149 Sentences With "go on the air" | Random Sentence Generator

But she hasn't had a sketch go on the air yet.

Nate I suspect they're going to go on the air fairly soon.

At Actualidad, liberals go on the air in the morning, conservatives in the afternoon.

Both candidates have outside groups spending millions to go on the air for them.

On Friday afternoon, he studied the latest forecasts and prepared to go on the air.

She was sitting in the building, ready to go on the air if she was needed.

According to journalists covering the White House, Mr. Trump directed him to go on the air.

While he waiting to go on the air, he mentioned his marriage plans to a researcher.

There was a true concern that an entire night of television would not go on the air.

I had a choice: Decline, or go on the air with a blue dot over my face.

Five go on the air, and one's always an extra clue in case there's a last-minute problem.

A black man acting as strangely as Fleck does would not have been allowed to go on the air.

"We will go on the air Sunday night, and how many of viewers across the country are familiar with 'Portlandia'"?

The new cash infusion, however, will help Biden go on the air in later-voting March states, such as Florida and Georgia.

That&aposs fortunate because if we go on the air and he&aposs not there, it would be in -- it would be embarrassing.

He'd been in talks to become an island-wide radio personality, and had in fact been scheduled to go on the air that week.

She could go on the air for 6 months in the massively expensive NYC media market and still have money left over to canvass.

"But I think the most powerful response that we all as journalists have is to go on the air and do our job," she added.

No one was standing over my shoulder waiting for me to finish a script for a program that was about to go on the air.

We get our first glimpse of Beale as we're still shrugging off our coats: he's sitting at a makeup mirror, preparing to go on the air.

She said that ESPN required that she give a sit-down interview to refute the accusations before she was allowed to go on the air again.

Fox News didn't go on the air until 1996 and the internet did not bloom, along with sites like the Drudge Report, until later in the decade.

"I keep telling you fellows I don't like to do this sort of thing," he told advisers who urged him to go on the air more often.

Not only was I seeing what was going on, but I'm seeing reactions in the crowd, and I'm making choices of what's going to go on the air.

The Club for Growth was the first outside group to go on the air against Mr. Trump last year, with what was initially a limited ad buy in Iowa.

The only broadcaster still operating, Mr. Omary said, was Radio Shariat, a Taliban station, which was using a mobile van to go on the air, changing its location frequently.

Mike Braun is also running for the GOP nomination and has injected a substantial amount of his own money into the race, which has helped him go on the air.

I had the flu or it was jury duty, and the television wouldn't go on the air because I wasn't gonna finish the cut, or I wasn't gonna figure this out.

But he suggested Kasich's super PAC, New Day for America, is also ready to go on the air in South Carolina and Nevada, touting a $500,000 ad buy encompassing both states.

But Braun upended the race, largely by spending $6 million of his own money on television ads that first launched in November, months before Rokita or Messer would go on the air.

I was about to go on the air on Sky News Arabia Friday when Defense Secretary James Mattis began a live press conference, where he touted recent U.S. military success against ISIS.

The star was to have been James Dean, but he was killed in a car crash less than a month before the program was to go on the air, live, on NBC.

Sanders is piling up millions in small donations and will have plenty of cash to go on the air in states more friendly to him and stay in the race, possibly for months.

"Look, I don't think you can ever go on the air and say, 'This is going to go perfectly,' because there are a lot of things that are out of our control," he noted.

The House Democrats' campaign arm is ramping up its spending in key California races three weeks out from the primaries, including plans to go on the air in the race for retiring GOP Rep.

To back that up, CNN is told the Trump campaign plans to go on the air with television ads in Virginia starting Tuesday in what campaign officials say is a $2 million buy in "key markets" through election day.

I had assigned her to the green room, where people wait before they go on the air, because everybody knew her and she was a reassuring presence to a lot of actors who didn't have a character to play that night.

CNN White House correspondent Jim Acosta prepares to go on the air after the daily press briefing, during which he had a contentious exchanges with White House senior policy advisor Stephen Miller, at the White House in Washington, U.S. August 2, 2017.

A pair of conservative organizations have already broadcast about $20163,000 worth of commercials in the district and the best-funded House "super PAC," the Congressional Leadership Fund, is preparing to go on the air next week with a spot blistering Mr. Lamb.

They bumble around, and I don't mean to go back to Rudy Giuliani talking about how intelligent he is, but who is dumb enough to go on the air, give three different accounts of an active case that the Southern District of New York is investigating?

But the gringo pundits pulled out of bed to go on the air missed that most were celebrating a new dawn for Cuba, rather than the death of a frail, 90-year-old man in a tracksuit who had been out of power for a decade and wrote daffy editorials for Granma, the newspaper of the Cuban Communist Party.

When it comes to finding those willing to go on the air to defend presumptive Republican nominee Donald TrumpDonald John TrumpPossible GOP challenger says Trump doesn't doesn't deserve reelection, but would vote for him over Democrat O'Rourke: Trump driving global, U.S. economy into recession Manchin: Trump has 'golden opportunity' on gun reforms MORE on a daily and even hourly basis, the list isn't exactly a long one.

16, 1949, but it did not go on the air until April.

KCLE's move to another frequency created the opportunity for AM 1120 to go on the air in the Austin radio market.

"And now, here's Dottie!" was Ed's introduction for his friend Dot as she was getting ready to go on the air, which came as such a surprise that it never made it into the show's taping.

Though the construction permit for WASP-FM in Oliver, Pennsylvania was first issued in 1988, it wouldn't go on the air until 1993. Nevertheless, WASP-FM did go on the air, and operated with a country music format similar to the one given up by its AM sister in favor of local and syndicated national talk. WASP-FM, operating at 94.9, transmitted its signal from North Union Township. However, both stations shared studio space in the single-story brick building which also housed the transmitter of WASP (AM) along Route 88 (a.k.a.

Although granted a construction permit in June 2008, the station didn't go on the air until about three years later. It signed on the air as a full-time repeater of WKLX, and has been repeating that station's signal ever since.

While attending the University of New Haven, Kopec inherited an 8-year-running industrial music radio station called The Industrial Revolution. The station itself was called WNHU 88.7 FM. Kopec would go on the air every Wednesday from 6 pm to 8 pm for over 2 years.

The ground floor of the 12-floor Edificio Darlington housed the first main studio of WRIK-TV The station first signed on as WRIK-TV on February 2, 1958, after receiving the FCC permit to go on the air on channel 7.PUERTO RICO. Museum of Broadcast Communications. Retrieved December 10, 2011.

WRIV-TV was ready to go on the air by the early 1970s, but the combination of a tough economic environment and the widespread popularity of cable television – which enabled viewers on eastern Long Island to receive New York City television stations clearly – likely prevented WRIV-TV from making it on the air.

