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46 Sentences With "fire stairs"

How to use fire stairs in a sentence? Find typical usage patterns (collocations)/phrases/context for "fire stairs" and check conjugation/comparative form for "fire stairs". Mastering all the usages of "fire stairs" from sentence examples published by news publications.

I had to run down the stairs—the fire stairs—to speak to him.
"The latest message I received from him was there's a commando team that are helping them escape through the fire stairs," she said.
For those who want more of a challenge, there is "55 Stories on Fifth Ave," which involves using the fire stairs — a total of 1,021 steps — to reach the building's top.
As a result, her 159-page report did not address specific changes people have called for, like a cladding ban or requiring sprinklers and multiple fire stairs in high-rise buildings.
But her 159-page report was criticized for not making specific recommendations, not even to ban the sort of cladding used at Grenfell or to require sprinklers and multiple fire stairs in high-rise buildings.
About 100 people were herded into a locked office, Mr. Somwang said, where they stayed for five hours before a rescuer escorted them down the fire stairs, instructing them to stay low and keep quiet.
But Jobs, inspired by the way fire stairs work on yachts, had suggested that, in cases of flagration, glass encasing the stairwells should be drenched by high-­pressure sprinkler heads producing a dense mist, a proposal that apparently satisfied the Santa Clara County Fire Department.
But after walking her dog, Ms. Marki, a marketing consultant who is 26, often takes the stairs to her apartment — starting with the sculptural staircase that spirals up the double-height lobby to the second floor, where she can grab a coffee from the lounge before continuing up on the fire stairs.
The building is in original condition, except for new metal fire stairs.
Internally the original detailing remains in the fire stairs, including the handrail and tiled landings. All the levels have been refurbished with suspended ceilings that sit below the window heads.
Wncased steel columns to basement. Low Significance:Reinforced concrete fire stairs, recent internal stairs and partitioning, infill of light well. Reglazing of shop windows and central entry door. 22 York Street, Sydney was listed on the New South Wales State Heritage Register on 2 April 1999. Nos.
The three upper floors are uninsulated and for warm-weather use only. As a historic structure, the building lacks an elevator and fire stairs. Although original plans called for 89 units, the completed renovated building contains 80 lofts and apartments on its second and third floors. Many larger apartments feature studio space.
The building also was the Queensland headquarters for the Social Wing of the Salvation Army. In 1913 extensions were undertaken which involved adding an extra two storeys. This created a building of such height that special fire safety measured were imposed. Despite this, many years later, to meet modern fire standards, a set of brick fire stairs had to be added.
There are bronze-and-alabaster chandeliers hanging from the ceiling. As with the facade, the lobby includes bronze furnishings and is heavily influenced by Greek architecture. The oldest section of the building, on the southwest side facing Dey Street included a lobby, shops, offices, fire stairs, and a narrow bank of elevators near the east wall. The elevators face eastward, toward the larger Dey Street lobby.
These contain fire stairs, service risers, store rooms, and kitchenettes. Some levels retain original black bean veneer fire doors. The top level of the tower (L10) contains two large auditoriums. The larger of the two, named the Charles Barton Auditorium, is double-height and has a raised stage with a proscenium arch, velvet curtains, wings spaces either side, and a backstage area with changing rooms.
510 Fifth Avenue contains either of floor area. Two elevators and two fire stairs abut the western side of the building. The elevator lobby on the first floor, accessed by the western entrance along 43rd Street, was designed with ceiling tiles made of glass. As designed, the first and second floors were the main banking spaces and are connected by a pair of escalators.
Room in the hotel. The hotel is raised above street level on pilotis, five massive sculptural piers, which hoist the building thirty feet over the park below. On the east side of the structure "[a] single, sloped concrete pier, along which a tantalizing set of fire stairs runs, supports the building by the hotel entrance." The elevation of this structure is one clear distinction from the orthogonal street grid of Manhattan.
Pinnacle House was constructed in 1892 to the design of Sheerin & Hennessy. It is an 8-level warehouse in the Victorian Free Classical style, now used for commercial office space. The building has an internal structure of cast iron columns and wrought iron beams. In 1985, the building was substantially refurbished by Leightons, including the present roof structure, new lifts, fire stairs, suspended ceilings and internal services and finishes.
The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales. The REVY buildings remain rare examples of multistorey dockside warehouses. A waterfront warehouse building of the height of Revy C is now rare in Sydney. The Revy C building fire stairs are not only evidence of an early solution to fire safety, but are also a rare solution in Sydney.
