The Real Estate industry gives recognition to Brooklyn's Remsen Village. One multiple listing service calls it "an enclave" and a "microneighborhood" with "two renowned hospitals" and "Brooklyn's only medical school".
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There are 18 medical schools in Nepal that award the MBBS degree. Nepal Medical Council (NMC) is the regulatory board that gives recognition to medical institutions for providing formal studies in medical science and training.
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The Length-of-Service Award gives recognition to creditable service with the U.S. Government. For a Length of Service Award, a certificate, and lapel emblem are issued for between 10 and 50 years of service, depending on the agency.
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The election commission has the right to allow symbols to the political parties. It gives recognition to the national parties, state parties and regional parties. It sets limits on poll expenses. The commission prepare electoral rolls and update the voter's list from time to time.
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The Malawi Independence Medal was authorized by Queen Elizabeth II to commemorate Malawi's independence. The medal gives recognition to members of the Malawian Defence Force and the police, who served on 6 July 1964, as well as to those citizens and civil servants who have rendered outstanding public service to Malawi.
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The act begins as the narrator repeats the same question- " What is the solution? ". He also talks about the story of ′Vikramaditya and Betaal′ where the king Vikrama replies to Betaal that the mind (head) is the master of the body. It is head that gives recognition to an individual. Bhagwata tells that they all three go to a hermit seeking solution for this problem.
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2008 and 2010 IRUPA Players player of the year; Tommy Bowe Rugby Players Ireland has run the annual Rugby Players Ireland Awards dinner from 2002 which gives recognition to rugby players in a number of categories. The awards dinner is run to support the Rugby Players Ireland Foundation. The most prestigious award is the Players' Player of the Year award which is voted for by playing members of Rugby Players Ireland.
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Grobocopatel is the Chairwomen of F.L.O.R. (Foundation for Responsible Leadership and Organizations). F.L.O.R's activities include training courses with the objective of women reaching decision-making positions, and promoting women's financial independence. Flor Foundation organizes an annual diversity awards ceremony which gives recognition to companies who have a diverse workforce and leadership. Grobocopatel is also a member of the Advisory Board at University of Miami, and a member of Marianne, French & Argentinian Women's Association.
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The GRACE Program/ Karis Award is an annual charity event hosted at the church where he pastors; The HouseHold of God International Ministries, Lagos. The guiding philosophy being that greatness does not consist in being great but in the ability to make others great. The Karis Award gives recognition to, while financially rewarding Nigerians who had offered distinguished service to the nation, but are not recognized nor rewarded for their contributions to the nation building. Some recipients are, Prof.
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The Capture the Fracture® (CTF) program was created by IOF in 2012 to promote secondary fracture prevention through best practice framework guidance and recognition of Fracture Liaison Services around the World. 224 Fracture Liaisons Services (FLS) have been established in 35 countries as part of the CTF program. The Map of Best Practice, established as part of the CTF program, gives recognition to FLS by grading their level of service. The excellence obtained by the FLS is designated as gold, silver or bronze.
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The University is supported by a charitable Trust, named the "DCU Educational Trust", the main work of which is in fund-raising. The trust has a donation portal and schemes for regular donation, such as the Annual Fund, which includes facilities for regular donors, and the Leadership Circle which gives recognition to significant regular donors who commit to donating minimum annual amounts. There is also an annual telethon seeking donations from alumni. The trust has an advisory and oversight board, and a small staff, led by a CEO.
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The Gawad Genio Awards was instituted by the Critics' Academy Film Desk of Zamboanga City in the year 2006. This award gives recognition to the year's best in the movie industry in the Philippines. The Genio Critics' Academe collates results among all the award-giving bodies in the Philippines and awards the most honored and credited actors, directors, filmmakers and producers, so as to give recognition to those who made it internationally. International-Excellence Awards is given to individual(s) who have been awarded not just in the Philippines but all throughout the world.
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It gives recognition to that kind of woman". Akerman used an all female crew for the film, which she later said "didn't work that well - not because they were women but because I didn't choose them. It was enough just to be a woman to work on my film ... so the shooting was awful". Akerman further stated that "a hierarchy of images" that places a car accident or a kiss "higher in the hierarchy than washing up ... And it's not by accident, but relates to the place of woman in the social hierarchy ... Woman's work comes out of oppression and whatever comes out of oppression is more interesting.
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This award is worth 30 000€. In 2014 she received another two awards: the first one was from the Press Association of Sevilla (Asociación de la Prensa de Sevilla), that gave her the Clavel de la Prensa Award, an award that gives recognition to remarkable public figures of the city of Seville. The second one was the "Fuera de Serie" Award, from Expansión magazine, in the category of dance, with which they recognise the success of different professionals in their respective field in a national or international context within the year. In July 2015 she was a teacher in one of the summer courses organized by Pablo de Olavide University of Sevilla.
