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21 Sentences With "got wider"

How to use got wider in a sentence? Find typical usage patterns (collocations)/phrases/context for "got wider" and check conjugation/comparative form for "got wider". Mastering all the usages of "got wider" from sentence examples published by news publications.

But that doesn't necessarily mean the funnel only got wider.
We added a few more of our close girls and the subjects got wider.
It also meant that the device got wider distribution, as more carrier partners started carrying the product in their retail stores.
Apple was slow to respond to that bug, which was reported to the company the week before it got wider attention.
Trending algorithms were easily gamed; inflammatory posts and misinformation got wider distribution than the truth; and the decline of democracy accelerated around the world.
In what has become a common pattern in the #MeToo era, Amet's story got wider attention only when other women spoke up to join her.
Vettel showed the reigning constructors' champions a clean set of heels and quickly established a six-second gap, which only got wider as the race progressed.
It's true that teams charge a premium for front-row seats, and that most of those seats would have to go if the ice got wider.
As the stance got wider it was no longer a case of the feet being under the knees, but the knees being forced outwards, over the feet.
Intel stock was down as much as 6 percent on Wednesday as the report got wider attention, while AMD stock was up more than 8 percent; its chips were reported to be unaffected.
Sprengel's work however got wider coverage in the English speaking world only after Charles Darwin credited him in his Fertilisation of Orchids (1862).
The stair columns were exterior to the main floors. During this period the mules got wider and the width of the bays increased. Specialised mill architects appeared. McConnel & Company mills, about 1820 William Fairbairn's Lancashire boiler Mills of this period were tall, narrow, and wide.
Because of this limited availability, the album was ineligible for the UK Albums Chart. A DVD of the same concert was released at the beginning of 2008 and got wider commercial release so that it charted at #7 in the UK music DVD chart and at #19 in the German music DVD chart.
Ramp 1 extended from the edge of the terrace, at the lower (southern) end it measured wide, it narrowed as it rose and measured wide where it met the terrace in front of the access ramp of Structure 3.Andrews 1976, 1986, p.47. Ramp 2 was long and got wider as it rose.
The most well-known acts in the 1990s were Schönheitsfehler, Fünfhaus Posse and Texta. From the beginning, the hip hop culture in Austria was being dominated by East Austrian acts. There have been only a few acts from the west of Austria who got wider attention. In 2000, Schönheitsfehler had their first commercial success.
It had rack-and-pinion steering and a collapsible steering column. The spare tyre was located underneath the boot and was accessible from outside, in the tradition of French cars. The wheelbase went up almost , the body got wider, the wheel size went up one inch (14 inches). The car became more spacious, comfortable and safe.
Just before the Assembly elections of 1987 the differences between the factions under K. M Mani and P. J. Joseph got wider following the 'Punjab Model' speech issue. The Kerala Congress was again split when Mani famously declared 'If it is a split, So be it'. The faction under K. M. Mani was again known as Kerala Congress (M). Pillai and Joseph remained as Kerala Congress.
In the decades following the World War II, black tie became special occasion attire rather than standard evening wear. In the 1950s, some experimented with coloured and patterned jackets, cummerbunds and bow ties. The 1960s and 1970s saw the colour palette move from muted to bright day-glow and pastel, as well as ruffled-placket shirts as lapels got wider and piping was revived. The 1980s and 1990s saw a return to traditional styles, with black jackets and trousers again becoming nearly universal.
P. K. Pokker (born 1 June 1954) is a Professor of Philosophy in Calicut University and former Director of State Institute of Languages Keralabhasha Institute Thiruvananthapuram, Kerala, India. Then he became Senior Fellow of ICPR,New Delhi, and now Visiting Professor Vaikom Muhammed Basheer Chair, Calicut University. The first book, Aadhunikotharathayude Keraleeya Parisaram (Postmodernism in the context of Kerala) published in 1996 got wider attention in Kerala and won Thayat award for literary criticism in 1997. In the book an attempt was made to reveal the role of new theoretical approaches especially in understanding the cultural scenario of the world after cold-war.
The original fixed Lerma rear bench seat was replaced by the same unit used in the Camioneta American (Concord wagon) incorporating a fold down mechanism for an improved and expanded cargo capacity, retaining its unique original Lerma upholstery design. In terms of appearance, both seats and side panel designs were the same as the year before with only smaller added details for a slightly more luxurious look. Mechanically, the Lerma for 1982 was almost the same as in 1981. The only differences came in the form a different head gasket for the 4.6 Liter engine that brought compression ratio from 8.0:1 to 8.5:1. The standard A998 three-speed automatic transmission got wider gear ratios.
By about 1950 Kuntz believed that post-war abstract expressionism had run its course and that the time was ripe for the reappearance of structure in art that communicated to the viewer. His first solo exhibition was held at the Fine Arts Gallery of San Diego in 1951. Kuntz's work got wider exposure in the early 1950s in national competitions at the Corcoran Gallery of Art in Washington DC, the Pennsylvania Academy of the Fine Arts in Philadelphia and the National Academy of Design in New York. His first international exhibition was the III Bienal de São Paulo, which opened in Brazil in 1955 and subsequently traveled throughout the United States. In 1954, upon the recommendation of Sheets, Kuntz joined the faculty at Scripps College in Claremont as a visiting professor of art.

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