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20 Sentences With "full mast"

How to use full mast in a sentence? Find typical usage patterns (collocations)/phrases/context for "full mast" and check conjugation/comparative form for "full mast". Mastering all the usages of "full mast" from sentence examples published by news publications.

The Colonel wakes up every morning with his dick at full mast in eager anticipation.
"It's not as noticeable when a state flag is down but you still have your main flags at full mast," he said.
And now, when the president scuttled a White House statement honoring the life of a true patriot and then quickly returned the White House flags to full-mast.
It's the kind of half-lit bedroom shot that could be anyone's Facebook profile pic or Instagram avatar—except his rather large cock is at full mast and pointing towards the ceiling.
Hang your hair extensions at full mast and wear your best distressed vintage denim jeans today, because Haim are all the way back, with a music video for "Want You Back" to prove it.
No matter how much I wanted to pretend it wasn't the case, it was in fact, sadly, the case; there were five penises out in this room, five (!), in various states of half to full mast.
Onlookers reported that the police stood by and did nothing. A postal worker rushed onto the roof of City Hall and raised the American flag to full mast. When city workers lowered the flag to half-mast, the construction workers stormed City Hall, overwhelming the police. Deputy Mayor Richard Aurelio, fearing the building would be overrun by the mob, ordered city workers to raise the flag back to full mast.
While uncertain as to whether or not other tongs adhered to this characteristic as well, but the Chee Kong tong headquarters would not observe any traditional Chinese holidays, and would only fly their flag full mast when it was a tong holiday, or when war was on the horizon.
He started the 9/4 second favourite behind the British-trained The Wow Signal, winner of the Coventry Stakes and the Prix Morny. The best of the French runners appeared to be Full Mast, the Criquette Head-trained winner of the Prix La Rochette. Gleneagles raced at the rear of the field before making progress in the straight and accelerating to take the lead 200 metres from the finish and winning by half a length and a short neck from Full Mast and Territories. In the closing stages, however, he had edged to the right, hampering the second and third-placed finishers and, following an enquiry by the racecourse stewards, he was disqualified and placed third.
Deputy Mayor Richard Aurelio, fearing the building would be overrun by the mob, ordered city workers to raise the flag back to full mast. Rioting construction workers also attacked buildings near city hall. Many were Catholic "white ethnics". Several workmen ripped the Red Cross flag down at nearby Trinity Church, because the flag was associated with the anti-war protestors, though it was planted to signal a first aid haven.
Police on duty at City Hall, and reinforcement, were able to stop the men from getting inside. A few workers were asked to enter the building to calm tensions. A postal worker who was already inside went to the roof of city hall and raised the U.S. flag there to full mast. When one mayoral aide lowered the flag back down to half-mast, hundreds of construction workers stormed the area around City Hall, leading to melee like on Wall Street the hour prior.
They took on the 8th Army units and destruction battalions at Antsla on 5 July 1941. The next day, a larger offensive happened in Vastseliina where the Forest Brothers prevented Soviet destruction of the town and trapped the extermination battalion chiefs and local communist administrators. On July 7, the Forest Brothers were able to hoist the Estonian flag in Vasteliina. Võru was subsequently liberated and by the time the 18th army arrived, the blue-black-white flags were already at full mast and the Forest Brothers had organised into the Omakaitse militia.
At times, Embree Shipbuilding employed as many as thirty men and was responsible for building at least five schooners, six brigantines and one barque. Henry Embree learned the craft from his family and became known for his boatbuilding skill. In 1883, H. W. Embree and Sons were responsible for sending a fishing banker, or "Canso boat" to the International Fisheries Exhibition in London where it won first medal out of seven thousand five hundred competitors. Displayed at full mast, with a wax mannequin for a captain, the boat was purchased and used by the Prince of Wales (who would become Edward VII).
4) On the death of the Governors, Lieutenant Governors, Chief Ministers and the Chief Justices of High Courts the flag is flown at half-mast in the respective states and union territories. For High Court Judges and top Cabinet Ministers of the state governments, it is flown half-mast in their respective districts of origin. Note: If a death coincides with Republic Day (26 January), Independence Day (15 August), Gandhi Jayanti (2 October) or states' foundation anniversaries, the flag should not be flown half-mast except over buildings housing the body of the deceased dignitary. However, even in such cases, the flag must be raised to full-mast when the body is moved from the building.