The two apartment blocks to the east and west, have a line of structural columns running down the middle which in turn subdivide the apartment. An interior public corridor runs perpendicular to the three blocks, parallel to Calle 13, and links to the stair and three elevators. There is secondary stairs near the east entrance with windows at every landing. There were no fire stairs required by the Havana building code.
The Broadway lobby, on the eastern side of the lot, is separated from both the Fulton and Dey Street wings by the elevator banks along these wings' eastern walls, as well as a pair of fire stairs. Passageways from both wings' lobbies lead east to the Broadway lobby. The wings contain asymmetrical column arrangements, but this is not immediately visible from the Broadway lobby due to the presence of the elevator banks.
In 1999, the trustees gave the community chapel to the secondary School for development as a staff room. In response to the increasing student population in the secondary school, the trustees also agreed to give the junior school and kindergarten classrooms for use in the secondary school. In 2000, a large extension was added to the lunchroom and recreation area. Two additional classrooms and a new fire stairs were also part of this development.
The design of the building consisted of 12 four-story cubes stacked on top of one another, cantilevered off a central concrete column standing above an 8-story base. The slender concrete core would contain elevators, fire stairs and risers for plumbing and power. The base was intended to hold a cultural space, such as a museum. The lowest two cubes would hold offices, while the upper 10 cubes were planned to serve as individual residences.
As part of the promotion for the series, FX launched a "House Call" campaign, in which viewers at home could sign up and come face-to-face with a character from the series. Prior to the series premiere, FX released several clues to shine light on the series. They were offered on the show's official YouTube channel. Ten clues were released, entitled "Cello", "Baby", "Couples", "Coffin", "Lying Down", "Fire", "Stairs", "Melt", "Red Cello" and "Rubber Bump".
The Kreuzberg Tower consists of five independent towers interconnected by internal and external walkways: the towers are square, rectangular and circular in plan. There are a total of seven apartments, each with two floors, making a total of 14 storeys. The largest of these towers comprises living area on the lower level and a loft-type artist's studio on the upper level. Services such as elevator, fire stairs, kitchens, bathrooms and bedrooms occupy the rest of the towers.
The place was virtually reconstructed in 1936, with Hennessey and Hennessey appointed as architects, resulting a completely different facade, repaired in 1963 and refurbished in 1973, when the place underwent major redevelopment under the supervision of Edmund-Dykes, Coward and Chaplin. The building was internally gutted except for the elevators and fire stairs. Air conditioning was installed and a shopping arcade established in the former railway ticket offices fronting the plaza with a restaurant below the arcade.
To move from the sixth to seventh floor, one must use the fire stairs. The discontinuity of the staircases was intended to promote physical activity and to increase meeting opportunities. The main elevators are treated in a similar fashion where stops are limited to the first, fifth and eight floors, encouraging occupants to use the sky bridges and stairs. Mayne concentrated the program of student activities on the same floors that are serviced by the skip stop elevator.
On the lower level, attached to the western facade, is a riveted truss jib crane installed shortly after the completion of the building. The mass, rectangularity and arched upper windows hint at Federation Warehouse styling, while the rounded gables are a suggestion of Federation Anglo Dutch influence. External steel fire stairs are visually prominent. The combined seawall and wharf which surrounds Darling Island is made from concrete blocks laid on bedrock about 8m below mean tide.
A single freight elevator serves all floors. The office floors contain varying ceiling heights. The 6th, 9th, 12th, 16th, 19th, 22nd and 25th floors have ceilings that are tall; the 28th floor's ceiling is tall; and the remaining office stories starting from the 4th floor are tall. According to The New York Times, 195 Broadway is considered to have the most marble of any New York City office building; the material is so ubiquitous that it was even used for the fire stairs.
The building is in a reasonably sound condition, having been extensively renovated and conserved in the 1990s. The structure of Bays 1-4 is very much intact with only minor changes, displaying evidence of various alterations, such as fire stairs and lifts in the 1950s. The integrity of the interior of Bay 5 of the warehouse component, however, has been seriously compromised by the removal of most of its internal fabric and adaptation to a cinema complex in 1990.Graham Brooks and Associates, 2004.
Thirty-two of the decorative column capitals were replaced, and a new parapet cap and flashing system was designed for the roof. The renovation was awarded the Masonry Construction Online Project of the Year Award for 2009. By March 2010, two of three fire stairs had been installed, and the elevator shaft had been moved to make way for a marble staircase. By January 2011, the building's scagliola columns had been restored, the decorative glazing on the floors had been finished, and progress was being made on the installation of the elevators.
