bent Fabricius Bjerre, and gradually gained a central position as an advisor to Danish rights holders to such an extent that he has been termed "the king of Danish copyright".
|
|
In The Oxford Companion to Music itself some composers (Berg, Schönberg and Webern, for example) were described in somewhat unsympathetic and dismissive terms. His article on Jazz states that "jazz is to serious music as daily journalism is to serious writing"; similarly, his article on the composer John Henry Maunder states that Maunder's "seemingly inexhaustible cantatas, Penitence, Pardon and Peace and From Olivet to Calvary, long enjoyed popularity, and still aid the devotions of undemanding congregations in less sophisticated areas." Scholes' other activities included an early recognition of the possibilities of the gramophone as an aid to knowledge and understanding of music. His First Book of the Gramophone Record (1924) lists fifty records of music from the sixteenth to the twentieth century, with a commentary on each; a Second Book followed in 1925.
|
|
A collapsible cone horn with removable flared bell. This horn was patented in 1901 for gramophone record playback The megaphone, a simple cone made of paper or other flexible material, is the oldest and simplest acoustic horn, used prior to loudspeakers as a passive acoustic amplifier for mechanical phonographs and for the human voice; it is still used by cheerleaders and lifeguards. Because the conic section shape describes a portion of a perfect sphere of radiated sound, cones have no phase or amplitude distortion of the wavefront. The small megaphones used in phonographs and as loudhailers were not long enough to reproduce the low frequencies in music; they had a high cutoff frequency which attenuated the bottom two octaves of the sound spectrum, giving the megaphone a characteristic tinny sound.
|
|
Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a copy of the sheet music, learned by heart or captured on a gramophone record. In fact, one of the principal objects of publishing sheet music was to have a composition performed by as many artists as possible. In previous generations, some artists made very successful careers of presenting revivals or reworkings of once-popular tunes, even out of doing contemporary cover versions of current hits. Musicians now play what they call "cover versions" (the reworking, updating or interpretation) of songs as a tribute to the original performer or group.
|
|
She manages to avoid being accidentally shot by the Tsar, and is finally about to press the bulb to shoot him when the equerry re-appears to report that the police have followed some assassins to the studio. The false Angèle, realising that the game is up, puts on a seductive gramophone record (the "Tango Angèle") and asks the Tsar to avert his eyes while she undresses. She and the rest of the gang escape through the window just before the police arrive with the real Angèle and her assistants, who had previously themselves escaped and raised the alarm. The gun is removed from the camera, and the Tsar, though dismayed that the real Angèle is not as attractive as the false one, finally, as the chorus again says, "has his photograph taken".
|
|
Roop Lal confronts Shashi's brother and admits to having been an alcohol-addicted good-for- nothing who still is not worthy of her, but tells him that he (Roop Lal) is going to Amritsar to record all the songs written by Shashi and will eventually return and ask for her hand in marriage. The very fact that Shashi writes poetry is a revelation to her brother, and as time passes he too reads the poems and starts appreciating her obvious talent. Meanwhile, Roop Lal records the songs in Amritsar (the gramophone record is credited to both) and is paid a handsome fee of three hundred rupees. He immediately sends the entire amount as a money order to Shashi's brother, along with a letter stating his intention to return and marry her on Baisakhi.
|
|
The album features Clapton's long-time friend J.J. Cale who died in 2013. The album was announced on 5 August 2016. The album is available on compact disc (as a two-disc CD), as a 180 gram gramophone record (as a three- disc vinyl) as well as a digital album. Clapton previously honoured Cale in 2006 with the release of the Platinum-selling collaborative studio album The Road to Escondido and in 2014 as "Eric Clapton and Friends" (with musicians like Tom Petty, Mark Knopfler, Willie Nelson, John Mayer and others) with the release of The Breeze: An Appreciation of JJ Cale, a tribute album to Cale after his death in 2013, another release which gained positive critical acclaim around the world and success on international album charts.
|
|
Formation of the Nederlandse Vereniging voor Hedendaagse Muziek (NVHM) (Netherlands Association for Contemporary Music); participated in some of its concerts. Pau van Hell-Wijnman died on October 2, 1930. 1932: Left the SDAP and joined the Onafhankelijke Socialistische Partij (OSP) (Independent Socialist Party). Gramophone record of Johan van Hell (clarinet) and Daniel Ruyneman (piano), NVHM. 1933: Marriage to Caroline Adolphine Lankhout (1895-1947) on June 14. 1934 – 1952: Permanent position as art teacher at the Friso School. Additionally, he taught at the De Lairesse School (1936-1937) (temporary assignment), at the Vincent van Gogh School (1937-1942 and 1945-1952), the Van Heutsz. (1941-1945) and Frankendael Schools, and finally at the Amstel School (1945-1952, all in Amsterdam. 1935 – 1939: Participated in exhibitions organized by the Populistenkring (Populist Circle), in existence from 1935 until 1939.
