When you got down to it, it really was simple.
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After staking out a nook backstage and shooing away various backstage personnel, we got down to it.
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Having informed Eloise and Tyler of my inability to boogie, we got down to it, and they taught me some choreography.
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"When it kind of got down to it at the end, we stopped shooting pucks and stopped attacking the net," Cooper said.
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Then my toyboy finally arrived at 3 PM, and he walked in we didn't say a word and just got down to it.
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So, with the soul of the party at stake, the two most powerful — and polar opposite — men in the G.O.P. got down to it.
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When the show finally got down to it, the result was like an advertisement for The Bachelor mixed with the worst discussion among college freshmen you've ever seen.
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But he was too chill to be angry, about that, or indeed the EU, and besides, seemed to want the inverse of a Euro-federalist superstate when you got down to it.
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When they finally got down to it, they hewed loosely to the structure of "When Harry Met Sally" — a friendship that blooms into love over time, lots of parental involvement, lots of meals.
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So I scooped them up and got down to it — taking a bit of creative license with the rest of my menu planning: I paired the sweet buns with some savory salmon burger patties, where she went the teriyaki chicken burger route.
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Devanny later regretted viewing her novels as a way to convey ideology, rather than trying to write to the best of her abilities. She later noted: 'I realise now that I have not exploited the small measure of ability for writing I possess one whit. I never really got down to it and THOUGHT. Thought was reserved for politics'.
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In March 1940, White arrived at the recording studio prepared to record with several songs. When Melrose saw that they were mostly reworkings of current popular blues numbers, he encouraged White to take a couple of days and prepare some new material. White later recalled, "I got down to it" and returned on March 7 with twelve new songs. One was "Parchman Farm Blues", which he recorded that day (all twelve were recorded over two days, May 7 and 8, 1940).
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So they "did not provide viable templates for women's on-going participation in rock". In relation to the gender composition of heavy metal bands, it has been said that "[h]eavy metal performers are almost exclusively male" "...[a]t least until the mid-1980s" apart from "...exceptions such as Girlschool." However, "...now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it", "carv[ing] out a considerable place for [them]selves." When Suzi Quatro emerged in 1973, "no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader".
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Seething, burning resentment, the kind that > forms not due to poor treatment but due to an innate knowledge that you, the > aggrieved, are better than said treatment, better than everyone who has > somehow gotten the better of you over the years. ... Every moment Walt spent > in front of a classroom he was thinking about how beneath him it all was. He > was a genius; he was meant to be a millionaire, not this castrated cross > between stepping stone and doormat. When you got down to it, Walt > desperately wanted to teach every one ... a lesson, and I don't mean in the > style of Mr. Chips.
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In relation to the gender composition of heavy metal bands, it has been said that "[h]eavy metal performers are almost exclusively male" "...[a]t least until the mid-1980s" apart from "...exceptions such as Girlschool." However, "...now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it", "carv[ing] out a considerable place for [them]selves." When Suzi Quatro emerged in 1973, "no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader". According to Auslander, she was "kicking down the male door in rock and roll and proving that a female musician ... and this is a point I am extremely concerned about ... could play as well if not better than the boys".
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In relation to the gender composition of heavy metal bands, it has been said that "[h]eavy metal performers are almost exclusively male" "...at least until the mid-1980s" apart from "...exceptions such as Girlschool". However, "...now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it", "carv[ing] out a considerable place for [them]selves." When Suzi Quatro emerged in 1973, "no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader". According to Auslander, she was "kicking down the male door in rock and roll and proving that a female musician ... and this is a point I am extremely concerned about ... could play as well if not better than the boys".
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The lyrics describe a young couple fantasizing about the romantic freedom they would earn as adults, including the benefits of being able to "hold each other close the whole night through" and to "say goodnight and stay together". As Asher explained, "It's a song that people who are young and in love can appreciate and respond to, because it revolves around the things they've always wanted to do: live together, sleep together, wake up together—do everything together. In a 1976 radio interview, Wilson said the song expresses "the need to have the freedom to live with somebody ... The idea is, the more we talk about it, the more we want it, but let's talk about it anyway. Let's talk it over, let's talk about what we might have if we really got down to it.
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