A "capsule communicator" relayed his instructions, although he went on the air to give emphasis to his orders, to intervene in emergencies and to banter away tensions.
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The design plays up the deliberate tridimensional distortion and uses asymmetric volumes, high-contrast textures, and abstract shapes to give emphasis to this idea of motion and malleability.
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"The idea is to give emphasis to every single one of the 38 works in these galleries, and not concentrate everything on the few fetishized, iconic super-masterpieces," Mr. Schmidt said.
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Though the facade mostly used brick in red and yellow hues, there were also bricks in very dark blue and purple hues. The facade served to give emphasis to the building's shape: the 1939 WPA Guide to New York City observed that 60 Hudson Street resembles "a huge red rock projecting out of the city".
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Time Cycles. The cosmological portions of the Cantong qi give emphasis to three emblematic time cycles: the day, the month, and the year. These cycles manifest the presence of the One Breath (yiqi 一氣) of the Dao in the cosmos. All of them became models of the "fire times" (huohou 火候) in alchemy, which determine the process needed to heat the Elixir.
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Purvashrama (, ), is a term used with reference to Sanyasis. It refers to the ashrama (stage of life) of a Sannyasi, before he is initiated into Sannyasa (renunciation). The word is also used to address family relationships before taking vows of Sanyasis (example - purvashrama father). This is to give emphasis to the nature of poorna-sannyas (complete sannyas) phase, where the pre-monastic life family relationships cease to be considered cosmically binding.
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Route of the first American transcontinental: The Central Pacific (red) in the west and the Union Pacific (blue) met in Utah in 1869. Thomas C. Durant had overall charge of the UPRR construction program. He selected routes on the basis of how cheap they were to construct, for that would maximize profits on the fixed congressional loans. He did not give emphasis to the long-term economic potential of the area served.
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The southern part of the building consisted of the assembly and group instruction areas, with classrooms to the north. The entrance hall contains the main staircase – the glass wall here was set back to form a deep double height porch. The associated boiler flue and tank room were positioned to give the shortest possible service runs and to give emphasis to the entrance. The structural concrete was left exposed both inside and outside the building.
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15 This later developed into portraits and scenes by artists such as George Grosz, Otto Dix, and Rudolf Schlichter. Portraits would give emphasis to particular features or objects that were seen as distinctive aspects of the person depicted. Satirical scenes often depicted a madness behind what was happening, depicting the participants as cartoon-like. Other verist artists, like Christian Schad, depicted reality with a clinical precision, which suggested both an empirical detachment and intimate knowledge of the subject.
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Portraits would give emphasis to particular features or objects that were seen as distinctive aspects of the person depicted. Satirical scenes often depicted a madness behind what was happening, depicting the participants as cartoon- like. Other verists, like Christian Schad, depicted reality with a clinical precision, which suggested both an empirical detachment and intimate knowledge of the subject. Schad's paintings are characterized by "an artistic perception so sharp that it seems to cut beneath the skin", according to the art critic Wieland Schmied.
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Peters married Edgar T. Tonge, who would become the Assistant Superintendent of Police and they had six children: Euline, Eustace, Hesketh, Erna-Mae, Roger and Edgar. In 1964, she began hosting a television show, Cooking Magic on the Antigua and Barbuda Broadcasting Service (ABS). The program was aimed to give emphasis to nutrition on a budget and featured traditional, regional recipes using locally grown ingredients. Airing on Tuesdays and Wednesdays, the program was carried throughout the Caribbean and by affiliated stations in Louisiana and New York.
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After Forever was originally assembled in 1995, under the name Apocalypse. They were originally a death metal cover band with harsh male vocals. With the joining of vocalist Floor Jansen in 1997, their style and sound shifted towards symphonic gothic metal, in order to give emphasis to her soprano voice, in contrast with the grunts and screams provided by Sander Gommans and Mark Jansen. Their line-up at this point comprised Floor Jansen, Mark Jansen, Sander Gommans, Luuk van Gerven, Jack Driessen and Joep Beckers.
