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42 Sentences With "give a picture of"

How to use give a picture of in a sentence? Find typical usage patterns (collocations)/phrases/context for "give a picture of" and check conjugation/comparative form for "give a picture of". Mastering all the usages of "give a picture of" from sentence examples published by news publications.

Can you give a picture of some of the stories he'd tell?
The witness statements give a picture of what happened the night of the shooting.
These orders, which are worth less than $15 million, give a picture of the underlying health of ABB's business.
Both shows give a picture of racial harmony that isn't always evident in other plays currently on view here.
But it does give a picture of who voters see (and don't see) as the figureheads of the Democratic Party.
As you say, the individual cartoons aren't related, but together they build up to give a picture of how I see things.
"They want to give a picture of Europe as some sort of continent that is collapsing," Mr. Hultqvist, the Swedish defense minister, said in an interview.
Both give a picture of ISIS in disarray, paranoid, infighting, racked by bitter disagreements between local and foreign fighters, torturing and executing people who tried to flee.
Of course, investors tend to have a home bias in their bond portfolios, so a global reading will not give a picture of how the losses will actually be handed out.
The House miscreants were a bipartisan group, and the reasons three Republicans had to cut short their careers give a picture of the (at least recent) Rabelaisian life in the U.S. House of Representatives.
The shipping data does show that LNG demand was strong for the first part of the northern winter, but it doesn't yet give a picture of how the rest of the cold season will play out.
While a single document might give a picture of a particular event, the best way to shed light on a whole system is to fully uncover the mechanisms around it — the hierarchy, ideology, habits and economic forces that sustain it.
Not everyone is willing to catch a full, complex identity all the time, but I do think that I depend on using my voice onstage, and in my work as well a lot of the times, to give a picture of a full identity.
With investors pricing in a growing chance of a further rate cut from the ECB, and new governing council member Philip Lane saying more quantitative easing would be forthcoming if needed, euro zone industrial production on Wednesday will give a picture of the underlying health of the slowly recovering economy.
Co-operative members have participated in adult education through their societies since the middle of the nineteenth century and some co-operatives societies had their own libraries. The catalogues of these libraries give a picture of the reading habits.
This couple lived there for the rest of their lives. John Thomas Brooks wrote several diaries which give a picture of life at Flitwick Manor. The most important event in these diaries seems to be the death of his only daughter, Mary Ann Brooks (1822–1848), who died aged 26, in 1848.
Roberts also struck up a literary relationship with Saunders Lewis, which they maintained through letters over a period of forty years. These letters give a picture of life in Wales during the period and record the comments of two literary giants on events at home and abroad. Many of her works have been translated into other languages.
In addition to the torture museum, the Galeriebau also houses a Pre and Ancient history museum. The collections give a picture of life from the Stone Age until the end of the Merovingian dynasty (10.000 B.C. until 700 A.D.). It also includes artifacts from the Roman settlements around Sigmaringen. Karl Anton wasn't just fascinated by weapons and hunting, he also loved history and archeology.
The infants school continued until just before the First World War. Its premises continued in use as a parish hall and village social centre until after the Second World War. Successive census results give a picture of a prosperous and stable community. Ripley had achieved his aim of providing houses for the working classes but the census returns of 1881 and 91 show that the residents represented the upper stratum of working class occupations.
At a temperature above the ordering point of the magnetic moments, where the material behaves as a paramagnetic one, neutron diffraction will therefore give a picture of the crystallographic structure only. Below the ordering point, e.g. the Néel temperature of an antiferromagnet or the Curie-point of a ferromagnet the neutrons will also experience scattering from the magnetic moments because they themselves possess spin. The intensities of the Bragg reflections will therefore change.
There are narratives that give a picture of an invasion, as opposed to a single instance conflict. In these accounts, the residents did not immediately leave. Rather they refer to invaders who wore a single, red cloth, tied around the waist and at the shoulder, and bound another around their heads. Each carried a short sword of the scimitar type, of which the blade curved backwards and only the outer edge was honed.
Historians of this period note that the major tool of accounting for agrarian societies, the scales used to measure grain inventory, reflected dual religious and ethical symbolic meanings.Lowry (2003), p. 12. The Erlenmeyer tablets give a picture of Sumerian production in the Euphrates Valley around 2200-2100 BC, and show an understanding of the relationship between grain and labor inputs (valued in "female labor days") and outputs and an emphasis on efficiency. Egyptians measured work output in man-days.
Tinsley survived his firm by fourteen years and towards the end was able to give a picture of Victorian publishing life in Random Recollections of an Old Publisher (1900). He died of chronic Bright's disease at his home in Wood GreenTinsley Moved in to 2 Dovecote Villas on Green Lanes in 1862, shortly after it was built. He remained there till his death. Sourced from 'William Tinsley (1831-1902): Speculative Publisher', ed Peter Newbolt, University of Michigan, 2001 on 1 May 1902.
