254 Sentences With "gabber" | Random Sentence Generator

Oh man, I could play gabber to wake me up, and play gabber to put me to sleep.

I love how I have experienced hardcore, gabber, hardstyle, etc.

Commercialization doesn't leave much room to hardcore and gabber clubs.

Tell me about how you dress to a gabber rave?

For example, we meet two gabber natives, Daria and Arjan.

I produce also—mostly hardcore, gabber, terror, trance, and hard trance.

He's a Belgian who proudly refers to himself as rolstoelgabbertje (wheelchair gabber).

I drink, but you don't have to do drugs to enjoy [gabber].

Do you feel like women are properly represented in the gabber scene?

Donna: There needs to be more active women in the gabber scene.

The gabber street parade, organized by Ekaterina Burlyga kicks off the night.

What do you think about the connection of the gabber scene to nazis?

What do you think it would take for gabber to become more popular?

I started out DJing UK hardcore and I met somebody that DJ'd gabber.

Related: Watch Noisey's 'Big Night Out—Gabber' Clubbers have felt the heat, too.

The collection of materials for Gabber Nation has grown considerably at this point.

Naumann will also be bringing the Gabber Nation to exhibit to Rotterdam in February.

Somewhat disenchanted, I nevertheless continue to look for hidden traces of gabber in Friesland.

I use our walks to ask Boris about his socialization in the gabber scene.

I played a gabber set a little over a year ago and it was insane.

Are hardcore and gabber going to get popular again in a city overrun with techno?

There are so many subgenres in gabber, the room for sonic and exploration is limitless.

Not that gabber one in Wales though, my ears would not thank me for it!

Meanwhile, another member of the crowd has the "classic" gabber look, as though he walked right out of one of those iconic gabber YouTube videos: a fluffy yellow sweater, black and white track pants, white socks pulled up over the pant cuffs, and colorful sneakers.

Go to a gabber night or a jersey club one or a country and western one.

"I love techno and especially gabber," Buford says of the decision to fold in those sounds.

How do you feel about the American gabber scene—do feel like it's a unified culture?

Hailing from Chicago, the late, great DJ Tron was a pioneer in gabber, hardcore and speedcore.

Gabber Syndrome and friends disassemble the silence of the warm summer night into its individual components.

Bunker was famous for its hardcore floor, which had a big influence on the gabber scene overall.

The beauty of our scene is that as long as you're a gabber, you're never really alone.

Casual Gabberz is a Parisian collective of musicians leading the charge for a new, international gabber scene.

I had a weekly slot there on Sunday afternoon, playing more clubby stuff in between two gabber DJs.

The gabber kids seem to be playing exactly the same records the Fear Teachers were playing in 92.

Similar to collectives like Gabber Eleganza in Italy, KUNQ in New York, and Wixapol SA in Poland, Casual Gabberz also throws their own gabber-fueled parties, inviting old-school hardcore DJs like Rotterdam Terror Corps and Bass D to play alongside newer-gen acts like Teki Latex, Krampf, and Feadz.

The sets for the rest of the night screeched between industrial techno, stomach-churning gabber, and jungle-tinged 90s hardcore.

I got to see Delta9 at a New Year's party about five years ago when I first got into gabber.

In 1992, the infamous hardcore techno and gabber music festival, Thunderdome, took place a mere 20 kilometers away, in Heerenveen.

Boris grew up in Bloomendaal, outside of Amsterdam, and he's been a gabber enthusiast since he was 11 years old.

It seems as though every single neighbor has a story to tell about gabber, whether they like it or not.

We make our way along the main street of the town with several cars, gabber beats, and our homemade flag.

You release a lot of really heavy electronic music, stuff that's influenced by or directly indebted to gabber and hardstyle and industrial.

I see pit bulls of all shapes and sizes lurking around, while gabber parents pushing strollers excitedly greet their old rave buddies.

There's a track called "Vomit" featuring Bonnie Baxter of the Brooklyn noise band Kill Alters, which sounds kinda like Boredoms playing gabber.

We talked to the producers about how the seedy side of Florida inspired their new record, experimenting with samplers, and their secret love for gabber.

The group locates a link between vaporwave and gabber—with its adrenaline rush of quick kicks and garish, disorienting synths—in their shared "punk" origins.

Gabber is legendarily one of the heaviest genres of music to ever exist and it's also one of the best, in my opinion at least.

Below is an account of her time leading up to the group show Gabber Nation and a reflection on the history and culture that surrounds it.

Back then, his collection consisted of only a couple of racks with a few caps, shoes, and tracksuits, but today it's a true celebration of gabber culture.

I want to find out what unifies gabber scenes at their core, and to penetrate the core of something means I must become a part of it.

Have you ever tried to fall asleep in a gap between sofas whilst listening to a gabber version of "Zombie" by the Cranberries, all the while perilously hungover?

That big distorted kick drum really stimulates the fight-or-flight response so it makes dancing like a thrill ride—that's what I like about the gabber sound.

In 1990, Z'ev began working with the Dutch house-music producer DJ Dano on high-speed tracks that presaged the hard-edged underground dance music genre called gabber.

The German artist Henrike Naumann used a residency in Friesland, Holland to explore her longtime fascination with the infamously punishing genre of high-speed electronic music called gabber.

With his help, and objects from his old room, we construct the installation, Nexus '96, the teenage bedroom of a gabber fan at the turn of the millennium.

For example, while there are still active right-wing gabber movements in East Germany and in the Ruhr region, I don't discover anything like that here on my trip.

Proponents adopted the serrated edges and unpredictable programming of electronic music's more aggro genres—like gabber, industrial, and IDM—as an ear-bleeding mirror of the state of the world.

The few seconds even sound like a slowed down version of the thumping, overdriven bass found in gabber, until you realize it's only going to get more grim and dissonant.

Obviously hardcore and gabber aren't new by any means, but I feel like you have had the opportunity to bring it into contexts in which people aren't familiar with it.

This Fire-Toolz release wasn't part of it, that's still a pretty fitting descriptor for producer Angel Marcloid's unholy blend of blistered black metal, wistful trance, and blunt gabber punishment.

I scream in her ear, "I came here to this bizarre place looking for gabber, for the core of it all... and you know what—we're in it right now."

Running through artists like Deathmachine, Black Sun Empire, and Dr. Peacock—as well as Rihanna, Super Mario, and Yo Gotti samples—it's a stomach-churning appetizer for next week's gabber feast.

Compared to the glitchy mania of their last single, the wonderfully titled and 22-minute-long "Steroids (Crouching Tiger Hidden Gabber Megamix)," Death Grips' latest song, "Streaky," makes for easy listening.

Multi-instrumentalist Mick Kenney takes riffs that are at times reminiscent of black metal and at other times grindcore, and juxtaposes them with electronic elements culled from industrial, gabber, and other genres.

As insurance levels rose, 22012 companies filed rate increases of between 20103 percent and 22010 percent since 21, and "market concentration has significantly increased," said the Commission's chief of market regulation Brian Gabber.

Where trance and rave pastiche in recent club music often emphasizes dramatic melodic progressions, LaBeija uses just two chords and a dembow beat here, evoking the compositional styles of, say, punk and gabber.

As the anonymous founder of label HVRF Central Command recently noted, hardvapour is "inspired by GABBER, HARD TEKNO [sic], NOISE, DISTORTED BEATS, SCHIZOPHRENIA," while remaining rooted in a "conceptual projected framework" similar to vaporwave's.

Hardcore dance music originated in the 90s Dutch rave scene, and has since splintered into sub-genres like hardstyle, gabber, and speedcore—all marked by heavily distorted percussion, whiplash-inducing tempos, and aggressive, industrial mayhem.

Ah, gabber—that 90s rave movement from the Netherlands that gave us a wonderfully weird era of stylish sportswear, an interesting take on European folk dancing, and an entire generation of potentially fucked-up children.

The only time I went down into there was when they had a squat party and there was literally the most horrible gabber techno blaring out from under my street, so I went to investigate.

Yet most EDM-trap producers tend to practice restraint in comparison to, say, their gabber counterparts, as if they need to hold a bit of energy to get them to the end of the track.

The frenetic, driving sound has long been inextricably linked to Holland—which is where I stand currently, in the city of Friesland, to search for the roots of one of the world's longest-standing gabber scenes.

Kunsthuis SYB, an artist residency program based in Friesland, invite me to do a residency in the tranquil town of Beetsterzwaag; it's an unassuming town that has a bit of a historical connection to Gabber scene.

Collins' commercial radio station's 80s Power Hour melody is shoved into an on-the-blink blender with some rotten old gabber record and the result comes on like big Phil's been force fed into an industrial mincer.

Available as a double CD, free digital download (YAS!), and special boxset, these 40+ tracks also serve as Casual Gabberz' musical manifesto, showing off the hybrid new gabber sound that they've been incubating over the past four years.

The literary and cinematic movement known as cyberpunk, which was marked by "science fiction dealing with future urban societies dominated by computer technology," feels particularly relevant to hardvapour's fascination with Gabber/hardcore sounds, Slavic imagery, and hacker aesthetics.

Gabber—a Netherlands-born subgenre of hardcore music marked by heavily distorted kickdrums, whiplash-inducing BPMs, and no-fucks-given aggression—was mostly popular in Europe 220 or 290 years ago, corrupting an entire generation of Dutch children.

The goth night was probably the most fun, the gabber night probably the most intense, the student night probably the most debauched and the Milton Keynes shopping center/club The Only Way Is Essex extravaganza probably the most depressing.

Moving from Hudson Mohawke's "Ryderz" to Marvin Gaye and Tammi Terrell's "Ain't No Mountain High Enough"—via at least 15 minutes of gabber—the set feels like a frantic overdose of nearly every one of their pop-culture fascinations.

What I found in reality was a hyper-dedicated and tight-knit scene gabber heads leftover from the larger hardcore explosion in America decades ago that either got swallowed or abandoned by more accessible electronic music genres over time.

I used to make these threads where I would ask people for musical genres; one would post "swing", and the other would post "hardcore gabber techno" and I'd fuse the two and make a song of it in 30 minutes.

Bastian Hagedorn—a musician and social worker from Berlin—with whom I've wanted to do a gabber project for years, barely arrives before gutting the basement and reconstructing a legendary Berlin bunker reduced to only the essentials: Fog, strobe, bass.