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It received acclaim from music critics, who noted it was a simple, but beautiful empowering ballad. The song charted moderately on the US Billboard Hot 100, while becoming her highest- charting single in five years in Australia and Canada. To promote the song, a lyric video including female fans and artists, such as Sheryl Crow, Sara Bareilles, Christina Perri and others, without any makeup on, to give emphasis to the song message, was released on June 10, 2014. Later, an official music video was released on July 8, 2014.
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In return, the Indians would receive food, blankets, and clothing for as many years as would be required to establish themselves. Allen David signed for the Klamath, while Old Schonchin and Kintpuash for the Modoc. Looking around for something to give emphasis to his pledge, Schonchin pointed to the distant butte and dramatically declared, "That mountain shall fall, before Schonchin will again raise his hand against his white brother." The old chief kept his word, although his brother and Kintpuash repudiated signing the treaty and left the reservation with a few followers.
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Within two months, however, scripts were altered to give emphasis to her lack of control over her powers. Olaf was reduced to the only snowman created by Elsa, and he instead serves as a reminder of the sisters' childhood friendship. In the final version, Elsa creates a single giant snow creature that Olaf nicknames "Marshmallow" to act as a guard after being branded as a monster for her powers. According to director Jennifer Lee, the character ultimately became more of a composite of both Kai and the Snow Queen, enhancing her increasingly sympathetic portrayal.
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The Maitum anthropomorphic burial jars are earthenware secondary burial vessels discovered in 1991 by the National Museum of the Philippines' archaeological team in Ayub Cave, Barangay Pinol, Maitum, Sarangani Province, Mindanao, Philippines. The jars are anthropomorphic; characterized by a design that suggests human figures with complete or partial facial features of the first inhabitants of Mindanao. Furthermore, they give emphasis to the Filipinos’ popular belief of life after death. According to Dr. Eusebio Dizon, head of the archaeological team, this type of burial jars are "remarkably unique and intriguing" because they have not been found elsewhere in Southeast Asia.
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Given this fact, the Spanish government would give emphasis to the diplomatic solution, but with negative results. This led Spain to resort to military means again with the bombardment of Algiers in 1783 and then in 1784, carrying out the second attack with the support of the Two Sicilies, Portugal and the Malta. The Regency of Algiers, after these attacks, was willing to seek peace with Spain, signing a treaty in 1786 that ended more than two hundred years of war between Spain and Algiers. On those same dates, Spain also reached peace agreements with the Ottoman Empire and other Barbary states.
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In a jazz song, this could be a standard turnaround, such as I–vi–ii–V7 or a stock progression, such as ii–V7. If the tag includes the tonic chord, such as a vamp on I–IV, the bandleader typically cues the last time that the penultimate chord (a IV chord in this case) is played, leading to an ending on the I chord. If the tag does not include the tonic chord, such as with a ii–V7 tag, the bandleader cues the band to do a cadence that resolves onto the tonic (I) chord. With an instrumental and vocal tag, the band and vocalist typically repeat a section of the song, such as the chorus, to give emphasis to its message.
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A heavily enriched moulding bearing a strong resemblance to the gadroon pattern is commonly used to give emphasis to edges, and the dragon arranged in curves imitative of nature is frequently employed over a closely designed and subordinated background. Detail of a Vietnamese wooden column The general rule that in every country designers use much the same means whereby a pattern is obtained holds good in China. There are forms of band decoration here which closely resemble those of Gothic Europe, and a chair from Turkestan (3rd century) might almost be Elizabethan, so like are the details. Screens of grill form, often found in the historically Islamic countries, are common, and the deeply grounded, closely arranged patterns of Bombay also have their counterparts.
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However, with this definition of the commodity as "anything intended for exchange" (1986: 9), he thereby makes gift giving into a social act that is nearly indistinguishable from commodity exchange and ultimately emphasizes the economic value of giving, rather than the social, moral or spiritual values that people mark as important. By blurring the distinction between commodities and gifts, a distinction that ordinary people routinely make in their everyday lives as they give emphasis to the value they place on specific social relationships, Appadurai undermines the possibility of understanding the movement of goods and money, between life as a commodity embedded in a market to life as a gift embedded in intimate relationships of giving, receiving, and reciprocating.Wilk and Cliggett (2007:159) differentiate between a commodity and a gift, suggesting that with gifting goes a desire to generate or reciprocate exchange, action, solidarity, etc.
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