All these things combined together give a picture of man's relationship to the environment." His work also explores broader themes such as social ecology, war, and the possibilities of humanism. "Artists work to expose the nature of existence, to communicate feelings, to activate consciousness, increase human knowledge, to promote justice, and education. They are activists and pioneers who struggle in their lives against forces of isolation, poverty, discrimination, bad legislation, and being misunderstood by the public," he wrote in his "Call to Action.
Edwards advanced the thesis that corporate structural factors conspire to make the mass media give a picture of the world that goes beyond the political indoctrination postulated by Herman and Chomsky, to encompass almost all aspects of personal life, by constantly promoting the values of blind consumerism.Edwards wrote about these themes in an exchange of open letters with Caspar Henderson. See "Can we trust the media on the environment?", The Ecologist, 9 June 2000 Edwards has also drawn on his practice of Buddhism in his writings.
Some of Alfvén's music evokes the landscape of Sweden. Among his works are a large number of pieces for male voice choir, five symphonies and three orchestral "Swedish Rhapsodies." The first of these rhapsodies, Midsommarvaka is his best known piece. Alfvén's five symphonies, the first four of them now several-times recorded (with another cycle in progress), give a picture of the composer's musical progress. The first, in F minor, his Op. 7 from 1897, is an early work, tuneful in a standard four movements.
His main difficulty is a tendency to overlook all autobiographical details except religious ones. For example, he spent one full year at Virginia Union University, and all that he records of this experience is that he "converted" his roommate. The author has labeled this work "Volume I." Presumably other volumes are to follow. Since he has lived so fully, one hopes that Mr. Carnegie in subsequent installments will give a picture of his whole life, not just those episodes connected with moral and religious uplift.
Several novels by Kate Roberts, the daughter of a quarryman, give a picture of the area around Rhosgadfan, where the slate industry was on a smaller scale and many of the quarrymen were also smallholders. Her novel Traed mewn cyffion (1936), translated as Feet in chains (2002), gives a vivid picture of the struggles of a quarrying family in the period between 1880 and 1914. Y Chwarelwr ("The Quarryman") produced in 1935 was the first Welsh-language film. It showed various aspects of a slate quarryman's life at Blaenau Ffestiniog.
These include figures from fable (The fox and the crow, XIII) and from myth and give a picture of society at variance. Far from needing the intervention of Circe, the victims find their natural condition as soon as they set foot on the island. The sole exception is the bear, a satirist who had dared to criticize Circe and had been changed as a punishment (IX). It is this noble critic of the human condition (representing Gozzi himself) who is the only one that wishes to regain his human form.
Open seasonally from the May long weekend to Labour Day, The Seven Oaks House Museum is a civic museum in Winnipeg, Manitoba. The two-storey log dwelling is designated a Provincial Heritage Site, and a Winnipeg Landmark Heritage Structure. Seven Oaks House is one of the oldest surviving residences in Manitoba and one of a handful of log buildings remaining that give a picture of life at Red River during the 1800s. The historic site is unusual in Winnipeg as the building still sits on its original foundations, and much of the surrounding homestead remains un-developed.
Alnwick Mercury, Tuesday 01 December 1857, recovered from British Newspaper Archive. Stanton also had a significant collection of music manuscripts, some of which are now bound in the Fenwick manuscript, while two manuscript books belonged to the late Lance Robson, who distributed transcripts through the Northumbrian Musical Heritage Society. Together, these two groups of papers give a picture of an able and enthusiastic amateur piper in the mid-19th century. As well as local pieces, including variation sets from Peacock's collection and popular Tyneside songs, he played many Scots and Irish tunes, as well as popular songs and dance tunes of the day.
The Weird Sisters served to give a picture of King Macbeth as gaining the throne via dark and supernatural forces. Macbeth did have a wife, but it is not clear if she was as power- hungry and ambitious as Boece portrayed her, which served his purpose of having even Macbeth realise that he lacked a proper claim to the throne, and only took it at the urging of his wife. Holinshed accepted Boece's version of Macbeth's reign at face value and included it in his Chronicles. Shakespeare saw the dramatic possibilities in the story as related by Holinshed and used it as the basis for the play.
Obituary: Professor Boris Ford. Donald Mitchell, The Independent, 23 October 2011. The guide was an ambitious attempt to give a picture of the arts as a whole in each age of Britain and to allow comparison between the ages and of how the different arts had treated the themes of their age. Ford wrote in his general introduction to the series that "the degree to which the individual arts have flourished are not fortuitous, but are bound up with the social aspirations and characteristics of the age, with its beliefs and preoccupations and manners, which may favour expression in one art rather than another."Vol.
Abbey records mostly relate to maintenance of ditches, mills and fish ponds and give a picture of a scatter of small farms set amongst woods and heath supplying wood, flour and fish to the great Chester Abbey, some later gifted to the new foundation of Vale Royal Abbey. St Luke's Church After the Dissolution of the Monasteries, the land was purchased by the Mainwaring family of Over Peover and remained part of that family's estate until the 20th century. From the 17th century, farming techniques improved and farms became bigger and more prosperous. Dairy farming and particularly the Cheshire speciality, cheese, thrived, shielding the county from poor harvests and low prices.