Artists like Kilbourne, Panteros666, Canblaster, and Voiron were tasked with creating original tracks inspired by "hard" genres like hardcore, gabber, doom, trance, hardstyle, and jumpstyle—and judging from the number of plays I've clocked up in the last few weeks, it bangs.

But twice a year, this relative calm is brutally disrupted when flocks of young and old gabbers in Thunderdome-branded tops walk out of the Kortrijk train station and head straight to DC's Special —one of the last brick-and-mortar shops dedicated to gabber.

Sourland on the whole signaled a stylistic departure for the producer in its total embrace of European hardcore styles such as hardstyle and gabber, and these ferocious sounds make perfect sense on "Men: Parasites," an arsenal for the brazen process of becoming she describes.

Imagine the scene; tech-house die-hards embracing psytrance burn-outs, bulbous-eyed gabber maniacs tenderly linking arms with Avicii stans, DJ Sneak going twos on a Camel with everyone he's ever pissed off, all before the emergent messiah of a club-ready Sheeran.

The lower end of the scale—your cosmic disco territory—was going to send me into a slumber, and rocketing it right up to gabber speed would result in the kind of afternoon that sees you led into the HR warren, bloodied, confused, and profusely apologetic.

They were exposed to the sounds of singeli, nimble rap with ululating keyboard leads, from Tanzania; gabber, frenzied music that makes use of sirens and heavily distorted kick drums, from Indonesia; and a punishingly loud imitation of Cold War sonic weaponry, played from modified tanks rigged with amplifiers.

There's also obviously the intentional abrasiveness of the new school: the bass on the late XXXTentacion's "Look at Me!" notoriously crumples into a gabber-ish squarewave, and Lil Pump's early hit "D Rose" is so deep-fried it sounds as if someone cranked all the levels up after recording.

The rickety DIY art space feels just as vintage: The hardwood buckles and sags precariously in time to the beats as Clipping producers William Hutson and Jonathan Snipes conjure an ear-splitting mix of Gabber kick drums, frantic footwork rhythms, Drum n Bass breakbeats, and industrial samples of clanking metal and mechanical drills.

While the whiplash-inducing genre—marked by manic tempos ranging from 180-220 BPM, distorted bass drums, and shrieking synths—is hard to come by in the US clubbing scene, a particularly fanatical promoter named "Justin Bailey" (AKA Seva Granik, the mastermind behind SHADE) will be throwing a gabber party called "Zero Chill" in Brooklyn on April 1 as a winking tribute to its cultish lineage.

With the scent of BBQ floating through the leafy outdoor patio, guests alternated between munching on burgers and dancing to groovy, Latin-influenced dance music like reggaeton and dancehall from Mexican DJs Esamipau and Puma, and New York's Bearcat, Riobamba and HD. When the festivities wrapped up at 10PM, those left standing headed over to speakeasy-esque nightclub Crom for an afterparty called Asphyxia, where NYC transplants Zakmatic and Nightcoregirl blasted standout sets of screeching hardstyle and gabber.

In a thrilling segment which sees Marks trapped by the sheer amount of technology at his disposal—imprisoned by the very lights and lasers that have brought him so much joy over the years—whilst a disco remix of Richard Strauss' "Also Spach Zarathustra" pounds away with the fecund ferocity of gabber at its most powerfully potent, we begin to understand the raw appeal of the Coliseum: imagine being out of your nut whilst Marks is tinkering away with the awesome lightshow.

"Fuck You & Your Eyebrows" Tracklist Zealus - Gabber ISR Live - DOA Mash (+Snapchat Me Dat Pussy) Execrate - Fuck You & Your Eyebrows (Original Mix) Rahel - Restless The Outside Agency & N-Vitral - Sam's Gospel (Original Mix) N-Vitral Ft. Sei2ure - Noise Pumper (+ Work Work Work Work Work Work) Deathmachine - Sick Bass The Sickest Squad Frazzbass - Supermario (Exagon Da Boomer Antiremix) BSA - Die Alone (Original Mix) Negative A - Freebase (+BBHMM) Dr Peacock - Trip To Thailand Syrinx - Gabba (C-Netik Remix) Black Sun Empire & Eye-D – Brainfreeze (Neonlight VIP)

Its popularity also led to parody tracks such as Gabber Piet's "Hakke & Zage" which drew on the theme tune of the Peppi & Kokki children's television show. The name also referred to hakken, the style of gabber dancing characterised by fast leg movements which had become popular. Gabber fans were angered by the commercialisation of their scene and Gabber Piet was fired from his job at ID&T.; His album Love U Hardcore attempted to make amends but it did not sell well.

The song has a music video featuring gabber ravers dancing hakken.

Paul Roger Elstak (known professionally as DJ Paul Elstak; born 14 January 1966 in The Hague) is a Dutch hardcore/gabber and happy hardcore DJ and record producer. He used to use his full name to create happy hardcore and DJ Paul for hardcore gabber, but when he started Offensive Records in 2001, he started using both names for gabber.

It has to be said that Amsterdam-based D-Shake was probably to be the first to use the term gabber in a 1990 Dutch TV program. Important gabber groups and DJs are the Rotterdam Terror Corps, The Dark Raver and Neophyte. Gabbers distinguish themselves through hair (bald heads) and clothes (Australian and Cavello). Now, gabber is usually called early hardcore.

The same year they introduced the new gabber music festival named Dominator.

Dutch producers reverted to gabber after a final few parting shots with releases like Chico Chipolata "No More Happy Hardcore" (1996), Buzz Fuzz "Fuck Happy" (1997); whilst Bodylotion "Happy Is Voor Hobos" (1996) alternated between droll bouncy and no-nonsense gabber parts to get their message across.

Mokum Records made its slogan (printed on all records): "Hardcore united against fascism and racism" and in addition some gabber producers are people of colour such as Dark Raver, Paul Elstak and Loftgroover. When gabber became popular again in the 2000s, Dutch neo-Nazis attempted to capitalise on it but their structures were short-lived. By the mid-1990s, gabber had become part of mainstream culture in the Netherlands. Billboard magazine called it the country's "first homegrown youth culture" in 1997.

Oberwolfach in 2004 Ofer Gabber (עופר גאבר; born May 16, 1958) is a mathematician working in algebraic geometry.

While UK Drill echoes the Roadman subculture of the UK, in Australia the drill scene is born from the Sydney Searchers subculture, nowadays called Lads or Eshays, which has seen a massive revival in popularity. In Sydney, Gabber music and the Hakken dance it is accompanied by has been popular amongst Lads, as from the mid-2000s, music festivals such as Defqon1 and Stereosonic became popular places to rave and start fights. The Hakken dance is mainly referred to as gabber (noun) or gabbering (verb), named after the Gabber subgenre of hardcore it is performed to. Despite the fact that it is called Gabber, it is usually performed to music of the hardstyle genre by most ravers in Australia.

Jumpstyle music is an offspring of tech-trance, hardstyle, gabber and mákina. Its tempo is usually between 140 and 150 BPM. However, it cannot be seen as merely a slowed down version of gabber. It is characterised by a 909 kick drum used in a four on the floor beat.

On 28 May 1839 McMillan travelled south on his first exploration of the Gippsland plains, accompanied by Jimmy Gabber, an elder of the Monaro people. The expedition was unsuccessful; in a letter to colonial administrator Charles La Trobe, McMillan reported that six days after leaving Currawong, Gabber declined to go further for fear of encountering the Kurnai people, Gippsland's indigenous inhabitants. McMillan refused to turn back, whereupon Gabber waited for a quiet moment and attempted to kill McMillan with a club.Correspondence, Angus McMillan to Charles La Trobe.

In Australia, the dance is mainly referred to as gabber (noun) or gabbering (verb), named after the gabber subgenre of hardcore it is performed to. Despite the fact that it is called gabber, it is usually performed to music of the hardstyle genre by most ravers in Australia. The dance consists of small steps that quickly follow to each other to the rhythm of the bass drum. The lower body (down from the pelvis) is the most important part, though it is not unusual to move the arms and torso too.

The most commonly used logo for early hardcore The popularity of gabber created a youth subculture in the Netherlands. Fashion- wise, gabber ravers wore tracksuits, bomber jackets and Nike Air Max shoes. Tennis tracksuits from the Italian fashion label L’Alpina were prized. Most men shaved their heads bald, while women braided their hair and shaved the sides.

Gibber Gabber is a weekly newspaper published in Woomera, South Australia; it has been published continuously by the Woomera Board since August 1950.

The Laziest Men on Mars was an American techno band known for their successful gabber song "Invasion of the Gabber Robots" which remixed some of the Zero Wing video game music by Tatsuya Uemura, which became background music to the popular "All your base are belong to us" Flash animation.All your base . . . (brief mention)'All Your Base' hits Web Nonsense phrase fad proves power of Internet to perpetuate gibberish (brief mention) Their song "Invasion of the Gabber Robots" was featured prominently on Mp3.com.Pesterig cultzinnetje Krom Engels noemde het ANP de zin 'All your euros are belong to us'.

Angerfist, one of the most famous DJs of mainstream hardcore. The mainstream hardcore sound derives from early hardcore (still called gabber at the time). In the late 1990s, early hardcore became less popular than Hardstyle. After surviving underground for a number of years, in 2002 Gabber regained some popularity in the Netherlands, although the sound is more mature, darker, and industrial.

Schuler, M.(1995),Gabber + Hardcore, (p. 123), in Anz, P.; Walder, P. (Eds) (1999 rev. edn, 1st publ. 1995, Zurich: Verlag Ricco Bilger)Techno.

Gabber (; ), also known as early hardcore or Rotterdam hardcore, is a style of electronic music and a subgenre of hardcore techno. It is characterised by fast beats and samples, and was developed in Rotterdam in the 1990s by producers like Paul Elstak. Seminal early labels were Rotterdam Records, Mokum Records and Industrial Strength Recordings. The word "gabber" comes from Amsterdam Bargoens slang and means "friend".

Tim Exile (or Exile) is the recording alias of Tim Shaw, a producer and performer of electronic music spanning drum and bass, IDM, breakcore and gabber.

Charly Lownoise & Mental Theo are a DJ duo from the Netherlands. They are best known for their successful happy hardcore songs, but have also produced gabber records.