|
|
The town traders suffer from its proximity to large shopping centres such as Tunbridge Wells, Maidstone and Bluewater. The Borough Council has published proposals to improve the town's shopping and leisure facilities. During the early 20th century Tonbridge became the South East hub for plastic moulding / engineering and printing, with many well-known companies such as The Crystalate Gramophone Record Company, which claimed to be the oldest record producer in Britain. They bought out The Vocalion Gramophone Company in 1932 when the principal labels included Rex, Nine-Inch Broadcast, and Ten-Inch Broadcast. From the early post-war years, Crystalate was very much involved in producing the 1 mini-disc, which was sold in Marks & Spencers, Woolworths and probably other stores for 6d (2.5p) each between 1930 and 1937, with labels such as Crown, Embassy and Eclipse.
|
|
In 1928 music critic André Cœuroy wrote in his book Panorama of Contemporary Music that "perhaps the time is not far off when a composer will be able to represent through recording, music specifically composed for the gramophone" . In the same period the American composer Henry Cowell, in referring to the projects of Nikolai Lopatnikoff, believed that "there was a wide field open for the composition of music for phonographic discs." This sentiment was echoed further in 1930 by Igor Stravinsky, when he stated in the revue Kultur und Schallplatte that "there will be a greater interest in creating music in a way that will be peculiar to the gramophone record." The following year, 1931, Boris de Schloezer also expressed the opinion that one could write for the gramophone or for the wireless just as one can for the piano or the violin .
|
|
The album was titled after Clapton's nickname, which was given to him by Giorgio Gomelsky. In his 2007 autobiography, Clapton recalled that the name "Slowhand" seemed to be hanging on to his real name, because it seemed to be well received by both his American friends and fans who think of the Wild West when hearing the nickname. The album's artwork was done by Clapton himself with the help of Pattie Boyd and Dave Stewart, credited as "El & Nell Ink". Besides choosing various photos for the inner side of the gramophone record packaging are two pictures, Clapton notes, which have deeper importance to him: one picture, in which he kisses Boyd and another photograph showing a demolished Ferrari 365 GT4 BB, which Clapton bought after seeing George Harrison turning up with the same model at his Hurtwood Edge Estate.
|
|
Three gramophone record versions have been released in the following titles bearing the similar tune of the Malaysian anthem: 1930s "Mamula Moon" was pressed on Parlophone Records (Catalogue Ref: F.2211) in the 1930s, performed by British Band Legend, Geraldo and His Orchestra, with vocals by Danny Vaughn. This love song was performed using jazz instruments on a foxtrot dance beat. 1940s "I Shall Return" was recorded by Anne Shelton in the late 1940s, by Pickwick Music Ltd, published on Decca 78rpm record (Catalogue Ref. F.10037/DR.17340). 1950s The song was also recorded by the Sydney Latin band leader Paul Lombard (also known as Paul Lombard and His Orchestra), as "Malayan Moon" in 1952 with lyrics sung by Joan Wilton (in English) and Geoff Brooke (in Malay), released by Columbia Records in Sydney as D0-3460.
|
|
The chorus claims many recordings to its credit, including five award-winning releases: Mahler's Symphony No. 2 conducted by Sir Simon Rattle which won Gramophone Record of the Year in 1988; Sir Michael Tippett's A Child of Our Time, conducted by the composer, which was awarded the Preis der deutschen Schallplattenkritik; Szymanowski's Stabat Mater conducted by Sir Simon Rattle, which was awarded the 1995 Gramophone Best Choral Recording. At the 2000 Gramophone Awards the chorus was awarded Best Opera recording for its EMI release of Szymanowski's King Roger with the CBSO and Sir Simon Rattle, and Best Choral recording for its Chandos release of works by Lili Boulanger with the BBC Philharmonic and Yan Pascal Tortelier in 1999. Other recent releases include Walton's Belshazzar's Feast, and Mahler's Symphony No. 3 with the CBSO, and choral works by Fauré with the BBC Philharmonic. In 2006 the chorus released its first completely choral CD under Halsey on the EMI label.
|
|
That 1953 album was re-issued on long-playing gramophone record and, later, on CD. It is considered by many to be the finest recording of a complete opera ever made. It went out of print only once, after Callas recorded the role again in stereo in 1964; but the 1953 mono version was soon re-released and is the one that remains readily available to this day. Gobbi was a close friend, collaborator, and admirer of Callas, and he was interviewed several times about their various stage collaborations, noting in his book that "with Maria it was not performing but living". He was also famous for his many performances in the roles of Iago and Falstaff, several of which are available on CD. Less well-known but equally impressive are his performances of Mozart roles, in particular the title role in Don GiovanniDon Giovanni, live recording from 7/27/1950, published by Archipel, Catalog number ARPCD 0013-3 and the role of the Count in The Marriage of Figaro.operadepot.