Expensive, imported wallpaper was combined with popular painting into something entirely new, and the stencilled paintings in many places flowed onto walls, ceilings and fireplaces. The amount of well-preserved interiors kept in its original site, is unique in the world. With the farms in Hälsingland also came a large number of out buildings, freely placed outside the courtyard. Grand barns, large log cabins, smithies, breweries, grain storage houses, stables and liveries all give a picture of the system of many outhouses, which by the end of the 19th century was replaced by large multifunctional buildings that housed many functions under the same roof.
Ngcobo was known for using his songs to give a picture of the life of a Zulu migrant worker and used the lyrics of his songs to examine themes of broken families, loss and masculinity in a constantly changing culture. Dr. Kathryn Olsen wrote of his style that Ngcobo, "asserts a version of masculinity that derives meaning from the experience of dispersal resulting from conquest and domination." Musically, he blended drums of the ngoma dance style with a more traditional Maskanda guitar style. Unlike many of his compatriots, Ngcobo resisted the use of electronic drum kits and synthesizers, instead using a more minimalistic and traditional style of a single acoustic guitar and bass.
Uglow, 2006. pp. 121–122. He especially wanted to promote the Northumbrian smallpipes, and to support the piper John Peacock, so he encouraged Peacock to teach pupils to become masters of this kind of music. One of these pupils was Thomas's son, Robert, whose surviving manuscript tunebooks give a picture of a piper's repertoire in the 1820s.Uglow, 2006. pp. 283–284 and 398–399. Bewick's last wood engraving, Waiting for Death, was of an old bony workhorse, standing forlorn by a tree stump, which he had seen and sketched as an apprentice; the work echoes William Hogarth's last work, The Bathos, which shows the fallen artist by a broken column.Uglow, 2006. pp. 393–394.
He was still a prisoner in the beginning of 1709, when the Old and New companies had been amalgamated. In letters dated from Surat, 31 March and 25 April 1706, Gayer and his council give a picture of the anarchy in Gujarat and the country between Surat and Ahmedabad. In the end the Old Company, in a letter to Gayer, dated 20 April 1708, stated that Waite had been removed; and, as Gayer's captivity disqualified him from succeeding, William Aislabie, deputy-governor at Bombay, had been appointed general in his place. They also hinted that Gayer might have gained his liberty had he not stood so much on the details of release.
An easy way to visualize a chaotic attractor is to start with a point in the basin of attraction of the attractor, and then simply plot its subsequent orbit. Because of the topological transitivity condition, this is likely to produce a picture of the entire final attractor, and indeed both orbits shown in the figure on the right give a picture of the general shape of the Lorenz attractor. This attractor results from a simple three-dimensional model of the Lorenz weather system. The Lorenz attractor is perhaps one of the best-known chaotic system diagrams, probably because it is not only one of the first, but it is also one of the most complex, and as such gives rise to a very interesting pattern that, with a little imagination, looks like the wings of a butterfly.
Tudor period, when the Harley 5280 version of the tale was composed The Tale of Mac Da Thó's Pig has been referred to as "one of the most brilliantly told of the early Irish sagas", which "purports to give a picture of the old heroic life in Ireland and its warlike spirit".Chadwick (1959), pp. 80–81. The central theme of the narrative is the curadmír, the right of the greatest champion at a feast to receive the "hero's portion" from a great central cauldron containing the communal supply. Wherever a great body of heroes was gathered together, this right was determined by boasting contests between the contenders: to assert the right to the hero's portion, a claimant must first produce his credentials by boasting his heroic exploits, and then shame his opponents by quashing their objections and counter-claims.
Commercial and naval fathometers of yesteryear used a strip chart recorder where an advancing roll of paper was marked by a stylus to make a permanent copy of the depth, usually with some means of also recording time (Each mark or time 'tic' is proportional to distance traveled) so that the strip charts could be readily compared to navigation charts and maneuvering logs (speed changes). Much of the world's ocean depths have been mapped using such recording strips. Fathometers of this type usually offered multiple (chart advance) speed settings, and sometimes, multiple frequencies as well. (Deep Ocean—Low Frequency carries better, Shallows—high frequency shows smaller structures (like fish, submerged reefs, wrecks, or other bottom composition features of interest.) At high frequency settings, high chart speeds, such fathometers give a picture of the bottom and any intervening large or schooling fish that can be related to position.
This relationship flourished in an intense exchange of alchemical documents and information, unaffected by Backhouse's poor health and fear of identification in Ashmole's publications. Backhouse, predeceased by all his siblings and children, but one, died in 1662, leaving all his possessions to his daughter, Flower Backhouse, the last of the Backhouse family. Only so much can be understood about Backhouse, for his devotion to esoteric knowledge, and his distaste for the public eye (in accordance with his motto). But the few contemporary sources that remain give a picture of Backhouse that shows him to be a "respected figure in a network of people involved in occult and philosophical studies" according to Jennifer Speake; a "most renown'd chymist, Rosicrucian, and a great encourager of those that studied chymistry and astrology" according to Anthony à Wood; and a "quiet, secretive man of an inventive mind [...] combining a gift for languages with a graceful poetic vein" according to C. H. Josten.

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