WJBF-TV began operations on November 23, 1953 as Augusta's first television station."Seven new TV outlets go on the air." Broadcasting - Telecasting, November 30, 1953, pg. 68. The station was founded by the Georgia-Carolina Broadcasting Company, the broadcasting arm of local entrepreneur J. B. Fuqua, who also owned NBC Radio Network affiliate WJBF (1230 AM).

In the early 1990s, another television station was also slated to go on the air on UHF channel 51 under a different licensee, with the callsign of WKKT-TV. The licensee, which filed an application with the FCC in 1988, never made it to the air, at least according to Broadcasting Yearbooks from 1988 to 1993.

Good News Media, Inc. was established in early 1981 to lay the groundwork for getting the station on the air. Within 2 months after GNMI was started, WTCM changed from 1400 kHz to 580 kHz, opening the way for WLJN to go on the air at the 1400 kHz frequency. The station's first broadcast day was 2 days before Christmas in 1982.

Hewitt became a reporter at the paper, and was ready to go on the air when CFCA was launched. CFCA's first hockey broadcast was on February 8, 1923, although it was colleague Norman Albert who performed the play-by-play.Kitchen, p.246 Hewitt's first broadcast likely was February 16, of a game between the Toronto Argonaut Rowing Club and the Kitchener Greenshirts.

A television news strike in the spring of 1967 forced Today into an awkward position: either go on the air hostless, as Hugh Downs joined the picket line, or play back a rerun of a previous edition. The network went with the latter solution on Monday, March 29, 1967. Viewers instead saw a rerun of the July 4, 1966, edition of the program.

The station's application history dates back to around February 2011 under the call letters K18JL-D. The callsigns were changed to the current KAJL-LD in 2013.Digital TV Market Listing for KAJLKAJL-LD FAYETTEVILLE, AR @ RabbitEars.Info DTV America Corporation announced in December 2013 that KAJL will go on the air as a Telemundo affiliate, doing so by early 2014.

Wasserman would have some inside information on headline stories. When printers at the Vancouver Sun declared a strike, Wasserman, anticipating a long work stoppage, approached his friend Jim Pattison, owner of radio station CJOR, for a job. Wasserman would go on the air with a three-hour talk show weekday mornings from nine until noon. His competition would be radio veteran Jack Webster.

WJAG was licensed on July 27, 1922, but didn't officially go on the air until September. At 12:15 p.m. on September 13, 1922, WJAG broadcast its first program: a news and farm market report. The station's initial power was 100 watts, and its first broadcasts consisted of three afternoon news and market reports: at 12:15, 3:30 and 5:30.

He was also interested in the KBRD call letters; when the station was ready to go on the air, they belonged to someone else, so the station signed on under his ownership as KLDY. When KBRD became available, Morrow transferred the KLDY callsign to his classical AM station at 1280, making 680 KBRD. KBRD was named for BJ, Morrow's Moluccan cockatoo. who was the "music director".

The station was assigned the call letters as WZYB on May 7, 1992. On September 1, 1993, the station changed its call sign to WNGX; it signed on in August 1994. On July 13, 1998, it became WNGN. In 2009, WNGN announced that two new affiliated stations would go on the air: WNGB (91.3 FM) in Petersham, Massachusetts, and WNGF (89.9 FM) in Swanton, Vermont.

WJBK began as an AM radio station (now WLQV) in Detroit. In 1947 the station's television license was awarded by the Federal Communications Commission to George B. Storer's Fort Industry Broadcasting, the forerunner to Storer Communications. WJBK-TV began broadcasting on Channel 2 in Detroit on October 24, 1948 as a CBS affiliate. It was the third television station to go on the air in Detroit.

One day, the conversation led to Wahl's client informing him of a window of new FM applications, including a drop-in frequency at 93.3 mHz in Meyersdale. Wahl applied for the license on August 8, 1988, but the FCC would not approve the paperwork until 1991. The WQZS call letters were issued in 1990. However, WQZS wouldn't go on the air for the first time until October 26, 1992.

In 1996, Renda received permission to put another FM station on the air. In order for the new station to go on the air, many existing FM stations would have to shuffle their frequencies in order to fit the channel in its assigned community of Brookville, some 15 miles away from Punxsutawney. One of the affected stations was WPXZ. Renda gave up the 105.5 frequency for WPXZ to move to 104.1.

The station was assigned the call letters KNTE on March 7, 1994. On October 7, 1994, the station changed its call sign to KLDY then again on February 17, 1995, to the current KBRD. Larry "Skip" Morrow owned an FM radio station but was interested in also owning an AM station. When he purchased what was to become KBRD, there wasn't enough radio equipment to go on the air.

In its early days, it mostly simulcast AM 580. By the 1970s, it switched to album rock and later Top 40 hits, before going to country music in 1990. It moved to 94.5 MHz in 2002, to allow a new FM station to go on the air in the Kansas City radio market. In 1997, WIBW-AM-FM were acquired by Morris Communications with WIBW-TV bought by Gray Communications.

This transmitting station enabled TRT to finally go on the air. TRT's signal reaches most of Táchira, parts of Apure, parts of Zulia, the northern part of the Arauca Department in Colombia, and some parts of the Norte de Santander Department in Colombia. On July 24, 1989, TRT began testing their signal on channel six. Its test signal consisted of a color test pattern and the network's music.

WKQW was founded in 1982 by local broadcaster and engineer Stephen M. Olszowka, but would not go on the air until December 1987. For most of its early years, WKQW operated out of an office at 234 Elm Street in Oil City. The station moved to 222 Seneca Street in 1993 when WKQW-FM went on the air. WKQW studio building from 1993 to 2010, at 222 Seneca Street, Oil City.

The license was transferred on September 4, 1987 and the call letters changed to KRPS. It would have been KPSU, but those calls were already in use by the student radio station at Oklahoma Panhandle State University. The station was set to go on the air on April 29, 1988. However, it looked like that goal would not be met after rain moved into the area in early April.

On September 21, 1923, WTAR signed on the air at 780 kilocycles with 15 watts of power. It was the first radio station to go on the air in Virginia. On July 6, 1934, WTAR became an affiliate of the NBC Red Network after dropping the CBS Radio Network. At that time, the station was owned and operated by the parent company of the Norfolk Ledger-Star and The Virginian-Pilot.

There are still regular concerts there on summer Sundays. Melton's radio station, 103 FM The Eye, broadcasts to Melton Borough and the Vale of Belvoir and parts of Rushcliffe Borough. It can also be heard on the internet. When it was launched in 2005, it was the first in the UK to go on the air under the new tier of community radio, licensed by the broadcasting regulator OFCOM.