Musically the song is totally different with a fast gabber beat. The song made the 1996 yearlist at a #21 position. The single was certified Gold.NVPI.nl Certification page.

Hard trance was the final form of progressive to hit the mainstream. It eventually morphed into hardstyle, jumpstyle and gabber. Its mainstream popularity decreased in the mid-2000s.

Alongside the birth of hard trance, the same producers and record labels were already producing and developing the jumpstyle sound, the successor of gabber, which was popular in the Netherlands. Jumpstyle used the same sounds as the hard trance sound with faster beat patterns but slightly slower than gabber, this developed directly into hardstyle toward the end of the 1990s, which along hardtechno and hard house came to dominate the harder spectrum of electronic music.

Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and North England. Described as an accessible gabber-like form, it was popularised by Scott Brown under numerous aliases. The sound became prominent in the northern United Kingdom rave scene before it broke into the hardcore homeland of the Netherlands through Paul Elstak, where it became known there as happy hardcore (i.e.: happy gabber) and funcore .

The classification of pseudo-reductive groups already has many applications. There was a Bourbaki seminar in March 2010 on the work of Tits, Conrad-Gabber-Prasad on pseudo-reductive groups.

Euromasters is a gabber act from the Netherlands. Different producers have contributed to this project, although the performances were always done by Rob Christensen (Masters of Ceremony) and Fabian Kruizinga.

Cited in Gardner 1990, p. IX Gabber retreated when McMillan raised his pistol, but still refused to go on. McMillan therefore continued alone, heading west towards Buchan and Omeo.Gardner 1990, p.

Rotterdam Records was a Dutch record label founded by Paul Elstak in 1992. It released hardcore and gabber music. It stopped in 2012 and restarted again in 2018 with MP3 releases.

Alain Connes (Fields Medal 1982), has been holding the Léon Motchane Chair since 1979. Several CNRS researchers are also based at the IHES: Ahmed Abbes, Cédric Deffayet, Ofer Gabber, Fanny Kassel, and Christophe Soulé.

Flamman & Abraxas saw a potential for opening the mainly underground scene of gabber with this group by making the sound more pop oriented and thus introducing the new genre to a mainstream audience. The album mainly consists of cover versions of existing songs set in a fast gabber beat. The remade songs were not only pop songs, but included songs like Sarin which is based on heavy metal and Hakkefest which is based on a Wagner's Flying Dutchman Steuerman with 200 bpm drums set underneath.

Dana van Dreven (born 8 July 1974), also known as DJ Lady Dana, is a Dutch hardstyle and previously gabber DJ and producer. Van Dreven was born in Amsterdam. She started playing gabber in 1993 and though it was never her intention to become a DJ, she did, and is now the most popular female DJ on the Dutch hard dance scene. She achieved the highest ranking spot as a hard dance DJ in the British Mixmag top 100, which she first entered at number fifty-five.

Gabber also spawned happy hardcore, an offshoot of gabber and Breakbeat Hardcore, a genre of dance music that originated in England. Important groups and DJs in happy hardcore include Charly Lownoise and Mental Theo, Party Animals and Flamman & Abraxas. The Netherlands has also spawned many Eurodance acts, such as 2 Unlimited, Alice Deejay, the Venga Boys, the Two Brothers on the 4th Floor and Twenty Four Seven. Many of the world's top trance DJs are Dutch, such as Armin van Buuren, Ferry Corsten and DJ Tiësto.

Hardvapour emerged in late 2015 as a reimagination of vaporwave with darker themes, faster tempos, and heavier sounds. It is influenced by speedcore and gabber, and defines itself against the utopian moods sometimes attributed to vaporwave.

Bass Generator introduced the gabber style to northern ravers. These sets would prove popular and earned him Best Rave DJ and Best UK DJ by Clubscene readers for 1993. To keep crowds receptive, the slower and softer vocal/piano anthems would also be played but unorthodoxly mixed at greatly increased speeds to match them to the much faster and aggressive gabber. This created a peculiar clash of styles; an early template of what would become bouncy techno (this concoction was something he would eventually release as "The Event" (1993)).

In the same period, German DJs began intensifying the speed and abrasiveness of the sound, as an acid-infused techno began transmuting into hardcore.Schuler, M. (1995), "Gabber + Hardcore" (p. 123), in Anz, P.; Walder, P. (eds.) (1999 rev.

The term speedcore in reference to high tempo hardcore/gabber can be traced as far back as 1995. Many believe that Disciples Of Annihilation created the name of the genre with their track N.Y.C. Speedcore and Ya Mutha II.

Aux Raus was a musical duo consisting of Bastiaan Bosma and Luuk Bouwman. Their music can be described as a kind of hardcore-punk with techno beats. They are also described as "gabber punk".Aux Raus at 3voor12.vpro.

They are common in trance music, hard techno, gabber music, oldschool jungle, IDM, drill 'n bass, breakcore and glitch music. If human pitch perception begins at 20 Hz (1200 vibrations per minute), then 256th notes become pitched at ≈ 80 bpm.

The Prophet, 2015 Dov J. Elkabas (born November 5, 1968); known professionally as DJ The Prophet, is a Dutch gabber and hardstyle DJ and producer. The Prophet is also the owner of one of the largest hardstyle record labels, Scantraxx.

When the sound spread to London in the mid-1990s, Dead by Dawn parties at the 121 Centre in Brixton played gabba, speedcore and noise. In the Midwestern United States gabber inspired the foundation of the label Drop Bass Network.

The cohomological Brauer group of a quasi-compact scheme X is defined to be the torsion subgroup of the étale cohomology group H2(X, Gm). (The whole group H2(X, Gm) need not be torsion, although it is torsion for regular schemes X.Milne (1980), Corollary IV.2.6.) The Brauer group is always a subgroup of the cohomological Brauer group. Gabber showed that the Brauer group is equal to the cohomological Brauer group for any scheme with an ample line bundle (for example, any quasi-projective scheme over a commutative ring).de Jong, A result of Gabber.

In the early 1990s, Dutch DJs developed a style of electronic dance music called gabber. The style was developed in reaction to the commercialization of house music and was heavily influenced by early hardcore from Frankfurt and New York City. The DJs stripped the music of what they perceived as excess sounds, songs were reduced to a high-speed monotonous beat, of sometimes over 260 beats per minute. The first ever record to be labeled gabber was 'Amsterdam waar lech dat dan?' by Rotterdam-based 'The Euromasters' as a reaction to the media always focusing on Amsterdam.

Their first record sold 15,000 copies and they were invited to England to play at raves. When he travelled through Europe, playing at dance parties in Belgium, the Netherlands and Germany, Dee's style became harder and faster. He started making techno and gabber.

Wasted! (Dutch: Naar de Klote!) is a 1996 Dutch drama film directed by Aryan Kaganof. It is the first film depicting the Electronic Music Scene in the Netherlands. The film was made during the time when the Dutch gabber scene was at its highpoint.

Common elements include thick synthesizer sounds, programmed drums, fast tempos, and influences of acid house, big beat, broken beat, gabber, speedcore, noise music, hard techno, industrial techno, hardstyle and drum 'n' bass.Arcand, Rob (12 July 2016). "Inside Hardvapour, an Aggressive, Wry Rebellion Against Vaporwave". THUMP. Vice Media.

Lenny Dee (born 1968) is the performing name of Leonard Didesiderio, a DJ based in New York City. Starting as a house DJ in the 1980s, Dee quickly moved towards harder sounds such as techno and gabber. He set up the well respected record label Industrial Strength in 1991.

In the late 2010s, gabber experienced another resurgence with artists such as Nina Kraviz and groups such as Boiler Room welcoming harder and faster beats again. Thunderdome organised a party to celebrate 25 years of hardcore at the Jaarbeurs congress centre in Utrecht. It was attended by 40,000 ravers.

Only a few dances are invented by the Dutch. Most of the Folk Dances are Scottish in origin. The Dutch are inventors of Hakken, which was mainly danced in the Hardcore techno and Gabber scene in the 1990s. Jumpen, which was invented in Belgium, developed further in the Netherlands.

In 1994 producer Ed Bout came in contact with producer Dave van Hasselaar. Together they decided to form a new group. This duo received a request from hardcore/gabber- organisation ID&T; records, to produce some radio-friendly hardcore. With the song "Dancing Together" Critical Mass scored a hit.

Before the Thunderdome concept was started, ID&T; organized a big rave called The Final Exam, that was held on 20 June 1992. This was the first attempt to bring hardcore and gabber to a wide audience and the first event organized by ID&T;, who would later go on to organize other big dance music events such as Tomorrowland, Mysteryland, and Sensation White, and Black. Later in 1992, they organized the first Thunderdome party, which was simply titled The Thunder Dome, which was held on 3 October 1992 in Heerenveen.Thunderdome a Decade event site In 1993, ID&T; / Arcade Records also started a Thunderdome compilation CD-series with popular gabber music.

15(2006), 507-549; with Jiu-Kang Yu. [26]. Pseudo- reductive groups, second edition, New Mathematical Monographs #26, xxiv+665 pages, Cambridge University Press, 2015; with Brian Conrad and Ofer Gabber. [27]. Classification of Pseudo-reductive groups, Annals of Mathematics Studies #191, 245 pages, Princeton University Press, 2015; with Brian Conrad.

DJ Sharpnel is the collective alias for Japanese electronic artists Jea and Lemmy. Via their dōjin label Sharpnelsound, they release albums consisting of their own speedcore, gabber, happy hardcore and trance works as well as guest tracks from acquaintances of the group, such as DJ Chucky, m1dy, and M-Project.

Hardstyle is an electronic dance genre mixing influences from hardtechno and hardcore. Hardstyle was influenced by gabber. Hardstyle has its origins in the Netherlands where artists like DJ Zany, Lady Dana, DJ Isaac, DJ Pavo, DJ Luna and The Prophet, who produced hardcore, started experimenting while playing their hardcore records.

The influence of Gabber and Melbourne Bounce on Australian music is exemplified in the work of Eshay artists like Hooligan Hefs who incorporate these sounds into Australian Drill. Lads have also been involved in the rock, heavy metal and hardcore scenes. Some Australian bands such as the DMA's have been known to sport Eshay fashion.

