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6 Sentences With "goes down the line"

How to use goes down the line in a sentence? Find typical usage patterns (collocations)/phrases/context for "goes down the line" and check conjugation/comparative form for "goes down the line". Mastering all the usages of "goes down the line" from sentence examples published by news publications.

Then you think about where it goes down the line.
It starts at our point guard, and then it goes down the line.
Still, Shannon recognizes that his concept has loads of potential, and he's eager to see where it goes down the line.
He goes down the line, paddling Spike (who complains that he's the sergeant-at- arms) and then Spanky. But when he orders Buckwheat to stoop over to receive his paddling, as he stoops over his hat falls off exposing Alfalfa's love letter, which Spanky picks up. In anger, Spanky tells the boys to get Alfalfa. In fear, Alfalfa jumps out the window into a pool, where he is humiliated when the others stand at the window and laugh at him.
"those who have set aside their age-long fetters and given unprecedented help to men in the last few years to make [the] political movement dynamic"; ii. those "who have made their education and awareness a means of livelihood as well as means for public welfare"; and, iii. those "who have combined their meagre education with considerable Western modernity to cast their domestic life into a new mould." As the essay goes down the line, Varma begins to cogitate over the definition of modernity that varied from woman to woman in accordance to their own needs, taking up the encounters faced by women, who participated in national movements, as an archetype, and who "perceived modernity as a form of national awakening".
As the essay goes down the line, Varma cogitates over the nationwide ignorance of the art of living as a curse, and inscribes the apathy that has been inflicted upon Indian women since time immemorial because of her ignorance to "that art of living". To the essayist, the divine qualities that an Indian woman is adorned with are enough to make a "woman of any other nation a goddess". However, an Indian woman's "spirit of sacrifice" and "limitless fortitude" hinders her quest to "bring those divine qualities alive", subjugating her to an incarcerated position of an "Ardhangini" who is incessantly compelled to embody the attributes of an "ideal Sita-Savitri". Branding the Hindu woman as a corpse, Varma asserts that somewhere in the middle of this flummoxed predicament, the onus of a relegated status lies with the Indian woman herself.

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