A series of interviews for on-air and sales staff was held at the Holiday Inn at Somerset in the summer of 1991, drawing hundreds of applicants thanks to an intensive advertising campaign and a sudden glut of on-air talent displaced by new FCC ownership regulations, which had station owners pairing up FMs in the same market. At this time, it was speculated that WQZS would go on the air with a soft adult contemporary format in response to research conducted in the Somerset County area. When the station did go on the air, instead of soft adult contemporary, the station went on the air with an oldies format, and that format, though very slightly modified over the years, remains today. WQZS still operates literally unchanged since going on the air, having the same owner, format, and studio location at 128 Hunsrick Road in Summit Township, about five miles (8 km) south of Meyersdale and in the foothills of the Meyersdale Wind Energy Center.

WKTO submitted an application to the FCC in 1989. It received a permit to construct and go on the air in 1997, and began broadcasting in 1998. In 1989, a Baptist church in Samsula had volunteered the use of some of its land for a tower. However, as time passed, church plans changed and a Christian businessman, Mr. Richard Crunkilton, offered his ranch for WKTO's 300' tower, until selling the land in 2006.

Stauffer Publications added a television station in 1953, WIBW- TV 13. It was one of the earliest TV stations to go on the air in Kansas. Because WIBW Radio was a CBS affiliate, WIBW-TV primarily became a CBS-TV Network affiliate as well, although in its early days, it also carried programs from NBC, ABC and the DuMont Television Network. In 1961, WIBW-FM signed on the air at 97.3 MHz.

In 1997, the FCC allotted UHF channel 17 for KAZQ's digital television station. KAZQ applied for a construction permit in May 2000; it was granted February 12, 2001, allowing the station to begin building its digital facilities. Special Temporary Authorization granted in March 2003 allowed KAZQ-DT to go on the air at reduced power while continuing to build full-power facilities. The station obtained its DTV license on January 6, 2006.

After hard work, everything was ready for Broadcasting Caracas, as the station was originally called, to go on the air. Careful tests were performed to make sure that all the equipment operated fully. Two of these tests had unique importance. One of them, which was held on 9 December 1930 and took place in the Plaza del Teatro Nacional during the dedication of the statue of Henry Clay, was the first remote transmission in Venezuela.

Roy Chaney and the late Col. Roy R. Chaney. The construction permit was granted in July 1952; the permit to construct the tower and other installations was received in October, 1952, and permission was granted to KVOM to go on the air on December 25, 1952, as a partnership consisting of Willis as principal partner and Horne and L.L. Bryan, also of Russellville. They would be doing business as Morrilton Broadcasting Company.

This station first went on the air on Feb. 11, 1947 with a power of 250 watts, using the call letters KAWT. This was the second radio station to go on the air in southeast Arizona (Cochise County); the first station, KSUN, in Bisbee, had signed on the air 1933. Both stations were owned by Carleton W. Morris. In February 1971, the station requested permission to increase the power to 1,000 watts.

KRUX (91.5 FM) is one of New Mexico State University's two radio stations, located in Las Cruces, New Mexico, United States. Student-run and operated, it serves southern New Mexico an eclectic mix of musical genres and more live performances than any other station in the region. Programming features over 20 different styles of music and news including live performances and interviews. KRUX was the first non-commercial educational FM station to go on the air in Las Cruces.

RSLs were also issued to television stations and other organisations which wished to cover a very small area. These licences (also known as Restricted Television Service Licences or RTS licences) restrict power, and hence range, but not operating hours. These licences are valid for four years, and must be competed for on renewal. The first Local TV station to go on the air in the UK with an analogue RSL licence was TV12 on the Isle of Wight.

Ground was broken for the new studios and offices on Monday December 12, 1960, during a snow storm that left high snow drifts and blowing wind. D. Ridgely Bolgiano, general manager, announced that construction of the new site would begin "next week with the station scheduled to go on the air by mid-February." Peter L. Arnow of Convent Station was president of the firm, and Walter C. Blaser of Wharton was named director of music.

Founded in 1989 as the second over the air television station in Brooklyn, the station didn't go on the air until 1998. Originally on channel 38 as a construction permit, it was later moved to channel 3 due to a reassignment of channel 38 to WPXU-LP in Amityville, New York. Throughout the 1990s the station ran The Box, and later MTV2 through transfer of ownership from Viacom. At that point in early 2006, it switched to Cornerstone Television.

At any time of the day or night Green can spontaneously go on the air by literally flipping a switch on a remote control, which turns on all of the lights and cameras, hits record and sends out the feed to TomGreen.com. Most shows can be viewed in the Videos section of TomGreen.com, and had also been made available for download via iTunes. The total number of video views have reached up to 38 million downloads per month.

When this happened, the network was "sustaining" the show until a new permanent sponsor took over production. In the early days of radio broadcasting, sustaining programming included a wide variety of shows offered by radio stations and networks to attract audiences to the new medium. New programs would often go on the air on a sustaining basis in the hopes of attracting a sponsor. If a radio station and its shows became popular, then it was more likely to attract sponsors.

Rock Radio Scrapbook: Goodbye Airchecks However, the silence proved to be brief. Just hours later, it returned as a CBC-owned rebroadcaster of CBM in Montreal. The CBC had been licensed to open a new transmitter in Quebec City, CBVE-FM, but it was not due to go on the air until the spring of 1976. The CBC thus persuaded Lucas to sell it the CFOM license in order to ensure an interim source for CBC programming until CBVE-FM could be launched.

A construction permit was granted to Florida City Radio by the FCC on February 18, 2008, to start this station. The call letters were issued on July 15, 2008 but the station didn't go on the air until Salem Communications began its local marketing agreement with Florida City Radio. WZAB made its debut on October 7, 2008, airing a business talk radio format as "880 The Biz". Florida City Radio soon sold the station to Salem outright for $1.4 million.

The special place is given to programs about public health services, social policy, education problems. Educational programs are divided on an age category: for kids, schoolboys and youth. Literary-drama transfers go on the air on the days off. In these blocks news, the literary- drama, musical, children's and youth programs, the special program «Year of the farmer», the total information-analytical program, programs of a social orientation and the special project «the House and an economy» also are assumed.

The original Black Jack Justice was a stage play written by creator Gregg Taylor. The play was a comedy about a very bad day on an old time radio show. The writer, Martin Bracknell, wakes up from a drunken stupor and realizes there is no script for the night's episode that is just about to go on the air. The last portion of the play features the cast attempting to put on the show anyway, making it up as they go along.

In early 1945, it was announced that the CBC International Service was ready and would go on the air for real on February 25 using the name the "Voice of Canada". By 1946, the CBC International Service had expanded to include regular transmissions in Czech and Dutch. Beginning in July, special once-a-week programs were broadcast to Scandinavia in Swedish and Danish and later in Norwegian, as well. In November 1946, daily broadcasts started to the Caribbean in English.