Patrick van Kerckhoven (born 1970, alias DJ RuffneckVan Slooten, Lieuwe. "Terugkeer DJ Ruffneck zaterdag in het Paard: 'Ik ben nooit weggeweest'" (in Dutch), Den Haag FM, November 8, 2018.is a darkcore or gabber DJ and producer, originating from Alblasserdam, Netherlands. An active DJ since 1985, Kerckhoven has also been involved with various record labels.

"Atomic" is the fifth single of the Party Animals from their second album [email protected]. The song was released in 1997 and was a minor success in Hong Kong. The song is a cover version of the Blondie song recorded with a gabber beat. The song peaked at number 8 in the Dutch Top 40.

On 21 August 2009 the album The Brick Is In The Air was released on the nederhop label TopNotch. Aux Raus was the first gabber punk act on TopNotch. Before that they had only hip hop, reggae, R & B and bubbling. The album was well received and in 2010 the duo released a remix album.

In the early 1990s, DJ Freak founded the label Hard Of Hearing. It was geared towards subgenres of electronic music such as gabber and hardcore. Practically every release on this label was a DJ Freak release, however, other artists did make appearances on these albums. His most recognised and seminal work was released on Killout.

Examples are sjacheren (to barter), mesjogge (crazy), jatten (hands, to steal), gabber (buddy, friend), tof (great), hachelen (to eat). The name of this cant is close to baragouin, which means "jargon" in French. It is supposed to have been derived either from the Breton words bara+gwin (bread+wine) or from Bourgondisch ('Burgundish', i.e. [the language] from Burgundy).

This is similar to the rivalry and mutual dislike that surfaced earlier between fans of "regular" hardcore and happy hardcore. Eventually the two styles met in the middle, and most gabber today is produced in a range of 160-180 bpm. This style is typically a bit slower than the Rotterdam style of the mid-1990s.

Gabber and its subculture became highly popular in the Netherlands, eventually becoming part of mainstream culture in the 1990s. The music quickly spread to London and the Midwestern United States. After falling out of fashion, it became popular again in the 2000s and once more in the late 2010s, gaining prominence in Australia as part of the Eshays subculture.

The music played at the events was predominantly electronic dance music — in this case mainly trance, house, techno, and schranz music. Attempts to introduce other music styles, such as hip hop, have failed. Hardcore and gabber music were part of the parade in early years, but were later removed. They are now celebrated separately on a counter- demonstration called "Fuckparade".

After Drexhage's departure over dissatisfaction with their new hardcore sound he was replaced by Sander Scheurwater. Human Resource disbanded at the end of 1990s. Guido Pernet formed the band once again, this time with Zenon Zevenbergen, former MC for gabber producer Patrick van Kerckhoven and vocalist of T99, and Maurice Steenbergen of Rotterdam Termination Source. Zevenbergen left soon after the tour in 2005.

Drug use was common, with ecstasy and speed the popular choice. Later the look became blouses and short skirts for women. Men wore polo shirts and shirts with jeans and army boots, with a racist minority wearing the Lonsdale brand because of its connection to right-wing extremism. Gabber also had a small following in the German neo-Nazi fringe movement.

During the 1981 Brixton riots, the centre was left untouched. In 1983, the centre hosted people coming to London for the Stop the City demonstration. The Kate Sharpley Library (KSL) was founded at the 121 in 1979 by, among others, Albert Meltzer. From 1993 onwards, the venue hosted industrial, speedcore, and gabber electronic music events, such as the Sate industrial nights.

Scott Alexander Brown (born 28 December 1972) is a Glasgow-born Scottish DJ and music producer, now living in Huddersfield, West Yorkshire. Brown produces and plays a variety of genres, although he is most associated with bouncy techno. His music ranges from happy hardcore, through hard trance, to gabber. He is the founder of Evolution Records, which started in 1994.

From this movement came clubs like Boogjes, Eksit, Nighttown, Vlerk and Waterfront. The Poortgebouw was squatted in the 1980s and quickly legalised. Rotterdam is also the home of Gabber, a type of hardcore electronic music popular in the mid-1990s, with hard beats and samples. Groups like Neophyte and Rotterdam Terror Corps (RTC) started in Rotterdam, playing at clubs like Parkzicht.

Examples of noise music range from guitar-based feedback recordings and live performances (The Melvins, Nine Inch Nails, Jimi Hendrix) to the screeching sounds of Screamo, Grindcore, industrial music or contemporary dance electronic styles like Gabber, Terrorcore, Breakcore, Glitch, etc.See Wikipedia - List of hardcore genres Indeed, the entire ethos of the Punk subculture was based on nihilism, which by its very nature seeks category annihilation.

In 1978 Gabber received a Ph.D. from Harvard University for the thesis Some theorems on Azumaya algebras, written under the supervision of Barry Mazur. He has been at the Institut des Hautes Études Scientifiques in Bures-sur-Yvette in Paris since 1984 as a CNRS senior researcher. He won the Erdős Prize in 1981 and the Prix Thérèse Gautier from the French Academy of Sciences in 2011.

Several of his singles reached the Dutch Top 40 in the mid-1990s.top40.nl After two years, Elstak decided to leave the commercial dance scene and devote his time releasing gabber. In 2001, he left Mid-Town and Rotterdam Records to start a new record label at Rige Entertainment, called Offensive Records. To this day, Paul still releases hardcore on this imprint in his own typical style.

Jones & Stephenson is a Belgian music duo mainly focusing on hard dance music. Jones' real name is Frank Sels (also known as Franky Jones) and Stephenson's full name is Axel Stephenson. In 1993 they made the classic hardcore techno/hard trance record "The First Rebirth", released on Bonzai Records. This song is considered as one of the foundations of the Dutch Gabber/Hardcore music genre.

Bradley Wiggins won the Motor Paced Scratch race and Pursuit events, while the Greek Ioannis Tamouridis took victory in a 1500m Time Trial competition ahead of Chris Newton. Newton then dominated the Points race, taking the victory ahead of Russell Downing. Austrian Roland Gabber rounded off the evening by winning the Scratch race. Revolution 3 saw a mainly British field fight it out for the honours.

About three years later, he set up a team of DJs known as "The Dreamteam", together with DJ Dano, Buzz Fuzz and Gizmo. The team was a huge success in the gabber scene. Later, The Prophet switched from hardcore to hardstyle because he did not like the fact that the hardcore community wanted the music to become 'harder'. He is famous both as a DJ and as a producer.

Gabber, also known as gabba, early hardcore or Rotterdam hardcore, is a style of electronic music and a subgenre of hardcore techno. It was derived from acid house, techno and New Beat in the early 1990s. The musical style is described as "a relentless mix of superfast BPMs, distorted kickdrums and roared vocals". The music is typically 180 to 190 beats per minute with samples taken from films or other tracks.

This release was a reply to the song "James Brown is Dead" by L.A. Style. In 1992, Elstak created his own record label, Rotterdam Records (under the flag of Mid-Town records) to release hardcore techno, mostly gabber and happy hardcore. The first release on this label was a Holy Noise release under the guise of De Euromasters, releasing Amsterdam Waar Lech Dat Dan? (Translated; Amsterdam, Where Is That?).

Poing is a gabber track by the Rotterdam Termination Source released by Rotterdam Records in 1992. The song, composed by Maurice Steenbergen and Danny Scholte, took a minimalist approach: during the whole length of the track a distinctive pounding beat with a "poing" sound can be heard. The track topped the charts in the Netherlands and Denmark. It reached number 27 in the UK chart in November 1992.

Syncopated breakbeats remain the most distinctive element as without these a high-tempo 4/4 dance track could be classified as techno or gabber. The complex syncopation of the drum tracks' breakbeat is another facet of production on which producers can spend a very large amount of time. The Amen break is generally acknowledged to have been the most-used (and often considered the most powerful) break in drum and bass.

With a potential new avenue, Scott Brown reinterpreted the gabber sound into a more accessible interpretation for local audiences. His Bass X "Hardcore Disco" track in 1993 was the first hardcore release in Scotland (and the UK). The runner-up Best Scottish Dance Record for 1993 set the trend in Scotland; followed-up by his Dance Overdose remix in a similar fashion. Other local acts replicated this popular winning formula.

The Shizit was a digital hardcore act from Seattle, Washington, USA, initially formed by J.P. Anderson and Brian Shrader in early 1999. The music was an intense mix of gabber, breakbeat, drum and bass, hardcore techno, hardcore and heavy metal guitars, amped up with aggressive political lyrics. The band released two CDs on mp3.com, and as it was spread quickly among underground sources, the band steadily built up their following.

Although most often associated with the psychedelic trance genre, the band actually span almost all forms of dance music, including trance, techno, gabber, drum and bass, and breakbeat. As such they are well-compared to other leaders of the British rave scene, like The Prodigy, Underworld, Orbital, Aphex Twin and Leftfield. Eat Static are also notable within dance music for their frequent use of time signatures other than 4/4.

The music on Suspension of Disbelief was just as varied as that on Misguided, with the band this time experimenting with gabber techno, pop dance, drum'n'bass, R&B;, punk rock, and metal. The members planned to keep the project open and release additional albums, but again shut down later in 2000, this time due to low sales through Tooth & Nail and a resurgence of the criticisms that dogged the band the first time around.

Spence meanwhile suggests that the mood has emerged through the more commanding aspects of hip hop, gabber and metal sub-cultures. Morrison already has a link to The Matrix having influenced the story with his mythology of The Invisibles. "I think The Matrix owes Grant Morrison everything..." Phil Jimenez. "Someone who has a bit more standing to accuse The Matrix of copying is Grant Morrison, author of comics series The Invisibles" Charlie Jane Anders.

The 21st century also saw the development of "electrogrind" (or "cybergrind"),Kevin Stewart-Panko, "Shock Tactics", "Grindcore Special", part 2, p. 52-53 practiced by The Berzerker, Body Hammer, Gigantic Brain and Genghis Tron which borrows from electronic music.Lilker These groups built on the work of Agoraphobic Nosebleed, Enemy Soil and The Locust, as well as industrial metal. The Berzerker also appropriated the distorted Roland TR-909 kick drums of gabber producers.

