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36 Sentences With "gives as an example"

How to use gives as an example in a sentence? Find typical usage patterns (collocations)/phrases/context for "gives as an example" and check conjugation/comparative form for "gives as an example". Mastering all the usages of "gives as an example" from sentence examples published by news publications.

"One's crying and then the other one'll kind of feel bad for them and cry too," she gives as an example.
If you buy your own place, you might pay $5,000 a month between your mortgage, taxes and other maintenance costs, Mallouk gives as an example.
Mohib Bullah, who was previously an aid worker, gives as an example the riverside village of Tula Toli in Maungdaw district, where - according to Rohingya who fled - more than 1,000 were killed.
Eubanks gives as an example the Pittsburgh County Office of Children, Youth and Families using the Allegheny Family Screening Tool (AFST) to assess the risk of child abuse and neglect through statistical modeling.
Gross admits that there are probably a select number of people who are more intelligent than he is — like the architects of the San Francisco Golden Gate bridge, he gives as an example — but he doesn't let the exceptions affect his general perception of himself and his own potential.
In this section, Marx discusses the relationship between labour and value. He states that if there is a change in the quantity of labour expended to produce an article, the value of the article will change. This is a direct correlation. Marx gives as an example the value of linen versus thread to explain the worth of each commodity in a capitalist society.
It gives as an example a new law, passed in 2008, that grants Thai citizenship to stateless people. But it applies only to those who were born before 26 February 1992, thus impacting the young most harshly. The good news is that stateless children can now attend state schools. Also, a new law allows stateless people to seek employment in professions not explicitly reserved for Thais.
Firestone writes that patriarchal ideologies support the oppression of women and gives as an example the joy of giving birth, which she labels a patriarchal myth. For Firestone, women must gain control over reproduction in order to be free from oppression. Feminist historian Gerda Lerner believes that male control over women's sexuality and reproductive functions is a fundamental cause and result of patriarchy. Alison Jaggar also understands patriarchy as the primary cause of women's oppression.
Rather, he was willing to admit that he did not know or that the motives or the events surrounding a particular incident could not be absolutely determined. Pound gives as an example of Varchi's honesty his investigation—for his history of Florence—of the murder of Alessandro de' Medici. Varchi admitted that after all his attempts to uncover the facts he could not decide on the motives of Alessandro's murderer (Lorenzino de' Medici, Alessandro's cousin).
Jeanine Basinger gives as an example the "worst image for stark violence" when a Japanese soldier beheads an American: the victim shows pain and his lips freeze in a scream, yet no blood spurts and his head does not fall off. Basinger points out that while this is physically unrealistic, psychologically it may not have been. The wartime audience was, she points out, well aware of friends and relatives who had been killed or who had come home wounded.
As cultural historian Clare Lyons observes, there are three lengthy sexual stories documented by Mittelberger in his travelogue. Similar to the religious tolerance of the era, colonial Philadelphia in the 1750s was relatively hospitable to various forms of sexual behavior and familial structure. As Lyons summarizes: Mittelberger gives as an example the case of an old couple living close to the Blue Mountains in rural Pennsylvania. The old woman, ill and weak, requests of her husband to marry their young servant maid Rosina.
Harl gives as an example the sequence in The Two Towers where Jackson's camera "like the Evil Eye of Sauron" travels towards Saruman's tower, Isengard and "zooms into the dangerous palantír", in her opinion giving the cinema viewer "an omniscient and privileged perspective" consisting of a Sauron-like power to observe the whole of Middle- earth. The sequence ends fittingly, in her opinion, with Mordor and the Eye of Sauron, bringing the viewer, like Saruman, to meet the Enemy's gaze.
An example of a people's commune collective farm. Historian Walter Scheidel writes that the violence of the land reform campaign had a significant impact on economic inequality. He gives as an example the village of Zhangzhuangcun, made famous by William Hinton's book Fanshen: By 1958 private ownership was entirely abolished and households all over China were organized into state-operated communes. Chinese leadership required that the communes must produce more grain for the cities and earn foreign exchange from exports.
Silence does not hinder musical excellence but can enhance the sounds of instruments and vocals within a given musical composition.: In his book Sound and Silence (1970), the composer John Paynter says, "the dramatic effect of silence has long been appreciated by composers." He gives as an example "the general pause in the middle of the chorus ‘Have lightnings and thunders …’ in Bach’s St. Matthew Passion":Bach, "Sind Blitze, sind Donner" (chorus) from the St. Matthew Passion. "Sind Blitze, sind Donner" (chorus) from the St. Matthew Passion.