WTVE was the first television station to go on the air in the Elmira-Corning, New York market. An affiliate of the DuMont Television Network, it broadcast from studios on Market Street in Elmira, transmitting on UHF channel 24. The station began broadcasting June 15, 1953, after a two weeks of transmitter tests using an RCA transmitter manufactured in Camden, New Jersey. It was blown off the air in 1954 when its tower on South Mountain was blown down by Hurricane Hazel.

Grant convinces her that the word "kill" now means "kiss" and her symptoms subside. Hoping to stop the virus, the pair go on the air, spouting a series of self-contradicting and confusing phrases to help their infected listeners, ignoring warnings from the authorities who are trying to get them off the air. While an amplified voice from outside counts down from ten, Sydney joins Grant in the booth and they kiss. An explosion can be heard when the film cuts to black.

Emory and Henry College signed on WEHC on October 24, 1929, broadcasting on 1370 kHz from Emory, Virginia. WEHC was the first station in Virginia to go on the air that was not based in the major cities of Richmond and Norfolk. The station was run mostly by students and represented before the FCC by faculty member W. Byron Brown. In fall 1932, during the depths of the Great Depression, the college sold the station to Brown's Community Broadcasting Corporation for $5,000 ().

The station was founded in 1947 as WFMJ-FM by William F. Maag, Jr. from whose initials the call letters were derived. Maag was also publisher of The Youngstown Vindicator, and owned WFMJ(AM), and WFMJ-TV. WFMJ- FM was issued a construction permit in 1947, but the station did not go on the air until January 1950. Only a few years later, WFMJ Broadcasting Company requested that the FCC cancel the WFMJ-FM license, which they agreed to do on January 5, 1954.

The station debuted on March 27, 1955, known as WPRO-TV (for PROvidence). It was Rhode Island's third television station and was owned and operated, along with WPRO radio (630 AM and 92.3 FM), by retailer Cherry & Webb. WPRO-TV was originally supposed to go on the air in 1953, but the station ran into several delays. It had originally planned to build a transmitter in Rehoboth, but legal disputes with town officials forced Cherry & Webb to find a site in Johnston, Rhode Island.

Skelton was unable to work in television until the end of his 1951 MGM movie contract; a renegotiation to extend the pact provided permission after that point. On May 4, 1951, he signed a contract for television with NBC; Procter and Gamble was his sponsor. He said he would be performing the same characters on television that he had been doing on radio. The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951.

The transmitter had a directional antenna pattern mainly to the northwest towards Flint and the southeast towards Pontiac, with its reception area covering both cities. It was after the station had its second construction permit and was nearly built and ready to go on the air that the CRTC switched CHWI-DT-60 in Windsor, Ontario to channel 26. This left WHNE-LD no other choice but to apply for a different channel to avoid any co-channel interference with CHWI-DT-60 in Windsor.

It was the sole station in the market at the time of its sale. In 1986, Yorkton Television was acquired by Baton Broadcasting. Although Yorkton held a license to launch CIPA-TV at the time of its sale to Baton, the station did not go on the air until 1987. Later in 1987, CKBI/CIPA joined with CKOS/CICC, CKCK-TV in Regina and CFQC-TV in Saskatoon to form the Saskatchewan Television Network, which in turn merged with Baton's Ontario stations in 1994 to form the Baton Broadcast System.

It later moved to 106.5 as part of a strategic move to accommodate another station (WKQL 103.3 FM) to go on the air in Brookville, about ten miles west of Reynoldsville. WDSN acquired an AM station, WCED, in 2003 from Vox Media. WCED joined its new FM sister at 51 West Long Avenue in downtown DuBois. Needing more room to better accommodate a News/Talk formatted radio station, WDSN and WCED moved across and down the street to a former bank building at 12 West Long Avenue, where they continue to operate today.

Openly gay screenwriter Richard Kramer wrote "Strangers", originally including hugging and kissing between Peter and Russell. ABC and the producers agreed to eliminate the physical contact between the men in negotiations. Episode director Peter O'Fallon recalled that the cast and crew anticipated controversy and took pains "to rehearse [the scene] in a normal way, to not make it too provocative or, honestly, too sexual".Quoted in Becker, p. 138 David Marshall Grant concurred: “We were told that if we touched each other in any way under the covers, that it wouldn’t go on the air.

'" Parker also described the ending of the episode as "a bloodbath, (which) is what a good zombie movie should be". "Pinkeye" was the first South Park episode Parker and Stone felt unsatisfied with once production was complete. Parker said, "We were pretty bummed out, and we kind of thought, well, we're going to have a bad episode go on the air, and hopefully it won't alienate too many people, and we'll try to get our viewers back for Thanksgiving. But we were totally wrong, people totally loved it.

1510 WRAN, also licensed to Dover, did not go on the air until 1963. There was concern that the WDHA tower was affecting WRAN's directional antenna so WDHA's transmitter was relocated on one of WRAN's towers. (AM 1510 is now WRNJ in Hackettstown.) The WDHA call sign stands for "Drexel Hill Associates," the original owner of the station. Drexel Hill was headed by Peter Arnow who moved to Morris County from Drexel Hill, Pennsylvania, and along with his associates took the name of "Drexel Hill Associates" for the name of their newly established company.

An article in the Gazette and Daily July 24, 1942 headed "Will Occupy New Radio Station Monday" quotes the Station Manager Robert L. Kauffman as saying the station will go on the air sometime in the late summer. Otis Morse will be the Program Director and Willis Weaver will be the chief engineer. A terse advertisement in The Gazette and Daily August 26, 1942(Page 2 bottom of Column 1), simply said, "On the air soon - 900 the mid-point on your dial." This ad was repeated on August 27, 1944.

KVAN prevailed, and though Sackett predicted that KVAN-TV would go on the air January 15, 1954, it did not. In 1955, Sackett announced he would open a new tabloid newspaper in Portland to complement KVAN-AM-TV; by this point, the station was allowed to originate 51 percent of its programming from its Portland transmitter. The tabloid did not materialize, either; by late 1956, KVAN was engaged in a fight to move the channel 2 allocation from Portland across the Columbia River in an attempt to move from UHF to VHF.

"All But Two States Now Broadcast", Radio News, September 1922, page 480. Following a short series of test transmissions, WHAS made its formal debut broadcast on July 18, 1922."Radio 'Fans' Within 350-Mile Radius Hear First Programme Sent From WHAS Station", Louisville Courier-Journal, July 19, 1922, page 1. On May 16, 1925, the first live broadcast of the Kentucky Derby horse race was made by WHAS and also by WGN in Chicago."Derby To Go On The Air", The New York Times, May 16, 1925, p.