Deformer is a music project led by Dutch music producer Mike Redman since the early nineties. They were amongst the first generation of Jungle producers in the Netherlands and are known for merging different music genres that would later be described as Breakcore.Concrete Jungle on Deformer They pioneered with using Sranan Tongo in their Jungle productions as well as primarily using Gabber sounds.Electronic Exploirations on Deformer Their experimental electronic (dance) music is often Horror influenced.

Hersh re-recorded the song, titling it "Your Ghost 2006", with her group 50 Foot Wave. The song was sampled in DJ Scott Browns's gabber song "Ghosts" and μ-Ziq's "Phiesope." Recorded cover versions include those by Black Lab, on their album Passion Leaves a Trace, IRA, on their X album, and Greg Laswell, on his October 2009 five-song EP Covers. Laswell's version was featured in US television programmes Grey's Anatomy and Dollhouse.

Quasi-coherent sheaves on any scheme form an abelian category. Gabber showed that, in fact, the quasi-coherent sheaves on any scheme form a particularly well-behaved abelian category, a Grothendieck category.. A quasi-compact quasi-separated scheme X (such as an algebraic variety over a field) is determined up to isomorphism by the abelian category of quasi-coherent sheaves on X, by Rosenberg, generalizing a result of Gabriel.Antieau (2016), Corollary 4.2.

The music style of Streets of Rage 3 has a different feel to that of the first two games. Described by Yuzo Koshiro as "fast-beat techno like jungle," it was composed using his own "Automated Composing System," used to produce heavily randomized sequences. The soundtrack also had elements of abstract, experimental, gabber, and trance music. As with Streets of Rage 2, the soundtrack features tracks composed by both Koshiro and Motohiro Kawashima.

The famous Dominator "hoover sound" first heard unaltered, then put through a phaser effect and the EG Attack levels altered. Hoover sound refers to a particular synthesizer sound in electronic music, commonly used in gabber, breakbeat hardcore, trance and hard house. Originally called the "Mentasm", the name that stuck was the one likening the sound to that of a vacuum cleaner (often referred to via the genericized trademark "hoover" in the UK and Ireland).

Masseling soon gained popularity in the "gabber scene" because of the aggressive nustyle sound he made. His style is characterized by hard bass drums and vocals sampled from various media, especially films. He already has some hardcore hits to his name, including: "Dance With The Wolves", "Raise Your Fist" and "Riotstarter". His increasing popularity gave him the opportunity to produce the anthem for Masters of Hardcore in 2005, titled "The World Will Shiver".

Hardvapour is an Internet-based microgenre of music that emerged in late 2015 as a tongue-in-cheek response to vaporwave, departing from the calm, muzak- sampling capitalist utopia concept of the latter in favor of a gabber- and punk-influenced sound. Canadian music producer Wolfenstein OS X's album End of World Rave (2015) and the Antifur record label are credited with having first defined the hardvapour sound. It is also related to vaportrap.

From 1986 to 1990, he was a Guest Teacher in Composition and Improvisation at the Theater School for New Dance Development in Amsterdam. With dancer Ria Higler, he mentored a group through their entire four-year course of study. In 1990, he began working with Amsterdam house musician, DJ Dano. Their work, also in conjunction with Austrian media artist Konrad Becker, was instrumental in the emergence of the genres known as gabber and hardcore.

This younger generation included producers such as Richie Hawtin, Daniel Bell, Robert Hood, Jeff Mills, Carl Craig, Kenny Larkin, and Mike Banks. The work of several of these artists evolved to become focused on minimalism. Robert Hood describes the situation in the early 1990s as one where techno had become too "ravey", with increasing tempos leading to the emergence of gabber. Such trends saw the demise of the soul-infused techno that typified the original Detroit sound.

Lamb started making music at the age of thirteen, creating music in the breakbeat and rave genres using OctaMED on the Amiga. At school, he met Matthew Phillips (also known as "The Phil"), who became his long-term lyrical collaborator and friend. In 1995, he went to Liverpool University, and began using the name DeathBoy. Beforehand he had been releasing tracks under the name Technohead, and wanted to avoid confusion with the newly-popular gabber artist Technohead.

Thunderdome is a famous concept in hardcore techno and gabber music that was mainly used for a series of parties and CD-albums. It was organized by the Dutch entertainment company ID&T.; The first party was organized in 1992 and the party held in December 2012 was advertised as being the end of Thunderdome. However, after the 2012 event, the party was brought back in 2017 for the 25th anniversary with a 2019 edition announced the following year.

Rotterdam Terror Corps, often abbreviated RTC, is a Dutch gabber act formed in 1993. Originally formed by five Dutch DJs (DJ Distortion, MC Raw, DJ Reanimator, DJ Petrov, and DJ Rob), currently there is only one of the original DJs left, namely DJ Distortion. DJ Petrov and DJ Rob left to pursue individual work. Reanimator (Patrick Moerland) produced the first album and left twice, the second time in 1995 permanently after an argument with DJ Distortion.

They collaborated with DJ Starscream (Slipknot), 6Blocc and Heavy metal band Living Colour. They performed at renowned festivals like; LowlandsLine-up Lowlands Festival with Deformer and Outlook. Deformer shared the stage with sounding names like: Amon Tobin, Venetian Snares, Andy C, Technical Itch and many others. In 2009 Deformer introduced the subgenre ‘Defcore’ with the track ‘Extreme Deformity’, a mixture of Dubstep and Gabber. In 2011, they developed an audiovisual project called ‘Videopacolypz’ and released an accompanying album.

Hardcore (also known as hardcore techno) is a subgenre of electronic dance music that originated in the Netherlands and Germany in the 1990s. It is distinguished by faster tempos (160 to 200 BPM or more), the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.

Widespread accessories were wristbands and collars, rings and glow sticks, as well as record bags made of truck tarpaulins. In the early 1990s the first commercial rave fashion trends developed from this, which were quickly taken up by the fashion industry and marketed under the term clubwear. Different dress codes also evolved in the various sub-scenes of the rave culture. For example, the typical gabber or psytrance raver dressed significantly different from "normal" ravers, but common basic features remained recognisable.

Digital hardcore music is typically fast and abrasive, combining the speed, heaviness and attitude of hardcore punk, thrash metal, and riot grrrl"I was totally into the riot grrrl music, I see it as a very important form of expression. I learned a lot from that, way more maybe than from 'male' punk rock." The Punk Years, "Typical Girls" Access date: August 20, 2008. with electronic music such as hardcore techno, gabber, jungle, drum and bass, glitch, and industrial rock.

ID&T; also sold other kinds of merchandise such as T-shirts, bomber-jackets, caps and even an energy drink (Thundertaste). The Thunderdome concept was considered important to the popularization and spreading of gabber music during the 1990s.Billboard July 26, 1997 p. 44 at Google Books Though it was the biggest and most popular concept in the scene through most of the 1990s, that title is now being rivaled by other events, such as the ones organized by Masters of Hardcore.

Rotterdam Termination Source is a Dutch gabber/hardcore group fronted by Maurice Steenbergen, initially with Danny Scholte as well. The group is most famous for its minimalist 1992 single "Poing", which topped the charts in the Netherlands and Denmark, and reached #27 in the UK Singles Chart. The group reached #73 in the UK chart in 1993 with the single, "Merry X-Mess". As of 2005, Steenbergen has merged the group with Guido Pernet of Human Resource, famous for their hit single "Dominator".

In the Netherlands, Paul Elstak felt that their own gabber was caught in a race to be the hardest at the expense of quality. He found a new direction with Bass Reaction "Technophobia" (1993); another production from Brown. It brought an unexpected cheerful melody to the heavy undercurrent. The track was re-released for the Dutch market in 1994, where its success inspired Elstak and others to produce the same less frenetic sound, which became known there as happy hardcore (i.e.

Tracks like "Get Ready for This" are still popular themes of U.S. sports events, like the NHL. In the mid 1990s Dutch language rap and hip hop (Nederhop) also came to fruition and has become popular in the Netherlands and Belgium. In the 21st century, artists with North African, Caribbean and Middle Eastern origins have profoundly influenced this genre. Since the 1990s Dutch electronic dance music (EDM) conquered the world in many forms, from trance, techno and gabber to hardstyle.

The 21st century also saw the development of "electrogrind" (or "cybergrind"),Kevin Stewart-Panko, "Shock Tactics", "Grindcore Special", part 2, p. 52-53Andrew Childers, "The Body Electric", "Grind and Punishment" March 15, 2010 Access Date: March 22, 2011 practiced by The Berzerker, Body Hammer, Gigantic Brain and Genghis Tron which borrows from electronic music.Lilker These groups built on the work of Agoraphobic Nosebleed, Enemy Soil and The Locust, as well as industrial metal. The Berzerker also appropriated the distorted Roland TR-909 kick drums of gabber producers.

Kniteforce records were not selling in the numbers Howell had anticipated. To bring more sales to the label, he commissioned a series of remixes from big- name DJs including Slipmatt, Sy, Vibes and Ramos. Hardcore changed in 1995 with heavily distorted kick drum riding over the well-established breakbeats. Some of Luna-C's productions mirrored this to keep up with the sound, and in 1996 he set up Malice Records to cater to the hard-edged gabber sound that was being mixed with UK happy hardcore.

Mainstream hardcore, mainstyle, Nu style gabber or newstyle hardcore is a subgenre of hardcore techno. The essence of mainstream hardcore sound is a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone. Often the Roland Alpha Juno or the kick from a Roland TR-909 was used to create this sound. Mainstream hardcore tracks typically include samples and synthesized melodies with the typical tempo ranging from 165 to 180 bpm.

XOL DOG 400 is a German hardcore techno music project of Christian Müller, mostly publishing gabber and terrorcore tracks. XOL DOG 400 was founded in 1992 in Berlin as successor of the electronic body music act "Le Nokto Vezyn". In contrast to the short lifetimes typical of early techno projects, XOL DOG 400 has continued its activity through to the present (2019). XOL DOG 400 has published several CDs and vinyl recordings, as well as contributing many tracks on samplers such as the Terrordrome compilations.

Since Buka had only wanted AP2 to release albums for Tooth & Nail, AP2 ended as a band after Tooth & Nail dropped them. Suspension of Disbelief was every bit as experimental as its precursor, including elements of gabber techno, dance-pop, drum and bass, ambient techno, R&B;, punk rock, and metal. The opening track, "The End", contains vocal samples from two of the old Argyle Park songs, giving the album some sense of closure to that era of the band before diving headlong into the new material.

