Most of them, however, have a ghostlike semblance of humor.
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Along the way were ghostlike villages with doors left flung open.
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Not found hovering ghostlike in nature, but the actual engine that drives nature.
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Thanks "ghostlike octopod" for reminding us that emoji really do represent real objects.
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For a paper to lose its print edition is to become ghostlike, immaterial.
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The piece has a fortuneteller and haunted, ghostlike reflection hanging on the wall.
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Here, ghostlike, ominous sounds are shaped as adagio melodious washes, vast as curtains.
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The picture is also in abraded condition, giving the image a ghostlike quality.
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Buildings emerged ghostlike from the haze a half-mile ahead and vanished again behind.
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In the 433s, the Third Reich labeled Otto Dix's ghostlike figures with mutilated bodies ''degenerate art.
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A shattered night club and a vacant children&aposs theme park are ghostlike reminders of generations past.
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Tapit is brilliant white now, almost ghostlike, and blends in among the eight white stucco stallion barns.
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The sculpture is a bell-shaped white figure with outstretched limbs and gaping eyes and mouth, ghostlike but whimsical.
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As she starts to paint, she conjures up a ghostlike Tanya who is reunited at last with her mother.
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Again, we're wondering what this is, as the sound design is a little off and has this ghostlike quality.
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The book concerns a burgeoning romantic relationship, and one visit to her retired father and his ghostlike partner, Blandine.
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The story starts with a special-forces soldier encountering a hostile, ghostlike figure in the ruins of a Moldovan city.
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Kidman looks nothing like the willowy, ghostlike matriarch in The Beguiled, nor the down home mom of Big Little Lies.
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Schifter's words, distorted through a ghostlike recording, conjure a grim picture of labor under assault by an under-regulated competitor.
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Corvo can be very ghostlike, very elegant, or he can be very brutal... and Emily has the exact same potential.
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This ghostlike aura is the spot where the sun reflects off the water at the same angle the satellite is facing.
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To get around, you look for a ghostlike silhouette where your character can move, then click one of the Touch controller's sticks.
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Another spread includes photographs of dollhouses Ware built in 1989 with looped film projections of a "ghostlike animated character" inside the home.
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One approach, some astrophysicists suggest, is to add more species of lightweight subatomic particles, such as the ghostlike neutrinos, to the early universe.
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For that to happen, Waddington concluded, an additional layer of information must exist within a cell—a layer that hovered, ghostlike, above the genome.
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Earl Watson moves across the court as if sinking into sand, held at his feet by ghostlike grains manufactured in his mind and body.
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Across the Hai River from Yujiapu is another ghostlike district, Xiangluowan, where the local government encouraged private Chinese developers to build on their own dime.
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A ghostlike Mark, who had been absorbed by Pat, assures his family his energy will be out there somewhere, even if they can't see him.
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A male barbershop quartet portrays Dutch's mob as well as some of the ghostlike figures of his life who reappear at the moment of his death.
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The only things that kept Holden from feeling perfectly comfortable were the silence that came from the powered-down reactor and the ghostlike presence of Clarissa Mao.
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His cuts sutured by a medical team, he returned to the examiner's squat brick headquarters at First Avenue and 303th Street, coated in a ghostlike gray soot.
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For five rounds, the champion relied on his ghostlike movement to stay out of harm's way and batter Faber with punches from all corners of the cage.
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The earlier rounds appeared to belong to Cruz, who was ghostlike in his defense, clever as ever in his offense, and successful on a trio of takedown attempts.
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The teenagers profiled by Wides-Muñoz refused to accept their parents' ghostlike status, and instead evolved into some of the most politically engaged student leaders in the nation.
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It is uncanny and ghostlike — all the more so because the artist has captured the fawn in a pose that makes it appear to have only three legs.
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Western Oregon will be the first to see totality— when the disk of the sun is 100% blocked, weird effects kick in, and the star's ghostlike corona appears.
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Totally dead people don't show up as shadowy ghostlike figures on the perimeter of their old cabin to inform their family members danger is lurking in the vicinity.
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In the drama "While I Was Waiting," about the destruction of Damascus during Syria's civil war, the political was never absent but rather hovered ghostlike around a domestic story.
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Megan and Anna and Rachel all move — ghostlike — through their homes, like they're haunting lives they were talked into (in Megan's case) or talked out of (in Anna and Rachel's).
