The painting is copied from a photograph printed in an old Parisian girlie magazine.
|
|
Now, though, Imagination was gone, and Hamling's only remaining publishing endeavor was his bi-monthly girlie magazine.
|
|
It is a breathtaking example from his Parisian Distortions series that began as an assignment for the French 'girlie' magazine Le Sourire.
|
|
An HBO drama about Times Square in 1971 could easily have been more of the cynical same—just another girlie magazine tucked inside a dissertation about man's inhumanity to man.
|
|
"Paul understood that the balance between nude photography and sophisticated writing was the key to separating Playboy from a pulp girlie magazine," Steven Heller, co-chairman of the design department at the School of Visual Arts in Manhattan, wrote in an email.
|
|
The accompanying Mario cartoon he used on his column first appeared in the “Editor’s Page” of The Illustrated Weekly of India. It depicted a caricature of himself, sitting next to a pile of books, a bottle of scotch, and a girlie magazine.
|
|
The cover price in 1930 was 35 cents (for 130 pages of content). Dell Publishing acquired the title for a run that began in November, 1934. In the late 1930s, it was purchased by Ned Pines and turned into a girlie magazine. Collegian Press, Inc.
|
|
Marilyn Monroe continued to be a popular model for the men's magazines in the 1950s. The 1950s saw the rise of the first mass- market softcore pornographic magazines: Modern Man in 1952 and Playboy in 1953.Kimmel, p.105 Hugh Hefner's Playboy started a new style of the men's glossy magazine (or girlie magazine).
|
|
Powell's first Australian venture was Chance International, a girlie magazine which launched in 1967 with Jack de Lissa (who had founded earlier magazine Squire). A Sun- Herald reviewer found Chance a "glossy product... certainly full of meat, and on beautiful paper. A good book, for reading in the bath". Additionally, the magazine was noted as publishing "good, exciting new fiction", which "didn't have that orientation to particular traditions of the short story that the literary magazines seemed stuck to".
|
|
Sweet Gwendoline was repeatedly depicted as the stereotypical naïve blonde damsel in distress. A serial about that character was published in Robert Harrison’s mainstream girlie magazine Wink from June 1947 to February 1950 and later in several other magazines over the years. Bettie Page was the first famous bondage model. Specifically, from late 1951 or early 1952 through 1957, she posed for photographer Irving Klaw for mail-order photographs with pin-up and BDSM themes, making her the first famous bondage model.
|
|
In 1956, Fass packaged the Whitestone Publishing title Lunatickle, one of the first imitators of EC's Mad magazine. (Fass was a huge admirer of EC publisher William Gaines.) The girlie magazine Foto-Rama and the monster magazine Shock Tales soon followed. Backed by William Harris, who invented the Harris Press (still used today), by the beginning of the 1960s Fass was publishing his own material under the company name Tempest Publications. It was during this period that Fass launched the pin-up girlie mags Pic, Buccaneer, Poorboy, and Jaguar.
|
|
Many Hanna-Barbera characters had cameo appearances in the series, including the cast of Scooby-Doo, Speed Buggy, Jabberjaw, Fred Flintstone, Yogi Bear, The Blue Falcon, Black Widow, and Huckleberry Hound. Adult humor is a frequent presence. In one episode, when Suzy calls Johnny to ask if he wants to come over, Johnny nonchalantly tells her to "[call] back in 15 years when [she is] a co-ed.", and in another, when Johnny is hit by a tranquilizer dart and is informed he has only "30 seconds of consciousness left" and to "use it wisely", he immediately pulls out a Girlie Magazine.
|
|
But Emily had second thoughts afterwards and after explaining everything to Nikki, Emily, with Nikki's help, called on Carl to demand the negatives. Although Emily thought she had all the photos, one still found its way into a girlie magazine, thanks to Carl. It was not long before a copy of this magazine arrived at Tinhead's prison, and the other prisoners took great delight in tormenting Tinhead about it. Emily explained that she posed for the photos in an attempt to earn extra money, and although Tinhead was initially furious with Emily, eventually he forgave her.
|
|
At this point in his career, Kurtzman had had several negative experiences with publishers, and he used this story to satirize the corrupting influence of capitalism and power. Kurtzman's memories of his time at Timely Comics were a strong influence on the Schlock Publications he portrayed; Timely publisher Martin Goodman was Kurtzman's model for the publisher in the story. Kurtzman also used Burt Lancaster as his model for the editor of the men's magazine in the story, and Hugh Hefner was his model for the editor of the "girlie" magazine. As Goodman Beaver did in the story, early in his career Kurtzman worked making crossword puzzles for Goodman.
|
|
As Peter L. Stein observes in an article for the San Francisco Chronicle, however, the film also has considerable historical significance, serving as a sort of time capsule of pornography from the era as well as an example of historical concerns regarding media influence: > ... as the parade of girlie magazine covers, men's physique pictorials and > campy S&M; leaflets continues, the film betrays a kind of prurience the > filmmakers could hardly have intended. What results is a remarkable visual > record of midcentury underground literature and sexual appetites, and a > gloss on the values of the society that condemned them. At the time the Chronicle article was written, Perversion was the Prelinger Archive's second most popular download, superseded only by the well-known Cold War film Duck and Cover. Like Stein, ephemeral film scholar Rick Prelinger, founder of the Archive, views such films as illuminating historical documents or what he calls "unofficial evidence of everyday life".
|
|
Jennifer once accompanied Les Nessman as his date to an awards banquet. She also performed mouth-to-mouth resuscitation on Andy Travis when he was knocked unconscious during a tornado (to which a semi-conscious Andy replied by putting his arm around her, as in a passionate embrace) and had other flirtatious encounters with him, such as telling him "let's see the boy" in the episode "Baby, it's Cold Inside" when she was drinking to keep warm at work. Other memorable episodes focusing on Jennifer include "I Do...I Do...For Now," where Jennifer's childhood sweetheart from West Virginia, T.J. (played by Hoyt Axton) Watson, shows up to marry her; "Filthy Pictures," in which a sleazy photographer secretly takes nude pictures of Jennifer with the intention of selling them to a girlie magazine (partly a reference to the famous nude photos of Marilyn Monroe), and "Jennifer Moves," in which Jennifer moves to the suburbs and discovers that her neighbors are all seriously dysfunctional.
|
|
Photographers also visited Soho in the hope of being able to blackmail people caught in the act of visiting prostitutes. When the Street Offences Act 1959 drove prostitution off the streets, many clubs such as the Blue Lagoon at No. 50 Carnaby Street became fronts for it. Gangs controlled the clubs and the prostitutes, and the police were bribed. In 1960 London's first sex cinema, the Compton Cinema Club (a members-only club to get around the law), opened at 56 Old Compton Street. It was owned by Michael Klinger and Tony Tenser who later produced two early Roman Polanski films, including Repulsion (1965). As post-war austerity relaxed into the "swinging '60s", clip joints also surfaced; these unlicensed establishments sold coloured water as champagne with the promise of sex to follow, thus fleecing tourists looking for a "good time." Harrison Marks, a "glamour photographer" and girlie magazine publisher, had a photographic gallery on Gerrard Street and published several magazines in the 1950s and '60s. The model Pamela Green prompted him to take up nude photography, and she remained the creative force in their business.
|
|