|
|
Extra suspense is provided by the mystery of the "ghost train" which on stormy nights howls up the abandoned trackbed and suddenly vanishes on reaching the site of the bridge. Pitt solves this particular mystery by chance - walking along the trackbed one night the "ghost train" passes him and he sees that it is faked by means of a locomotive headlight and a PA playing locomotive sounds running along a cableway strung above the trackbed. This gives him the clue as to the whereabouts of the real train - it was in fact the victim of an elaborate scheme to rob it of a cargo of bullion. One group of robbers demolished the bridge with black powder charges, then staged a holdup of the nearest station; while one of them kept the stationmaster at gunpoint on the floor, another, who remained outside, played a gramophone record of train sounds and flashed a lantern through the windows to give the impression of a passing train, misleading the stationmaster into thinking that he had failed to prevent the train tumbling off the downed bridge.
|
|
During the early 1990s, the rave scene built on the acid house scene. The rave scene changed dance music, the image of DJs, and the nature of promoting. The innovative marketing surrounding the rave scene created the first superstar DJs who established marketable "brands" around their names and sound. Some of these celebrity DJs toured around the world and were able to branch out into other music-related activities. During the early 1990s, the Compact Disc surpassed the gramophone record in popularity, but gramophone records continued to be made (although in very limited quantities) into the 21st century—particularly for club DJs and for local acts recording on small regional labels. In 1991, Mobile Beat magazine, geared specifically toward mobile DJs, began publishing and in their premier edition featured award-winning club & Mobile DJ Chris Pangalos from Rolling Thunder Productions. Pangalos was also featured in the April 1993 edition of DJ Times magazine as well. In 1992, the Moving Picture Experts Group released the MPEG-1 standard, designed to produce reasonable sound at low bit rates.
|
|
78-rpm gramophone record with two parts of a Haqeeba song by Abdel Karim Karouma, late 1920s or 1930s The strongest stylistic influence in the development of modern popular Sudanese music has become known as Haqeeba style music (pronounced hagee-ba and meaning "briefcase"). The name Haqeeba, however, was only applied much later to popular songs from the 1920s, when radio presenter Ahmed Mohamed Saleh talked about old records, collected in his briefcase in his show Haqeebat al-fann (Artistic Briefcase), that he played on Radio Omdurman during the 1940s.For a concise and well-researched overview of the origins and later developments of Haqeeba music, as well as some links to contemporary, electronic versions, see the webpage by Sudanese cultural platform Locale and musician Sammany Hajo. In terms of the history of music in Sudan, the label haqeeba applies to an important change in the development of modern music: A new urban style of singing and lyrics was evolving, moving away from tribal folk songs and the melodies of religious, devotional singing.
|
|
The Hornicator started life as an old gramophone record horn, before Truax added a set of strings, a kazoo and a microphone. Here Thomas beats out the rhythm on the horn's metal casing (using a ringed finger to create a 'click' and other fingers to create a contrastive "thud") which is then repeated through the use of a looper pedal that records the beat and loops it over the PA, allowing Thomas to add more layers of other instrumentation (through the strings and other implements attached to the Hornicator). Finally Thomas sings a vocal through a microphone attached to the instrument. Other instruments work as variations on automatic rhythms and looped beats: the Stringaling features a vaguely bongo-like drum at the top of a length of clothes drier tubing to which is attached a variety of musical devices with pull-strings; Mary Poppins features a metal column attached to which are two arms that fly out to the side and spin, creating a train-like rhythm; the Backbeater, made up of several rotating spokes, straps on to Thomas' back and spins to create a low rhythm.
|
|
Additionally, surface noise tends to be picked up in a greater capacity in the vertical channel, therefore a mono record played on a stereo system can be in worse shape than the same record in stereo and still be enjoyable. (See Gramophone record for more on lateral and vertical recording.) This system was conceived by Alan Blumlein of EMI in 1931 and was patented in the U.K. the same year, but was not reduced to actual practice as was a requirement for patenting in the U.S. and elsewhere at that time. (Blumlein was killed in a plane crash while testing radar equipment during WW-II, and he, therefore, never reduced the system to actual practice through both a recording and a reproducing means.) EMI cut the first stereo test discs using the system in 1933, but it was not applied commercially until a quarter of a century later, and by another company (Westrex division of Litton Industries Inc, as a successor to Western Electric Company), and dubbed StereoDisk. Stereo sound provides a more natural listening experience, since the spatial location of the source of a sound is (at least in part) reproduced.
|
|
Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.Hart, R., performing 'Carnivorous Crark' under the direction of and conducted by Alfred Wolfsohn. Phonograph recordings, 1957–1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.Hart, R., performing 'Rhapsody on a Windy Night' by T. S. Elliot under the direction of and conducted by Alfred Wolfsohn. Phonograph recordings, 1957–1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.Hart, R., performing 'The Hollow Men' by T. S. Elliot under the direction of and conducted by Alfred Wolfsohn. Phonograph recordings, 1957–1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.Hart, R., performing 'The Rocks' by T. S. Elliot under the direction of and conducted by Alfred Wolfsohn. Phonograph recordings, 1957–1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland. Intrigued by what they observed, these and other invited guests publicized the work of the Centre, and as a result, some attendants made a number of public appearances and recordings. These included Jenny Johnson's appearance at the Hoffnung Music Festival, and a gramophone record of all regular long-standing students, published by Smithsonian Folkways.
|
|