Different religious traditions make different religious claims, and Boghossian asserts that faith alone cannot resolve conflicts between these without evidence. He gives as an example of the belief held by that Muslims that Muhammad (who died in the year 632) was the last prophet, and the contradictory belief held by Mormons that Joseph Smith (born in 1805) was a prophet. Boghossian asserts that faith has no "built-in corrective mechanism". For factual claims, he gives the example of the belief that the Earth is 4,000 years old.
According to Richard Dawkins, so-called laws like Murphy's law and Sod's law are nonsense because they require inanimate objects to have desires of their own, or else to react according to one's own desires. Dawkins points out that a certain class of events may occur all the time, but are only noticed when they become a nuisance. He gives as an example aircraft noise interfering with filming. Aircraft are in the sky all the time, but are only taken note of when they cause a problem.
The well-known division of that family into strings, woodwind, and brass, with percussion as required, he inherited from the great classical symphonists such changes as he made were in the direction of splitting up these groups still further.” Latham gives as an example, the sonority of the opening of the opera Lohengrin, where “the ethereal quality of the music” is due to the violins being “divided up into four, five, or even eight parts instead of the customary two.”Latham, P. (1926) “Wagner: Aesthetics and Orchestration.” Gramophone, June 1926.
Tucker gives as an example the clever line "I need a little water of love" followed by "You know it's evil when you're living alone," which Tucker considers a silly line. Writing in Billboard, Cary Darling praised the song's lyrics but criticizes the easy listening arrangement which "fails to grab the listener." Ronald Hawkins described it as a "superbly crafted [song]." "Water of Love" has received support from classic rock radio stations as being among the greatest classic rock songs of all time; for example in 1991 C95 ranked it as #224 all time.
Thomson does not support unlimited abortion rights. She gives as an example a hypothetical woman who seeks a late-term abortion "just to avoid the nuisance of postponing a trip abroad" and declares this to be "positively indecent". Thomson also explicitly rejects the claim that pregnant women have a right to kill their offspring. She argues for the right of the mother to stop being pregnant, even if this results in the death of the offspring, but not for the right to ensure that the offspring is dead.
According to Hacking, the fugue epidemic lasted twenty- two years, from 1887 to 1909. The disease never spread heavily in either Britain or America. It is characterised by a compulsion to travel, which, if fulfilled, manifests itself in impetuous travelling during which the traveller loses sense of their identity. Hacking gives as an example the case of the first officially diagnosed fuguer, Albert Dadas, and describes briefly his symptoms as follows: ::In his normal state, at home, in the factory, or as a cook in the army, he was a good worker, timid, respectful, shy with women.
They comment that the story of scientific research is fascinating, and that "Forbes does a very good job of explaining some very complicated theories, and has produced a classic work of popular science." Marek Kohn, in The Independent, writes that the "traffic in ideas, from biology through art to warfare, provides Peter Forbes's Dazzled and Deceived with an intriguing and fluent narrative. It reaches its battlefield climax with the desert battle of El Alamein, where Montgomery's forces orchestrated thousands of dummy and disguised vehicles." Kohn gives as an example of the interchange the introduction by the naturalist Peter Scott of disruptive patterning to the Royal Navy.
As early output devices (Teleprinters, CRTs and line printers) could not produce more than one character at a location, it was not possible to underscore text, so early encodings such as ITA2 and the first versions of ASCII had no underscore. IBM's EBCDIC character-coding system, introduced in 1964, added the underscore, which IBM referred to as the "break character". IBM's report on NPL (the early name of what is now called PL/I) leaves the character set undefined, but specifically mentions the break character, and gives as an example identifier. By 1967 the underscore had spread to ASCII, replacing the similarly-shaped left-arrow character, (see also: PIP).
Michael Kienzl comments that "Kinoshita relies less on emotional outbursts than on quiet touching moments." He gives as an example the farewell scene between Yoichi and his best friend, in which the tragedy of their parting is conveyed through close ups of their touching feet and a long handshake. Turner Classic Movies' Rob Nixon draws attention to the beginning framing scene, in which Yoichi's being hemmed in by his circumstances is reflected in the mise en scene which shows Yoichi in a narrow frame between two buildings. Yoshiko Kuga, who played Yoishi's older sister, won the Blue Ribbon Award for Best Supporting Actress for her performance in Farewell to Dream and two other films.
