I think that story talks about war much more than images that go bang-bang.
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There are times in life where you're going to go BANG into a brick wall.
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"I never expected this to go bang the way it did, in just 12 months," he said.
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Then I eat some kibble and get on a bus and go bang down the road to the next one.
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"Do you think we should go bang down the bathroom door and see what the f— is in there?!" she screams.
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"Do you think we should go bang down the bathroom door and see what the fuck is in there?!" she cries.
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The closest potential candidate for a star that could go bang is Betelgeuse, located an eye-watering 600 light years away.
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Also no idea, but they were ready for those red coats with a ragtag army and lots of things that go bang.
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Kim tries to smoke her out by suggesting loudly to her friends that they should all go bang down the bathroom door.
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" Referring to his stumble at the end, he added: "I may go bang my head a couple of times on the wall.
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"My professional campaign management days are done, but I am going to go bang a drum in the street because I believe in volunteerism," he said.
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Fifty thou, to my mind, should net you a nice sports coupe or a snazzy SUV / crossover, and $100,000 should be enough to go bang-out crazy.
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So the problem isn't so much that things are going to go bang tomorrow; it's that there's going to be a sustained increase of tensions in the region without an off-ramp to stop it.
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"I figured, as a senior in college, I needed to learn really good sales experience — and the best way to do that is to go bang on people's doors that don't want to talk to me," he said.
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Look at the tracks that were consensually agreed upon as the best of 2015 — "What's a Girl to Do" is 11 years old, "Just" is a balearic throwback, "I Wanna Go Bang" could have come out any year in the last twenty.
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Whether you've been a fan of Gaga since The Fame, when she told us to just dance (or its sequel, which reminded us romance can be bad); Born This Way, when she called upon every bad kid across the globe to put their paws up and meet her in an electric chapel of pop music; Artpop, where she gleefully admitted to living for the applause; Cheek To Cheek, when she made our hearts go bang-bang; or Joanne, where she gave us a million reasons to love cowboy culture and the style evolution came with it, you're well aware that Mother Monster's every move is expertly timed and calculated.
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The album spawned two more singles "Go Bang" and "Changa". At the ARIA Music Awards of 2018, "Go Bang" won the group's third ARIA Award for Best Dance Release.
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In Make the Music Go Bang! (1997), Los Angeles music journalist Chris Morris described The Blasters circa 1980 and the "brute energy" that the band generated, including "the pump of bassist John Bazz."Snowden, Don and Gary Leonard (editors) Make The Music Go Bang! The Early L.A. Punk Scene.
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In Make the Music Go Bang! (1997), Los Angeles music journalist Chris Morris described the Blasters circa 1980 and the "brute energy" that the band generated, including "the indefatigable drummer Bill 'Buster' Bateman."Snowden, Don and Gary Leonard (editors) Make The Music Go Bang! The Early L.A. Punk Scene.
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Dam Row, the Boojam-elect of the Asian country of Go-Bang, visits England to learn Western manners, escorted by Sir Reddan Tapeleigh. There, he finds that he is not Boojam after all. He falls in love with a dancer after seeing her performance, although he generally finds it difficult to grasp Western ways. He returns to Go-Bang as prime minister to the new chief, a humble greengrocer (previously Sir Reddan's footman), who is to be formally installed as Boojam at the palace in Go Bang.
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" "Go Bang," originally released on this album but recorded three years earlier by an ensemble that included Zummo, Peter Gordon, academic/composer Julius Eastman, Bascomb, and John and Jimmy Ingram was remixed as a 12" single by Francois Kevorkian. Kevorkian's remix of "Go Bang" and Levan's remix of "In the Cornbelt" (another track from the 24→24 suite) were frequently played at the Paradise Garage.
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In the nineteenth century, the game was introduced to Britain where it was known as Go Bang, said to be a corruption of the Japanese word goban, said to be adapted from Chinese k'i pan (qí pán) "go-board."OED citations: 1886 GUILLEMARD Cruise ‘Marchesa’ I. 267 Some of the games are purely Japanese..as go-ban. Note, This game is the one lately introduced into England under the misspelt name of Go Bang. 1888 Pall Mall Gazette 1. Nov.