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Ms. Raman's elegiac pictures may be largely devoid of people, but they resonate with the evocative ghostlike traces of that once-vibrant community of passionate moviegoers entranced by these idiosyncratic buildings.
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Some others — Adele, Frank Ocean — have made a case for scarcity, though, maintaining ghostlike profiles before delivering triumphant returns that feel all the more momentous for the yearslong hiatuses that preceded them.
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Rising over the mantle of ghostlike smoke bushes that carpeted the ground to the treeless horizon, the plane traced a route over the landscape, its bombardier dropping 50 poisoned sausages every square kilometer.
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The piece reinserts the shape of Mexico onto the map, newly configured and reimagined as so immense that its redemptive, ghostlike presence starts to dissolve into the cosmos, looming large over the United States.
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"I only discovered the painting later," he said, after he had made his own photographic homage, in 1965, in which Magritte appears ghostlike in double exposure, against a canvas on an easel, behind an empty chair.
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Silent and ghostlike, they are meant to represent the spirits of those who have fallen to mass shootings, as well as haunt those within the gun industry who played an indirect but inexcusable role in their death.
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When El Sistema produced a star in Gustavo Dudamel, now director of the Los Angeles Philharmonic, he took him firmly under his wing, even standing beside him, small, gaunt and ghostlike in coat and scarf, vestigially conducting while Mr Dudamel did.
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He somehow conjured perfectly what that sound would be; from there, he imagined the gnomes' confronting the terrifying sight of an army, their faces eerie and ghostlike, covered in the white powder that was expelled from the bags with the fall.
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Kendall, long considered the anointed successor, is a perpetually recovering drug addict who crumbles in the face of pressure from his father or anyone else, even before the most shocking incident on the show to date renders him almost ghostlike.
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"There's this hollowness yet this ghostlike pain still there which is fascinating from a scientific perspective but horrific from a parental perspective," said Hendrik Poinar, an evolutionary geneticist at McMaster University in Ontario and an author of the recent paper.
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To friends and the members of her legal team, Manning spoke regularly, and with despair, of feeling "poisoned" by the testosterone in her body and of a ghostlike invisibility: If people couldn't see her as she actually was, what use was living?
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NEW YORK (Reuters) - An underwater research craft has spotted a "ghostlike" octopus that appears to belong to a previously unknown species on the ocean floor near Hawaii, a discovery that highlights how little is known about the deep sea, a U.S. zoologist said on Saturday.
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Mr. Hammons's Gansevoort installation is expected to feature a ghostlike image of the original Pier 52 building on that site, according to those who have been briefed on the project — an open minimalist framework of what had originally been there, like a pencil line drawing in space.
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Pop-punk duo Girlpool have released their first new single since last year's much-lauded Powerplant LP. "Picturesong," a collaboration with Blood Orange auteur Dev Hynes, opens up as a worn-out, stoned-mellow synth-pop song with Harmony Tividad and Cleo Tucker singing in ghostlike unison above Hynes's background bass.
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In an epic battle — that includes beams flying out of fingers, an ultimate magical source that looks like a bunch of low-rent CGI bugs flying around, and Kaley Cuoco of Big Bang Theory fame — two of the three Charmed Ones are murdered; a trio of ghostlike ne'er do wells are also murdered.
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In this sequel to the 2015 hit "Ant-Man," the escaped convict Scott Lang and the scientist's daughter Hope Van Dyne reassume their insect identities and team up with Scott's former cellmate (Michael Peña) to battle a ghostlike villain who has stolen the technology that allows them to shrink or grow exponentially.
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Mr. Hinton's tastes tend toward club-influenced music — especially that of the British persuasion — in which the vocals appear to be floating somewhere above the production: Think the Streets, whose melancholy-amble rapping practically obviated the need for a beat, or James Blake, whose ghostlike singing is like a full immersion in a cloud.
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Only one of her books, " Salvage the Bones " (Bloomsbury), which won the 2011 National Book Award for Fiction, takes Katrina as its primary subject, but the storm lingers, ghostlike, in the others, operating as a grand, whooshing metaphor for the vulnerability—physical, emotional, environmental—of the residents of rural Bois Sauvage, the fictional Mississippi-coast town in which all her novels are set.
