The eyes of an interviewee are flooded with light, as if for an ophthalmological examination.
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This one was on a higher floor, faced the front and was flooded with light.
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Flooded with light, the upstairs bathroom had a tub, a shower and a two-sink counter.
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Audiences didn't notice that the killer's face was completely in shadow in a shower flooded with light.
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It was flooded with light from skylights and floor-to-ceiling windows facing north toward Central Park.
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At the ground floor's center was a spacious rotunda, flooded with light from a dome five stories above.
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It was a two-bedroom walk-up, on a corner Grove Street lot, and it was flooded with light.
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The restaurant was flooded with light and is completely photo-ready, just like the influencers and magazine editors seated around us.
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"I'm in a room, which is flooded with light, and I'm practicing, and I'm able to play just, anything," he said.
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The final assembly-line hangar at the heart of the Airbus campus in Mobile is flooded with light and eerily quiet.
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We come to a glass room, flooded with light, where autopsy tables await the anatomical learning material, which will be processed there.
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Looking out at a row of clapboard houses and an abandoned warehouse, Self's fourth-floor studio is eerily quiet and flooded with light.
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The Cathedral was flooded with light as the patriarch blessed the new Metropolitan, dressed in blue, white and gold vestments and a glittering miter.
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All the subjects that I had to shoot were (a) immobile and (b) flooded with light, eliminating two of the biggest challenges for mobile cameras.
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"Come out with your hands up!" an officer yelled, with the dark front porch and foyer inside suddenly flooded with light from the officers' flashlights.
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Size: 919 square feet Price per square foot: $256 Indoors: The building's main entrance opens to an atrium wrapped by a staircase and flooded with light.
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The all-white interiors are flooded with light from floor-to-ceiling glass doors that open to a large garden wild with lavender, palms and trellised mermaid roses.
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The bright, open-plan space was flooded with light thanks to floor-to-ceiling windows and gleaming marble floors that flowed from the entrance into the contemporary, lounge-like bar.
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He built the Kennedy Library to evoke the man, and its towering empty spaceframe, flooded with light and hung with an American flag, summed up both limitless optimism and the country's loss.
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"We'd get done with the track all sweaty, and walk outside to this beautiful, flooded with light, perfect [place] where it's hard to be all angry punk-rock," Godsmack drummer Larkin says.
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This has been transformed into an airy sculpture court flooded with light pouring in through a new ceiling of small glass pyramids that deflect noise toward walls finished with sound-absorbing material.
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Flooded with light and complicated feelings that she never manages to articulate, she brings to mind a saint in religious reverie, her eyes and smile as shining, bright and wide as the world.
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The large function room, flooded with light from a bank of windows that looks over the river, and the long, narrow dining room were used for meetings between local Afghan officials and American military officers.
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Late last month in Ms. Ekimian's apartment, which faces the building's interior but is flooded with light, paper patterns were strewn like blueprints, fabric panels were stacked, and muslin toile hung on the back of her bedroom door.
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Affectionately known as "The Mack," this building is one of the campus' most visually distinct, flooded with light pouring in from large front facing windows the aesthetic is slightly more elaborate than parts of the campus completed before it.
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She paired it with a showstopper pot — a $1,500 ceramic planter from Bzippy & Co. For another Brooklynite whose kitchen is flooded with light, she built a six-foot fiberglass window planter and filled it with herbs and leafy greens.
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It is flooded with light and filled with plants; there are printouts of petri dishes taped to a wall — studies for a work in progress — but otherwise there is little evidence of the messiness that one expects from art-making.
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Its naked concrete floor and arched ceilings are flooded with light from projectors dangling from the rafters like green and purple eyes maniacally scoping out the dancefloor while four prism-like crystals the size of fists break the rays of light into kaleidoscopic, colorful chaos.
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The interior is now flooded with light and brimming with colorful goods: a sculptural Memphis-esque chair with a blue marbled seat, a boxy jacket made from turmeric-colored silk, a mirror shaped like a face in profile and painted like a haphazard checkerboard.
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The prayer room, flooded with light from huge windows designed to foster "transparency", recently opened to worshippers; a mini-mall downstairs aims, as Ms Aydin puts it, to "lower fear and contact barriers" for non-Muslims, who will be invited to patronise the (halal) outlets when they open later this year.