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During his tenure, etcetc have received 10 ARIA Music Awards nominations 9 ARIA nominations for etcetc in 2018 including Album of the Year, Song of the Year, Best Independent Release, and Best Video. Etcetc won Best Dance Release in successive years with Pnau for ’Chameleon’ in 2017 Pnau win Best Dance Release for Chameleon in 2017 and ‘Go Bang’ in 2018.Pnau win Best France Release in 2018 for ‘Go Bang’ In February 2018, etcetc was awarded Indie Label of the Year at The Music Network's 'Tinnie' Awards. TMN 'Tinnies' celebrate the crushing success of executives and artists inside Australia's music business.
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His shows also included R&B; and rockabilly, as well as Patti Smith, Television—and The Ramones, whose debut album got Morris fired when he played it in late 1976.Make The Music Go Bang!: The Early L.A. Punk Scene, Don Snowden, ed.
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Go Bang! is the fifth studio album by Shriekback, released in 1988. It produced a significant number of Billboard modern rock hits, including "Get Down Tonight," "Intoxication," and "Shark Walk". Released after the departure of founding member and bassist, Dave Allen, the album revolves around Barry Andrews.
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Although we're few in numbers, we're the finest in the land. We play at wakes and weddin's, and at every fancy ball, And when we play the funerals we play the march from "Saul." :(Chorus) :Oh! the drums go bang, and the cymbals clang, and the horns they blaze away.
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Sacred City is the sixth full-length album by Shriekback. Released in 1992, after the failure of 1988's Go Bang!, the album was much more experimental, returning to the original Shriekback sound. Barry Andrews was again joined by founder, Dave Allen, and longtime collaborator Martyn Barker, as well as Karl Hyde.
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"Go Bang" is a song by Pnau, released in October 2017 as the second single from the band's fifth studio album, Changa (2017). The song features vocals from Kira Divine. Digital remixes were released on 8 December 2017. At the ARIA Music Awards of 2018, the song was nominated for five awards, winning Best Dance Release.
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Marsh was also in the band Happyhead. After a further album in 1988, Go Bang!, the band split up. Andrews continued working on other projects before re-forming Shriekback in 1992, although after the single "The Bastard Sons of Enoch" and album Sacred City, there would be no further releases until 2000's Naked Apes & Pond Life album.
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1894 programme Go-Bang is an English musical comedy with words by Adrian Ross and music by F. Osmond Carr. The piece was produced by Fred Harris and opened at the Trafalgar Square Theatre on 10 March 1894. It ran for 159 performances. The show starred Harry Grattan, George Grossmith, Jr., Arthur Playfair, Jessie Bond, and dancer Letty Lind.
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3/1 These young persons...played go-bang and cat's cradle. The board below shows the three types of winning arrangements as they might appear on an 8x8 Petteia board. Obviously the cramped conditions would result in a draw most of the time, depending on the rules. Play would be easier on a larger Latrunculi board of 12x8 or even 10x11. .
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Let's Go Bang is the second studio album by American actress and singer Jennifer Love Hewitt. It was released by Atlantic Records on September 12, 1995. It is also the first Hewitt album distributed by Atlantic. The producer, Angelo Montrone, had "noticed her talents" and brought her to the attention of then CEO of Atlantic Records, Doug Morris who then signed her.
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Emory and Jack Grisham formed The Joykiller in 1995 along with Billy Persons (The Weirdos/Gun Club) on bass, Ronnie King on keyboards, and Chris Lagerborg on drums. The Joykiller released three albums on Epitaph records prior to disbanding in 1998 and had a minor radio hit in the Netherlands with the song "Go-Bang." They later released their Greatest Non- Hits in 2005.
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Carr also composed another burlesque that year, Blue Eyed Susan, for the Prince of Wales Theatre. Carr next composed two successful musicals for producer Fred Harris: Morocco Bound (1893), a model for the music-hall-influenced "variety musicals" to come, and Go-Bang (1894), both with lyrics by Ross. 1n 1894, Edwardes engaged Carr to write the music for His Excellency, a comic opera with a libretto by W. S. Gilbert.
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Townshend later said, "A set of skins is about $300 [then £96] and after every show he'd just go bang, bang, bang and then kick the whole thing over." In May 1966, Moon discovered that the Beach Boys' Bruce Johnston was visiting London. After the pair socialised for a few days, Moon and Entwistle brought Johnston to the set of Ready Steady Go!, which made them late for a show with the Who that evening.