In his autobiography, he wrote: "If I was dazzled by Hélène's love and the miraculous privilege of knowing her and having her in my life, I tried to give that back to her in my own way, intensely and, if I may put it this way, as a religious offering, as I had done for my mother." Although Althusser was really in love with Rytmann, he also had affairs with other women. Roudinesco commented that "unlike Hélène, the other women loved by Louis Althusser were generally of great physical beauty and sometimes exceptionally sensitive to intellectual dialogue". She gives as an example of the latter case a woman named Claire Z., with whom he had a long relationship until he was forty-two.
As Shirky puts it, "Every time a new consumer joins this media landscape, a new producer joins as well." Even countries like China, as Shirky gives as an example, go to great lengths to control information exchange on the Internet but are having trouble as the "amateurization" of media creation has effectively turned every owner of a cellphone and Twitter account into a journalist. The populace as a whole, Shirky claims, is a force much harder to control than a handful of professional news sources. He compares the "Great Firewall of China" to the Maginot Line as both were built to protect from external threats but that is not where the majority of content is being created in this new media landscape.
Latter-day Saint Egyptologist John Gee, counters the idea that Smith reconstructed the lacunae by claiming that eyewitnesses of the papyri during Smith's lifetime described a complete document, free of lacunae. Thus, Gee argues that the facsimile is an accurate reproduction of an original document that has since suffered significant damage. Gee gives as an example "the man with a drawn knife", a portion that is no longer extant but was reported in both apologetic and critical writings of the time.. Some apologists also believe that there are differences between the vignette and other comparable vignettes that render the standard interpretation incorrect. Apologists have also challenged the Egyptologists' means of successfully interpreting the facsimiles, arguing that the papyrus had likely been written, not for future Egyptologists or even contemporary Egyptians, but rather for Egyptian Jews.
Environmental changes resulting from modernization—such as more intellectually demanding work, greater use of technology and smaller families—have meant that a much larger proportion of people are more accustomed to manipulating abstract concepts such as hypotheses and categories than a century ago. Substantial portions of IQ tests deal with these abilities. Flynn gives, as an example, the question 'What do a dog and a rabbit have in common?' A modern respondent might say they are both mammals (an abstract, or a priori answer, which depends only on the meanings of the words dog and rabbit), whereas someone a century ago might have said that humans catch rabbits with dogs (a concrete, or a posteriori answer, which depended on what happened to be the case at that time).
James Gairdner, writing in the Dictionary of National Biography, stated that "Such were, however, the simple piety, meekness, and habitual benevolence of Dr. Dalrymple, that he was universally beloved by his parishioners, and no active proceedings [for heresy] were ever taken against him." Gairdner also gives as an example of his character an anecdote of Dalrymple meeting a beggar in the country who was almost naked, upon which Dalrymple took off his own coat and waistcoat, gave the latter to the beggar; then, putting on his coat again, buttoned it about him and walked home. According to Gilbert Burns, when a schoolmaster at Ayr, while drunk, said disrespectful things of Dalrymple, the resulting outrage by the people was so strong that he was obliged to leave the place and go to London.
Gordon Welchman was the subject of a BBC documentary in 2015.BBC documentary The programme was entitled Bletchley Park: Code-breaking's Forgotten Genius and as The Codebreaker Who Hacked Hitler when broadcast on the Smithsonian Channel in the US."The Codebreaker Who Hacked Hitler" Smithsonian Channel website The documentary notes that traffic analysis is now known as "network analysis" and "metadata" analysis and gives as an example the location of Osama bin Laden by the use of network analysis. On 26 September 2016, a blue plaque was unveiled by his daughter, Susanna Griffiths, at St Mary's Church, Fishponds, in Bristol. Speaking at the event, the Director of GCHQ Robert Hannigan acknowledged the harsh treatment of Welchman and paid tribute to his "immense contribution" as a "giant of his era".
The 1872 census was, in the opinion of Crispin Bates, That caste should not be treated as a fixed designation is now commonly recognised: new groups come and go, and there are movements between groups. Bhagat describes them as "fluid, fuzzy and dynamic historically" and gives as an example the emergence in the early 20th century of the Kamma and Reddy castes through coalescence of like-minded, politically motivated groups. Despite its variability, the published information relating to age caused significant angst among social reformers, notably in relation to the Child Marriage Restraint Act (Sarda Act) of 1929. This legislation had been supported by the 1931 Census Commissioner, Hutton, who had noticed a declining trend in the custom of child marriages and saw the act as encouraging that.