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On the wall of Freedman's bedroom hangs Bruce Nauman's "Infrared Outtakes," a 23 series of four photographs of Nauman's body parts (originally taken in 19643 by the photographer Jack Fulton), which slyly interact with a white cast polyurethane and acrylic Don Brown sculpture from 21964 of the British artist's wife, Yoko, her form obscured by a drape, ghostlike (that work, in turn, is highlighted by the windows' gray velvet curtains).
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He has refined a technique of using the piano's sustain pedal and his attack in order to bring out the upper partials of a note, so that when he strikes a key, he can control the "cross-talk" between two notes, throwing into relief what he calls "the entire shape and bloom of a note," from its inception to the moment when "it ceases to be audible and becomes imaginary" — ghostlike, you might say.
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And rather than seeing the writer as a vampire sucking the blood of those around him, which is a tantalising trope for the business of writing about other people, at least as it is perceived by the public, I saw the writer as someone in danger of losing his independence, a person held captive and paralysed by the power of another, who fawningly acts like him, pale, bloodless and ghostlike, perhaps because I have always had such a weak ego, always felt myself inferior to all others, in every situation.
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Nomé's works were described by Rudolf Wittkower as "bizarre and ghostlike paintings of architecture, often crumbling and fantastic".
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Moving > quickly now, shadow amid shadows. Slipping ghostlike through brush and > bramble. My senses extend me beyond my skull. I am become a piece of the > night.
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For example, sleep paralysis is referred to as a pandafeche attack in Italy. The pandafeche may refer to an evil witch, sometimes a ghostlike spirit or a terrifying catlike creature.
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The ghostlike feel of the earlier movements forgotten, the work concludes with distinctive finality, a four-note bang similar to that of Rachmaninov's in his Piano Concerto No. 2 and No. 3.
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The elevator ascends to another level. The doors open, revealing a large, ornate mirror. Hightower tells the guests to wave and say "good bye" to themselves. As they do, the lighting of the hotel is replaced with an eerie green glow, which makes the reflections of the guests ghostlike, an effect similar to the California and Paris rides, but absent the lightning strike.
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Belt fixes the situation, but orders the mission to proceed. The payload is successfully deployed, but a crew member reports seeing a ghostlike entity outside the ship. Meanwhile, the agents examine NASA records and find evidence that Belt played a role in other failed missions, including the Challenger disaster. Belt behaves irrationally and collapses screaming as he hears mention of the entity from the astronauts.
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He then approaches the woman, and together they appear under white bedsheets. Brown is then seen walking down a street, while women are shown levitating out of their beds as he passes by them. He then enters a limo and starts caressing various ghostlike female figures. Brown then returns to the bedroom where he "strips shirtless and makes passionate love" to the woman "as they are showered in water".
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This is one of Shaclkeford's most notable pieces of art where it is a ghostlike shawl standing at 9 ft. tall and 4 ft. wide. Shackleford's use of the sprang technique allowed her to create this delicate shawl without the use of a loom or any modern technology. In preserving Chickasaw culture, the title refers to the Lady of Cofitachequi who had an encounter with outside colonizers and conquistadors.
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In many of the depictions, the haniwa is primarily presented as a ghostlike, malevolent creature; without attempting to retain the historical aspect of the haniwas religious nature. In Animal Crossing, haniwa are called Gyroids in the English translation, and are furniture only found buried in the ground. A Gyroid named Lloid appears in several games of the series as a helper NPC, collecting donations to go towards town upgrades and construction projects.
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"Douglas Kent Hall, Mass: Of Our World (Albuquerque: Radebaugh Fine Art, 2008), 8. Jeanne Shoaf, curator of art at the Lincoln Center Art Gallery, wrote that "Radebaugh’s complex patterns of negative and positive space capture the stark shadow and light of the plains. The resulting landscapes shape-shift between abstraction and representation, echoing the glints of sun off the shining sea. Ultimately, he makes visible the ghostlike imprint of the sea across the horizon of these Great Plains.
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Throughout the video, the members of TISM are dressed in black uniforms with high shoulder pads and with faces covered by a Balaclava mask, giving them a strange and threatening visage. In the scenes where members of TISM are in the film clips or at the party, they are seemingly invisible to the people around them, able to move and interact with the music video audience, but seemingly ghostlike to the woman in the clips or the teenagers at the party.