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The lyrics were written by Adrian Ross.Cruickshank, p. 26 She then played in Pick-me-up (1894, with George Grossmith, Jr. and Jessie Bond). After this, Lind rejoined George Edwardes's management to star at Daly's Theatre in a series of hit musicals: A Gaiety Girl (1894, as Alma Somerset), Go-Bang (1894, as Di Dalrymple), An Artist's Model (1895, as Daisy Vane), The Geisha (1896, as Molly Seamore), and A Greek Slave (1898, as Iris).
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Later mention includes an 1895 article in The New York Times, which describes Reversi as "something like Go Bang, [...] played with 64 pieces." In 1893, the German games publisher Ravensburger started producing the game as one of its first titles. Two 18th-century continental European books dealing with a game that may or may not be Reversi are mentioned on page fourteen of the Spring 1989 Othello Quarterly, and there has been speculation, so far without documentation, that the game has older origins.
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"Into the Sky" was accompanied by a video of Nick Littlemore as a floating head set against psychedelic visuals. "Go Bang" was released as a single on 27 October. In the lead-up to the album's release, the trio embarked on an Australian tour, performing at the Listen Out festival in Sydney on 30 September, and at the Adelaide dance event Oh Yes. At the ARIA Music Awards of 2018, Changa was nominated for ARIA Award for Album of the Year.
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She was nominated for the Golden Globe Award for Best Actress – Miniseries or Television Film for The Client List pilot film (2010). In music, Hewitt has released four studio albums to date. After her debut album, Love Songs (1992), was released at age 12 exclusively in Japan, she went on to record Let's Go Bang (1995), Jennifer Love Hewitt (1996) and BareNaked (2002), the latter of which became her first album to chart in the United States, peaking at number 37 on the Billboard 200 chart.
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Playfair was born in Ellichpur, India. He first appeared on the London stage in December 1887."Arthur Playfair, Actor, Dead". The New York Times, 29 August 1918, accessed 6 February 2011 He went on to create roles in the Victorian burlesque Cinder Ellen up too Late (1891); the comic opera The Mountebanks (1892) by Alfred Cellier and W. S. Gilbert; as Sir Reddan Tapeleigh, with Jessie Bond, in the musical comedy Go-Bang (1894) by Adrian Ross and F. Osmond Carr; and the comic opera His Excellency (1895) by Gilbert and Carr.
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On April 17, 2017 Harvard of the South announced they would be opening six dates on Blue October's Heart Go Bang Tour in May 2017. The band released their song WithOut via free download on May 8, 2017. Although the band had recorded a full album, it remained unreleased as the members of Blue October were busy producing and promoting their highly successful album I Hope You're Happy. In 2018 Longwave reunited, toured with Blue October in October of that year, and in 2019 released the album If We Ever Live Forever.
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His DJ sets veer from deep, intricate, chugging Techno, to jackin' Tech-house, into huge anthemic House moments in the classic vein. By 1995, his DJ career went international while touring with Joe Claussell and Kerri Chandler. That landmark year of his career, Jerome Sydenham also founded the Ibadan Records label and by 2000, his imprint was known for pioneering a fresh Tech-house sound with co-producer Dennis Ferrer. The series led to a string of current club hits including hot releases such as "Timbuktu", "Stockholm Go Bang!" and the crossover hit, "Sandcastles".
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Third verse of "When a gentleman supposes" from His Excellency, Act II By 1894, the popular trend on the London stage had moved from traditional comic opera to a new genre, musical comedy, with such shows as The Gaiety Girl becoming quickly popular. Gilbert added elements of the new genre to his later works. In the case of His Excellency, after approaching George Henschel unsuccessfully, Gilbert selected Carr as the composer for the new piece. Carr had enjoyed success in musical comedy, with In Town (1892), Morocco Bound (1893) and Go-Bang (1894), but critics inevitably found him inferior to Sullivan.