The Journal established a makeshift studio on the fifth floor of its building at 7 Forsyth Street. A transmitter had been ordered, but facing a delay the newspaper arranged for the equipment used by Gordon Heidt for his amateur station to be temporarily installed. A broadcasting license was normally needed before a station could go on the air, but it was arranged to have an initial telegraphed authorization, which was sent by the Department of Commerce on the evening of March 15. The station's debut broadcast took place that evening.

In order to go on the air on their projected date of April 1984, the station was forced to drop the signal strength from a planned 30,000 watts to 1,500 watts with a plan with the FCC to slowly increase the power as long as there was no interference. The station was up to 10,000 watts by 1985. Friends of Public Radio signed a 10-year lease for studio space in 1984 and volunteers helped with construction and fundraising. The station hired 3 more staff members as required by the Corporation for Public Broadcasting.

This station was not and is not in any way related to WLKT-FM, the Mainstream Top 40 radio station in Lexington. The station's construction permit was granted by the Federal Communications Commission (FCC) to Family Broadcasting Company in 1983. In spite of that, the station didn't go on the air until October 15, 1988, around eight years after the original channel 62 occupant, WTVQ-TV, relocated to that station's then-current channel 36 assignment. The studios were located in a shopping center at 124 New Circle Road on the northeast side of the city.

Mickey conducts a radio orchestra who performs the Franz von Suppé's Light Cavalry Overture. The sponsor (Pete under the name Mr. Macaroni) loves the rehearsal and agrees to have it shown in concert. On the night of the performance, everyone is soon ready, except, of course, for Goofy, who accidentally drops all the instruments under an elevator, severely damaging them and thus rendering them unable to make proper musical sounds. Mickey is left unaware of the unfortunate mishap until the time to go on the air and the musicians starts to "play" the damaged instruments.

The groundwork for WMMI was first laid in July 1982, when the construction permit to build it was first granted. However, the station, owned originally by Great Lakes Radio Corporation, a company headed by Gary Randall, would not go on the air until almost five years later. Studios, offices and transmitter facilities were located at 4865 East Wing Road in Mount Pleasant. The station first went on the air as an affiliate of the Satellite Music Network, using its "Pure Gold" classic hits format, for music and disc jockeys, with some local announcers producing news and sports and commercials on site.

Carol Cartman (Tori Spelling) is a conceited sensationalist talk show host. She is cynical, selfish, and generally treats her employees with cold contempt. She has been coached by her late Aunt Marla (Dinah Manoff) to behave this way. On Christmas Eve, hours before her talk show is set to go on the air, she is haunted by her Aunt Maria (who is wrapped in golden chains) who warns her of the mistake she made and the terrible fate awaiting her if she doesn't change where she also mentions that she will be visited by three spirits.

In 1983, Peterborough was equipped with its own studio, using a 12-channel Audix mixing desk made in the county and two Studer B67 tape machines, with a third machine for editing in a neighbouring office. That office later become a studio as well, although it could go on the air only from the main studio alongside. The first complete programme from Peterborough was presented by Julia Booth (formerly of BBC Radio London) while the studio's opening party was going on on the floor below. In 1987, the studio gained the ability to broadcast localised opt-outs.

It was also the second oldest of the two licenses previously issued for the state of New Jersey, preceded by RCA's WDY grant. However, WJZ was the first to go on the air, as WDY didn't begin operations until two and a half months after WJZ's debut. WJZ had difficulty convincing New York City performers – who were not paid – to make the trek to Newark, so on February 5, 1922 a more convenient remote studio was opened at the Waldorf-Astoria, located on Fifth Avenue and Thirty-Fourth Street."WJZ Opens New Studio", National Electragist (Radio Service Supplement), March 1923, page 4.

An hour is left for rewrites before a 6 pm taping in front of a live studio audience. The Daily Show typically tapes four new episodes a week, Monday through Thursday, forty-two weeks a year. The show is broadcast at 11 PM Eastern/10 PM Central, a time when local television stations show their news reports and about half an hour before most other late-night comedy programs begin to go on the air. The program is rerun several times the next day, including a 7:30 PM Eastern/6:30 PM Central prime time broadcast.

The concession renewal was scheduled to expire on November 21, 1999, and as the date approached, the station had not yet begun transmitting. Needing to go on the air to avoid having the concession reclaimed, Aréchiga hastily put together a schedule of music videos and put XHRAE on the air in November 1999, sparking a five-year controversy. Google translation (EN) Roberto Nájera Martínez, who had transferred his shares ten years earlier, claimed that he had merely rented the award of the concession to Aréchiga. Nájera insisted that he was the rightful owner of the station and accused Aréchiga of plundering it.

WJLS-FM is a Country formatted broadcast radio station licensed to Beckley, West Virginia, serving Southeastern West Virginia and Southwestern Virginia. WJLS-FM was formerly owned and operated by First Media Radio, LLC, which in December 2012 announced its intent to sell the station to West Virginia Radio Company of Raleigh, LLC. The sale of WJLS-FM and sister station WJLS was consummated on February 15, 2013 at a price of $4.5 million. It is the second FM radio station to go on the air in West Virginia, and the oldest existing FM station in the state.

The Chrysostom Corporation, a group of five investors that included the Casper police chief, was formed in 1977 to apply for a license to build a TV station in Casper. The Federal Communications Commission approved the application on August 31, 1979, and KCWY-TV began broadcasting on August 12, 1980. Channel 14, which has been affiliated with CBS since its launch, was the first new television station to go on the air in Casper since 1957 and marked the first time the city had two competing stations since 1959, when KSPR-TV folded. It also was Wyoming's first UHF television station.

The roots of WQQP can be traced back to the early 1980s, when the 95.9 MHz channel was first assigned to Brookville, Pennsylvania; operating then as WMKX, a mostly automated station that played adult contemporary music. In the mid-90s, Renda Broadcasting Corporation, which owned competitors WECZ and WPXZ in Punxsutawney, applied to put a new 25,000 watt station on the air in Brookville at 103.3 MHz. For that station, WKQL, to go on the air, several FM channel shuffles would have to take place. This affected the operation of WMKX, which under the plan, would move to 105.5 MHz from 95.9.

"Residents Protest Another TV Transmitter" Seattle Times, June 27, 1984. The station had planned to go on the air on June 1 of that year, with studios in Everett and an advertising sales office in Seattle, but kept getting bogged down by years of legal challenges from residents on Cougar Mountain who objected to the electromagnetic radiation from an additional broadcaster."Judge Upholds Decision to Build TV Tower" Seattle Times, July 16, 1986 After the legal challenges to the transmitter, KONG lay dormant until broadcasters came up with innovative ways to program additional stations in their area. KONG-TV signed on the air on July 8, 1997.