Guilt by association, that is accusing an arguer because of his alleged connection with a discredited person or group, can sometimes also be a type of ad hominem fallacy when the argument attacks a source because of the similarity between the views of someone making an argument and other proponents of the argument. This form of the argument is as follows: # Individual S makes claim C. # Individual S is also associated with Group G, who has an unfavorable reputation # Therefore, individual S and his views are questionable. Academic Leigh Kolb gives as an example that the 2008 US vice‐presidential candidate Sarah Palin attacked Barack Obama for having worked with Bill Ayers, who had been a leader in the Weather Underground terrorist group in the 1960s. Despite Obama denouncing every act of terrorism, he was still associated by his opponents with terrorism.
Rushton observes that Berlioz's preference for irregular rhythm subverts conventional harmony: "Classic and romantic melody usually implies harmonic motion of some consistency and smoothness; Berlioz's aspiration to musical prose tends to resist such consistency."Rushton (1983), p. 145 The pianist and musical analyst Charles Rosen has written that Berlioz often sets the climax of his melodies in relief with the most emphatic chord a triad in root position, and often a tonic chord where the melody leads the listener to expect a dominant. He gives as an example the second phrase of the main theme – the idée fixe – of the Symphonie fantastique, "famous for its shock to classical sensibilities", in which the melody implies a dominant at its climax resolved by a tonic, but in which Berlioz anticipates the resolution by putting a tonic under the climactic note.
They cite the Woozle effect and post a prominent warning on the first page of their report cautioning against citing any specific estimates they present, as the close inspection of the figures "...reveals that none are based on a strong scientific foundation." Gambrill and Reiman (2011) analyze scientific papers and mass-market communications about social anxiety and conclude that many of them engage in disease mongering by presenting the disease model of social anxiety as an incontrovertible fact by resorting to unchallenged repetition techniques and by leaving out of the discourse any competing theories. Gambrill and Reiman further note that even after educating their subjects about the tell-tale signs of such techniques, many of them still failed to pick up the signs in a practical test. James J. Kimble gives as an example the 1994–2015 historiography of the 1943 American "We Can Do It!" wartime poster.
The neurologist and sceptic Steven Novella states that "Yoga .. fits into a more general phenomenon of marketing a specific intervention as if it has specific benefits, when in fact it only has generic benefits." He gives as an example the evidence that yoga helps to relieve low back pain, but that with "a lack of quality studies [by 2013] comparing yoga to other forms of exercise", it is possible that yoga's benefits are just what any form of exercise would provide, generically. Novella points out that yoga also has a spiritual side, so claims made for it can mix science with "a liberal dose of pure pseudoscience and mysticism." He illustrates this by quoting unfounded claims such as that a forward bend squeezes the pancreas and liver, ejecting toxins, and that stretching the lower back is calming because emotional stress accumulates in the lower back muscles.
" The reason he suggests is that, Nevertheless, despite this "resistance to critical commentary," the 'sense of wonder' has "a well-established pedigree in art, separated into two related categories of response: the expansive sublime and the intensive grotesque." Csicsery-Ronay Jr. explains the difference between these two categories as follows:: Later in this same essay the author argues that "the sublime and the grotesque are in such close kinship that they are shadows of each other," and that "it is not always easy to distinguish the two, and the grotesque of one age easily becomes the sublime of another." He gives as an example the android (T-1000) in the second 'Terminator' film Terminator 2: Judgment Day, saying that "the T-1000, like so many liminal figures in sf, is almost simultaneously sublime and grotesque. Its fascinating shape-shifting would be the object of sublime awe were it not for its sadistic violation of mundane flesh There is no doubt that the term 'sense of wonder' is used and understood by readers of SF without the need of explanation or elaboration.
The success of "Va, pensiero" in Nabucco (which Rossini approvingly denoted as "a grand aria sung by sopranos, contraltos, tenors and basses"), was replicated in the similar "O Signor, dal tetto natio" in I lombardi and in 1844 in the chorus "Si ridesti il Leon di Castiglia" in Ernani, the battle hymn of the conspirators seeking freedom In I due Foscari Verdi first uses recurring themes identified with main characters; here and in future operas the accent moves away from the 'oratorio' characteristics of the first operas towards individual action and intrigue. From this period onwards Verdi also develops his instinct for "tinta" (literally 'colour'), a term which he used for characterising elements of an individual opera score—Parker gives as an example "the rising 6th that begins so many lyric pieces in Ernani". Macbeth, even in its original 1847 version, shows many original touches; characterization by key (the Macbeths themselves generally singing in sharp keys, the witches in flat keys), a preponderance of minor key music, and highly original orchestration. In the 'dagger scene' and the duet following the murder of Duncan, the forms transcend the 'Code Rossini' and propel the drama in a compelling fashion.

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