However, even in such cases, the flag must be raised to full-mast when the body is moved from the building. Observances of State mourning on the death of foreign dignitaries are governed by special instructions issued from the Ministry of Home Affairs in individual cases. However, in the event of death of either the Head of the State or Head of the Government of a foreign country, the Indian Mission accredited to that country may fly the national flag at half-mast. On occasions of state, military, central para-military forces funerals, the flag shall be draped over the bier or coffin with the saffron towards the head of the bier or coffin.
The leadership of the Muslim League adopted the flag of the Dominion of Pakistan on 11 August 1947. The government of Pakistan has pronounced rules about the flying of the flag. It is to be displayed at full mast on 23 March of each year, marking the adoption of the Lahore Resolution in 1940 and the Declaration of the Republic of Pakistan in 1956, and on 14 August in celebration of Independence Day, when Pakistan was carved out from British India as a home for Indian Muslims. The flag of Pakistan is also mentioned in Pakistan's own national anthem in the third verse reading which translates to "Flag with the Star and Crescent, the leader of progress and ascent".
Poles in Chicago fought against blockbusting by real estate agents who ruined the market value of their homes while changing their communities into low-income, high crime centers. Poles in Chicago were against the open housing efforts of Martin Luther King, Jr., who encouraged black integration into Polish urban communities; his policies and resulting integration efforts led to violent riots between Poles and Blacks in 1966 and 1967, particularly in Detroit. In 1968, a local president of the Chicago Polish Homeowner's Association raised a flag from half-mast to full-mast on the day of MLK's death, nearly sparking a riot. Polish homeowners in Hamtramck were given a legal blow in 1971 when a Michigan federal court ruled against their urban renewal efforts which had effectively decreased the community's black population.
It is forbidden for Somalis to fly the flag at half mast because it has the Shahada (which says in Arabic There is no other god except God, Muhammad is the Messenger of God) written on it so it will be an un-Islamic and disrespectful way to treat the flag. Even if the President or someone with a high Somaliland governmental status dies, the flag does not fly at half-mast. When the second President of Somaliland Muhammad Haji Ibrahim Egal died, he received a state funeral and thousands of Somalis flocked to witness his funeral and mourn his death but the flag of Somaliland was raised at full mast instead of the traditional half-mast gesture. Moreover, if a person is seen lowering the flag at half-mast, they might be taken to jail or to court and it would be considered as a criminal offense.
New Delhi and in the capital cities of all the 29 states and Union Territories. In the event of a halfmast day coinciding with the Republic Day, Independence Day, National Week (6 to 13 April), any other particular day of national rejoicing as may be specified by the Government of India, or, in the case of a state, on the anniversary of formation of that state, flags are not permitted to be flown at half-mast except over the building where the body of the deceased is lying until it has been removed and that flag shall be raised to the full-mast position after the body has been removed. Observances of State mourning on the death of foreign dignitaries are governed by special instructions issued from the Ministry of Home Affairs (Home Ministry) in individual cases. However, in the event of death of either the Head of the State or Head of the Government of a foreign country, the Indian Mission accredited to that country may fly the national flag on the above-mentioned days.
On September 8, 2010, the United States Bureau of Educational and Cultural Affairs (ECA) announced the selection of Allora & Calzadilla as the American representative at the 2011 Venice Biennale, a first for artists living in Puerto Rico. The proposal for the exhibition was developed between the artists and curator Lisa D. Freiman (Chair, Department of Contemporary Art, Indianapolis Museum of Art, and Director, 100 Acres: The Virginia B. Fairbanks Art & Nature Park), during the fall and winter of 2009. The exhibition consisted of six new commissions including: Armed Freedom Lying on a Sunbed (2011), Track and Field (2011), Body in Flight (Delta) (2011), Body in Flight (American) (2011), choreographed by Rebecca Davis, Algorithm (2011) and Half Mast\Full Mast (2010). In most of the pieces, the artists did away with subtlety in favor of a direct invocation of the imposing specter of American militarism, treating nationalism first and foremost as an aesthetic language that expresses itself through the military machine, ritualized bodies, and official architecture. The installations and performances inside the pavilion further the artists’ investigations of “bio- power” and technology, deforming and repurposing bodies and materials in conjunctions that are at once ominous and comical.

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