"Derby To Go On The Air", The New York Times, May 16, 1925, p. 11 On May 7, 1949, the first television coverage of the Kentucky Derby took place, produced by WAVE-TV, the NBC affiliate in Louisville. This coverage was aired live in the Louisville market and sent to NBC as a kinescope newsreel recording for national broadcast. On May 3, 1952, the first national television coverage of the Kentucky Derby took place, aired from then-CBS affiliate WHAS-TV. In 1954, the purse exceeded US$100,000 for the first time. In 1968, Dancer's Image became the first horse to win the race and then faced disqualification.

The station originally planned to go on the air on September 1, 2001 as the UPN affiliate for the Quad Cities market. Although Northwest Television owned the station, operations were to have been handled by Second Generation of Iowa, owner of Fox affiliate KFXA in Cedar Rapids. However, Grant Broadcasting System II, then-owner of KLJB-TV and KGWB-TV, filed an petition to deny the application, and the construction permit was not granted until July 20, 2007—nearly a year after UPN (which affiliated with WBQD-LP in 2002) closed down. WMWC never signed on an analog signal prior to June 12, 2009.

Dee became one of the best known (and most listened to) talk hosts in Cleveland. He was known for his encounters with politicians—especially legendary Cleveland City Councilman George Forbes, who would go on the air with Gary, often trading jabs until both were laughing so hard they could not continue. After a brief stint in New York and Washington, DC (at WPKX-FM, now WMAL-FM), Dee returned to Cleveland's WWWE (now WTAM) in the 1980s. Highlights of this period included Dee finding out, on the air, that his beloved wooden boat (the Lyman, as he would refer to it) had been burned while docked outside of the city.

73 Most of its announcers are bilingual and broadcast in Navajo and English. KTNN's headquarters in Window Rock, Arizona At the time the station came on the air in 1986, it claimed to be the last station allowed to go on the air with a full 50,000 watts on another station's clear channel frequency; however, other stations have been allowed since. At night the station uses a directional antenna to protect, as required by FCC rules, the signal of WFAN at New York City, since WFAN is a Class A (formerly Class I-A) station broadcasting on 660 kHz and KTNN is Class B (formerly Class II-A).

The station would not go on the air from those facilities, however, nor would it telecast on channel 19. Before the station launched, the FCC would amend the UHF table of allotments nationwide in Docket 14229, requiring KLPR-TV to amend its filing to specify channel 14 instead of 19. During construction of the station's tower, a worker was trapped in the air for more than an hour and was rescued using an improvised safety system. The station went on air May 31, 1966, with a unique and pioneering schedule consisting almost entirely of country and western programming, matching KLPR, at the time Oklahoma City's only country music station.

The new WGRT 102.3 FM was finally granted permission by the FCC to go on the air in 1991. For a Class A station, WGRT had an unusually powerful signal, reaching more than 40 miles in each direction, and into the Detroit Metropolitan Area's fringes. WGRT went on the air using ABC/SMN's "Starstation" adult contemporary format (now called ABC AC), originating out of Chicago with DJ's Don Sainte- Johnn, Richard Steele, Sonny Taylor, etc. (later Dallas), thus eliminating the expense for a full-time local contingency of on-air personalities, though the station employs a full-time news director actively involved in the community.

The channel is still listed as KBS by PSIP short name. On May 25, 2018, HC2 Holdings announced it would purchase WPVN-CD for $7 million plus costs.). If the purchase is approved and the station does go on the air, it is likely to become an owned-and-operated station for HC2's network Azteca América, which currently broadcasts on WCHU-LD (channel 61). With Polvision also selling off Milwaukee sister station WPVS-LP (which has yet to launch in eight years since Polvision's purchase of the license), the company will complete a withdrawal from over-the-air television broadcasting ownership, though retains control of WPVN's fourth subchannel.

Later, the platoon is ready and waiting to go on the air, but strangely nothing seems to be happening; not even the BBC engineer knows what is going on. Hodges enters to ask "What happened to you lot?" and says that the programme is all over; he has just been listening to the King's speech and "Old Mother Riley's Christmas Party is on now". Troughton-Maxwell apologises, revealing that a preceding broadcast from Hong Kong overran and the platoon's contribution has had to be dropped, because the BBC could not keep His Majesty waiting. The platoon take their revenge by all banging repeatedly on the microphone.

Los Angeles' radio and television stations were knocked off the air, but resumed coverage later. NBC station KNBC was the first television station to go on the air, with reporter Joe Rico beginning the station's coverage just two minutes after the earthquake began while anchors Kent Shocknek, Carla Aragon, Colleen Williams and Chuck Henry were producing special reports throughout the morning. Other local television stations, including KTLA, KCAL-TV, KCBS-TV and KABC-TV, were also knocked off the air. Afterward, anchors and reporters Stan Chambers and Hal Fishman of KTLA, Laura Diaz and Harold Greene of KABC, John Beard of KTTV, and Michael Tuck, Linda Alvarez and Tritia Toyota of KCBS were doing coverage throughout the day.

The groundwork for WKQL was laid in the mid 1990s, when Anthony F. Renda, president of Renda Broadcasting Corporation, wanted to put a new radio station on the air that would also, in part, serve his hometown of Indiana, Pennsylvania. Through a series of engineering maneuvers, Renda learned that 103.3 could go on the air with a powerful regional signal if some signal shuffling among other FM's in northwest Pennsylvania occurred. This affected stations in his hometown of Indiana, his co-owned property in neighboring Punxsutawney, and competing stations in St. Mary's, Brookville, Barnesboro, Emporium, Reynoldsville and Clearfield. It took some time for the maneuvers to occur, but all of them were complete within four years.

The jingles were made by German audio imaging company Sound Quadrat and its US- based subsidiary Benztown Branding, whose other clients include leading European CHR stations BBC Radio 1 (United Kingdom), Europa Plus (Russia) and NRJ (France), as well as Play FM's sister station 103.5 K-Lite. Since its inception, the on-air staff has the liberty of time to talk before continuing the music playlist. However, with the relaunch to its current format, most of them are given not more than 60 seconds every time their voices go on the air (except for Paid Advertisements or promotional/sponsor announcements). This strategy is being used to allow more songs to be played during the broadcast.

With her alluring, breathy delivery heard against a background of lush, romantic music, Thurman gave NBC's sexy weekend weather reports from 1955 until 1961. While Bob and Ray stayed at NBC all weekend to spontaneously go on the air in case of technical problems with scheduled remotes, Thurman was there throughout the weekend to do her hourly weather reports. Dennis Hart, the author of Monitor: The Last Great Radio Show (2002), recalled: When Miss Monitor delivered weather forecasts for cities across the country, her forecasts were all real, except for one occasion when Henry Morgan set Thurman's script on fire. She had to complete the segment by making up temperatures for each city.

