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19 Sentences With "frowzy"

How to use frowzy in a sentence? Find typical usage patterns (collocations)/phrases/context for "frowzy" and check conjugation/comparative form for "frowzy". Mastering all the usages of "frowzy" from sentence examples published by news publications.

It was a dress that might be considered frowzy there in the same way a novelty cat cardigan might seem in the United States.
"I was frowzy and unshaven and I get in the elevator, and there's Betsy, coming back from lunch with three handsome men," he said.
In the latest installment, Ms. Moulton, wearing a wig and a frowzy housedress, continues her journey through the world of New Age products and theories.
The excellent Ms. Rogers returns as Harry's frowzy helpmeet, a woman narcotized by monotony, who can still put on the dog for a handsome stranger.
Daphne's frowzy neighbor, Geneva Wisenkorn, plucks the discarded Monadnockian (a perfectly normal yearbook name in New England) from the recycling in their Hell's Kitchen building.
"At least she takes care of herself," mumbles Inga's husband, Baldvin (a wonderfully wry Sigurdur Sigurjonsson), squinting sidelong at his frowzy spouse before escaping to choir practice.
And this show includes both actual Minoan artifacts, such as a frowzy female figurine dating to 1600-1450 B.C., lent by the Metropolitan Museum of Art, and forgeries Evans acquired on the site.
Andreas Brown, a bibliophile since childhood who bought the revered Gotham Book Mart in Midtown Manhattan from its idiosyncratic founder, Frances Steloff, and kept it alive as a frowzy literary shrine for four more decades, died on March 6 in Manhattan.
Meeting up again, in Los Angeles in 21967, the artists gave their antiheroic impulses expression in a 21987-minute movie starring two anthropomorphic animals, Rat and Bear, played by the artists wearing frowzy, whole-body costumes rented from a Hollywood costume shop.
It includes photographs of doll-scale tableaus made mainly of processed meats; films starring the artists as Rat and Bear in frowzy costumes; more than 160 small, comical clay sculptures representing a harebrained history of the world; and myriad trompe l'oeil sculptures of ordinary objects.
It includes photographs of doll-scale tableaus made mainly of processed meats; films starring the artists as Rat and Bear in frowzy costumes; more than 2989 small, comical clay sculptures representing a harebrained history of the world; and myriad trompe l'oeil sculptures of ordinary objects.
It includes photographs of doll-scale tableaus made mainly of processed meats; films starring the artists as Rat and Bear in frowzy costumes; more than 27083 small, comical clay sculptures representing a harebrained history of the world; and myriad trompe l'oeil sculptures of ordinary objects.
It includes photographs of doll-scale tableaus made mainly of processed meats; films starring the artists as Rat and Bear in frowzy costumes; more than 2212 small, comical clay sculptures representing a harebrained history of the world; and myriad trompe l'oeil sculptures of ordinary objects.
It includes photographs of doll-scale tableaus made mainly of processed meats; films starring the artists as Rat and Bear in frowzy costumes; more than 238 small, comical clay sculptures representing a harebrained history of the world; and myriad trompe l'oeil sculptures of ordinary objects.
It includes photographs of doll-scale tableaus made mainly of processed meats; films starring the artists as Rat and Bear in frowzy costumes; more than 256 small, comical clay sculptures representing a harebrained history of the world; and myriad trompe l'oeil sculptures of ordinary objects.
"Six of the frowzy-headed Fishers in a pose", from Finley's American Birds, 1908. William Lovell Finley (August 9, 1876 - June 29, 1953) was an American wildlife photographer and conservationist from Northern California.Worth Mathewson. William L. Finley: Pioneer Wildlife Photographer.
Writing in the Los Angeles Times, Michael Wilmington described It Takes Two as "a modestly budgeted comedy with...a frowzy plot" that nevertheless "has relentless pace and snap, real comic vigor." The Time Out Film Guide calls the film "One of the better movies of hit-and-miss director Beaird".
Serious financial differences arose between the poet and his publisher, and Dryden's letters to Tonson (1695–1697) are full of complaints of meanness and sharp practice and of refusals to accept clipped or bad money. Tonson would pay nothing for notes; Dryden retorted, "The notes and prefaces shall be short, because you shall get the more by saving paper." He added that all the trade were sharpers, Tonson not more than others. Dryden described Tonson thus, in lines written under his portrait, and afterwards printed in Faction Displayed (1705): :With leering looks, bull-faced, and freckled fair; :With two left legs, and Judas-coloured hair, :And frowzy pores, that taint the ambient air.
Felix Ungar (Jack Lemmon) checks into a fleabag hotel near Times Square and attempts to kill himself by jumping out of the window, but he fails to open it and pulls a muscle in his back. Limping back on the street he tries to get drunk at a dance bar (The Metropole) and ends up hurting his neck when he drinks a shot. He stands on a bridge, contemplating jumping into the river. Meanwhile, in the frowzy Upper West Side apartment of divorced sportswriter Oscar Madison (Walter Matthau) on a hot and sticky summer evening, Oscar and his buddies Speed (Larry Haines), Roy (David Sheiner), Vinnie (John Fiedler), and policeman Murray (Herb Edelman) are playing poker and discussing their friend, Felix Ungar, who is unusually late for the game.

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