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The galaxy, Thousands of fireworks Reflecting the stars, Asleep in space The tombstones of Earth His tall frame was coiled up His demeanor self-effacing He said I'm in a room, Flooded with light, It's a fantasy About finding a way out Of the 65-year silence I want to surprise them.
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Inside, the store embodies Sitz's distinct brand of craft-focused California minimalism: Arranged around the airy white-walled space — which is flooded with light from the barn's original multi-pane windows — are geometric marble containers by the Belgian industrial designer Michaël Verheyden and life-size sheep stools by the German designer Hanns-Peter Krafft.
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The book is punctuated with snapshots of the couple's 18th Street loft, which looks just as you'd expect it to: flooded with light, full of houseplants, crammed with art and papers and meaningful bric-a-brac, the kind of New York homestead that seems only to live on in simulacra, as art-directed television location.
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Externally the facades offer a contrast between solid glass bricks and transparent windows, but internally the apartments are flooded with light across the entire wall.
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Summery pictures, flooded with light, almost casual in their expression, revealing past and present pain only on a second or third view. (…) Roland Stelter has selected a visual language which is documentary but not journalistic.
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One of the largest stained-glass church windows in the world allows the altar area to be flooded with light and the narrow east wall to be illuminated with reflected light.Visitation of Mary Parish website. Retrieved on 2009-01-16.
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The front of the building is faced with ashlared Bath stone. There are large tiered windows, in reinforced concrete frames, on the sides of the pool hall, and these are supported by eight parabolic arches of reinforced concrete. Historic England comments that the interior "resembles a cathedral nave flooded with light from the tiered clerestory"."Northampton’s Mounts Baths identified as world class" Northampton Borough Council.
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Basilican halls had previously been characteristic of major civic complexes and military headquarters buildings; but now became the standard structure for accommodating large Christian congregations. From now on, the term basilica denotes any substantial church building. These new basilicas were wholly different in scale from earlier Christian assembly halls, as they were also different in form from any Roman non-Christian temple or religious structure. The halls were longitudinal, aisled, and flooded with light from large clerestory windows.
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Emporis Listing Previously, a structure at 111 West Washington was known as the Chicago Title & Trust Building. After CT&T; moved to the new tower in 1992, its former home became known as the Burnham Center.The Burnham Center One of the tower's most notable features is its eastern-facing slanted roof at upper levels. At night, the top of the building facing east and west is flooded with light, creating a memorable presence on the Chicago skyline.
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All the round-headed windows are in the Classical-Wren style, with clear leaded lights of hand-made glass. With clear windows on all four sides, the cathedral is flooded with light at any time of the day. This, together with the white walls and stone floor, combines to give a translucent effect which uplifts the spirit and conveys its own sense of the presence of God. The cathedral is lit by brass English Classical chandeliers (one of which was formerly in the church at Epping) and, above the cornice, concealed lighting.
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The building was designed by architects Consarc and features a curved, suspended glass façade in a striking 10m high frameless glass entrance. This façade ensures maximum transparency of the interior to the people of Downpatrick and to visitors. The building is set partly into the ground to reduce its impact on the listed buildings behind, including the Cathedral, and uses the glass façade to counteract any tendency for the building to be seen as a bunker. As a result, the building is welcoming, open and flooded with light.
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Internally the house is designed on three levels with an entrance stair hall leading down to an open planned living dining room opening onto a small kitchen. The open stairwell leads to the upper level which contains two bedrooms, a study and a bathroom The main bedroom and study open onto the balcony. Internally the house is without decoration and is flooded with light from the large windows. The house is very intact and has many of the original light fittings and "modern" features such as built-in cupboards in the kitchen and bedrooms.
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The music video for the song features Rimes singing solo in a minimally furnished, abandoned house. The first 2/3's of the video features Rimes in a tan and white shirt with tan leather pants while in the darkness lit by a spotlight that travels across the room in the background while different colored leaves are billowing about. There are close-up shots of her face as she's singing and various poses of her swaying, moving and dancing to the song. After the second verse the spotlight stops in her midsection and the scenes are flooded with light.