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According to a 2013 Rolling Stone article, Love Songs led to Hewitt becoming a pop star in Japan. She attributed her success to the country's love for "perky music" and said: "The poppier the music, the better." After Hewitt attracted further attention following her role in the family drama Party of Five, she released two studio albums in the United States through Atlantic. Let's Go Bang (1995) featured dance-pop and "light R&B;", and her self-titled album (1996) had R&B-inspired; pop music and adult contemporary music with lyrics about "love, loss, and longing".
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Sam Littlemore, also known as Sam La More, is an Australian record producer, songwriter and recording artist working in Sydney and Los Angeles. Littlemore, a member of dance music trio Pnau, is best known for being involved in the production of "What You Waiting For?" (2004) by Gwen Stefani, Pnau songs "Go Bang", "Chameleon" and "Changes" (2013) by Faul & Wad Ad vs. Pnau, "Can't Get Better Than This" (2012) by Parachute Youth, "High" (2013) and "Fire" (2018) by Peking Duk, "Don't Hold Back" (2007) by The Potbelleez and songs with Nellee Hooper, Rick Nowels, Nelly Furtado on Loose (2006), Arthur Baker, Pnau and Tonite Only.
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The 1990s also marked Montrone's start as a talent scout; he discovered both Jonatha Brooke and Jennifer Love Hewitt. Angelo went on to produce Love Hewitt's American debut album, Let's Go Bang, with Atlantic Records CEO Doug Morris, who acted as executive producer. After working independently as a producer and engineer for a number of years, Montrone was hired by Sony music executive Michael Caplan to be Director of A&R; and Staff Producer for their upstart record label, Or Music. Together with Caplan, he signed and developed the careers of Los Lonely Boys, Matisyahu, and Pitty Sing, and oversaw artists Tower of Power, John Cale, Alejandro Escovedo, and more.
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A review of the piece spoofed the loose plot (though praising it) in the following verse: :There is certainly not very much of a plot :In the musical farce of Go-Bang, :But, as someone remarks in the course of the larks, :Here the plot "doesn't matter a hang!" :For the music is light, and the dresses are bright, :And the ladies are shapely and tall; :There is dancing and song, and the skirts aren't too long, :And there's frequently no skirt at all. The Times found the plot laboured and the satire heavy-handed, but praised the songs, Letty Lind's dancing, Grattan's and Grossmith's portrayals and Bond's singing.The Times, 12 March 1894, p.
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Holley, Denise.“Georgia Candidate” Nogales International (May 22, 2008) and during his tenure, U.S. Secretary of Education Arne Duncan called McCollough “the next generation of leadership who is going to help lead the country where we need to go.”“Bang for the Buck in Schooling” AEI (November 2010) McCollough implemented an aggressive reorganization.Holley, Denise. “McCollough says that NUSD is top-heavy in administration” Nogales International (July 17, 2008) Faced with millions in budget cuts, he was able to utilize dramatic restructuring and attrition, in order to save jobs.Holley, Denise. NUSD takes cut worth $4 million, but still saves jobs, Nogales International (July 19, 2010) McCollough cut $7 million from the annual budget without layoffs by redeploying central-office staff to positions working directly with students and families.
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The Duke of York's Theatre is a West End theatre in St Martin's Lane, in the City of Westminster, London. It was built for Frank Wyatt and his wife, Violet Melnotte, who retained ownership of the theatre until her death in 1935. It opened on 10 September 1892 as the Trafalgar Square Theatre, with The Wedding Eve. The theatre, designed by the architect Walter Emden became known as the Trafalgar Theatre in 1894 and the following year became the Duke of York's to honour the future King George V.Violet Melnotte (1855–1935) D'Oyly Carte, Who Was Who (Boise State University) accessed 11 October 2007 One of the earliest musical comedies, Go-Bang, was a success at the theatre in 1894.
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In 1976, Eastman participated in a performance of Eight Songs for a Mad King conducted by Pierre Boulez at Lincoln Center. He served as the first male vocalist in Meredith Monk's ensemble, as documented on her influential album Dolmen Music (1981). He fostered a strong kinship and collaboration with Arthur Russell, conducting nearly all of his orchestral recordings (compiled as First Thought Best Thought [Audika Records, 2006]) and participating (as organist and vocalist) in the recording of 24-24 Music (1982; released under the imprimatur of Dinosaur L), a controversial disco-influenced composition that included the underground dance hits "Go Bang!" and "In the Cornbelt"; both featured Eastman's trademark bravado. During this period, he also played in a jazz ensemble with his brother Gerry, who previously played guitar in the Count Basie Orchestra.
