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13 Sentences With "flattop haircut"

How to use flattop haircut in a sentence? Find typical usage patterns (collocations)/phrases/context for "flattop haircut" and check conjugation/comparative form for "flattop haircut". Mastering all the usages of "flattop haircut" from sentence examples published by news publications.

Tester has lived his entire life in Montana, a third-generation dirt farmer who brags about his $10 flattop haircut (including the tip, his website notes).
He joined local veterans last week in a creaky hotel ballroom, with his $218 flattop haircut and scuffed black shoes, and spoke of the copper mines up the road, sustaining the nation in wartimes.
He is also one of the great gum-chewers in American cinema, a habit that, along with the flattop haircut and heavy-framed glasses, gives Al an aura of midcentury no-nonsense masculine competence.
In July 1986, Peterson offered a free flattop haircut to anyone who attended the opening of his third store at 82nd and Foster. Peterson, who got his first flattop haircut in 1952, hired three barbers to give haircuts on the floor of his showrooms. They gave about 50 haircuts the first day, and Peterson decided to make the gimmick a weekly event. He continued offering the haircuts for two decades and as of 2002 was still giving away about ten haircuts per week.
The song is famous for its music video, directed by Jean-Paul Goude. It begins with a picture of Grace wearing a tall black hat and her face concealed under a three-piece paper mask. These are then removed and her trademark flattop haircut is displayed. Jones then starts to perform the song, singing straight into the camera, and plays accordion, although the original was actually performed on bandoneón.
Nightclubbing is now widely considered Jones's best studio album. The album's cover art is a painting of Jones by Jean-Paul Goude. Jones is presented as a man wearing an Armani suit jacket, with a cigarette in her mouth and a flattop haircut. While promoting the album, Jones slapped chat-show host Russell Harty live on air after he had turned to interview other guests, making Jones feel she was being ignored.
John Jonah Jameson Jr.Amazing Spider-Man #579 is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the superhero Spider-Man. The character was created by writer Stan Lee and artist Steve Ditko, and he first appeared in The Amazing Spider- Man issue #1 (March 1963). Jameson is typically depicted as the publisher or editor-in-chief of the Daily Bugle, a fictional New York newspaper. Recognizable by his toothbrush moustache, flattop haircut, and ever-present cigar, he carries out a smear campaign against Spider-Man.
As the show's episodes aired, Boesch became one of the cast's most popular contestants, and his appeal extended across all demographic groups. The "Rudy" persona was based around his gruff, cantankerous manner, his flattop haircut and stoic approach to life on the island, and to his being a man of his word. Blunt about survival needs, the Catholic, but non-church- attending Boesch memorably said that the only use for the Bible on the island was as toilet paper. His politically incorrect statements became known as "Rudyisms" and made him even more popular.
New World Order which included Kevin Nash (left). Early in 1996, Sting's appearance started to change: he grew longer, darker hair, replacing his blond flattop haircut, and he often wore black tights with a multi-colored scorpion, although he occasionally wore his colorful ones and maintained his colorful face paint. Sting teamed with his old friend Luger, who had returned to WCW from WWF in September 1995, despite Luger's standing as a heel. The duo beat Harlem Heat for the WCW World Tag Team Championship on the January 22 edition of Nitro.
His face was fully shown in the unofficial Duck family tree by Mark Worden and first published in several fanzines, which labeled him "? Duck" and showed him with a flattop haircut and human-like ears. In Huey, Dewey, and Louie's first appearance in a 1937 Donald Duck Sunday strip, Della writes to Donald that the boys had placed a firecracker under their father's chair as a prank and that their father had been sent to the hospital. This was the reason why the boys first showed up at Donald's house.
Peterson is widely known in Portland for writing and starring in his own local TV commercials, for his trademark flattop haircut, catch phrases including "Free is a very good price" and referring to his store as "the happy place to buy." In the 1980s, Peterson was described by Oregonian columnist Margie Boulé as "arguably, the most recognizable man in Portland." From the 1960s, Peterson was a frequent sponsor of KPTV's Portland Wrestling programs and often appeared live at the now defunct Portland Sports Arena to advertise items from his store. He advertised regularly on Portland Wrestling until the show was cancelled in 1991.
Warm Leatherette was the first Jones album with cover art designed by her then-boyfriend, Jean-Paul Goude, which presented the singer's androgynous look for the first time. It featured a black and white photograph of Jones pregnant, with her signature flattop haircut, sitting with her arms crossed. Chris Blackwell praised it as "a very powerful image". After the commercial success of Nightclubbing, Island Records re-released the Warm Leatherette album with new artwork, replacing Jean-Paul Goude's original cover with a picture of Jones performing "Walking in the Rain", taken from her 1982 concert video A One Man Show.
Originally, Goodman wanted a different kind of beard for Walter but the Coen brothers insisted on the "Gladiator" or what they called the "Chin Strap" and he thought it would go well with his flattop haircut. For the film's look, the Coens wanted to avoid the usual retro 1960s clichés like lava lamps, Day-Glo posters, and Grateful Dead music and for it to be "consistent with the whole bowling thing, we wanted to keep the movie pretty bright and poppy", Joel said in an interview. For example, the star motif, featured predominantly throughout the film, started with the film's production designer Richard Heinrichs' design for the bowling alley. According to Joel, he "came up with the idea of just laying free-form neon stars on top of it and doing a similar free-form star thing on the interior".

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