"I never had any trouble with Orson," Arnaz wrote. Arnaz reported that CBS gave the series a slot, with General Foods as a sponsor, but the challenges in getting Welles to commit to a series lasting 30 to 38 weeks daunted them and the series did not go on the air. Leading man Rick Jason devoted a chapter called "Orson Welles and Feet of Clay" in his online autobiography, Scrapbooks of My Mind, to the making of the film, carefully detailing the unique approaches Welles employed to arrive at the film's striking result. In a May 2000 discussion at the Paley Center for Media Jason described his difficulties in working with Welles.

There are two dominating radio stations in Birmingham, Free Radio Birmingham and Heart West Midlands. BRMB was the fourth commercial ILR (Independent Local Radio) station to go on the air, after LBC, Capital, and Radio Clyde. Broadcasting a mix of popular music with local news, live football coverage, information and specialist output, the station became popular among residents in Birmingham and later, in 1986, changed its main FM frequency from 94.8 to 96.4. Presenters included Ed Doolan, Les Ross, Phil Upton and Tony Butler. Les Ross was the UK's longest-serving breakfast presenter, presenting BRMB's flagship weekday breakfast show from March 1976 to March 1989, followed by a second stint between August 1993 and September 2002.

After the show, the director asked him to be on call for all the children's voices as well as those of small, talking animals on all three network radio shows produced by WXYZ - The Lone Ranger, Green Hornet and Challenge of the Yukon. Beals was a member of the cast of The Hudson Sketchbook, the "first regularly scheduled TV program to go on the air in Detroit," on WWJ-TV. In 1952, after performing in an episode of The Green Hornet, WXYZ station manager Jack McCarthy referred Beals to Forrest Owen of Wade Advertising. Owen showed Beals a rendering of a proposed product spokesman for their client, Alka-Seltzer and had him record a voice audition.

In January 1990, WQMU began a relationship with the Transtar Radio Network (now Westwood One), first affiliating with the network's "Niche 29" format of Classic Rock and Top 40. The network later changed the name of the format to "Adult Rock 'n Roll", and the Transtar affiliation was later dropped in favor of another affiliation agreement with the Jones Satellite Network in Colorado Springs, Colorado. The station moved to 92.5 after then owner RMS Media petitioned the FCC for an FM license north of Indiana at 103.3 FM in Brookville. In order for the new station to go on the air, WQMU would have to move its frequency, which took place in 1997.

WJPA was started by a consortium of business owners in downtown Washington, several of whom are still part of the ownership group. WJPA made its debut on February 1, 1941. It was one of the last stations the FCC permitted to go on the air prior to the United States' entry into World War II. WJPA-FM also made its debut around this time, but broadcast at a frequency of 104.3 Mc. Because there were few FM receivers and even fewer car radios capable of receiving FM signals, the FM failed to make any kind of financial inroads and its license was returned to the U.S. Federal Communications Commission. After FM radio started gaining momentum, Washington Broadcasting Company decided to give FM radio another try.

In 1996, LifeTalk Radio purchased and launched several additional stations."For the Record", Broadcasting & Cable, September 2, 1996. p. 75. Accessed August 19, 2015 In 2000, the network was heard on 15 stations,"Letters From Listeners", Adventist Review, January 6, 2000. p. 45 Accessed August 19, 2015 8 of which were owned by the network."Radio Business", Radio & Records, Issue Number 1332, January 7, 2000. p. 6. Accessed August 19, 2015 By 2004, LifeTalk Radio was airing on 35 stations,"New Radio Stations Go On-the-Air . . . !", Carolina Action, Volume IV, 2004. p. 5. Accessed August 19, 2015 by 2005 it was airing on 65 stations,Typeline, Review and Herald Publications, Volume 21, Number 12, June 16, 2005. p. 1.

Froggy 97 came on the air as a country station, on January 6, 1997, after WCIZ-FM moved to 93.5 FM. Management believed the country format should be on the more powerful station, reaching into rural areas around Watertown, while the less powerful frequency of 93.5 would be good for the rock format. (WCIZ later moved to 93.3 FM, allowing a new FM station to go on the air in nearby Kingston, Ontario at 93.5.) Froggy 97 was originally owned by Pennsylvania-based Forever Broadcasting as part of their chain of Froggy themed country stations. Forever later sold the station to Regent Broadcasting, which in turn sold the radio station to its current owner, the Stephens Media Group based in Tulsa, Oklahoma.

One of the first promotional tools used on the street was a striking green Nash Metropolitan car, sporting the station call letters painted across each side and the rear in garish yellow and used as a mobile unit. It was equipped with a two-way radio to go on the air from the street and a speaker so people could hear what was on the air at promotional events. Later promotions built on this theme under PD Mike Shanin. The "Fun Spot" van (which cruised KC streets looking for bright yellow decals on vehicles) was driven by an attractive personality, K C Denim, who gave away prizes to listeners with the Fun Spot. "Happy Harry" Becker held down the 9 a.m.

Slightly more than five weeks prior to ESPN's official launch on September 7, 1979, Chet Simmons joined as President bringing along fellow NBC Sports executive and long time friend Scotty Connal to head production and operations. Leaving the prestige and comfort of NBC Sports was natural for Simmons and Connal who strongly believed in the idea of a 24-hour sports network. However, at the time cable and satellite channels were just in their infancy with HBO launching in 1975 and CNN yet to go on the air. Simmons and Connal and the young ESPN team got the network up on time launching with the first SportsCenter hosted by George Grande and Lee Leonard followed by a slow-pitch softball game.

The 1300 kHz frequency has a long history in Baltimore. The station signed on June 8, 1922 as WEAR, owned by the Baltimore American. WEAR's inaugural program, which included a speech from mayor William F. Broening and musical performances, is considered to be the first regularly-scheduled broadcast in Baltimore; WCAO had been issued a license in May 1922, but did not go on the air until September. Shortly after going on the air, on June 14, 1922, Warren G. Harding's speech at the dedication of the Francis Scott Key memorial at Fort McHenry was broadcast by the station; this is generally considered to be the first time a President of the United States had given a speech over the radio.

During CHWK's early years, there were some days when the station would not go on the air if Wells and Menzies were busy selling radios; this was eventually remedied in 1929 when Jack Pilling was hired on to help run station operations. CHWK moved to 665 AM and increased power to 100 watts in 1930, and Wells bought Menzies' ownership stake in the station in 1933, with programming geared toward the Chilliwack area's farmers. CHWK became a charter affiliate of the Canadian Radio Broadcasting Commission upon the network's formation in 1932 and later became the local affiliate when the CRBC reorganized as the Canadian Broadcasting Corporation in 1936. The station switched frequencies again to 780 AM in 1937 and increased power to 250 watts the following year.