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He also took the lead role of Julian Anson - "elegantly played by John Sackville" as reviewed by The Guardian's Michael Billington \- in a rare revival of N.C. Hunter's A Day by the Sea at Southwark Playhouse. In 2018 he was cast in the role of Douglas Eden in Joe Hill-Gibbins' production of Absolute Hell at the National Theatre. He was then cast as Robin Day in Misbehaviour, directed by Philippa Lowthorpe, playing opposite Keira Knightley. In 2019 he played Henry VI in the Headlong adaptation of Shakespeare's play Richard III , directed by John Haidar, followed by the role of Thomas Armstrong in Go Bang Your Tambourine at the Finborough Theatre, for which he won Best Male Performance in a Supporting Role in a Play at the Off West End Theatre Awards 2020.
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Condon attacked his targets wholeheartedly but with a uniquely original style and wit that made almost any paragraph from one of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, playwright George Axelrod (The Seven Year Itch, Will Success Spoil Rock Hunter), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote: > The arrival of a new novel by Richard Condon is like an invitation to a > party.... the sheer gusto of the prose, the madness of his similes, the > lunacy of his metaphors, his infectious, almost child-like joy in composing > complex sentences that go bang at the end in the manner of exploding cigars > is both exhilarating and as exhausting as any good party ought to be.
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Ross contributed lyrics to almost all of the Gaiety Theatre's shows, beginning with The Shop Girl (1894, with his song "Brown of Colorado") and Go-Bang in 1895. He wrote over two thousand lyrics and produced lyrics for over sixty musicals thereafter, including most of the hit musicals through World War I. In 1896, he contributed to the Gaiety Theatre hit, The Circus Girl. He also wrote lyrics for the one-act comic opera, Weather or No (1896), which played as a companion piece to The Mikado at the Savoy Theatre, as well as several other Savoy operas, such as Mirette (1894), His Majesty, or The Court of Vignolia (1897), The Grand Duchess of Gerolstein (1897) and The Lucky Star (1899). Lily Elsie in The Dollar Princess Ross also wrote lyrics for the shows at Daly's Theatre.
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Grossmith's first role in a musical was at the age of 18 in a small comic role in his father's collaboration with W. S. Gilbert, Haste to the Wedding. He next appeared in several small comic roles, including in The Baroness (1892). Grossmith's breakthrough came in Morocco Bound (1893), where he made the most of the small role of Sir Percy Pimpleton by adding ad-libbed sight and word gags, becoming an audience favourite and establishing his style of playing aristocratic "silly-ass" or "dude" roles.Berger, Leon. "Grossmith, George Jr.", The New Grove Dictionary of Music and Musicians, Oxford University Press (2nd edition, 2001) This was followed by appearances in Go-Bang (1894 as Augustus Fitzpoop) and in George Edwardes's production of A Gaiety Girl (1893 as Major Barclay). He also played in Pick-me-up at the Trafalgar Square Theatre in 1894 with Jessie Bond and Letty Lind.
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After its premiere at the Opera House in Northampton in 1893 The Lady Slavey was produced by William Greet at the Royal Avenue Theatre in London from October 1894 to January 1895 with Henry Wood as the conductor.Henry Wood and The Lady Slavey (1894) - Museum of Music History The role of Phyllis in the first tour of 1893 was created by Kitty Loftus. During an early stage of one of the show's various British tours from 1893 to 1907 the conductor was Howard Talbot.Howard Talbot - British Musical Theatre website The Lady Slavey had a lot of competition in London in 1894, which saw the openings of The Chieftain by Arthur Sullivan and F. C. Burnand, His Excellency by F. Osmond Carr and W. S. Gilbert, Go-Bang by Adrian Ross and Carr, Wapping Old Stairs by Stuart Robertson and Howard Talbot, a revival of Little Jack Sheppard by Meyer Lutz and H. P. Stephens at the Gaiety Theatre, Mirette by André Messager and Ross, and The Shop Girl, an extremely successful musical comedy by H. J. W. Dam, Ivan Caryll, Lionel Monckton and Ross.