The Berzerker is known for combining speedcore with death metal and Legions Ov Hell is known for combining speedcore with black metal. While most speedcore artists are content to attack the normal standards of music, or even the gabber music that spawned them, the extremism of speedcore has caused some to turn inwards and parody the standards of the genre. These songs tend to use lighter, more manic samples similar to happy hardcore. Later on, the use of digital audio workstations increased in frequency.

It was the second album, Psycho Drama (1996), that made critics start to believe there was more to the act than pure noise terror. Highly ambitious in concept and execution, Psycho Drama was a full-length gabber "opera", telling the tortured love story of the "Hitman" and "Jessica" characters. In 1995, Ultraviolence toured the US with fellow UK industrialists Cubanate. However, the limitations of Violent's one-man stage shows were becoming apparent and American audiences never quite took to Ultraviolence like Techno-aware European crowds.

It has the same synth engine and architecture, with some added features like 16 programmable chord memories, and the ability to store velocity, volume, panning, de-tune, portamento and other similar parameters within each patch. Both Alpha Junos can create the "Hoover sound" popular in jungle and rave music. Artists who have used the Alpha Juno include the Prodigy, hardcore/gabber music from the Thunderdome albums, Son Dexter and a great many other rave acts. The bassline on Madonna's Vogue was an MKS-50.

Reinbek: Rowohlt Taschenbuch Verlag. DJ Tanith commented at the time that "Berlin was always hardcore, hardcore hippie, hardcore punk, and now we have a very hardcore house sound." This emerging sound is thought to have been influenced by Dutch gabber and Belgian hardcore; styles that were in their own perverse way paying homage to Underground Resistance and Richie Hawtin's Plus 8 Records. Other influences on the development of this style were European Electronic Body Music (EBM) groups of the mid-1980s such as DAF, Front 242, and Nitzer Ebb.

After saying a sentence to a person with conduction aphasia, he or she will be able to paraphrase the sentence accurately but will not be able to repeat it. This is possibly because their "motor speech error processing is disrupted by inaccurate forward predictions, or because detected errors are not translated into corrective commands due to damage to the auditory-motor interface". When prompted to repeat words, the person will be unable to do so, and produce many paraphasic errors. For example, when prompted with "bagger", a person may respond with, "gabber".

The subculture traces its roots to predominantly young men from low socio-economic backgrounds, initially drawing inspiration from Southern Beats, British Casual/Chav clothing, and Dutch Gabber dancing/style, eventually creating a distinctly Australian style. Eventually, the subculture was influenced by UK Drill and it’s underworld subculture with similar origins, alongside the popularisation of Mount Druitt rap group Onefour. Criminal activities often linked with the subculture include widespread criminal activity, often mainly petty crimes such as Shoplifting, Vandalism, Assault, Robbery, and often more serious crimes such as Burglary and Drug dealing.

The sets were popular among followers of hardcore music, and Luna-C's released material displayed a harder edge and skipped wildly between breakbeats and gabber. German producer Panacea started to release material on KFA in 2003, and his influence on Luna-C's direction in production was evident on 2004's "Victory", a split single with Panacea's "Winter Mute". October 2004 also saw Luna-C's first venture into event promotion when Kniteforce's 12th birthday party was held at the Electrowerkz in London. By 2005 sales of KFA records had started to wane.

Steroids (Crouching Tiger Hidden Gabber Megamix) is the third EP by the American experimental hip hop group Death Grips, self-released by the band on May 22, 2017. The piece, a mix of what appears to be 7 to 8 songs on a single track, has been described as a "barrage of noise". The EP was later released for the first time physically on vinyl for Record Store Day 2019, featuring the previously YouTube exclusive tracks More Than the Fairy and Electronic Drum Solo Dub Mix (Single Take) as B-sides.

He also continues to release on Firstcask and other small independent labels such as WéMè, Bugklinik and his own label Waltzer. Ceephax's live shows are set apart from the popular laptop style of live electronic performance by exclusively using only analogue and early digital equipment and occasionally an Amiga computer. Hardware frequently used include a TB-303, TR-909, TR-707, SH-101, Kenton Pro-2000, and Yamaha RS7000. These sets range from old school house, acid house, techno, drum and bass and gabber all in Ceephax's distinctive style.

The Ultraviolence sound incorporates elements from various styles including hardcore techno/gabber, breakbeat hardcore, industrial techno, power noise, metal and rap. A substantial body of the Ultraviolence releases received positive critical reception since the first album Life of Destructor gaining '5Ks' from Kerrang! magazine. In 2004 Ultraviolence released a retrospective two CD album titled Blown Away 1994-2004. Violent has worked with several female vocal artists on different releases, but as of 2005, singer and angle grinding stage performer Mel Allezbleu has become a permanent member of the band.

DJs such as Sasha, John Digweed, Paul Oakenfold, Ferry Corsten and Pete Tong became big names in the business, which was made desirable by magazines such as Mixmag and Muzik. Italy ended the 1980s with Italo house, before becoming one of many countries to release Eurodance and Hi-NRG. Both genres were commercially successful across the world, with artists such as 2 Unlimited, La Bouche and Captain Hollywood promoting the genre. Countries such as Germany and Belgium, however, developed harder, darker styles of music, namely gabber, hard trance and techno.

Many artists consider being chosen to play at Qlimax as a highlight since the event is used to showcase the most successful artists in their respective genre. The beginning saw the lineup featuring genres ranging from Hardhouse to Techno. This was changed to traditionally begin with one Hardtrance act, numerous Hardstyle acts and then finish off with one Hardcore/Gabber act. This was changed in 2008 with the removal of the Jumpstyle act and in 2009 with the replacement of the Hardtrance act to one playing early Hardstyle.

With Alexander Beilinson, Joseph Bernstein, and Ofer Gabber, Deligne made definitive contributions to the theory of perverse sheaves. This theory plays an important role in the recent proof of the fundamental lemma by Ngô Bảo Châu. It was also used by Deligne himself to greatly clarify the nature of the Riemann-Hilbert correspondence, which extends Hilbert's twenty-first problem to higher dimensions. Prior to Deligne's paper, Zoghman Mebkhout's 1980 thesis and the work of Masaki Kashiwara through D-modules theory (but published in the 80s) on the problem have appeared.

Hakken (sometimes Hakkûh) is a form of rave dance originating from the Dutch hardcore and gabber scene. The dance is very similar to earlier European folk dance and is thought to be a sub form of zapateo with less airborne moves (unlike jumpstyle, for example, which features the "drunken sailor" style of jazz dance and high kicks). Music one is able to do the dance to is also called hakmuziek. The name is derived from the Dutch verb hakken which means chopping, or hacking, or refers the heels of the feet.

The Saint Petersburg Democratic Club is a political organization in St. Petersburg, Florida, which supports the Florida Democratic Party. In April 2004, it attracted massive negative national attention after placing an advertisement in a Gulfport, Florida weekly The Gabber' suggesting the killing by firing squad of United States Secretary of Defense Donald Rumsfeld. The language used in the ad parodied that used by Rumsfeld referring to the 2003 invasion of Iraq. The advertisement generated short-lived but high-profile attention in the national news media as a result of its hyperbolic tone, and was condemned by leaders of both major political parties.

In 1994, he began releasing material on Noculan Records' sub- labels Chemo and Coolman. During these years, he produced hardcore and gabber tracks under such aliases as Da Joker and DJ Limited. Tiësto was later discovered by the general manager of Rotterdam-based Basic Beat Recordings. Sant Antoni, Ibiza, prior to performing at Amnesia, July 2000 In late 1994, Tiësto signed to Basic Beat where he met Arny Bink, Tiësto released records on the sub-label Trashcan, founded by Arny, and later created the Guardian Angel sub-label with Arny in which they introduced the popular Forbidden Paradise series.

AraabMuzik's style often employs samples arranged and triggered in real time on the MPC drum machine, with fast-paced drum patterns involving rapid hi-hats and kick drums. He has used samples from a variety of music, including electro, dubstep, trap, gabber, and trance music. Although his main tool is still an Akai Music Production Center (MPC) drum machine, he has also used keyboard controllers and occasionally live drums. He has worked with several artists including ASAP Rocky and ASAP Mob, Cam'ron, Azealia Banks, Vado, The Diplomats, Hell Rell, Jadakiss, Busta Rhymes, 50 Cent, ArJaye the King, Eminem, and Slaughterhouse among many.

The soundtracks mainly consist of, often experimental, chiptune-based electronic dance music, encompassing electronic genres such as electro, house, techno, hardcore, jungle, ambient, breakbeat, gabber, noise, and trance. The music was produced using the Yamaha FM-synth sound chips of the Sega Mega Drive / Genesis video game console (YM2612) and NEC PC-88 computer (YM2608), along with Koshiro's own audio programming language "Music Love," a modified version of the PC-88's Music Macro Language (MML). Reprinted from The soundtracks have been critically acclaimed. They are considered ahead of their time, and as some of the best video game music of all time.

At 18-years- old, Stutterheim founded a courier company. A year later in 1992, Stutterheim and friends Irfan van Ewijk and Theo Lelie organised a Hardcore house (gabber) party called The Final Exam in Utrecht, attracting 12,000 people. The success of that event led to the creation of ID&T;, named for the initials of the three founders of the company, which became one of the largest organisers of dance music festivals in the Netherlands, responsible for festivals like Tomorrowland, Sensation, Thunderdome, and Mysteryland. In March 2013, Stutterheim sold 75% of the company to SFX Entertainment, a large American entertainment company.

Party Animals are a pop-gabber group from Amsterdam, Netherlands. The band was created by producers Jeff "Abraxas" Porter and Jeroen Flamman, also known as Flamman & Abraxas, along with vocalists MCs Remsy, Evert van Buschbach, Patrick de Moor, Dennis Adam, and Paul Grommé. They became the first act in the Netherlands to have their first three singles go straight to number one.Stichting Nederlandse Top 40, 500 Nr. 1 Hits uit de Top 40, page 330, 9023009444 (Book in Dutch) The Party Animals made their introduction on the video for the single "I Wanna Be a Hippy" by Technohead.