The main building is located at the front of the site with the long axis following the Montague Road boundary. The foundations and ground floor are constructed of concrete which support load bearing walls of plain red machine-made bricks laid in English bond pattern. Attached buttresses are evenly spaced along the walls on the long axis, and sills, dressings and banding at the first floor and sill levels and are highlighted with dark blue salt glazed bricks. Two sets of new metal fire stairs are located on the eastern side of the building.
Each flat was positioned on the floor slab to ensure occupants enjoy a north-facing view. The towers to the south contain the lifts, fire stairs and air conditioning plants and are separate from the floor slab to minimise noise in living spaces. The main building material is concrete, with external walls faced with Selkirk Bricks' manganese brickwork, steel deck on the roof and aluminium windows. Internal walls were originally finished in cast plaster, floors in carpet and tiles and ceilings in plaster and Pyrok, with all internal joinery finished in flat-polished walnut.
A water closet and verandahs were added to the buildings in 1907 and stair and toilet block to the east wing in the same year. In 1909 a ward was built to adjoin the former Drill Master's residence. This was linked by a wall to a new two storey extension that replaced the former single storey matron's kitchen at the back of the old west wing. After World War I resources were primarily spent on upgrading existing facilities and services, particularly sanitation and safety features, for example fire stairs.
Excavations for four piers during the construction of the northern courtyard fire stairs exposed a section of the former Gloucester Street roadway and kerb. It was destroyed for the foundation of the stairs but it was presumed that further segments survive to the north and south. The site was significantly modified by excavating to the level of the Gloucester Street elevation for the construction of the existing hotel building and hence it is unlikely that significant archaeological deposits remain. Owing to the extent of disturbance of the site potential for indigenous archaeological artefacts at the site is considered to be low.
The basement contains a hall which has steel portal frames supporting the columns and floor above, and also contains the A M Rosenblum Museum and Rabbi Falk Library. The modern section, constructed of reinforced concrete, contains offices, classrooms and meeting rooms, together with a lift and fire stairs, and has a top floor with an openable roof. The modern stained glass windows in the Castlereagh Street facade were designed by Louis Kahan of Melbourne. The building contains notable examples of venerable sacred scrolls and religious artefacts, including a menorah (nine-branched candelabrum) made by Rabbi L. A. Falk.
Regatta Hotel, circa 1940 Western elevation with fire stairs, 2014 The Regatta Hotel, located on a prominent site adjacent to the Toowong Reach of the Brisbane River, is a brick building with hipped corrugated-iron roofs. Composed of three storeys and a basement, it is encircled by wide verandahs, except for a section on the southern side. The verandahs to the rendered street facades display a lavish use of cast-iron balustrading, paired cast-iron Corinthian columns and cast-iron and timber friezes. These facades, which curve around the street corner, are surmounted by a solid masonry parapet ornamented by masonry finials.
The panelling used to create small offices was removed, and the rooms are in the same places they were in 1915. All vinyl and plastic were removed from the interior and replaced with historic materials like wood, marble, plaster, and glass. A set of fire stairs on all three floors was added, and the elevator was moved to a different location to make way for a restored grand staircase of marble. Other interior changes include replacing the aluminum windows added in the 1950s with mahogany replicas of the originals, removing vinyl flooring to expose the original oak and marble beneath, and replacing aluminum doors and unsightly fluorescent lights.
After very lengthy negotiations and when the AMP Society had eventually acquired all of the other sites in the area bounded by Phillip, Young and Bridge Streets the RAHS finally had to move. "Wickham House" was available for purchase and was acquired for the RAHS by the AMP Society, substantially on an exchange basis for the Young Street premises. In order to make the house suitable for use by the Society, restoration and construction work was carried out, under the direction of Barry Swain of Peddle, Thorp & Walker. The back wing, formerly the service wing and servants' quarters, was demolished to make way for a lift and fire stairs and an auditorium and first floor extension was constructed.
In the early 1980s work began on the long and expensive process of improving fire safety throughout the College, the need for which was emphasised early in 1989 when an arsonist set fire to the area beneath the dining hall, one of a number of such attacks in Sydney at the time. In the 1990s new fire stairs, sprinkler systems, self-closing doors and emergency lighting were installed throughout the College and The Maples. In the early 1990s the Principal Dr Ann Eyland, drew attention to the need to upgrade student computer facilities. The outcome was the concept of a Resource Centre, combining conventional library resources (still poorly housed in the Main building) with computer rooms and additional tutorial space.