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They stand in front of a red garage door; Tennant is in front dressed with a long coat, white shirt and dark necktie, directly addressing the camera, with Lowe standing behind him with a blank expression. Lowe is filmed in double-exposure and appears almost ghostlike. In other shots, Tennant power-walks imperiously while Lowe casually follows behind. While Tennant delivers the lyrics & chorus directly at the viewer, Lowe appears at times disinterested in the proceedings or preoccupied with other goings-on around them.
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Sirius makes his final appearance in Harry Potter and the Deathly Hallows when Harry discovers the Resurrection Stone within the golden snitch. Appearing as a ghostlike figure alongside Lily, James and Lupin, Sirius supports Harry's walk into death and assures him that dying is "quicker and easier than falling asleep." He also promises Harry that the four will always remain a part of him. Rowling revealed a family tree in the J. K. Rowling Documentary on ITV concerning all of the Grandchildren of the Weasley family.
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However, Paris issued an imperial command for Tannhäuser, and Niemann obtained a nine-month contract to join these rehearsals in September 1860. Hans von Bülow had little time for Niemann, either for his forced timbre or for his loutishness towards Wagner.Newman 1941, 60–64. Over the months of the rehearsals, Niemann refused to respond to Wagner's artistic direction and, desirous but doubtful of success, would not modify his brilliant ringing tones to the mood of resignation and ghostlike tonelessness required for the final act, despite Wagner's almost superhuman patience and encouragements towards him.
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Religions consider the future when they address issues such as karma, life after death, and eschatologies that study what the end of time and the end of the world will be. In religion, major prophets are said to have the power to change the future. Common religious figures have claimed to see into the future, such as minor prophets and diviners. The term "afterlife" refers to the continuation of existence of the soul, spirit or mind of a human (or animal) after physical death, typically in a spiritual or ghostlike afterworld.
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Therefore, Botticelli and Turgenev are at least as old as intercrater plains material and may be equivalent in age to the Goethe impact basin. A similar argument can be advanced for the age of the Monteverdi Basin, 130 km in diameter, centered at lat 64° N., long 77° W. in the Victoria quadrangle. The younger craters Jókai and Verdi, which have prominent central peaks and ghostlike discontinuous inner rings, probably qualify as central-peak basins (Wood and Head, 1976). Both structures are considerably younger than the Caloris Basin.
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The first Faora, Faora Hu-Ul, was introduced in Action Comics #471.Action Comics #471 (May 1977) She was a beautiful Kryptonian woman whose unexplained hatred for men led her to torture and kill 23 men in a secret concentration camp. For this, she was imprisoned in the Phantom Zone to complete a sentence of 300 Kryptonian years, the second longest term after Jax-Ur.Action Comics #472 (June 1977)Phantom Zone #1 (January 1982) This allowed her to survive her homeworld's destruction, along with the other Phantom Zone prisoners, albeit in an invisible ghostlike form.
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Cross's style changed little from the 1940s through the end of her productive years. As one critic put it, she had a distinctive style that was "unaffected by abstract expressionism or any of the other 'isms' that have swept the country." As well as fanciful figures and still lifes, she produced a growing number of portraits. The imaginary characters and vases of flowers were sharply drawn, colorful, and richly textured while the portraits tended to be dark, almost monochrome, and seen as ghostlike, inhabiting a cold grey, dreamlike environment.
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She awakes him and informs him that Janos, one of the crewmembers, has been infected with the Melding Plague and needs immediate surgical assistance. As he walks through the ship, he notices he is being followed by a spectral, ghostlike figure, which disappears as he turns on the lights. Despite this, he goes ahead and carries out the operation, only to have the mysterious figure reappear before him. As he removes the last implant from Janos's visual cortex, he is accidentally informed by Katia that he is the one being operated on.
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A shift away from his academic style took place in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Osbert abandoned naturalistic painting in favour of a Pointillist technique like that employed by Seurat and Signac. Also inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue.
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Special effects and camera tricks also allow producers to make the ghost disappear and reappear, highlighting the fact that only Macbeth can see it. Stage directors, unaided by post-production effects and camera tricks, have used other methods to depict the ghost. In the late 19th century, elaborate productions of the play staged by Henry Irving employed a wide variety of approaches for this task. In 1877 a green silhouette was used to create a ghostlike image; ten years later a trick chair was used to allow an actor to appear in the middle of the scene, and then again from the midst of the audience.