Massaccesi is John Fanning (born 1978) of Hampton, New Hampshire, United States. He is a multimedia artist, utilizing performance, installation, physical art pieces, experimental sound compositions electronic music, video & more, generally using the themes of recycling/re-usage and unique concepts (the sound of trash in refugee camps, building a city out of a city's recycling, performances based on the southern Asian sport of Buzkashi, sleeping, worshiping trash). having released for such record labels as Phthalo. He was previously known as DJ Entox, and he used to edit a hardcore techno/gabber music fanzine called The Skreem.

Other American producers on the label included Deadly Buda and the Horrorist, but the label has also produced producers from other nationalities. At the same time in Rotterdam, the DJs and producers Paul Elstak and Rob Fabrie popularized a speedier style, with saturated bass-lines, quickly known as "gabber" (now called "early hardcore"), and its more commercial and accessible form, happy hardcore. Paul Elstak founded Rotterdam Records in 1992, which became the first hardcore label in the Netherlands. In 1992 at Utrecht, a large rave called The Final Exam led to the creation of the label ID&T.

The rave scene emphasized house, acid house and techno. The rave genre "hardcore" first appeared amongst the UK acid movement during the late 1980s at warehouse parties and other underground venues, as well as on UK pirate radio stations.AllMusic The genre would develop into oldschool hardcore, which led to newer forms of rave music such as drum and bass and 2-step, as well as other hardcore techno genres, such as gabber, hardstyle and happy hardcore. In the late 1980s, rave culture began to filter through from English expatriates and disc jockeys who would visit Continental Europe.

Similar to gabber or hardcore techno from the Netherlands, this was associated with the "rebel", underground club subculture of the time. These three producers introduced new production approaches and sounds in late 20th century became more prominent and widely used during first decade of the 21st century. Towards the end of the 1990s and into the 2000s, French DJ/producers such as Daft Punk, Bob Sinclar, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound in Paris' club scene. Together, they laid the groundwork for what would be known as the French house movement.

This was sent to all buyers of an executive edition of a previous KFA vinyl release, along with a DVD that featured the mix with visuals created by KFA to go along with the music. The mix was then released as a free download. It blends commercial pop music with Luna-C's own brand of breakbeat hardcore, drum and bass and gabber, and plays in the style of a live radio show. Luna-C announced plans to close the "create your own CD" service at the KFA shop on the All-4-1 website and replace it with an mp3 store selling high bitrate mp3s of Kniteforce music.

250x250pxThe music is often angry and aggressive in nature. Speedcore DJs often use violent, vulgar, and offensive themes in their music to push the boundaries of the genre that they spawned from. Aside from the very fast tempo of speedcore, which is 300 bpm and above and rarely drops below the 300 bpm mark, speedcore can often be distinguished from other forms of hardcore by an aggressive and overridden electronic percussion track that is often punctuated with hyperactive snare or tom-tom fills. Most producers will often overdrive their kicks so far that they become square waves, much like in gabber, giving speedcore its distinctive pounding sound.

Some producers started embracing a slower style characterized by a deeper, harder bass drum that typically had a longer envelope than was possible in the traditional, faster style. In this aspect, this new form of gabber obviously cannot be considered less powerful than its precursor. This newer sound was referred to as "New Style" or "Mainstream" and as the tempo got slower and slower it began to become similar to Chicago hard house. Many hardcore enthusiasts hated Chicago hard house and the club scene it typified, and frequently DJs would be booed by one group of fans and cheered for by another at the same party, depending on the tempo and style of music they were playing.

As a teenager he saved money to buy his first keyboard by washing cars, and selling mix tapes to kids in his neighborhood. He eventually released a record with a couple of friends when he was just sixteen years old and later began releasing self-made productions while he grew up in Rotterdam in the 1990s, producing underground hardcore gabber tracks, later expanding into club-house and trance music. During these years, Corsten also studied to become an electrical engineer. In 1995, under the name Hole In One and aged just 21 years old, he won the prestigious De Grote Prijs van Nederland award, which recognized his contribution to Holland's electronic dance music scene.

" XTC proceeded to run through a "silly half-hearted" process of auditioning another keyboardist. Although Thomas Dolby was rumoured as a replacement, Partridge said that Dolby was never actually considered, but did write many letters asking to join the band. XTC performing in 1980 (pictured from left: Gregory and Partridge) Rather than hiring a replacement keyboardist, Dave Gregory of the Swindon covers band Dean Gabber and His Gaberdines was invited to join as a second guitarist. Partridge remembered holding a "pretend audition" where Gregory was asked to play the band's "This Is Pop", only for Gregory to inquire whether they wanted the album version or the single version: "We thought, 'Bloody oh, a real musician.

During the bigger live shows the Freaqks would often spray fake blood into the audience, dance with prosthetics like chopped off heads and the stage would be decorated with fake corpses. Deformer also used a giant gorilla prop on stage with a person in it to move it across the stage. The show element was of great importance and no other act within their field has previously done such a thing. Deformer were resident during the popular ‘Illy Noiz’ Drum and Bass parties in Rotterdam led by DJ Mack. Hailing from Rotterdam city Deformer integrated the local Gabber sound to their formula and the track ‘Slasher’ became a blueprint for future productions.

With the release of Steroids (Crouching Tiger Hidden Gabber Megamix), Death Grips announced they were "working on the new Death Grips album". The band has made apparent via social media that they had been working with ambitious collaborators for the creation of the project throughout the promotion of the album, including in-studio collaborations with Australian experimental musician Lucas Abela, New Zealand film director Andrew Adamson and Tool bassist Justin Chancellor. The band posted a black and white image of text reading "Year of the Snitch - new album coming soon..." on their official webpage on March 22, 2018. Death Grips shared the album artwork for Year of the Snitch on April 6, 2018.

The track is a return to Scooter's old happy hardcore style with influences from both gabber and hardcore techno. Unlike their recent work from the albums Under the Radar Over the Top and Jumping All Over the World, which has been strongly influenced by hardstyle and jumpstyle, respectively, "Friends Turbo" has a much higher BPM, easily fitting into the happy hardcore genre. The track is recognizably different from the 1995 original, as more lyrics from band vocalist H.P. Baxxter have been added, various other instruments have been introduced into the mix, and the drums/bassline has been completely reworked. The band also returns to their trademark high pitched vocal, this time slightly autotuned to fit the 2011 sound.

This Life Is Where You Get Fucked is the third studio album by the Seattle- based digital hardcore band Rabbit Junk, and their first originally released on the Full Effect Records label. It is a concept album, divided into three separate parts which are only very loosely tied together. Each of these parts uses different influences and musical genres: The Struggle primarily combined elements of Gothenburg metal with drum and bass; Ghetto Blasphemer combined black metal with West Coast hip hop, and This Death is Where You Get Life combined elements of punk rock, death metal and gabber. The album was followed up by a direct sequel, Project Nonagon, which added three new songs to each of the suites.

Traditional Dutch musical instruments such as the accordion and the barrel organ are essential to levenslied, though in recent years many levenslied artists also use synthesizers and guitars. Artists in this genre include Koos Alberts and the late André Hazes and Willy Alberti. Dutch techno, hardstyle, gabber, trance and other styles in electronic dance music conquered the world. Most of the best-known DJs in the EDM scene (and the world) hail from the Netherlands, including Tiësto, Don Diablo, Armin van Buuren, Ferry Corsten, Sander van Doorn, Fedde le Grand, Hardwell, Showtek, Afrojack, Oliver Heldens, Ran-D and Martin Garrix all of whom consistently rank high in the DJ Mag Top 100 DJs and other rankings.

The duo split in 1979 because Kortekaas had contracted a hernia. Van Essen unsuccessfully continued with a replacement before touring as a solo-artist on the (children's) party-circuit. Van Essen celebrated his 50th career-anniversary in 1992, the same year that Peppi & Kokki were introduced to a new generation; he died on January 2, 1997 during a holiday in Thailand, shortly after learning about the Peppi & Kokki- theme-tune getting a happy hardcore-make-over (Gabber Piet's Hakke & Zage). Meanwhile, Kortekaas returned to children's entertainment but also appeared in a variety of movies and television series, notably Zeg 'ns Aaa in which he played the brother-in-law of Carry Tefsen who once guested in Peppi & Kokki.

Together with Jiu-Kang Yu, Prasad has studied the fixed point set under the action of a finite group of automorphisms of a reductive p-adic group G on the Bruhat-Building of G, [24]. In another joint work, Prasad and Yu determined all the quasi-reductive group schemes over a discrete valuation ring (DVR), [25]. In collaboration with Brian Conrad and Ofer Gabber, Prasad has studied the structure of pseudo- reductive groups, and also provided proofs of the conjugacy theorems for general smooth connected linear algebraic groups, announced without detailed proofs by Armand Borel and Jacques Tits; their research monograph [26] contains all this. The monograph [27] contains a complete classification of pseudo-reductive groups, including a Tits-style classification and also many interesting examples.

In a 2018 interview with AT5 commemorating 25 years of Mokum Records, Flamman & Abraxas revealed that their remix of the song was meant to be a joke and for the song to get played on the radio. The duo also revealed that when the song first came out, the song was insanely popular at Amnesia, a gabber club the duo opened up in Amsterdam. It reached the point where the song was requested as often as five times a night, leading the duo to contact Technohead about remixing the song due to how frequent it was played. Additionally, they added that despite the massive worldwide chart success of the song, they received no royalties due to a swap deal they did with Technohead.

Since the 1990s, Dutch electronic dance music (EDM) gained widespread popularity in the world in many forms, from trance, techno and gabber to hardstyle. Some of the world's best known dance music DJs hail from the Netherlands, including Armin van Buuren, Tiësto, Hardwell, Martin Garrix, Dash Berlin, Julian Jordan, Nicky Romero, W&W;, Don Diablo and Afrojack; the first four of which have been ranked as best in the world by DJ Mag Top 100 DJs. The Amsterdam Dance Event (ADE) is the world's leading electronic music conference and the biggest club festival for the many electronic subgenres on the planet. These DJs also contribute to the world's mainstream pop music, as they frequently collaborate and produce for high-profile international artists.

