After 11 holes, Hoffman seemed to be going to pieces.
|
|
Kim Kardashian is going to pieces ... and we should all stand up and applaud.
|
|
I've been a human cataract plunging through a noose and going to pieces on the rocks.
|
|
Meat pies are more familiar, colonial descendants of Cornish pasties, flaking and caving without going to pieces.
|
|
The Atlantic published the introduction to the book, under the title "Are the Movies Going to Pieces?" in December 1964.
|
|
They are at dinner when something Nick says gets a rise out of Tom: "Civilization's going to pieces," broke out Tom violently.
|
|
On the outside, Mr. Rozzi said, he appeared to be a star high school jock, but inside, he was going to pieces.
|
|
The chaotic middle movement of Mr Biss's chosen Schubert sonata reflects the composer, who was dying of syphilis, going to pieces in rage and terror.
|
|
Finally, I decided I would "embrace the suck" — a concept I learned about in a book called Going to Pieces Without Falling Apart, by Buddhist psychiatrist Mark Epstein.
|
|
" AND NOW, A WORD FROM CHARLES… "Yes, I know that the world is going to pieces and that the prowess of three gifted players doesn't amount to a hill of beans in this crazy world.
|
|
It was the moment when "the tension broke," she writes, but it's also one of the most significant events of the summer of 1969, one that made her feel as though the world had quit making sense and was going to pieces.
|
|
The O.N. 109\. Going to Pieces 110\. Mail-Order Lover 111\. Love Sick 112\.
|
|
George is going to pieces, drinking three bottles of whisky a day. Don, and a mysterious approach from Hollywood, convince George to get fit. Just in time, coincidentally, for George's boxing match with Dennis "Killer" Bowles.
|
|
The following year, she portrayed Nina in Robert Kalfin's stage production Seagulls. In 2006, archive footage of her was used in the documentary Going to Pieces: The Rise and Fall of the Slasher Film. In 2007, archive footage of her was used in the television documentary series Cinemassacre's Monster Madness.
|
|
The narrative of a zombie apocalypse carries strong connections to the turbulent social landscape of the United States in the 1960s when the originator of this genre, the film Night of the Living Dead, was first created.Adam Rockoff. Going to Pieces: The Rise and Fall of the Slasher Film, 1978–1986 (Jefferson, N.C.: McFarland, 2002), p. 35, .
|
|
Although aground, it was initially thought United States could be saved. By the time it was realized that she couldn't be saved, she had of water in her and was "fast going to pieces." The easily accessible "between deck" cargo, was saved in good condition. There is no record that any of the merchandise in her cargo hold, which was below water, was salvaged.
|
|
Epstein went to a Buddhist summer camp in Boulder, Colorado, where he met his first Buddhist teachers, Joseph Goldstein and Jack Kornfield. In his early 20s, he traveled to Ajahn Chah's forest Buddhist monastery near Bangkok, Thailand, together with these teachers as well as with Richard Alpert. He has practiced insight meditation since 1974. He is a contributing editor to Tricycle: The Buddhist Review and his books include Thoughts Without a Thinker and Going to Pieces without Falling Apart.
|
|
The series lasted until 1995. In 2000, David A. Szulkin interviewed Peabody for his book, Wes Craven's Last House on the Left, which tells the inside story of making the film. In 2001, Peabody wrote and produced the educational series Zone In. She created more entries in 2007. Peabody has appeared in several critically acclaimed horror film documentaries through archive footage such as Going to Pieces: The Rise and Fall of the Slasher Film (2006) and Never Sleep Again: The Elm Street Legacy (2010).
|
|
Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986, retrieved June 29, 2016. Once post-production on The Sitter was completed, Walton and Feke realized that the market for short films wasn't nearly as good as they had both anticipated. Although major studios were not interested in the short film, they were able to land a one-week showing at a theatre for consideration at the 1977 Academy Awards to qualify a nomination for Best Live Action Short. The Sitter had a short theatrical run being screened before Looking for Mr. Goodbar at Mann's Village Theatre in Westwood, California.
|
|
Despite appearing "as if the crew going to pieces" after some difficult conditions, Oxford extended their lead to two lengths by The Doves pub. Approaching Barnes Bridge, the Dark Blues had to avoid a skiff, allowing Cambridge to come back at them, before pushing on once again on to win by lengths in a time of 21 minutes 36 seconds, and took the overall record to 23–18 in Oxford's favour.Dodd, p. 306 After the race it was noted that the Oxford number three, P. W. Taylor, had dislocated his shoulder but had continued despite his injury.
|
|
The full-color gore on display in these films caused a sensation, with horror film-makers throughout the world becoming eager to saturate their productions with similarly shocking visual effects. Lewis stopped working with Friedman after making Color Me Blood Red, but continued to make further gore films into the 1970s. His next gore entry wouldn't come until 1967, with A Taste of Blood, often referred to as the "Gone with the Wind of Gore"Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986, Adam Rockoff due to its relatively lengthy running time of nearly two hours.
|
|
Slasher films are a subgenre of horror films featuring acts of violence portrayed in graphic detail. In his book entitled Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986, author Adam Rockoff states, "The slasher film typically involves a killer who stalks and graphically murders a series of victims in a typically random, unprovoked fashion. The victims are usually teenagers or young adults who are separated from mainstream civilization or unable to easily access help. These films typically begin with the murder of a young woman and end with a one female survivor who manages to subdue the killer, only to discover that the problem has not been completely solved".
|
|
To that end, Frazer is frequently negative and hyper-critical of his superior officers and their decisions, and clearly considers Captain Mainwaring, Sergeant Wilson and Lance Corporal Jones barely fit for command. When given even a little bit of power, however (or even just the taste of it), it frequently goes straight to his head; notably, in the episode "If the Cap Fits...", Frazer is temporarily given command of the platoon for a few days as an exercise in the difficulties of leadership, which, far from educating him in the pressures that Mainwaring faced, merely result in him acting even more exceedingly arrogant and tyrannical than before. In When Did You Last See Your Money?, a panic-stricken Jones was going to pieces over a missing £500, and Frazer was delighted, reminding people that he was next in line for Jones' position.
|
|