How to use Fourth World music in a sentence? Find typical usage patterns (collocations)/phrases/context for "Fourth World music" and check conjugation/comparative form for "Fourth World music". Mastering all the usages of "Fourth World music" from sentence examples published by news publications.
Jon Hassell: Listening to Pictures (Pentimento Volume 1) (Ndeya) Always warm not chill, Hassell's quiet, environmental "fourth world" music has staying power that enlarges with time—listening back, I hear more complexity and groove in 2005's patched-together Maarifa Street than I did at the time.
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But in the past decade or so, his philosophy of Fourth World music—essentially the idea that traditional folk instrumentation from around the world can be combined with electronic abstractions to create something that transcends the time and place of its creation—has been adopted by a whole universe of younger artists.
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Too Many Voices is primarily influenced by early grime, the works of This Mortal Coil and Dead Can Dance, and the "fourth-world music" of acts like Yellow Magic Orchestra.Ryce, Andrew (1 April 2016). "Full details of Andy Stott's Too Many Voices revealed". Resident Advisor.
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Jon Hassell (born March 22, 1937) is an American trumpet player and composer active since the 1960s. He is best known for developing the concept of "Fourth World" music, which describes a "unified primitive/futurist sound" combining elements of various world ethnic traditions with modern electronic techniques. The concept was first articulated on Fourth World, Vol. 1: Possible Musics, his 1980 collaboration with Brian Eno.
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He persuaded her to collaborate with him on a new project fusing Gaelic music with contemporary technology and a developing world music sensibility (at least partially inspired by Fourth World music experiments such as David Byrne and Brian Eno's 1981 album My Life in the Bush of Ghosts). Working with arranger and engineer Chic Medley, the duo began to record together. Mackenzie brought in most of the early Mouth Music repertoire in the shape of traditional Gaelic songs which she had discovered while studying Scottish and Gaelic cultures in Edinburgh.
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In 2006 Terem Quartet was invited to take part in several political events: Russia-Singapore Forum in Singapore and G8 summit in Saint Petersburg. On 28 June Terem Quartet for the first time performed with ballet and, in the period 24–27 November, the fourth world music festival was organized. During its long life, the ensemble traveled a lot and in October 2007 the concert in the 60th country (South Korea) was performed. On 5 April 2008 Terem Quartet organized a forum in which musicians all over the world represented their native countries: Great Britain (Swingle Singers), France (Bratch), Scotland (Shooglenifty), Sweden (Real Group), Iceland (Diddú), Japan (Joji Hirota) and Russia (Yuri Shevchuk, Igor Butman and Pelageya Khanova). Also this year the «Diddu og Terem» was released.
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