At the 2004 Olympic Games, he finished 5th in the demonstration sport of Men's 1500 m wheelchair. Following this he won two gold medals in the 5000 m T54 and marathon T54 events at the 2004 Athens Paralympics, for which he received a Medal of the Order of Australia. At the 2006 IPC Athletics World Championships in Assen, Netherlands, he won three gold medals and one bronze medal. Participating in his third Paralympics in Beijing, he won a gold medal in the marathon T54, two silver medals in the 800 m T54 and 5000 m T54 events and a bronze medal in the 1500 m T54 event. On 30 September 2009, Fearnley conducted a training climb of Sydney's Centrepoint Tower's 1,504 fire stairs in 20 minutes, taking them two at a time.
Style: Pre Federation Anglo Dutch; Storeys: Four; Facade: Stone and polychrome brick facade including copper roofed bay and ornate stone capped gable ends.; Internal Walls: Original set plaster and rendered brick walls with Victorian colour (Bay 1); Lathe and plaster walls (Bay 1); Roof Cladding: Slate; Internal Structure: Original timber post and beam construction with cast iron capitals to the columns (Bays 2-5); Floor Frame: Timber floor; Ceilings: Barrel vaulted brick ceiling (Bay 1); Stairs: Timber staircases and balustrades; Fire Stairs: Bay 2-5- (1949–50); Bay 1- Fire stair to exterior of building (1961) & Steel fire doors and original hardware.; Sprinkler System: Some sprinkler heads date back to 1929, some of the original cast iron pipework is still intact. The ASN building was one of the earliest in Sydney to be fitted with a water sprinkler system to combat fire, , and is possibly the earliest surviving in Sydney.
While he had masqueraded as an electrician to bluff his way inside, and most likely did not actually intend to kill anyone in the "Tower Room," Connors is ignorant of the truly high voltages that power the huge building: 13,800 volts from the Consolidated Edison substation. The explosion his stolen bomb triggers not only electrocutes him "like a piece of bacon," but also cripples the transformers designed to reduce the voltage to usable levels and causes fires to erupt throughout the building, disabling the elevators and trapping the guests in the Tower Room on the top floor of the skyscraper. When the doors to the fire stairs are found to be blocked by heavy crates containing radio and television equipment for the antenna mast, a rescue attempt is made by rigging auxiliary power to an express elevator. But this fails as the elevator's occupants are killed by the tremendous heat generated by the "flue effect" in the building's central core.
Around this time, the city planned to renovate and expand Neponsit Hospital so it could be used in a general hospital capacity in the event of an emergency. Plans were drawn up by the York and Sawyer firm in 1952. In July 1953, the Board of Estimate approved fireproofing and electrical work for the hospital, including fire stairs to replace the original wooden staircases. However, in January 1955 the city decided to close Neponsit Beach Hospital due to a declining need for tuberculosis treatment. The hospital was vacated on February 1, 1955, with patients transferred to Sea View Hospital or Triboro Hospital. It was officially closed on April 21, 1955. The planned $1 million addition to the complex was cancelled; the plans were approved in 1956 solely in order for the York and Sawyer firm to be compensated. Following the closure of the hospital, the site was considered a "hot property", located on the beach in the fairly exclusive Neponsit neighborhood.
The architectural massing of the Rosita De Hornedo building is mainly composed of two perpendicular eleven floors, double-loaded, reinforced concrete slab sections of different heights set perpendicular to each other and forms, because of the unequal distribution of the rooms, a slightly elongated "T" on plan. The building slab parallel to 1st street has two different curtain wall facade treatments that respond to the orientation of the sun. The elevator core, located near the ground floor entrance, is the tallest point in the building, and along with the fire stairs on the west end, are expressed on the exterior massing of the building. The top two floors contain the circular and overhanging penthouses which are a radically different architectural treatment from the rest of the building and giving rise to the comparison of the Rosita De Hornedo to Erich Mendelsohn's De La Warr Pavilion, in Bexhill-on-Sea, East Sussex, England.
Reinhard Ries, the fire chief in Frankfurt, Germany, was critical of lax fire regulations in the United Kingdom, contrasting the laws in Germany that ban flammable cladding on buildings higher than 22 m and require segregated fire-stairs and firefighting lifts which can be used by the fire brigade and injured or disabled people. Russ Timpson of the Tall Buildings Fire Safety Network told The Telegraph that "foreign colleagues are staggered" when they learn that UK regulations permit high-rise buildings to have only a single staircase, and called on government to review the relevant regulations. New high-rise buildings in England, since 2007, are required to have sprinklers with no requirement to install them in older buildings, and as a result few have sprinklers. Other notable criticisms of UK fire regulations included a change in the law in 1986 under a Conservative government that abolished a requirement that external walls should have at least one hour's fire resistance to prevent blazes from re-entering a building and spreading to other apartments.

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