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19 Sentences With "floof"

How to use floof in a sentence? Find typical usage patterns (collocations)/phrases/context for "floof" and check conjugation/comparative form for "floof". Mastering all the usages of "floof" from sentence examples published by news publications.

But Cat Max, Furriosa and the Floof Warrior are all just as Oscar-worthy, right?
Which is very easy when you're cradling and looking into the eyes of this fragile floof.
" Mr. Salonen set a nonsense text to music before, in "Floof (Songs of a Homeostatic Homer).
There are some issues with scrolling, making it difficult to see the most recent video of your floof.
And Cindy Parker lets her Great Pyrenees — a huge, white floof named D J — roll around in mud.
"Cat legs appear to function like airplane landing gears as the[y] stow safely away in the floof," wrote breezecakeyum.
Each dog is rated on 7 categories (boopability, ears, floof, etc.) with a minimum rating of 10/10 for each category.
When the floof reported for duty, the Queensland Police Service Dog Squad didn't think Gavel displayed the "necessary aptitude" for the world of canine crime-fighting.
I make a double shot of Nespresso and a bowl of oats with peanut butter and berries (and a spoon of peanut butter for the floof for being adorable).
If that's the case, it might behoove Swift to find a way to reconcile the two poles of her image — a way to be both unapologetically a floof-loving girly girl and a scheming, plotting snake.
Mr. Salonen gave the evening a personal slant, and not just with the inclusion of his own "Floof (Songs of a Homeostatic Homer)," written in 1982, when he was in his mid-20s, and revised in 1990.
In fact, there were all kinds of pointed emotional threadlines in this show starring Elizabeth Olsen: death of a beloved spouse, love, loss, grieving, moving, troubled siblings, depression, addiction, and yes, the final days of a soulful floof.
Corgis are graceful and remarkable creatures, to be sure, but they are distractible and goofy in all the ways a dog should be, and they are, by dint of their natural tendencies toward chunk and floof, not really built for speed.
After they are shown the nature problem, Kalia chooses the three ideal rangers for the mission, Floof always joins the three on their scooters. When the mission is completed, the three rangers return to Kaleidoscopia on their scooters.
He then assumed the post as Music Director and Artistic Advisor in 1998. His work in Birmingham included the Floof! festival of contemporary music. He also championed the music of John Foulds in concerts and recordings with the CBSO.
A dog with a fluffy coat may be called a floof or a fluff. DoggoLingo follows a similar rudimentary style to create its verbs (e.g. doin me a in place of present participles, such as doin me a scare "scaring me") and adjectives (e.g. heckin in place of degree modifiers such as extremely).
In modern American usage, "petticoat" refers only to a garment hanging from the waist. They are most often made of cotton, silk or tulle. Without petticoats, skirts of the 1950’s would not have the floof they were known for. In historical contexts (sixteenth to mid-nineteenth centuries), petticoat refers to any separate skirt worn with a gown, bedgown, bodice or jacket; these petticoats are not, strictly speaking, underwear, as they were made to be seen.
Rainbow Rangers takes place in the magical land of Kaleidoscopia and focuses on the adventures of seven 9-year- old girls—Rosie Redd, Mandarin Orange, Anna Banana, Pepper Mintz, Bonnie Blueberry, Indigo Allfruit, and Lavender LaViolette—who are all represented by the colors of the rainbow. Each use their own powers to help protect the citizens of their land, clean the planet, and make the world a better place. Each episode begins with a problem with nature seen on Earth. A rainbow is sent to Kaleidoscopia and Kalia calls all seven rangers and Floof to her.
Among Salonen's compositions include his Concerto for Alto Saxophone and Orchestra (... auf den ersten Blick und ohne zu wissen ...) (1980, with a title taken from Franz Kafka's The Trial), Floof for soprano and ensemble (1982, on texts by Stanisław Lem) and the orchestral L.A. Variations (1996). Salonen has stated that his time in California has helped him to be more "free" in his compositions. Mark Swed, chief music critic of the Los Angeles Times, described it this way: > When [Salonen] arrived in Los Angeles, he still liked to consider himself a > composer-conductor, but the truth was that he had stopped writing music. > "The obvious and easy explanation for me to give to people when they were > asking why there hadn't been any new pieces for a while was that I had been > conducting so much, I had no time," he said.

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