Composer Yuzo Koshiro The Streets of Rage series of beat 'em up action video games by Sega are known for their memorable in-game electronic music, produced by noted video game music composer Yuzo Koshiro. The series has inspired three soundtracks featuring music from the games. The soundtracks mainly consist of, often experimental, chiptune-based electronic dance music, encompassing electronic genres such as electro, house, techno, hardcore, jungle, ambient, breakbeat, gabber, noise, and trance. The music was produced using the Yamaha FM-synth sound chips of the Sega Mega Drive / Genesis video game console (YM2612) and NEC PC-88 computer (YM2608), along with Koshiro's own audio programming language "Music Love," a modified version of the PC-88's Music Macro Language (MML).

As techno continued to transmute a number of Detroit producers began to question the trajectory the music was taking. One response came in the form of so-called minimal techno (a term producer Daniel Bell found difficult to accept, finding the term minimalism, in the artistic sense of the word, too "arty").Sicko 1999:199–200 It is thought that Robert Hood, a Detroit-based producer and one time member of UR, is largely responsible for ushering in the minimal strain of techno.Mike Banks interview, The Wire, Issue #285 (November '07) Hood describes the situation in the early 1990s as one where techno had become too "ravey", with increasing tempos, the emergence of gabber, and related trends straying far from the social commentary and soul-infused sound of original Detroit techno.

In 2009, the label make a distribution and marketing agreement with Universal Music Group (owners of Virgin EMI) and signed a non- hip-hop act, gabber punk band Aux Raus. Their fifteenth anniversary, in 2010, was celebrated with a two-day festival in the Melkweg. That same year the label signed Lucky Fonz III, a Dutch-language singer, in a more comprehensive effort to expand beyond hip-hop which also included signing Surinamese singer Damaru; de Koning had personally pursued the artist, whose monthly performances in the TV show De Wereld Draait Door he admired. Their biggest commercial success to date is Gers Pardoel, whose "Ik neem je mee" is referred to as the most successful Dutch song ever; the song's video had 15 million views by 15 August 2013, a Dutch record.

The clip featured three gabbers and a hippie. Flamman & Abraxas discovered the four Stichting Nederlandse Top 40, 500 Nr. 1 Hits uit de Top 40, page 325, 9023009444 (Book in Dutch) and saw a potential for opening the mainly underground scene of gabber by making the sound more pop-oriented and thus introducing the new genre to a mainstream audience. The first single was "Have You Ever Been Mellow" which samples Olivia Newton-John's "Have You Never Been Mellow" The lyrics still contain parts of the original song with "Never" replaced by "Ever". Released in September 1995, it took three months before becoming a number 1 hit. In 1997, Flamman & Abraxas formed a one-time spinoff group called the "Mini Animals", consisting of four boys aged 10 to 13.

URLAND has created physical and visual performances including De Gabber Opera (2010), De Oktobertragödie (2011), and Kwartet, een Powerballad (2013). They have performed in the Netherlands and abroad, in theatres and clubs like Lowlands. The group, currently all in their twenties, bases its performances on techno music and death metal themes, as well as by epic stories and world literature. Since 2013 the group is connected to Theater Rotterdam and receives structural funding from both the Dutch government and the city of Rotterdam. They are currently working on their first production for the ‘big stage’: De Internet Trilogie, a series which questions the rise, expansion and limitless promise of the internet, with a comparison to the Prometheia of Aeschylus. It’s a new epic, or myth, about the creation of the internet.

You and What Army are influenced by a variety of music genres, including rock, rap, metal, djent and various electronic music genres such as rave, drum and bass, gabber, trance and electro house. The band's earliest songs didn't make use of clean vocals, however, following the addition of guitarist and vocalist Kieran Smith, the band started incorporating clean vocals on some songs. The band's second EP The End Of The Beginning features both rapping and screamed vocals from frontman Dave Brown, as well as clean vocals from Kieran Smith. The band's self-titled EP features influences from djent metal on tracks such as "Lucidity" and "Take the World by Storm", Dave Brown describing the latter one as "really heavy", as well as a "slow, less heavy" liquid drum and bass song ("Visionary") featuring both Brown and Smith singing.

Record Store Day 2019 took place on April 13. Pearl Jam served as ambassadors and their album MTV Unplugged saw a limited release for the celebration. Special releases included the first reissue of Gorillaz' fourth album The Fall for the first time since 2011 on translucent forest green vinyl; a picture disc of Bohemian Rhapsody: The Original Soundtrack; KT Tunstall's Extra Wax; a picture disc of songs from films by Peter Gabriel; "Chasing You", the first single from J. J. Cale's posthumous album Stay Around; Live! Woodstock '94, the 25th anniversary of the Green Day performance; Live at the Borderline 1991 by R.E.M.; and Imagine (Raw Studio Mixes) by John Lennon; among other titles. Record Store Day 2019 exclusives included reissues of Death Grips’ Steroids (Crouching Tiger Hidden Gabber Megamix); Robyn's Body Talk; Aretha Franklin's The Atlantic Singles 1967; and other titles.

A major component of the subculture, fashion plays an important role in denoting ones involvement in the Eshay scene. Distinctive outfits trace their early origins to the emerging late-1990s to 2000s street style scene, where cuffed track-suit pants, windbreaker jackets, popped-collar polos and bent-brim dad hats or Nike dri-fit caps balanced precariously on the crowns of one's head began to gain popularity. By the 2000s, the influence of gabber and hardstyle was evident, as music festivals such as DEFQON1 and Stereosonic became popular in Sydney with people in the lad clothing style, as bum-bags became critical to the emerging uniform. While the aesthetic associated with Lads has changed over time, the 2000s aesthetic very-much followed a uniform of: striped polo shirts with popped-collars, high-waisted sports shorts , Nike TN sneakers and bumbags slung over one shoulder.

In 2008, they released The Redline Archives, a compilation album of various remixes and alternate versions of previously released tracks along with a number of unreleased songs. From New Rage World Music to Internal Punishment Programs, their sound drew elements from industrial metal bands such as Godflesh and Ministry, the experimental doom of Neurosis, Voivod, Voivod-influenced progressive thrash metal, fellow Norwegian black metal bands like Emperor and Darkthrone, and certain styles of electronica, such as drum'n'bass, industrial, and gabber. , they have largely retained these influences, but have moved towards a slightly slower and more organic style as evidenced by songs like "Hole in Me" from A Greater Darkness, though they still retain their ability to throw up-tempo numbers into the fray. The band played a show on 24 October 2009 in Oslo, the band's home city, to mark the twentieth anniversary of the band's formation.

American breakcore DJ Donna Summer performing live at Glastonbury Festival, UK. As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, USA; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Notes on Breakcore, Society Suckers explained that breakcore grew out of the mid-1990s acid techno rave culture and disdain for Neo-Nazis, a disdain shared by early hardcore (gabber).

Tapping into the "gamer nostalgia" of Wonky music, Amidon described "Gooooo" as if "Samus Aran took a seat in the Total Recall chair and was planted in a Matrix-like goth club overseen by Shao Khan". The instrumentation of the song consists of a "keening, 8-bit lead, chanted whoops, death-spiral snare rolls and gabber-grade super saws". Pitchfork Media reviewer Larry Fitzmaurice opined that the "tight tonal coils" on the song "sound like hot knives slashing through metal by its high-anxiety conclusion". Carving the songs of English trio Nero "to their meatiest elements", as elements including looped handclaps and the signature synth rise of Drumma Boy are present, the bounce and juke-fused "Higher Ground" has only – or "obliterates", as Bosman puts it – two hooks, one with looped second-long female vocal samples and another with a synthesized Southern hip-hop-style "HBCU brass" popping "in and out to steamroll buildings" for humorous purposes.

In 2007, the event was held at the Wasing Estate for the fourth consecutive year, 20–22 July. The licence application suffered an early setback when it was dismissed on a technicality.Newbury Today – Time called on Glade 2007 GladTalk – Glade 2007 licence hearing Nuskoolbreaks – Glade Official Statement The licence application then suffered further setbacksGlade Official Site – License Hearing resulting in a delay in tickets going on sale, until on 18 April 2007 the mailing list announced "The Glade Festival is on for 2007... 100% licensed by those wonderful people in power!" The festival had formerly featured nine main dance tents and stages: Main "Glade" Dance Tent (major artists), Breaksday (UK breakbeat), idSpiral (chillout and non-musical acts), Liquid Connective (psy-trance), Origin (psy-trance), Sancho Panza (house), Pussy Parlure (soul, salsa, R&B;, reggae and world), Overkill (formerly the LittleBig tent, featuring breakcore, gabber techno and mash-up) and the Rabbit Hole (secret club, party tent, jam tent by Arabian Tent Company).

Schork Is also well known for producing and curating art events. He assembled several gallery shows in the Tropic Cinema, Key West, Florida, including women's world (2009), what children see (2010)Paradise Newspaper, 21 October 2010, Key West, FL. not in the park (2010),Paradise Newspaper, 15 April 2010, pg 17, Key West, FL. and mary's gift (2009). He produced a sculpture expo in Ramrod Key in association with the Boondocks Entertainment Complex (2008)Solares Hill Newspaper, 15 February 2008, Key West, FL. and another in the Key West Botanical Garden (keywest artgarden, 2011), for which he also sponsored a painting & photo contest.Paradise Newspaper, 17 March 2011, pg 11, Key West, FL. In Gulfport, Florida, he was co-producer with Shawnna Savani of Goddess Garden Festival in 2012,The Gabber, 27 September 2012, pg 14, Gulfport, FL. and producer of the ars erotica theme show for St. Valentine's Day in 2012 and 2013.

Christoph de Babalon was born in Hamburg, Germany and stayed there for most of his life until 1999 when he moved to Berlin. After releasing a few recordings on smaller record labels in Germany and his own Cross Fade Entertainment Imprint, and being heralded as a favorite on John Peel's radio show in 1994, de Babalon signed to DHR in 1996, releasing a few EPs and later releasing his only full-length album for the label, If You're Into It, I'm Out of It in 1997. De Babalon was signed after he befriended label operator Alec Empire at a rave in 1994. The album was well received and gained mostly positive reviews, with Radiohead frontman Thom Yorke describing it as "the most menacing record [he] owns", but in sound was different to other DHR releases, offering a new vision of electronic music that varied greatly from that of artists such as Atari Teenage Riot and EC8OR, who used industrial sounds with hardcore punk and gabber influences.