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She then went to France and trained there at the Forsan Equestrian Centre in Chantilly. After participating in several competitions abroad, the International Olympic Committee (IOC) became aware of Malhas. Due to the fact that each country has to field a minimum of one woman in the mandatory quota set by the IOC in order for a nation to take part in the Games, the IOC invited Malhas to represent Saudi Arabia, although her links with that country are not strong. When interviewed during the Youth Olympics in Singapore in 2010, she admitted: "I didn’t care much about me being there as a representative of Saudi Arabia, because anyone could probably do that. But getting a medal was the key, and that’s not easy for anyone, and I wanted that — and only that gives recognition to my country".
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Nityalila Saulo was nominated Best Performance by a New Female Recording Artist at the 2008 Awit Awards, spearheaded by PARI (The Philippine Association of the Record Industry, Inc.), that gives recognition to Filipino performing artists and people behind the making of Filipino recorded music. Nityalila (Band) was born out of the realization that artists and musicians have the “powers” to empower, educate, and inspire the people, especially the youth, towards embracing our own culture and from there, creating original art forms and music. She is also an active member of Dakila, Philippine Collective for Modern Heroism — A collective of Filipino artists, musicians, and students that recognize that the Philippine society is in desperate need of change. A proud member and volunteer of Yabang Pinoy, a campaign that hopes to unite the Filipino people in believing in Filipino products, in themselves and in fellow Filipinos.
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The school gives recognition to several renowned artists who were teachers at the school, including sculptors Odhise Paskali, Janaq Paço, Kristina Hoshi, (first Albanian woman sculptor), and Andrea Mano; painters Foto Stamo, Abdurrahim Buza, Kel Kodheli, Sadik Kaceli, Nexhmedin Zajmi, and Guri Madhi; dramatic arts teachers Mihal Popi, Zina Andri (Pano), Naim Frashëri, and Kadri Roshi; composers Çesk Zadeja, Tish Daija, Avni Mula, Kozma Laro, Feim Ibrahimi, and Simon Gjoni; orchestra directors Mustafa Krantja and Rifat Teqja; violinist Ludovik Naraçi; vocalists Marie Kraja, Nina Mula, Gjoni Thanasi, Jorgjie Truja, and Shpresa Nishani; musicologist Ramadan Sokoli; and choreographers Perkunji (Russian), Panajot Kanaçi, Xhemil Simitçiu, Ganimete Vendresha, Zoica Haxho, Agron Aliaj, and Petrit Vorpsi. The first director of the school was composer Konstandin Trako. Most Albanian professional artists are alumni of the Jordan Misja Lyceum. Alumni have worked for the Albanian National Song and Dance Ensemble, the National Theatre of Opera and Ballet of Albania, and the University of Arts, and have created works in all major genres.
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In the continued debate on Rommel and his legacy, Christopher Gabel criticises the documentary Rommel's War (made by historians and Jean-Christoph Caron) for using false analogy to prove that Rommel was a war criminal by association, without providing any evidence even of Rommel's knowledge about crimes in his areas of operation. According to Matthias Stickler, attacks on Rommel's integrity and attempts to link him to war crimes, which were started by the "journalist side" in the 1990s, have been largely repudiated by serious research despite having been repeatedly rehashed and refreshed by some authors and their epigones. Stickler gives recognition to both Remy and Reuth for offering possible explanations for Rommel's character evolution. Numerous English-speaking authors use the "Rommel Myth" ambiguously, like Bruce Allen Watson who states that "the masks he wore reflected the genuine plurality of the man", or Jill Edwards, who notes that, below all the layers historians have removed and added to, what remains seems enough to qualify Rommel as, if controversial, a great captain.
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Richard E. Wagner, going beyond the "idea of a kaleidic economy or society" that is "strongly associated with George Shackle and his vision of Keynesian kaleidics", asserted that "the central thrust of the Austrian tradition in economic analysis can be described by the term 'Viennese kaleidics'."Wagner (2011) Wagner argues that, in either version of kaleidics, the analytical stress is placed on treating time seriously and not just notionally, which, Wagner claimed, "leads in turn to recognition that economic processes are better treated as turbulent than as equilibrated." Although Wagner recognized that turbulence is a natural feature of the unavoidable incompleteness of intertemporal coordination, he submits that it is subject to mitigation and concludes that "individual liberty and private ordering [are] generally superior to state policy and public ordering in calming the turbulence that naturally characterizes a kaleidic society." According to Wagner, the Walrasian idea of an orderly system of relationships has pervaded the corpus of Austrian theory and Ludwig von Mises’ (1966) formulation of an evenly rotating economy gives recognition to this systemic quality. Moreover, as Wagner also points out, Friedrich Hayek’s (1932) treatment of the business cycle as departing from a position of Walrasian equilibrium is a similar effort.
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