Berezovsky and Gusinsky, were nothing similar to free media as understood by the West, but served their only economic and political interests while "all other politicians and analysts were denied the right to go on the air". Migranyan sees enhancement of the role of the law enforcement agencies as a trial to set barriers against criminals, "particularly those in big business". Migranyan sees in 2004 fruition of the social revolution initiated by Mikhail Gorbachev, whose aims were to rebuild the social system, saying that "the absolute dominance of private ownership in Russia, recognized by all political forces today, has been the greatest achievement and result of this social revolution". According to Migranyan, the major trouble of Russian democracy is inability of civil society to rule the state, underdevelopment of public interests.

But when Dunbar's mentor, the mysterious Oliver Threthewey (Pertwee), says the documentary is useless without more direct proof of AirZone's intentions, Dunbar and Stanwick hatch a plan to infiltrate AirZone's headquarters and hack into their computer mainframe. Stanwick has been aided in this by Rachel (Heather Tracy), an AirZone employee who is acting as his "mole" within the organisation. Meanwhile, Arnie Davies (Baker), a popular local television meteorologist, is getting ready to go on the air, although he still has time to flirt with the make-up lady and with his girlfriend, journalist Ellie Brown (played by Nicola Bryant, who had co-starred with Baker in both Doctor Who and The Stranger series). Dunbar successfully infiltrates AirZone's offices, but sets off an alarm soon after hacking into the computer.

WFOB first went on the air in 1952, and was the third radio station to go on the air serving this immediate area, eleven years after the premiere of WFIN in Findlay, Ohio; the seat of government for Hancock County. At the time, there was no AM radio station on the air serving Seneca and Wood Counties. Its FM sister, WFOB-FM, had been on the air since 1946, but because of its low power and the lack of FM radio receivers available at the time, it would be decades more before it would thrive. For many years, WFOB operated from its transmitter site at 1407 U.S. Route 23 just south of Fostoria, but would move to its present location at 101 North Main Street in downtown Fostoria by 1990.

However, the station would not go on the air until almost two years later, largely due to the incredible expense of putting a brand-new station on the air, which required real estate, a studio building, and professional-grade broadcast equipment. Nevertheless, The Christian Witness pressed onward and was able to secure a hilltop location on Coolspring Road, right at the Indiana borough limit. The Christian Witness was able to choose 105 Coolspring Road (to match the assigned frequency) as the address for the undeveloped parcel of land, and local petroleum distributor William G. Satterlee provided the gift of a studio building (two converted mobile homes) for the new station. Funding also had to be secured to pay Doug Varner Sound Company a modest fee for their excellent engineering and development work and to provide for the overall tower and antenna construction, as well as the transmitter installation.

They were regulars on NBC's Monitor, often on stand-by to go on the air at short notice if the program's planned segments developed problems, and they were also heard in a surprising variety of formats and timeslots, from a 15-minute series in midafternoon to their hour-long show aired weeknights just before midnight in 1954-55. During that same period, they did an audience-participation game show, Pick and Play with Bob and Ray, which was short-lived. It came at a time when network pages filled seats for radio-TV shows by giving tickets to anyone in the street, and on Pick and Play the two comics were occasionally booed by audience members unfamiliar with the Bob and Ray comedy style. Some of their radio episodes were released on recordings, and others were adapted into graphic story form for publication in MAD magazine.

A construction permit for what is now WYCX-CD was granted on January 24, 1996 for operation on UHF channel 49, to serve Manchester; the new station was issued the call sign W49BU. The original owners, Heritage Broadcasting Company of New York (who had applied for channel 49 in 1994, several months before selling WXXA-TV (channel 23) in Albany, New York to Clear Channel Communications), sold the station to Vision 3 Broadcasting on June 19, 1997. Vision 3 modified the permit to add Londonderry as a second city of license on January 8, 1998. The station was designed to be a repeater of WVBG-LP (channel 25) from Albany; however, when channel 49 signed on in March 1998 as an independent station, it was the second of Vision 3's three stations to launch, after W39CE (channel 39, later renamed WVBX-LP) in Easton, New York, which signed on in December 1997. WVBG-LP itself would not go on the air until August 1998.

In the mid-1990s, another frequency of 103.3 was assigned to Brookville through the efforts of WPXZ licensee Renda Broadcasting, which had been looking to gain a foothold in the county seat. In order for the new station to go on the air, a series of channel shuffling would have to take place to accommodate the new frequency. The shuffling would enable WMKX to take WPXZ's frequency of 105.5 as its own, and with the move of that frequency northwest, it also enabled WMKX to petition the FCC for an effective radiated power increase from 3,000 to 25,000 watts (something that wasn't possible at 95.9 due to the presence of an FM station on 95.9 in Sharpsville, Pennsylvania, now WAKZ), thus taking the station from a local to more regional listenership base, allowing it to also serve the communities of Clarion and DuBois. With the right conditions, WMKX can be heard as far west as Butler, Pennsylvania.

Over the course of nineteen years, the authority gradually evolved into a statewide public television network. KOED-TV (channel 11) in Tulsa, which was founded through a legislative appropriation granted to the authority, became the first of KETA's three satellite stations to go on the air, on January 12, 1959. The launch of the state's second educational television station made Oklahoma only the second U.S. state to have an operational educational television network (after Alabama Educational Television, now Alabama Public Television, which began its expansion into a statewide network with the April 1955 sign-on of its second television station, WBIQ in Birmingham). (The authority petitioned to move KOED's allocation to that reserved by local commercial station KJRH-TV [channel 2] in July 1981, but was ultimately denied permission to take over the frequency.) In 1970, KETA and KOED became member stations of the Public Broadcasting Service (PBS), which was launched as an independent entity to supersede and assume many of the functions of the predecessor NET network.

Red Skelton's network television program began at the start of the 1951 fall season on NBC (for sponsor Procter & Gamble). The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951. After two seasons on Sunday nights, the program was picked up by CBS in the fall of 1953 and moved to Tuesday night, the time slot with which it would become primarily associated during most of its run. After his first CBS season the program was moved to Wednesday night and expanded to an hour for the summer of 1954 only; it was then reduced back to a half-hour for a time, later expanded again, returning to Tuesday night, where it would remain for the next sixteen years (co-sponsored by Johnson's Wax and Pet Milk between 1955 and 1962). The program was produced at Desilu Productions and CBS Television City in Hollywood, and over five years, from 1955 through 1960, was telecast in color approximately 100 times.