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Found objects such as glass eyes, plastic dolls, toe nails, teeth and eyelashes were added to the wet painted surface to bring the creature in its various configurations to life. It is often only through the effects of light on painted surface that form can be determined, giving the very visceral images a ghostlike quality. The series investigates personal and public narratives around fear and trauma in South Africa, giving form to things that seem impossible to speak about directly. It is an allegory of the nation's deepest fears around issues of poverty, xenophobia, race, and crime, - at a time of radical social transition and uncertainty post- 1994.
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Seen from the north plaza, > the addition's main entrance gently defers to the old building, the > crystalline form suggesting a ghostlike echo of the austere stone facade. > From there, the eye is drawn to the distinct yet interconnected translucent > blocks, which are partly buried in the landscape ... It's an approach that > should be studied by anyone who sets out to design a museum from this point > forward. The museum has gone against traditional conservatorial thinking in allowing natural light from the lenses to illuminate its art work. Most of the exhibits in the addition are below ground with the 27 to glass pavilions above them.
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Soon reports are coming in from all over the American continent, and then from Hong Kong and Japan. As Benton and his team pass through the time bridge, a commercial jet crashes in Munich after the pilot reports that the runway has changed position. Soon the sightings reach England as well; ghostlike squadrons of marching figures, dead people and condemned buildings are spotted. The opposite occurs as well—people who still exist become harder to perceive... Grover has the Doctor, Liz and Mike locked up on the Constitution, promising to release them before the volcano erupts so they can return to their own time.
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The film is loosely based on real life "Phantom Lover" Dan Cheung, known as such due to the ghostlike (that is, not real) nature of the women he romances. The film is set in China in the 1940s. Song Dan Ping (Leslie Cheung) was an ambitious theatre actor and owner who built his dream magnificent playhouse from where he entertained and dazzled the theatre-loving populace with his adaptation of classics such as Romeo and Juliet and other tragic love stories. His passionate and devoted performances drew the attention of To Wan-Yin (Jacqueline Wu), the beautiful daughter of a corrupt and despotic official.
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During Mikami's introduction of the trailer, he assured that development was proceeding smoothly and claimed the game was scarier than ever before. The story was set in a haunted building where Leon contracted a bizarre disease and fought paranormal enemies, such as animated suits of armor, living dolls, and a ghostlike man armed with a large hook. The game had an otherworldly feel to it, containing elements like flashbacks and hallucinations that were marked by a bluish tint and a shaking camera. It also displayed various gameplay mechanics that carried over to the final release, like the over-the-shoulder camera and a laser sight for aiming in battles and quick time events.
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Detail The composition of this painting is unusual in that the most significant object, the old warship, is positioned well to the left of the painting, where it rises in stately splendour and almost ghostlike colours against a triangle of blue sky and rising mist that throws it into relief. The beauty of the old ship contrasts with the dirty blackened tugboat with its tall smokestack, which churns the otherwise still surface of the river. The blue triangle frames a second triangle of masted ships, which decrease in size as they become more distant. Temeraire and tugboat have passed a small river craft with its gaff rigged sail barely catching a breeze.
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In the same year her work was the subject of a major survey exhibition Séraphine Pick: Tell Me More at Christchurch Art Gallery, curated by Felicity Milburn and toured to City Gallery Wellington and the Dunedin Public Art Gallery. The exhibition was accompanied by a publication with essays by Milburn, Lara Strongman, Andrew Paul Wood and others. Reviewer James Dignan, writing of Tell Me More in the Otago Daily Times in 2010, described the development of Pick's work as moving > [...] from ghostlike scratches on canvas to full-blooded figurative darkness > [showing influences] from Bosch through Redon to Leonor Fini. Through it > all, the subterranean undercurrents are a dominant thread, notably in the > recent large crowd scenes and solitary figures surrounded by mental echoes > of their physical surroundings.
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The downtown streets of Mar del Plata seemed empty and ghostlike by the time rioting had started. On MSNBC during the incident, NBC News Chief White House Correspondent David Gregory and The Washington Post reporter Michael Fletcher attributed this to the widespread anticipation among locals that the summit would bring violence. Fletcher said during the broadcast that "people (local residents and business owners) anticipated that this summit was coming, and (the locals) got out of town" and that "most businesses and shops are closed". The Washington Post journalist Michael Fletcher also suggested that the violence was an outlet for anger caused by "growing wealth discrepancies" and the "rich getting richer", problems which he says many South Americans believe have "been made worse by free trade... and government inefficiency".
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