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After this, the prevalent style was Gothic for around 300 years but the style was clearly present for many years before that as well. In these late Gothic times, there was a specific way in which the foundations for the churches were built. First, a stone skeleton would be built, then the spaces between the vertical supports filled with large glass windows, then those windows supported by their own transoms and mullions. On the topic of church windows, the windows are somewhat controversial as some argue that the church should be flooded with light and some argue that they should be dim for an ideal praying environment.
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Russian writer Yakov I. Perelman pointed out in Physics Can Be Fun (1913) that from a scientific point of view, a man made invisible by Griffin's method should have been blind because a human eye works by absorbing incoming light, not letting it through completely. Wells seems to show some awareness of this problem in Chapter 20, where the eyes of an otherwise invisible cat retain visible retinas. Nonetheless, this would be insufficient because the retina would be flooded with light (from all directions) that ordinarily is blocked by the opaque sclera of the eyeball. Also, any image would be badly blurred if the eye had an invisible cornea and lens.
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The Annunciation painting depicts the archangel Gabriel, aloft on a cloud, revealing to the Virgin Mary that she was pregnant with Jesus (Luke 1:10-20 King James Bible). The archangel, whose face is in shadows, points to the heavens. Above, a group of cherubs open the heavens to allow for light to fall on the Virgin, and to allow the descent (in the form of a dove) of the Holy Spirit The edge of an orange curtain, lit from above, creates a diagonal rising from the right of the canvas, behind the Virgin, up to the clouds. Mary's face is flooded with light, while her hands take on the demure posture of troubled surprise.
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For the cladding Madin offered the council a choice of Portland Stone or Travertine Marble to align with the adjacent civic buildings. A third, cheaper option was pre-cast concrete with Hoptonwood limestone and Derbyshire spar aggregate with white cement: this was offered by Alan Maudsley, the City Architect, and accepted by the council as an economy measure. The central atrium showing one of the six pools; this area later became Paradise Forum The entrance hall, which was double height between the lending and reference libraries, was entirely glazed on the side facing the atrium – an early example of a freestanding wall made of toughened glass. Before later developments the wall allowed the entrance to be flooded with light and provided views of the Town Hall from the escalators.
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Lawson's particular skill was mixing various forms of similar architecture to create a building that was in its own way unique, rather than a mere pastiche of an earlier style; having achieved this, he then went on to adapt his architecture to accommodate the climate and materials locally available. Local stone and wood were particular favourites of his, especially the good quality limestone of Oamaru, and these were often used in preference to the excellent bricks equally available. Small Gothic Lancet windows were often avoided and replaced by large bay windows, allowing the rooms to be flooded with light rather than creating the darker interiors of true Gothic buildings. Larnach Castle has often been criticised as being clumsy and incongruous, but this derives from the persistent misinterpretation of Lawson's work as Scottish baronial.
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The Royal Hunt of the Sun (1964) presents the conquest and killing of the Inca ruler Atahuallpa by the conquistador Francisco Pizarro in Peru, while Black Comedy (1965) takes a humorous look at the antics of a group of characters feeling their way around a pitch black room — although the stage is actually flooded with light. Equus (1973) won Shaffer the 1975 Tony Award for Best Play as well as the New York Drama Critics' Circle Award. A journey into the mind of a seventeen-year-old stable-boy who had plunged a spike into the eyes of six horses, Equus ran for over 1,000 performances on Broadway. It was revived by Massachusetts' Berkshire Theatre Festival in the summers of 2005 and 2007, by director Thea Sharrock at London's Gielgud Theatre in February 2007, and on Broadway (in the Sharrock staging) in September 2008.
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Carlo Pietrangeli, former Director General of the Vatican Museums, writes of the restoration: "It is like opening a window in a dark room and seeing it flooded with light." His words resonate with those of Giorgio Vasari who, in the 16th century, said of the Sistine Chapel ceiling: Pietrangeli, in his foreword to The Sistine Chapel, written after the restoration of the lunettes, but prior to the restoration of the ceiling, commends those who had the courage to commence the restoration process, and thanks not only those who visited the restoration while it was in progress and gave the benefit of their knowledge and experience, but also those who were critical of the enterprise. Pietrangeli made acknowledgement that these people spurred the team on to punctilious documentation so that a full report of criteria and methods should be available to those who are interested, both in the present and the future.Carlo Pietrangeli, Foreword to The Sistine Chapel, ed.
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