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Postcard of the Vaudeville Theatre, c. 1905 Wapping Old Stairs had a lot of competition in London in 1894, which saw the openings of The Chieftain by Arthur Sullivan and F. C. Burnand, His Excellency by F. Osmond Carr and W. S. Gilbert, Go-Bang by Adrian Ross and Carr, The Lady Slavey by John Crook and George Dance, a revival of Little Jack Sheppard by Meyer Lutz and H. P. Stephens at the Gaiety Theatre, Mirette by André Messager and Ross, and The Shop Girl, an extremely successful musical comedy by H. J. W. Dam, Ivan Caryll, Lionel Monckton and Ross. Written around the title of an old song, Wapping Old Stairs was first mounted at the Theatre Royal in King's Lynn from 4 to 6 January 1894 before transferring to the Vaudeville Theatre in London.Musical and Dramatic Notes, Public Opinion, Volumes 65–66, 9 February 1894, p. 180Howard Talbot, British Musical Theatre website at the Gilbert and Sullivan Archive It has a libretto by Stuart Robertson and a score by Howard Talbot and was Talbot's first full professionally produced comic opera; it was directed and produced by Richard Temple.
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P's third single, the June 2008 release "Shooting Star", was played on commercial stations such as BBC Radio 1Xtra, as well as various underground ones too. P's fourth single, "Drift Away", was given a limited release from 12 July 2010 (a month after The Digital Lyrical Miracle EP it appeared on) until 14 October 2015 (a legal battle is being fought to have it removed from sale by a German digital distributor that breached its contract with DMR). P's fifth single, "Bubbles Go Bang", released on 21 November 2011, was broadcast on commercial stations such as Kiss, further to which its video was also aired on television channels such as The Box UK and Virgin TV. P's sixth single, "My Desire", was released on 20 February 2012, and was played on commercial stations such as Kiss, further to which its video was also aired on television stations such as Kiss TV. P has appeared in publications such as RWD (2010), Touch magazine (2007), What's Poppin (2006), Invincible Magazine (2006) and StreetCred magazine. Also, having been on a hiatus from music production since 2012, he is currently working on an EP and tour set for release/commencement in 2020.
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Condon attacked his targets, usually gangsters, financiers, and politicians, wholeheartedly and with a uniquely original style and wit that make almost any paragraph from one of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, the well-known playwright George Axelrod (The Seven-Year Itch, Will Success Spoil Rock Hunter), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote: > "The arrival of a new novel by Richard Condon is like an invitation to a > party.... the sheer gusto of the prose, the madness of his similes, the > lunacy of his metaphors, his infectious, almost child-like joy in composing > complex sentences that go bang at the end in the manner of exploding cigars > is both exhilarating and as exhausting as any good party ought to be." In Prizzi's Honor, Condon's normal exuberance was somewhat curbed by choosing to narrate the events through the viewpoints of its various semi-literate gangsters, which limited the scope of his imagery. In Money, however, he returns to being his usual omniscient narrator, giving the reader: > Vincent had a totally closed face, like a bank vault shut impenetrably by a > system of time locks.
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George Grossmith Jr. (11 May 1874 - 6 June 1935) was a British actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies. Grossmith was also an important innovator in bringing "cabaret" and "revues" to the London stage. Born in London, he took his first role on the musical stage at the age of 18 in Haste to the Wedding (1892), a West End collaboration between his famous songwriter and actor father and W. S. Gilbert. Grossmith soon became an audience favourite playing "dude" roles. Early appearances in musicals included George Edwardes's hit A Gaiety Girl in 1893, and Go-Bang and The Shop Girl in 1894. In 1895, Grossmith left the musical stage, instead appearing in straight comedies, but after a few years he returned to performing in musicals and Victorian burlesques. Early in the new century, he had a string of successes in musicals for Edwardes, including The Toreador (1901), The School Girl (1903), The Orchid (1903), The Spring Chicken (1905), The New Aladdin (1906), The Girls of Gottenberg (1907), Our Miss Gibbs (1909), Peggy (1911), The Sunshine Girl (1912) and The Girl on the Film (1913). The lanky Grossmith was often comically paired with the diminutive Edmund Payne.
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